Charlie Starr is the lead singer and a founding member of legendary southern rock band Blackberry Smoke.

Pigeonholing Blackberry Smoke has never been easy. Since emerging from Atlanta in the early ‘00s, the quintet—vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still—has become known for a singular sound indebted to classic rock, blues, country and folk.

This fluidity has paid off handsomely, in the form of two Billboard chart-topping country albums, 2015’s Holding All The Roses and 2016’s Like An Arrow. (For good measure, the latter also topped Billboard’s Americana/Folk album chart.)

Find A Light, Blackberry Smoke’s sixth studio album, doubles down on diversity. Songs hew toward easygoing roots-rock (“Run Away From It All”) and Southern rock stomps (“The Crooked Kind”), as well as stripped-down acoustic numbers (“I’ve Got This Song”) and bruising alt-country (“Nobody Gives A Damn”). Rich instrumental flourishes—keening fiddle, solemn organ and bar-band piano boogie—add further depth and resonance.

“That’s one of my favorite things about Blackberry Smoke albums—there’s a lot of variety,” Starr says. “My favorite albums through the years are built that way, too. I love a record that keeps you guessing. I love the fact that our records are sort of a ride, with different types of songs and different vibes.”

– 7PM DOORS / 8PM SHOW

– ALL AGES

– STANDING ROOM ONLY

BOB MOULD

Legendary musician Bob Mould announces his “Distortion and Blue Hearts!” tour starting September 16, 2021, in Boston at Paradise. The tour is in two parts. For the first three weeks, Bob will be joined by Jason Narducy on bass and drummer Jon Wurster. Beginning October 15 in Bloomington, IL, Mould will perform “Solo Distortion” electric shows (full run of dates and locations below).

On July 16, 2021, before any tour dates happen, Demon Music Group will conclude their year-long Bob Mould retrospective campaign with their fourth vinyl box, Distortion: Live. The 8 LP set includes live recordings from Mould’s solo career and his band Sugar.

PURCHASE DISTORTION: LIVE HERE

This box follows October 2020’s 8 LP Distortion: 1989-1995 vinyl set, which took in Mould’s early solo outings as well as his records with the much-beloved Sugar, January 2021’s 9 LP Distortion: 1996-2007 box set continuing through the next steps in Mould’s solo career and his outings as LoudBomb and Blowoff, April 2021’s 7 LP Distortion 2008-2019 covering District Line to Sunshine Rock, and the 24 CD Distortion: 1989-2019 box, which covers the entirety of his post-Hüsker Dü output.

Mould’s live shows will span his entire 40+ year career, including songs from the Distortion collection and from his landmark band Hüsker Dü, as well as songs from last year’s explosive and critically acclaimed album Blue Hearts — about which Rolling Stone’s 4 out of 5 star review raved, “feels like a lost Hüsker Dü album with Mould howling invective over his buzzsawing guitar.”

“It’s been a year and a half away from the stage. I’ve missed the noise, the sweat, and seeing your smiling faces. I’m fully vaccinated, and I hope you are too, because this Fall will be a punk rock party with the band — and the solo shows will be loud and proud as well. It’s time to make up lost time, reconnect, and celebrate together with live music!”

As with the previously released box sets in the Distortion collection, each album has been mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston and is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects. This box set includes 4 live albums: Live At The Cabaret Metro, 1989; the Sugar album The Joke Is Always On Us, Sometimes; LiveDog98 (first time on vinyl), and Live at ATP 2008 (first time on vinyl). In addition, the set includes a 28-page companion booklet featuring liner notes by journalist Keith Cameron; contributions from Bully’s Alicia Bognanno; rare photographs and memorabilia, and a bonus LP Distortion Plus: Live, which features live rarities including B-Sides and stand-out tracks from the Circle of Friends concert film.

Discover more about the box sets including full track listings and FAQs here:

Bob Mould: Distortion

H.C. McENTIRE

“Early rise, start the fire, till the rows, pass the tithes.” So starts H.C. McEntire’s sophomore release, Eno Axis. It’s a set of directions delivered with assurance and authority, reaching the listener without pretension almost as a sermon or spell. McEntire has always had one foot planted in the traditional country gospel roots of her upbringing while boldly wrestling with its complications, creating an Americana sound of her own. But that has never rung as true as it does now on the transcendent psalms of Eno Axis.

Unlike McEntire’s solo debut, LIONHEART, which was recorded in sporadic bouts and fits while she was touring, Eno Axis is firmly rooted in place. After two years working all over the world as a backup singer in Angel Olsen’s band, McEntire came home to a hundred-year-old farmhouse tucked away in the woods of Durham, North Carolina, right on the Eno River. Here, McEntire was able to refocus. Like the blue-collar Appalachian kin she descended from, her days were scheduled by the clockwork of the Earth’s rotation: splitting wood, stacking it, weeding and watering the garden, walking the dog past the bridge and back—and every evening on the front porch, watching dusk fall. Eno Axis emerges from this time as the strongest work McEntire has shared yet.

“To all the winds—hold high the hymnal, gather blessings by the fistful,” McEntire sings in her celebration of the Eno on “River’s Jaw.” McEntire doesn’t write lyrics; she writes poetry. Growing up in the tiny rural community of Green Creek, outside Tryon, North Carolina, she knows how to tell a story. And just as Loretta Lynn sang about watching her mama’s fingers bleed on the washboard in “Coal Miner’s Daughter,” McEntire, too, takes the listener by the hand and pulls them into her own experience. On “One Eye Open” McEntire revisits her childhood Sunday school room and reckons with Christian fundamentalism. On “Footman’s Coat,” she ruminates on time, biological clocks, and the path of possibilities left in her past.

Tracked and mixed at the Fidelitorium with a full backing band, many of the songs on Eno Axis feature scratch first takes of McEntire’s lead vocals, initially meant to be thrown out and redone. This rawness creates an immediacy, her self-assured, instinct- driven, and mesmerizing delivery complementing Eno Axis’ lush acoustics and warm tones. After a dreamy atmospheric interlude, “Time, On Fire” builds and retracts with a driving pop drum beat, exploring movement like the ebb and flow of a river, culminating in a soaring guitar solo. And just as a river’s current sometimes takes us somewhere unexpected, into new territory where we never knew we could go, Eno Axis closes with one of the album’s most revelatory experiences—a new, glossier cover of “Houses of the Holy” by Led Zeppelin. Under McEntire’s empowering reconstruction of this rock ’n’ roll classic, the masculine, driving signature guitar vanishes, and instead we’re left with one of the inimitable queer voices of our time bashfully asking, “Can I take you to the movies?”

With Eno Axis, H.C. McEntire establishes herself as a force to be reckoned with in the greater American musical landscape. These songs transcend country and gospel, folk and rock—they’re poems directed straight to the listener, simple psalms on how the sun falls, how the train passes, how love grows and bends. McEntire inspires us to find the stillness within our own lives—a remarkable clear-ringing declaration for our uncertain times.

Charlie Starr is the lead singer and a founding member of legendary southern rock band Blackberry Smoke.

Pigeonholing Blackberry Smoke has never been easy. Since emerging from Atlanta in the early ‘00s, the quintet—vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still—has become known for a singular sound indebted to classic rock, blues, country and folk.

This fluidity has paid off handsomely, in the form of two Billboard chart-topping country albums, 2015’s Holding All The Roses and 2016’s Like An Arrow. (For good measure, the latter also topped Billboard’s Americana/Folk album chart.)

Find A Light, Blackberry Smoke’s sixth studio album, doubles down on diversity. Songs hew toward easygoing roots-rock (“Run Away From It All”) and Southern rock stomps (“The Crooked Kind”), as well as stripped-down acoustic numbers (“I’ve Got This Song”) and bruising alt-country (“Nobody Gives A Damn”). Rich instrumental flourishes—keening fiddle, solemn organ and bar-band piano boogie—add further depth and resonance.

“That’s one of my favorite things about Blackberry Smoke albums—there’s a lot of variety,” Starr says. “My favorite albums through the years are built that way, too. I love a record that keeps you guessing. I love the fact that our records are sort of a ride, with different types of songs and different vibes.”

Our first exhibition of the year, Of Body & Mind, explores the connection between form and soul. Both functional and sculptural glass work is displayed. Artists are encouraged to expand the concept beyond static objects. The show exhibits work of glass artists living in Western North Carolina or who have a connection to the area. The exhibit is open during our regular gallery hours in D Space. Closed Tuesdays. Masks required. A reception will be announced at a later date. Featured artwork: ‘Be Here Now’ by Ben Greene-Colonnese.

Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers.

High school teachers in North and South Carolina are invited to submit their students’ best work in painting, drawing, sculpture, mixed media, printmaking, and photography.

First Prize and Best in Show students are awarded a cash prize to encourage their artist pursuits. Winning teachers are awarded a Be Inspired Grant that they may use for classroom projects. These prizes are made possible by our generous donors.

The 2022 Showcase of Excellence will held from February 19 – March 12 in the Parker Gallery at TFAC.

Information about registration and Showcase rules can be found below.

Olivia Jones, Face Vessel, Ceramics & Glass, Silsa-Asheville High School, Grade 12. 2022 WNC Regional Scholastic Art Awards, Gold Key award.

The Asheville Art Museum has announced the regional award recipients of the 2022 Scholastic Art Awards and artworks will be on view at the Museum.

The regional program is judged in two groups: Group I, grades 7–8 and Group II, grades 9–12. Out of 540 total art entries, 190 works have been recognized by the judges, and Gold and Silver Key award-winning artworks are featured in this exhibition while honorable mentions will be featured digitally. The 2022 regional judges include local artists and educators Brandy Bourne, Jenny Pickens, and M. Paige Taylor. Those works receiving Gold Keys have been submitted to compete in the 99th Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2022 National Scholastic Art Awards. Award winners include students from public, private, homeschools, and charter schools in Buncombe, Burke, Haywood, Henderson, Jackson, Madison, McDowell, Rutherford. Since the program’s founding in 1923, the Scholastic Art Awards have fostered the creativity and talent of millions of students, and include a distinguished list of alumni including Andy Warhol, who received recognition in the Awards when he was a teen. National Gold Key medalists will be announced in March 2022 and honored during a special awards ceremony in June 2022. For more information about the Alliance for Young Artists & Writers and the Scholastic Art & Writing Awards, visit the Scholastic Newsroom: mediaroom.scholastic.com/artandwriting. Citations (left to right): Wen Yaxuan, Shakivatou, Painting, Asheville School, Grade 12. 2022 WNC Regional Scholastic Art Awards, Gold Key award. | Gracie Hart, Fly, Drawing & Illustration, West Henderson High School, Grade 11. 2022 WNC Regional Scholastic Art Awards, Gold Key award. About the Asheville Art Museum   The Museum’s galleries, the Museum Store, Art PLAYce, and Perspective Café are open with limited capacity. The Frances Mulhall Achilles Art Research Library remains temporarily closed. The Museum welcomes visitors Wednesday through Monday from 11am to 6pm, with late-night Thursdays from 11am to 9pm. The Museum is closed on Tuesdays. General admission is always free for Museum Members, UNC Asheville students, active-duty military personnel with valid ID, and children under 6; $15 per adult; $13 per senior (65+); and $10 per student (child 6–17 or degree-seeking college students with valid ID). Admission tickets are available at ashevilleart.org/visit. Visitors may become Members at the welcome desk during their visit or online at ashevilleart.org/membership.

Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ul’nigid’, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya.

Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, NC from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from November 19, 2021 to March 14, 2022. The Cherokee Syllabary is a system of writing developed by Sequoyah in the early 1800s prior to the Removal period. Through Sequoyah’s innovative work, Cherokee people embraced the writing system as an expedient form of communication and documentation. During the Removal period, the syllabary was used as a tactic to combat land dispossession. Cherokee people continue to use the syllabary as a form of cultural expression and pride, which is showcased in the contemporary artwork of the Cherokee Citizens in this exhibition. “We’re pleased to host this gathering of works from contemporary Cherokee artists, who perfectly illustrate how our language is a living and evolving part of who we are. It’s moving to see how each artist finds inspiration in their own way from this language that connects us as Cherokee people,” said Shana Bushyhead Condill, executive director of the Museum of the Cherokee Indian. “The Asheville Art Museum and the Museum of the Cherokee Indian have been long-term collaborators, and we are delighted to further our partnership by working together to manage an open call to Cherokee artists and subsequently curate this exciting exhibition of contemporary works that take inspiration from, celebrate, preserve and interpret the syllabary,” said Pamela L. Myers, executive director of the Asheville Art Museum. “On view at both museums, we hope the exhibition engages a wide and diverse audience in dialogue with these extraordinary works.” A Living Language: Cherokee Syllabary and Contemporary Art is organized by the Asheville Art Museum and Museum of the Cherokee Indian, and curated by Hilary Schroeder, assistant curator at the Asheville Art Museum, with assistance from curatorial consultant Joshua Adams (Eastern Band of Cherokee Indians). Special thanks to S. Dakota Brown, education director at the Museum of the Cherokee Indian, and Alexis Meldrum, curatorial assistant at the Asheville Art Museum, for their support in the planning of this exhibition. This project is made possible in part by a grant from the Blue Ridge National Heritage Area Partnership, and sponsored in part by the Cherokee Preservation Foundation and Kevin Click & April Liou in memory of Myron E. Click. Eastern Band of Cherokee Indians artists include Joshua Adams, Jody Lipscomb Bradley, Nathan Bush, Kane Crowe, John Henry Gloyne, Shan Goshorn, Luzene Hill, Christy Long, Louise Bigmeat Maney, Christopher McCoy, Tara McCoy, Joel Queen, Sean Ross, Jakeli Swimmer, Rhiannon Skye Tafoya, Mary Thompson, Stan Tooni Jr.,  Alica Wildcatt, and Fred Wilnoty. Cherokee Nation artists include Roy Boney Jr., Jeff Edwards, Joseph Erb, Raychel Foster, Kenny Glass, Camilla McGinty, Jessica Mehta, America Meredith, Jane Osti, Lisa Rutherford, Janet L. Smith, Jennifer Thiessen, and Jennie Wilson. About the Museum of the Cherokee Indian Established in 1948, the Museum of the Cherokee Indian is one of the longest operating tribal museums. Recognized for its innovative storytelling, the Museum features exhibits, artwork, and hands-on technology that brings over 15,000 years of Cherokee history to life. Located in Cherokee, NC, the Museum is open daily except Thanksgiving, Christmas, and New Year’s Day. Learn more by visiting mci.org.

Robert Rauschenberg, John from the Ruminations series, 1999, photogravure on paper, edition 3/46, publisher: Universal Limited Art Editions, Bay Shore, NY, 29 ½ × 38 7/8 inches. Asheville Art Museum. © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), New York.

Ruminations on Memory contends with the act of remembrance and reflection, featuring a rare presentation of all nine prints from Robert Rauschenberg’s Ruminations portfolio, Judy Chicago’s Retrospective in a Box portfolio, and selections from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in Appleby Foundation Exhibition Hall at the Museum from November 19, 2021 through March 14, 2022 in conjunction with A Living Language: Cherokee Syllabary and Contemporary Art. 

Artworks are vessels for processing, recalling, and reflecting on the past. Artists often draw upon materials from their own pasts and grasp at fleeting moments in time in the creation of an object. For the viewer, observation of an artwork can draw out personal memories.

Artworks in a variety of media explore various ways of remembering, including individual memories that focus on the moments from an artist’s past; generational memory that looks back to one’s ancestors, whether recent or long past; and collective memory, wherein in an image might evoke bygone times that balance between constructed and real. Through these artworks that ruminate upon the past, viewers may discover the stirrings of their own thoughts and recollections prompted by the works before them.

Ruminations on Memory offers a unique opportunity to experience the entirety of a major print portfolio by American painter Robert Rauschenberg (Port Arthur, TX 1925–2008 Captiva, FL). Rauschenberg was a student at Black Mountain College in NC for the 1948–1949 and 1951–1952 academic sessions and for the 1951 and 1952 summers. His Ruminations series consists of nine color photogravures which were printed in 1999 and reflect on Rauschenberg’s early life, his friends and family, and the memories he held dear. The series represents especially significant mature work by Rauschenberg that looks back to his most formative moments as an artist including his time at Black Mountain College and the friendships and ideas formed there.

Also presented in the exhibition is an important series of prints by Judy Chicago (born Chicago, IL 1939). Five decades into her career, Chicago stands as one of the foremost artists of the 20th and 21st centuries, having committed to socially minded work, uplifting in particular experiences salient to her feminine and Jewish identities. Retrospective in a Box consists of seven prints and a portfolio created in collaboration with the master printers at Landfall Press, and provides an overview of her major motifs and ideas, including the print Spring the Dinner, a nod to her seminal 1979 work The Dinner Party.

In addition to the artworks from the Museum’s Collection, visitors will be able to experience Felix Gonzales-Torres’s “Untitled” (L.A.), on loan from the Art Bridges collection. “Untitled” (L.A.) is one of the artist’s iconic interactive candy installations where memories are engaged not only through sight but through sound, touch, taste, and smell as well.

Learn more about Ruminations on Memory and A Living Language: Cherokee Syllabary and Contemporary Art at ashevilleart.org.

N. C. Wyeth, Eight Bells (Clyde Stanley and Andrew Wyeth aboard Eight Bells), 1937, oil on hardboard, 20 × 30 inches. Bank of America Collection

The Wyeths: Three Generations | Works from the Bank of America Collection provides a comprehensive survey of works by N. C. Wyeth, one of America’s finest illustrators; his son, Andrew, an important realist painter; his eldest daughter, Henriette, a realist painter; and Andrew’s son Jamie, a popular portraitist. Through the works of these artists from three generations of the Wyeth family, themes of American history, artistic techniques, and creative achievements can be explored. This exhibition will be on view in the Asheville Art Museum’s Explore Asheville Exhibition Hall February 12 through May 30, 2022.

N. C. Wyeth (1882–1945) has long been considered one of the nation’s leading illustrators. In the early 1900s, he studied with illustrator Howard Pyle in Delaware. In 1911, he built a house and studio in nearby Chadds Ford, PA. Later, he bought a sea captain’s house in Maine and in 1931 built a small studio, which he shared with his son, Andrew, and his daughters, Henriette and Carolyn. The exhibition includes illustrations for books by Robert Louis Stevenson and Washington Irving as well as historical scenes, seascapes, and landscapes.

Andrew Wyeth (1917–2009) is one of the United States’ most popular artists, and his paintings follow the American Realist tradition. He was influenced by the works of Winslow Homer, whose watercolor technique he admired, as well as by the art of Howard Pyle and his father, N. C. While Andrew painted recognizable images, his use of line and space often imbue his works with an underlying abstract quality. The exhibition includes important works from the 1970s and 1980s as well as recent paintings.

Henriette Wyeth (1907–1997) was the eldest daughter of N.C. Wyeth and an older sister to Andrew Wyeth. Like other members of her family, her painting style was realist in a time when Impressionism and Abstraction were popular in the early 20th century. She studied painting at the Pennsylvania Academy of the Fine Arts and was an acclaimed portraitist, though perhaps not as widely known as her father and brother. Most notably she painted the portrait of First Lady, Pat Nixon, which is in the collection of The White House.

Jamie Wyeth (born 1946), like his father and grandfather, paints subjects of everyday life, in particular the landscapes, animals, and people of Pennsylvania and Maine. In contrast to his father—who painted with watercolor, drybrush, and tempera—Jamie works in oil and mixed media, creating lush painterly surfaces. The 18 paintings in the exhibition represent all periods of his career.

This exhibition has been loaned through the Bank of America Art in our Communities® program.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Arguably the most talented of the three Lange brother artists, TL Lange was an actual rockstar in Atlanta before he was an art rockstar in Asheville. “He was going to participate in the Fall Studio Stroll (2001) but something came up. He dropped a couple of cardboard jericho cases with random unstretched canvases & paper pieces for me to sell. This work is from that batch. It has never been viewed by the public before; some are for sale & others are only being shown.” –Stephen Lange. Twenty of these TL Lange paintings will be included in this exhibition as well as prints of Anonymous Bathers, one of his most noteworthy creations.TL Lange was born and raised in Charleston before studying drawing and painting at Winthrop University in Rock Hill, SC. After spending about five years in Atlanta, where he first made a name for himself in the art world, he moved to North Carolina where he maintained his home and atelier until his untimely death at the age of 36. Lange started his work with “concrete visions”, and actually began several paintings at one time. He tried to allow some form of synchronicity to determine his next decision. As the artist said, “I make marks for the sake of themselves. I create error that I find attractive in all of our everyday lives. However, I leave it hanging three marks shy of discernment. What I mean by that is that I choose that it not be understood or to be scrutinized by its detail or its adherence to reality—only to be seen for its sense and its nostalgic response without my personal sentiment.” A figurative and abstract artist, TL Lange had exhibited in numerous, prominent galleries in his young career. A condensed list includes Artworks Gallery (Salt Lake City, UT), Art Works (Atlanta, GA), Human Arts Gallery (Atlanta, GA), Landsdell Gallery (Atlanta, GA) and Art Dallas (Dallas, TX), Mary Bell Galleries (Chicago, IL) and Foster White Galleries (Seattle, WA). TL Lange’s remarkable artwork can be found in many private, corporate, and public collections including Wentworth Galleries, Larson Juhl Frames, and Saks Fifth Avenue Corporation and Microsoft Corporation.

It’s the Year of the Tree in North Carolina State Parks, and we are encouraging guests to celebrate trees all year long! Start off in the winter months while branches are bare and capture some unique tree shapes or the beauty of frosty evergreens. You may win a prize for your efforts!

GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES

1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park, two boat tour tickets from Lake Lure Tours, and dinner for two at the Old Rock Café.

2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive two annual passes to Chimney Rock State Park and dinner for two at the Old Rock Café.

3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and dinner for two at the Old Rock Café.

CONTEST RULES:

1. There is no fee to enter the contest. All photographs must be taken of Chimney Rock at Chimney Rock State Park only in areas accessible to guests between January 1, 2022 – February 28, 2022.
   The contest is open to amateur and professional photographers.
2. Up to three photos per person can be submitted via any of the following ways to be eligible to win:
   • Facebook: First, like the Chimney Rock at Chimney Rock State Park page. Next, send us a private message including your contact information specified in rule #3.
   • E-mail: If you don’t have access to social media, you may email your digital photo with your contact information specified in rule #3 to [email protected].
3. Every entry should be clearly labeled with the photographer’s name, city & state, a brief photo caption, an email address and the best phone number to reach you.
4. Photos should be available at a minimum resolution of 1200 x 1600 pixels (1 MB minimum) to be eligible to win. Photos taken via smart phones, tablets and other mobile devices are welcome if they meet minimum requirements.
5. For entries showing human faces, you must list their name(s) and have written permission from any photographed person(s) to use their image.
6. Entries should reflect the photographer’s interpretation of the theme. Emphasis will be placed on quality, composition and creativity. All entries may be used in promotions of Chimney Rock and park-related activities.
7. Digital images can be optimized but not dramatically altered with photo editing software. Black and white photographs are welcome.
8. Finalists will be chosen by Chimney Rock staff and the winner will be voted on by the public. Decisions regarding winners are final.

Winners will be notified personally and announced on Chimney Rock’s social media. For more information, call 1-828-625-9611, ext. 1812 or email us at [email protected].

Join us every Monday night for Singo (Musical Bingo)!

Singo will run from 7-8:15 pm.

No reservations needed, just get ready for a good time and a chance to win some Down Dog prizes!

Our first exhibition of the year, Of Body & Mind, explores the connection between form and soul. Both functional and sculptural glass work is displayed. Artists are encouraged to expand the concept beyond static objects. The show exhibits work of glass artists living in Western North Carolina or who have a connection to the area. The exhibit is open during our regular gallery hours in D Space. Closed Tuesdays. Masks required. A reception will be announced at a later date. Featured artwork: ‘Be Here Now’ by Ben Greene-Colonnese.