Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Buy one of these murals for yourself or to donate to a local organization (make sure you check with them first), and keep the good work going! All proceeds from this auction will be split evenly between The Martin Luther King, Jr. Association of Asheville and Buncombe County’s COPE Program and the Asheville Area Arts Council’s Arts Build Community Grant. Auction ends February 28.
Following the murder of George Floyd in Minneapolis, MN, on May 25, 2020, protests broke out across the nation. Floyd was killed after a white police officer kneeled on his neck for nearly 9 minutes. In response, hundreds of protestors gathered in downtown Asheville from May 29- June 6, 2020, with cries for justice and change.
During this time, Lowe’s Home Improvement generously donated plywood for downtown business owners to cover their storefronts while Asheville had its own reckoning. Business owners and artists seized this opportunity to lend their support for needed changes by painting murals on the plywood covering downtown businesses. Local muralists Gus Cutty, Kathryn Crawford, and Dustin Spagnola were the driving force behind this initiative.
When it came time for the murals to come down, local artists Evar Hecht and Ben Nelson had the foresight to collect and temporarily store these works, gathering over 150 pieces of plywood. The Asheville Area Arts Council, with the help of Dogwood Health Trust, then stepped in to move the murals to a secure, climate-controlled storage facility and worked with Aisha Adams of Equity Over Everything to determine next steps.
After several COVID setbacks, the arts council is proud to have partnered with the Martin Luther King Jr Association of Asheville and Buncombe County to present this virtual exhibition, auction and speaker series. It is our hope that the proceeds from the auction will support continued change and healing in our community.
Thank you to Dogwood Health Trust for generously providing the funding to make this project possible, and to the artists and business owners for donating their time and energy to capture this moment in our history.
A video about the exhibition is featured as part of the 41st Annual Dr. Martin Luther King, Jr. Commemoration.
Go Local Asheville organization–which supports local
independent businesses and its customers–has announced the historic launch of a
first-ever app to better serve Asheville area business and card members,
The free digital app is now available on Apple Store and Google Play for
both Apple and Android smartphones. While the app is free and downloadable for
everyone to conveniently find and support local independent businesses, only Go
Local Asheville cardholders can take advantage of the discounts and perks
offered by the over 500 participating local independent business members. To become
a cardholder, cards can be purchased for $20 each at 30 different businesses
throughout Asheville or on the Go Local Asheville website. To become a business
member, there is no charge. The only requirement is to offer a discount or perk to Go
Local Asheville cardholders.
January through April
Actors portray characters from Carl Sandburg’s Rootabaga Story “Three Boys with Jugs of Molasses and Secret Ambitions.”
NPS Photo
Educators in grades 3-12 are invited to submit original poems written by their students in February. The poems will be judged and winners announced in April. Find the 2022 Poetry Contest Information and submission guidelines here. The theme “Ambition” is from one of Carl Sandburg’s Rootabaga Stories, to celebrate it’s 100th year of being published. “An ambition…creeps in your heart night and day, singing a little song, ‘Come and find me, come and find me.”
Students are invited to submit a poem to Carl Sandburg Home National Historic Site’s annual Student Poetry Contest. The contest encourages youth to explore writing their own poetry, and is open to students nationwide!
Submissions are accepted from grades 3-12 and must be postmarked by March 1, 2022. See below for submission rules.
Winners will be notified by April 8, 2022, and will be invited to participate in a special virtual program on April 22.
2022 Contest Rules
Theme – “Ambition”
Carl Sandburg wrote millions of words reflecting on the American experience of the 20th century. Though his words often focused on war, labor, and social injustice, as a father of three, he also wrote imaginative, zany, and fantastical children’s stories, called “Rootabaga Stories.” Carl Sandburg’s “Rootabaga Stories” were first published in 1922 and celebrate 100 years of entertaining readers of all ages this year. The theme “Ambition” is from one of these stories. “An ambition…creeps in your heart night and day, singing a little song, ‘Come and find me, come and find me.” Read the story here.
Poems submitted for the 2022 contest should reflect the theme of “Ambition.” By definition, a strong desire to do or to achieve something, typically requiring determination and hard work. Or setting goals to achieve success.
Submission Rules
- Poetry accepted from 3-12th grades only. Poems will be grouped for judging by 3-5th, 6-8th, and 9-12th.
- Poems must be submitted by a teacher (traditional classroom or homeschool teacher).
- No more than three poems per class. Teachers with multiple classes, can submit up to three poems per class period.
- Poem will be judged on its ability to communicate the theme.
- Poem can be written in any style, but must not exceed one-page in length. No illustrations.
- Poems must be typed, no handwritten entries, using standard computer fonts, like Times, Arial, etc…
- Do not place any identifying information (name, school, grade, etc…) on poem sheet, that will go on the accompanying submission form.
- Submission form must be complete to be accepted:
- Paperclipped to poem, no staples
- Must be signed by parent, student and teacher
- Submissions must be postmarked, faxed, or e-mailed to [email protected], by March 1, 2022. Emailed submissions must be docs, .pdfs or scans. Low resolution pictures of the submission will not be accepted.
Judging
Judges from the literary community will make the decision for 1st, 2nd, and 3rd place within each grade category (3-5th, 6-8th, 9-12th).
Poetry Partners
The 2022 Poetry Contest is a result of tremendous community support including the Friends of Carl Sandburg at Connemara, and literary volunteers who serve as judges. Thank you.
Poetry Resources
You may also find curriculum resources to use in the classroom at the park’s website: www.nps.gov/carl/learn/education/index.htm.
Send Submissions to:
Carl Sandburg Home NHS
Attn: Poetry Contest
81 Carl Sandburg Lane
Flat Rock, North Carolina 28731
Fax 828-693-4179
Email: [email protected]
Various times
His masterworks have been displayed around the world for over a century… but never like this. Described as “an unforgettable multi-sensory experience,” Van Gogh Alive is a powerful and vibrant symphony of light, color, sound, and scent that compels you to leave the world behind and immerse yourself in Van Gogh’s paintings. Simultaneously enchanting, entertaining, and educational, Van Gogh Alive stimulates all the senses and opens the mind.
Wee Trade is all about families helping families. 45,000 Sq Ft of quality consigned goods gathered under one roof for a 3-day weekend sale event at the WNC Ag Center in Fletcher, NC, just across from the Asheville Regional Airport.
Pay a 30% sales commission, you keep 70% and are invited to the Consignor Pre-Sale the day before the public!
From strollers and nursery furniture to clothing and toys, we’ve got everything you need for your infant, toddler or children & teens! It’s also a great way for grandparents, pre-schools, day cares, etc. to shop for their children’s needs.
Olivia Jones, Face Vessel, Ceramics & Glass, Silsa-Asheville High School, Grade 12. 2022 WNC Regional Scholastic Art Awards, Gold Key award.
The Asheville Art Museum has announced the regional award recipients of the 2022 Scholastic Art Awards and artworks will be on view at the Museum.
The regional program is judged in two groups: Group I, grades 7–8 and Group II, grades 9–12. Out of 540 total art entries, 190 works have been recognized by the judges, and Gold and Silver Key award-winning artworks are featured in this exhibition while honorable mentions will be featured digitally. The 2022 regional judges include local artists and educators Brandy Bourne, Jenny Pickens, and M. Paige Taylor. Those works receiving Gold Keys have been submitted to compete in the 99th Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2022 National Scholastic Art Awards. Award winners include students from public, private, homeschools, and charter schools in Buncombe, Burke, Haywood, Henderson, Jackson, Madison, McDowell, Rutherford.
Since the program’s founding in 1923, the Scholastic Art Awards have fostered the creativity and talent of millions of students, and include a distinguished list of alumni including Andy Warhol, who received recognition in the Awards when he was a teen.
National Gold Key medalists will be announced in March 2022 and honored during a special awards ceremony in June 2022.
For more information about the Alliance for Young Artists & Writers and the Scholastic Art & Writing Awards, visit the Scholastic Newsroom: mediaroom.scholastic.com/artandwriting.
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Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ul’nigid’, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya.
Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, NC from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from November 19, 2021 to March 14, 2022. The Cherokee Syllabary is a system of writing developed by Sequoyah in the early 1800s prior to the Removal period. Through Sequoyah’s innovative work, Cherokee people embraced the writing system as an expedient form of communication and documentation. During the Removal period, the syllabary was used as a tactic to combat land dispossession. Cherokee people continue to use the syllabary as a form of cultural expression and pride, which is showcased in the contemporary artwork of the Cherokee Citizens in this exhibition.
“We’re pleased to host this gathering of works from contemporary Cherokee artists, who perfectly illustrate how our language is a living and evolving part of who we are. It’s moving to see how each artist finds inspiration in their own way from this language that connects us as Cherokee people,” said Shana Bushyhead Condill, executive director of the Museum of the Cherokee Indian.
“The Asheville Art Museum and the Museum of the Cherokee Indian have been long-term collaborators, and we are delighted to further our partnership by working together to manage an open call to Cherokee artists and subsequently curate this exciting exhibition of contemporary works that take inspiration from, celebrate, preserve and interpret the syllabary,” said Pamela L. Myers, executive director of the Asheville Art Museum. “On view at both museums, we hope the exhibition engages a wide and diverse audience in dialogue with these extraordinary works.”
A Living Language: Cherokee Syllabary and Contemporary Art is organized by the Asheville Art Museum and Museum of the Cherokee Indian, and curated by Hilary Schroeder, assistant curator at the Asheville Art Museum, with assistance from curatorial consultant Joshua Adams (Eastern Band of Cherokee Indians). Special thanks to S. Dakota Brown, education director at the Museum of the Cherokee Indian, and Alexis Meldrum, curatorial assistant at the Asheville Art Museum, for their support in the planning of this exhibition. This project is made possible in part by a grant from the Blue Ridge National Heritage Area Partnership, and sponsored in part by the Cherokee Preservation Foundation and Kevin Click & April Liou in memory of Myron E. Click.
Eastern Band of Cherokee Indians artists include Joshua Adams, Jody Lipscomb Bradley, Nathan Bush, Kane Crowe, John Henry Gloyne, Shan Goshorn, Luzene Hill, Christy Long, Louise Bigmeat Maney, Christopher McCoy, Tara McCoy, Joel Queen, Sean Ross, Jakeli Swimmer, Rhiannon Skye Tafoya, Mary Thompson, Stan Tooni Jr., Alica Wildcatt, and Fred Wilnoty.
Cherokee Nation artists include Roy Boney Jr., Jeff Edwards, Joseph Erb, Raychel Foster, Kenny Glass, Camilla McGinty, Jessica Mehta, America Meredith, Jane Osti, Lisa Rutherford, Janet L. Smith, Jennifer Thiessen, and Jennie Wilson.
About the Museum of the Cherokee Indian
Established in 1948, the Museum of the Cherokee Indian is one of the longest operating tribal museums. Recognized for its innovative storytelling, the Museum features exhibits, artwork, and hands-on technology that brings over 15,000 years of Cherokee history to life. Located in Cherokee, NC, the Museum is open daily except Thanksgiving, Christmas, and New Year’s Day. Learn more by visiting
mci.org.
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| Robert Rauschenberg, John from the Ruminations series, 1999, photogravure on paper, edition 3/46, publisher: Universal Limited Art Editions, Bay Shore, NY, 29 ½ × 38 7/8 inches. Asheville Art Museum. © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), New York. |
Ruminations on Memory contends with the act of remembrance and reflection, featuring a rare presentation of all nine prints from Robert Rauschenberg’s Ruminations portfolio, Judy Chicago’s Retrospective in a Box portfolio, and selections from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in Appleby Foundation Exhibition Hall at the Museum from November 19, 2021 through March 14, 2022 in conjunction with A Living Language: Cherokee Syllabary and Contemporary Art.
Artworks are vessels for processing, recalling, and reflecting on the past. Artists often draw upon materials from their own pasts and grasp at fleeting moments in time in the creation of an object. For the viewer, observation of an artwork can draw out personal memories.
Artworks in a variety of media explore various ways of remembering, including individual memories that focus on the moments from an artist’s past; generational memory that looks back to one’s ancestors, whether recent or long past; and collective memory, wherein in an image might evoke bygone times that balance between constructed and real. Through these artworks that ruminate upon the past, viewers may discover the stirrings of their own thoughts and recollections prompted by the works before them.
Ruminations on Memory offers a unique opportunity to experience the entirety of a major print portfolio by American painter Robert Rauschenberg (Port Arthur, TX 1925–2008 Captiva, FL). Rauschenberg was a student at Black Mountain College in NC for the 1948–1949 and 1951–1952 academic sessions and for the 1951 and 1952 summers. His Ruminations series consists of nine color photogravures which were printed in 1999 and reflect on Rauschenberg’s early life, his friends and family, and the memories he held dear. The series represents especially significant mature work by Rauschenberg that looks back to his most formative moments as an artist including his time at Black Mountain College and the friendships and ideas formed there.
Also presented in the exhibition is an important series of prints by Judy Chicago (born Chicago, IL 1939). Five decades into her career, Chicago stands as one of the foremost artists of the 20th and 21st centuries, having committed to socially minded work, uplifting in particular experiences salient to her feminine and Jewish identities. Retrospective in a Box consists of seven prints and a portfolio created in collaboration with the master printers at Landfall Press, and provides an overview of her major motifs and ideas, including the print Spring the Dinner, a nod to her seminal 1979 work The Dinner Party.
In addition to the artworks from the Museum’s Collection, visitors will be able to experience Felix Gonzales-Torres’s “Untitled” (L.A.), on loan from the Art Bridges collection. “Untitled” (L.A.) is one of the artist’s iconic interactive candy installations where memories are engaged not only through sight but through sound, touch, taste, and smell as well.
Learn more about Ruminations on Memory and A Living Language: Cherokee Syllabary and Contemporary Art at ashevilleart.org.
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| N. C. Wyeth, Eight Bells (Clyde Stanley and Andrew Wyeth aboard Eight Bells), 1937, oil on hardboard, 20 × 30 inches. Bank of America Collection |
The Wyeths: Three Generations | Works from the Bank of America Collection provides a comprehensive survey of works by N. C. Wyeth, one of America’s finest illustrators; his son, Andrew, an important realist painter; his eldest daughter, Henriette, a realist painter; and Andrew’s son Jamie, a popular portraitist. Through the works of these artists from three generations of the Wyeth family, themes of American history, artistic techniques, and creative achievements can be explored. This exhibition will be on view in the Asheville Art Museum’s Explore Asheville Exhibition Hall February 12 through May 30, 2022.
N. C. Wyeth (1882–1945) has long been considered one of the nation’s leading illustrators. In the early 1900s, he studied with illustrator Howard Pyle in Delaware. In 1911, he built a house and studio in nearby Chadds Ford, PA. Later, he bought a sea captain’s house in Maine and in 1931 built a small studio, which he shared with his son, Andrew, and his daughters, Henriette and Carolyn. The exhibition includes illustrations for books by Robert Louis Stevenson and Washington Irving as well as historical scenes, seascapes, and landscapes.
Andrew Wyeth (1917–2009) is one of the United States’ most popular artists, and his paintings follow the American Realist tradition. He was influenced by the works of Winslow Homer, whose watercolor technique he admired, as well as by the art of Howard Pyle and his father, N. C. While Andrew painted recognizable images, his use of line and space often imbue his works with an underlying abstract quality. The exhibition includes important works from the 1970s and 1980s as well as recent paintings.
Henriette Wyeth (1907–1997) was the eldest daughter of N.C. Wyeth and an older sister to Andrew Wyeth. Like other members of her family, her painting style was realist in a time when Impressionism and Abstraction were popular in the early 20th century. She studied painting at the Pennsylvania Academy of the Fine Arts and was an acclaimed portraitist, though perhaps not as widely known as her father and brother. Most notably she painted the portrait of First Lady, Pat Nixon, which is in the collection of The White House.
Jamie Wyeth (born 1946), like his father and grandfather, paints subjects of everyday life, in particular the landscapes, animals, and people of Pennsylvania and Maine. In contrast to his father—who painted with watercolor, drybrush, and tempera—Jamie works in oil and mixed media, creating lush painterly surfaces. The 18 paintings in the exhibition represent all periods of his career.
This exhibition has been loaned through the Bank of America Art in our Communities® program.
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Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.
William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.
The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.
“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.
Come along on an Artful Adventure! Take a whimsical walk with your family through our Museum to discover the different types of lines used by artists. Our adventure comes to an end at the Wells Fargo Art PLAYce, where you can make your own masterpiece! Bring your imagination and the whole family.
Today’s Artful Adventure is led by Angelyn Whitmeyer, touring docent.
ARTFUL ADVENTURES
Taking place on select weekends, Artful Adventures are 30–45 minute kid-friendly, themed interactive gallery tours followed by an optional visit to our Wells Fargo Art PLAYce. Families of all ages and abilities are welcome; no reservations required. To be added to our Family Programs mailing list, click here. For more information, email Kelly Baisley, school & family programs manager, or call 828.253.3227 x133.
It’s the Year of the Tree in North Carolina State Parks, and we are encouraging guests to celebrate trees all year long! Start off in the winter months while branches are bare and capture some unique tree shapes or the beauty of frosty evergreens. You may win a prize for your efforts!
GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES
1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park, two boat tour tickets from Lake Lure Tours, and dinner for two at the Old Rock Café.
2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive two annual passes to Chimney Rock State Park and dinner for two at the Old Rock Café.
3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and dinner for two at the Old Rock Café.
CONTEST RULES:
- There is no fee to enter the contest. All photographs must be taken of Chimney Rock at Chimney Rock State Park only in areas accessible to guests between January 1, 2022 – February 28, 2022.
The contest is open to amateur and professional photographers. - Up to three photos per person can be submitted via any of the following ways to be eligible to win:
- Facebook: First, like the Chimney Rock at Chimney Rock State Park page. Next, send us a private message including your contact information specified in rule #3.
- E-mail: If you don’t have access to social media, you may email your digital photo with your contact information specified in rule #3 to [email protected].
- Every entry should be clearly labeled with the photographer’s name, city & state, a brief photo caption, an email address and the best phone number to reach you.
- Photos should be available at a minimum resolution of 1200 x 1600 pixels (1 MB minimum) to be eligible to win. Photos taken via smart phones, tablets and other mobile devices are welcome if they meet minimum requirements.
- For entries showing human faces, you must list their name(s) and have written permission from any photographed person(s) to use their image.
- Entries should reflect the photographer’s interpretation of the theme. Emphasis will be placed on quality, composition and creativity. All entries may be used in promotions of Chimney Rock and park-related activities.
- Digital images can be optimized but not dramatically altered with photo editing software. Black and white photographs are welcome.
- Finalists will be chosen by Chimney Rock staff and the winner will be voted on by the public. Decisions regarding winners are final.
Winners will be notified personally and announced on Chimney Rock’s social media. For more information, call 1-828-625-9611, ext. 1812 or email us at [email protected].
Steve Lapointe’s nine years of classical piano as a youth grounded him in music theory. Jazz studies while in Ithaca, NY, opened his ears to extemporaneous improvisation and the music of Keith Jarrett, Chick Corea, Bill Evans, Michel Petrucciani and the American songbook. Steve served as musical director of the Unitarian Universalist Fellowship of Vero Beach, Florida, and occasionally performed at the UU Asheville congregation.
Parade and Queen’s Ball
This parade is our gift to the city, a zany, exuberant and irreverent downtown event in the dead of winter.
We invite residents to get together with friends, neighbors, and coworkers to create high-quality, surprising and entertaining entries, add upbeat music, and strut their stuff tossing those ubiquitous beads to the crowd. Zaniness, political satire, and amazing displays of populist art appreciated!
We love and respect our community, and Asheville is not Bourbon Street. Alcohol and nudity are not part of our twist on Mardi Gras in the mountains. We are promoting a fun, safe event for all ages – with a definite emphasis on FUN!
All are welcome to march or cheer on the marchers this February!
Asheville Gallery of Art’s February show, “Time for Renewal” will feature works by three new gallery members: Kathy Goodson, Margie Kluska, and Johnnie Stanfield. The show will run February 1-28 during gallery hours, 11am-6pm. An event to meet the artists will be held at the gallery on First Friday, February 4, from 5-8pm at 82 Patton Avenue.
This show represents a seasonal reset. What is to come will be better. We have had our time to pause, and now it is time to refresh. For the earth, this is Spring, a time for new growth. In February, the light begins to change, and shadows shift. Underlying it all is the promise of our renewal.
Kathy Goodson
Color is one of Kathy’s visual languages. She captures the drama of her botanical flowers and leaves so they appear to leap off the painting…a visual feast in silk and dye or encaustic. The thrill of creating something unexpected is an elixir to her, with reds and fuchsia being her favorites. When creating an abstract, she begins by thinking about color, then a story begins to grow, which leads to a visual symbol or image, loaded with meaning related to the story. All of this happens before she puts the first brush stroke on the silk or
the wood. Her process is interactive, and she lets the painting create, then lead her.
“Color captivates me especially when winter begins to change into spring. The Lenten Rose is the first to emerge in late winter, with subtle and muted colors…unlike the later flowers of spring and summer.”
Margie Kluska
Margie has been drawing since she was a child. She enjoys studying the works of the classical artists and Hudson River School painters, and she has only recently taken up oil painting. Her inspiration is taken from nature, landscapes, wildlife, and flora. Living surrounded by the beauty of the Blue Ridge Mountains has inspired her to paint views that take one’s breath away. Distant mountain ranges, glorious sunsets, soaring hawks, and ever-changing weather patterns offer her extensive references which she captures on canvas. Her style, “loose realism”, captures the reality of each scene with a slight bent towards Impressionism.
“Light affects our moods. Whether it’s a sunrise, sunset, or storm clouds parting to expose a blue sky, our moods are instantly transformed.”
Johnnie Stanfield
An award-winning artist, Johnnie is known for her colorful, vivid watercolor and acrylic paintings of horses, fishing lure studies, and local landscapes. She is inspired by the emotion created when she sees an object or something in nature that recalls a past memory. She is then compelled to paint it, to convey and share that feeling with the viewer. Johnnie will paint a subject in watercolor to give it a softer feel so the viewer can devote their own emotion to the painting or add to the emotion she has created. If it is detailed, she will usually use acrylic or oil. Her paintings hang in private collections throughout the Southeast.
”Sheltering in Place” was inspired by my cat, during the shelter in place mandate in Spring, 2020. Like all of us, we waited for the sunshine, to renew our spirit and celebrate its warmth, while wondering when we could go back out into the world and resume our life as usual.”
For further information about this show, please contact the Asheville Gallery of Art at (828) 251-5796, visit the gallery’s website at www.ashevillegallery-of-art.com, or go to the gallery’s Facebook page.
Buy one of these murals for yourself or to donate to a local organization (make sure you check with them first), and keep the good work going! All proceeds from this auction will be split evenly between The Martin Luther King, Jr. Association of Asheville and Buncombe County’s COPE Program and the Asheville Area Arts Council’s Arts Build Community Grant. Auction ends February 28.
Following the murder of George Floyd in Minneapolis, MN, on May 25, 2020, protests broke out across the nation. Floyd was killed after a white police officer kneeled on his neck for nearly 9 minutes. In response, hundreds of protestors gathered in downtown Asheville from May 29- June 6, 2020, with cries for justice and change.
During this time, Lowe’s Home Improvement generously donated plywood for downtown business owners to cover their storefronts while Asheville had its own reckoning. Business owners and artists seized this opportunity to lend their support for needed changes by painting murals on the plywood covering downtown businesses. Local muralists Gus Cutty, Kathryn Crawford, and Dustin Spagnola were the driving force behind this initiative.
When it came time for the murals to come down, local artists Evar Hecht and Ben Nelson had the foresight to collect and temporarily store these works, gathering over 150 pieces of plywood. The Asheville Area Arts Council, with the help of Dogwood Health Trust, then stepped in to move the murals to a secure, climate-controlled storage facility and worked with Aisha Adams of Equity Over Everything to determine next steps.
After several COVID setbacks, the arts council is proud to have partnered with the Martin Luther King Jr Association of Asheville and Buncombe County to present this virtual exhibition, auction and speaker series. It is our hope that the proceeds from the auction will support continued change and healing in our community.
Thank you to Dogwood Health Trust for generously providing the funding to make this project possible, and to the artists and business owners for donating their time and energy to capture this moment in our history.
A video about the exhibition is featured as part of the 41st Annual Dr. Martin Luther King, Jr. Commemoration.
January through April
Actors portray characters from Carl Sandburg’s Rootabaga Story “Three Boys with Jugs of Molasses and Secret Ambitions.”
NPS Photo
Educators in grades 3-12 are invited to submit original poems written by their students in February. The poems will be judged and winners announced in April. Find the 2022 Poetry Contest Information and submission guidelines here. The theme “Ambition” is from one of Carl Sandburg’s Rootabaga Stories, to celebrate it’s 100th year of being published. “An ambition…creeps in your heart night and day, singing a little song, ‘Come and find me, come and find me.”
Students are invited to submit a poem to Carl Sandburg Home National Historic Site’s annual Student Poetry Contest. The contest encourages youth to explore writing their own poetry, and is open to students nationwide!
Submissions are accepted from grades 3-12 and must be postmarked by March 1, 2022. See below for submission rules.
Winners will be notified by April 8, 2022, and will be invited to participate in a special virtual program on April 22.
2022 Contest Rules
Theme – “Ambition”
Carl Sandburg wrote millions of words reflecting on the American experience of the 20th century. Though his words often focused on war, labor, and social injustice, as a father of three, he also wrote imaginative, zany, and fantastical children’s stories, called “Rootabaga Stories.” Carl Sandburg’s “Rootabaga Stories” were first published in 1922 and celebrate 100 years of entertaining readers of all ages this year. The theme “Ambition” is from one of these stories. “An ambition…creeps in your heart night and day, singing a little song, ‘Come and find me, come and find me.” Read the story here.
Poems submitted for the 2022 contest should reflect the theme of “Ambition.” By definition, a strong desire to do or to achieve something, typically requiring determination and hard work. Or setting goals to achieve success.
Submission Rules
- Poetry accepted from 3-12th grades only. Poems will be grouped for judging by 3-5th, 6-8th, and 9-12th.
- Poems must be submitted by a teacher (traditional classroom or homeschool teacher).
- No more than three poems per class. Teachers with multiple classes, can submit up to three poems per class period.
- Poem will be judged on its ability to communicate the theme.
- Poem can be written in any style, but must not exceed one-page in length. No illustrations.
- Poems must be typed, no handwritten entries, using standard computer fonts, like Times, Arial, etc…
- Do not place any identifying information (name, school, grade, etc…) on poem sheet, that will go on the accompanying submission form.
- Submission form must be complete to be accepted:
- Paperclipped to poem, no staples
- Must be signed by parent, student and teacher
- Submissions must be postmarked, faxed, or e-mailed to [email protected], by March 1, 2022. Emailed submissions must be docs, .pdfs or scans. Low resolution pictures of the submission will not be accepted.
Judging
Judges from the literary community will make the decision for 1st, 2nd, and 3rd place within each grade category (3-5th, 6-8th, 9-12th).
Poetry Partners
The 2022 Poetry Contest is a result of tremendous community support including the Friends of Carl Sandburg at Connemara, and literary volunteers who serve as judges. Thank you.
Poetry Resources
You may also find curriculum resources to use in the classroom at the park’s website: www.nps.gov/carl/learn/education/index.htm.
Send Submissions to:
Carl Sandburg Home NHS
Attn: Poetry Contest
81 Carl Sandburg Lane
Flat Rock, North Carolina 28731
Fax 828-693-4179
Email: [email protected]
Various times
His masterworks have been displayed around the world for over a century… but never like this. Described as “an unforgettable multi-sensory experience,” Van Gogh Alive is a powerful and vibrant symphony of light, color, sound, and scent that compels you to leave the world behind and immerse yourself in Van Gogh’s paintings. Simultaneously enchanting, entertaining, and educational, Van Gogh Alive stimulates all the senses and opens the mind.
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Our first exhibition of the year, Of Body & Mind, explores the connection between form and soul. Both functional and sculptural glass work is displayed. Artists are encouraged to expand the concept beyond static objects. The show exhibits work of glass artists living in Western North Carolina or who have a connection to the area. The exhibit is open during our regular gallery hours in D Space. Closed Tuesdays. Masks required. A reception will be announced at a later date. Featured artwork: ‘Be Here Now’ by Ben Greene-Colonnese.
Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers.
High school teachers in North and South Carolina are invited to submit their students’ best work in painting, drawing, sculpture, mixed media, printmaking, and photography.
First Prize and Best in Show students are awarded a cash prize to encourage their artist pursuits. Winning teachers are awarded a Be Inspired Grant that they may use for classroom projects. These prizes are made possible by our generous donors.
The 2022 Showcase of Excellence will held from February 19 – March 12 in the Parker Gallery at TFAC.
Information about registration and Showcase rules can be found below.
Olivia Jones, Face Vessel, Ceramics & Glass, Silsa-Asheville High School, Grade 12. 2022 WNC Regional Scholastic Art Awards, Gold Key award.
The Asheville Art Museum has announced the regional award recipients of the 2022 Scholastic Art Awards and artworks will be on view at the Museum.
The regional program is judged in two groups: Group I, grades 7–8 and Group II, grades 9–12. Out of 540 total art entries, 190 works have been recognized by the judges, and Gold and Silver Key award-winning artworks are featured in this exhibition while honorable mentions will be featured digitally. The 2022 regional judges include local artists and educators Brandy Bourne, Jenny Pickens, and M. Paige Taylor. Those works receiving Gold Keys have been submitted to compete in the 99th Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2022 National Scholastic Art Awards. Award winners include students from public, private, homeschools, and charter schools in Buncombe, Burke, Haywood, Henderson, Jackson, Madison, McDowell, Rutherford.
Since the program’s founding in 1923, the Scholastic Art Awards have fostered the creativity and talent of millions of students, and include a distinguished list of alumni including Andy Warhol, who received recognition in the Awards when he was a teen.
National Gold Key medalists will be announced in March 2022 and honored during a special awards ceremony in June 2022.
For more information about the Alliance for Young Artists & Writers and the Scholastic Art & Writing Awards, visit the Scholastic Newsroom: mediaroom.scholastic.com/artandwriting.
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Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ul’nigid’, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya.
Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, NC from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from November 19, 2021 to March 14, 2022. The Cherokee Syllabary is a system of writing developed by Sequoyah in the early 1800s prior to the Removal period. Through Sequoyah’s innovative work, Cherokee people embraced the writing system as an expedient form of communication and documentation. During the Removal period, the syllabary was used as a tactic to combat land dispossession. Cherokee people continue to use the syllabary as a form of cultural expression and pride, which is showcased in the contemporary artwork of the Cherokee Citizens in this exhibition.
“We’re pleased to host this gathering of works from contemporary Cherokee artists, who perfectly illustrate how our language is a living and evolving part of who we are. It’s moving to see how each artist finds inspiration in their own way from this language that connects us as Cherokee people,” said Shana Bushyhead Condill, executive director of the Museum of the Cherokee Indian.
“The Asheville Art Museum and the Museum of the Cherokee Indian have been long-term collaborators, and we are delighted to further our partnership by working together to manage an open call to Cherokee artists and subsequently curate this exciting exhibition of contemporary works that take inspiration from, celebrate, preserve and interpret the syllabary,” said Pamela L. Myers, executive director of the Asheville Art Museum. “On view at both museums, we hope the exhibition engages a wide and diverse audience in dialogue with these extraordinary works.”
A Living Language: Cherokee Syllabary and Contemporary Art is organized by the Asheville Art Museum and Museum of the Cherokee Indian, and curated by Hilary Schroeder, assistant curator at the Asheville Art Museum, with assistance from curatorial consultant Joshua Adams (Eastern Band of Cherokee Indians). Special thanks to S. Dakota Brown, education director at the Museum of the Cherokee Indian, and Alexis Meldrum, curatorial assistant at the Asheville Art Museum, for their support in the planning of this exhibition. This project is made possible in part by a grant from the Blue Ridge National Heritage Area Partnership, and sponsored in part by the Cherokee Preservation Foundation and Kevin Click & April Liou in memory of Myron E. Click.
Eastern Band of Cherokee Indians artists include Joshua Adams, Jody Lipscomb Bradley, Nathan Bush, Kane Crowe, John Henry Gloyne, Shan Goshorn, Luzene Hill, Christy Long, Louise Bigmeat Maney, Christopher McCoy, Tara McCoy, Joel Queen, Sean Ross, Jakeli Swimmer, Rhiannon Skye Tafoya, Mary Thompson, Stan Tooni Jr., Alica Wildcatt, and Fred Wilnoty.
Cherokee Nation artists include Roy Boney Jr., Jeff Edwards, Joseph Erb, Raychel Foster, Kenny Glass, Camilla McGinty, Jessica Mehta, America Meredith, Jane Osti, Lisa Rutherford, Janet L. Smith, Jennifer Thiessen, and Jennie Wilson.
About the Museum of the Cherokee Indian
Established in 1948, the Museum of the Cherokee Indian is one of the longest operating tribal museums. Recognized for its innovative storytelling, the Museum features exhibits, artwork, and hands-on technology that brings over 15,000 years of Cherokee history to life. Located in Cherokee, NC, the Museum is open daily except Thanksgiving, Christmas, and New Year’s Day. Learn more by visiting
mci.org.
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| Robert Rauschenberg, John from the Ruminations series, 1999, photogravure on paper, edition 3/46, publisher: Universal Limited Art Editions, Bay Shore, NY, 29 ½ × 38 7/8 inches. Asheville Art Museum. © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), New York. |
Ruminations on Memory contends with the act of remembrance and reflection, featuring a rare presentation of all nine prints from Robert Rauschenberg’s Ruminations portfolio, Judy Chicago’s Retrospective in a Box portfolio, and selections from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in Appleby Foundation Exhibition Hall at the Museum from November 19, 2021 through March 14, 2022 in conjunction with A Living Language: Cherokee Syllabary and Contemporary Art.
Artworks are vessels for processing, recalling, and reflecting on the past. Artists often draw upon materials from their own pasts and grasp at fleeting moments in time in the creation of an object. For the viewer, observation of an artwork can draw out personal memories.
Artworks in a variety of media explore various ways of remembering, including individual memories that focus on the moments from an artist’s past; generational memory that looks back to one’s ancestors, whether recent or long past; and collective memory, wherein in an image might evoke bygone times that balance between constructed and real. Through these artworks that ruminate upon the past, viewers may discover the stirrings of their own thoughts and recollections prompted by the works before them.
Ruminations on Memory offers a unique opportunity to experience the entirety of a major print portfolio by American painter Robert Rauschenberg (Port Arthur, TX 1925–2008 Captiva, FL). Rauschenberg was a student at Black Mountain College in NC for the 1948–1949 and 1951–1952 academic sessions and for the 1951 and 1952 summers. His Ruminations series consists of nine color photogravures which were printed in 1999 and reflect on Rauschenberg’s early life, his friends and family, and the memories he held dear. The series represents especially significant mature work by Rauschenberg that looks back to his most formative moments as an artist including his time at Black Mountain College and the friendships and ideas formed there.
Also presented in the exhibition is an important series of prints by Judy Chicago (born Chicago, IL 1939). Five decades into her career, Chicago stands as one of the foremost artists of the 20th and 21st centuries, having committed to socially minded work, uplifting in particular experiences salient to her feminine and Jewish identities. Retrospective in a Box consists of seven prints and a portfolio created in collaboration with the master printers at Landfall Press, and provides an overview of her major motifs and ideas, including the print Spring the Dinner, a nod to her seminal 1979 work The Dinner Party.
In addition to the artworks from the Museum’s Collection, visitors will be able to experience Felix Gonzales-Torres’s “Untitled” (L.A.), on loan from the Art Bridges collection. “Untitled” (L.A.) is one of the artist’s iconic interactive candy installations where memories are engaged not only through sight but through sound, touch, taste, and smell as well.
Learn more about Ruminations on Memory and A Living Language: Cherokee Syllabary and Contemporary Art at ashevilleart.org.