Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.

Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Tuesday, March 1, 2022
ALTON BROWN LIVE: BEYOND THE EATS
Mar 1 @ 7:30 pm
Peace Concert Hall

altonbrown

Television personality, author, and Food Network star Alton Brown is hitting the road with his latest culinary variety show – “Beyond the Eats.” This new form of entertainment combines comedy, music, unusual cooking demos, and potentially dangerous sciencey stuff to deliver an evening unlike any other.

 

Alton Brown has been on the Food Network for over 20 years and is best known as the creator, writer, and host of Good Eats, Good Eats: Reloaded, and Good Eats: The Return. He also hosted Cutthroat Kitchen and served as the culinary commentator on Iron Chef America. There are two James Beard awards with Brown’s name on them in a drawer in his office, and somewhere in the world, there’s a coveted Peabody awarded for Good Eats that was stolen out of his car back in 2013. In his spare time, he’s working on his ninth book on food and cooking.

 

Get ready for two hours of pure entertainment full of stunts he’s not even allowed to do on TV!

Official Website

Jimmy Landry and Friends
Mar 1 @ 8:00 pm – 10:00 pm
White Horse Black Mountain
Jimmy Landry and Friends

Jimmy Landry and Friends

Black Mountain resident, born in Washington DC, and raised in the nearby northern Virginia suburbs, JIMMY LANDRY has an illustrious history, playing with many musical icons from Stevie Ray Vaughn to David Crosby to Richie Havens to David Wilcox, John Gorka, Patty Larkin… it’s a long list. Jimmy has been featured on the stages of some of the country’s finest music festivals: The Kerrville Folk Festival, The Philadelphia Folk Festival, and Telluride Bluegrass Festival are but three. Now a fixture in the burgeoning Asheville, NC music scene for nearly three decades, great songs, a memorable voice, and a passionate, sweaty enthusiasm for what he does are what linger with you after an encounter with Jimmy Landry and his music.
The Happy Fits
Mar 1 @ 8:00 pm
The Grey Eagle

THE HAPPY FITS

In a time where positivity is hard to come by, the Happy Fits are here with their transportive, sunny second album, What Could Be Better.

Turning a love for the Killers and Violent Femmes into their own compact pop songwriting, the New Jersey-based trio started as a casual summer project for high school friends Calvin Langman, Ross Monteith, and Luke Davis before going off to college. After their debut EP, 2016’s Awfully Apeelin’, took off on Spotify during their first semester, school stopped looking like the natural next step.

“Honestly, we didn’t know we were going to be a band,” guitarist Monteith says. “We came up with the title to record those four songs on our EP, and we thought that was going to be it, but once the songs got picked up and we really started questioning it, that’s when we decided to go for it and record the first album. When we left school was when we officially became a band.”

Following their 2018 full-length Concentrate, the Happy Fits have further honed their ambition for What Could Be Better’s collection of crowd-pleasers.

“Growing up, I was either in school, at home practicing, or at music school, and there was always this pressure to be really productive,” says primary songwriter Langman, who dropped out of conservatory to pursue the band. “When I decided that I wanted to do this for a living, being productive meant a totally different thing, because now I have to create things that are just in my head and make them real. Measuring how productive that is in my life, it’s hard to do that. There’s a lot of dissatisfaction I feel. I write that into the songs, all of the guilt that I feel for not sticking with a normal plan.”

From the stomping “No Instructions” to the album-closing title track, What Could Be Better channels youthful malaise into songs that demand to be sung along to. “Moving” deploys Beach Boys-inspired harmonies for a classically feel-good sound, and the integration of Langman’s classical cello training will appeal to fans of early Vampire Weekend. Far from cloying, the band’s upbeat nature is rooted in a real desire to connect with a world that sometimes seems distant.

On “What Could Be Better” Langman sings, “There’s a hole in my consciousness where I feel I belong,” a line inspired by his isolation as one of the few Asian-Americans in his hometown.

“I don’t have crippling social anxiety, but I have always felt like I’m a bit different,” Langman says. “I grew up in rural New Jersey and was one of three Asian kids in my high school…Also, growing up, with Hollywood and TV shows, I didn’t see many people like me, especially half-Filipinos.”

As the band’s stages get bigger, Langman knows he gets to be the role model he didn’t have, saying, “It feels really good to be someone that Filipino kids growing up in America could look up to.”

The Happy Fits have brought their uplifting live show across the country on multiple headlining tours, as well as supporting acts like This Wild Life.

“We bring together a large age group,” Davis, a former metalhead who started learning how to play drums from Rock Band, says of young fans who take their parents to shows. “I think one of the big connections is just when everyone’s there, it becomes this community where everyone can support each other and are all enjoying the same things.”

Known for their joyous, engaging performances, the band’s sense of camaraderie is also reflected in the songs. All three members split vocal duties on “Floating,” an urgent tribute to their long-distance relationships that emphasizes the collective nature of their journey.

“We just have grown so much musically and as best friends that now we have this chemistry where we can really figure out how to work with each other in the best way possible,” Davis says. “Calvin’s definitely the madman musical genius and Ross can write incredible parts. I don’t know how it works, I’m lucky every day that I got to meet these guys. Having a balance with them, it’s not something we can make up, it has to come naturally.”

Recorded over six weeks at Diamond City Studio in Brooklyn, What Could Be Better is a charming, efficient mission statement that’s meant to be shared, something Monteith already knows well.

“We want people to feel good listening to our music, because that’s what music does for people.”

In the nine months since the albums release the band saw it debut #4 on Billboard’s Alternative New Artist Chart, and “Hold Me Down” reach #30 in the National Alternative Radio Charts as well as #4 on the Sirius Alt Nation’s Alt 18. NPRs Ken Tucker ranked it #3 on his year end list and ended his glowing review live on “Fresh Air” with “What Could Be Better? I honestly don’t know.” Other writeups included Alternative Press, Dujour and Atwood Magazine.

SARAH AND THE SUNDAYS

Sarah and the Sundays is an indie rock band composed of five former collegiate students. Guitarist Miles and childhood friend Declan began toying with the idea of forming a band in early 2015. It wasn’t until later that year when they would meet Liam, current lead vocalist, in guitar class. In need of a bassist, Declan and Miles invited Liam to join the band, unaware of what the future might hold. As time progressed, Declan, Miles, and Liam began to realize their passion for music, pushing them to begin creating songs of their own. Their debut album I Don’t Know Yet was released in October of 2017, and shortly after, the band welcomed Quinn as their drummer. Liam’s college roommate Brendan recently joined the band as a second guitarist, you can hear him all over their sophomore album So You’re Mad About the Cups. The band just recently relocated to Austin, TX where they plan to play as much as they can, so be sure to find them on Instagram @sarahandthesundays to see where they’re playing next.

THURSDAY Cursive The Appleseed Cast Nate Bergman
Mar 1 @ 8:00 pm
The Orange Peel

Wednesday, March 2, 2022
¡Hablemos Español!
Mar 2 @ 1:53 am – 2:53 am
online w/ East Asheville Public Library

¡Hablemos Español!

Una hora para charlar, practicar el español, y conocerse con nuevos amigos.
Participantes de todos niveles bienvenidos.

A time to chat, practice Spanish, and meet new friends
Participants of all levels welcome.

Red Cross Buncombe County – Blood Drive Volunteer
Mar 2 @ 7:00 am – 3:00 pm
The American Red Cross

Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.


The American Red Cross is a nonprofit organization that helps communities prepare for, respond to, and recover from emergencies. Activities of the American Red Cross Western North Carolina Chapter include: Blood Services, Training Services, Disaster Services, and Home Fire Campaign.

Every two seconds someone in the U.S. needs blood and one blood donation can save up to three lives. Help support lives in North Carolina by signing up to become a Blood Drive Volunteer today.  

Time Commitment:

Blood drives occur M-F and volunteers are expected to attend one blood drive a month to remain an active volunteer. This position is flexible as volunteers can sign up for shifts that work for their schedule and instructions for shift selection will be sent after responding to the opportunity.

Volunteer Roles:

  • Warmly greet donors and assist with registration in reception area.
  • Assist with initial intake and hand off through blood donation process.
    • Ensure donors have relevant information and all questions are answered appropriately.
    • Maintain proper sanitizing and cleanliness of reception and hospitality areas.
  • Attend canteen area in support of donors.
    • Thank donors for their contribution.
    • Alert staff immediately if a donor shows signs of feeling unwell.
  • Inform donors of current and upcoming donation promotions.
    • Make reminder/cancellation calls.
    • Reschedule donor appointments.
    • Perform follow-up activities as directed.

Volunteer Requirements:

  • Modeling excellent customer service behaviors.
  • Knowledge of technology needed for position (training provided)
    • Donor checkin, donor tablet, rapid pass, donor app.
  • Comfortable working with people from diverse communities and backgrounds
  • Dependable, punctual, and professional
  • Adhere to all Red Cross guidelines
  • Ability to remain calm in crisis situations
  • Adhere to CDC safety guidelines regarding COVID-19 precautions
  • Safety First! Our need for volunteers is constant and our guidelines reflect the latest CDC safety recommendations and follow the national and local government laws. COVID-19 vaccination will be required for in-person volunteer roles beginning January 3, 2022.
Amazing Scavenger Hunt Adventure – Asheville
Mar 2 @ 8:00 am – 7:00 pm
Vance Memorial

Amazing Scavenger Hunt Adventure - Asheville

Turn the Dallas Asheville into a giant game board with this fun scavenger hunt adventure. Combine the excitement of the Amazing Race with a two and a half-hour city tour. Guided from any smart phone, teams make their way among well-known and overlooked gems of the city, solving clues and completing challenges while learning local history. Start when you want and play at your pace. Price is per team, not per person. Find details and Redeem your ticket as a Prepaid Code online at www.UrbanAdventureQuest.com.

Support Veterans Going to College – A-B Tech’s Vet’s Cafe
Mar 2 @ 8:00 am – 5:00 pm
AB Tech

 Asheville-Buncombe Technical Community College (A-B Tech) is a comprehensive two-year college and one of 58 colleges in the North Carolina Community College System, serving students in five locations in Buncombe and Madison Counties.  A-B Tech, through its dedication to student success, strives toward its mission to deliver quality education to enhance academic, workforce, and personal development. A-B Tech envisions changing lives and strengthening communities. 

We are seeking volunteers to help support our Veteran’s Cafe. A-B Tech recognizes that student military veterans benefit significantly from fellowship and networking with their peers. To meet this need, the College created the Vet’s Cafe, a supportive gathering place where students can relax, network, connect with resources, use a computer and enjoy complimentary coffee or pre-packaged snack. 

Volunteer Responsibilities:

  • Hosts, ensuring the Cafe is welcoming and supportive.
  • Setting out snacks and coffee
  • Helping students with computers, and tutoring/mentoring as appropriate
  • Volunteers also act as a conduit between students and the A-B Tech Veterans Advisor to ensure students get all the support they need to succeed.

Time Commitment:

  • 3 hours per shift (8am-11am, 11am-2pm, 2pm-5pm 8am-5pm)
  • 1 volunteer per shift, couples are welcome to volunteer together.

 

Qualifications:

  • Must have patience and understanding while volunteering at the Cafe
  • Military experience is preferred but not required
  • Must be computer literate

Requirements:

  • Must be 21 years old
  • Complete volunteer application with A-B Tech
  • Complete FERPA & HIPAA forms
  • Submit to a criminal background screening
  • Attend an in-person interview and orientation with A-B Tech Campus Volunteer Coordinator

Health & Safety:

  • A-B Tech is following all CDC guidelines for higher educational institutions
Nominations are Now Being Accepted for the 15th Annual ATHENA of Henderson County Award
Mar 2 @ 9:00 am – 5:00 pm
online

Vanessa Mintz 0507

The Henderson County Chamber of Commerce, Pardee UNC Health Care, Optimum/Morris Broadband, and Judy Stroud/State Farm Insurance are pleased to announce the 15th Annual ATHENA Leadership Award in Henderson County in memory of Vanessa Y. Mintz. Nominations are now being accepted for the ATHENA Leadership Award, which will be presented at the Professional Women’s Luncheon in May to an exemplary leader who has achieved excellence in their business or profession, served the community in a meaningful way, and, most importantly, actively assisted women to achieve their full leadership potential.

Founded over 30 years ago, ATHENA International is a women’s leadership organization that supports, develops and honors women leaders through the programs it administers. ATHENA’s flagship program, the ATHENA Leadership Award Program, has honored over 6000 women leaders from hundreds of cities and eight countries since its inception in 1982.

Vanessa Y. Mintz brought the ATHENA award to Henderson County in 2008 and she embodied the values underlying ATHENA Vanessas Vision

International’s philosophy of incorporating the talent and expertise of women into the leadership of our businesses, our communities, and our government. Reflective of a quote attributed to Plato, “What is honored in a country will be cultivated there”, the ATHENA Leadership Award honors and illuminates the leaders and leadership styles of individuals others would emulate.

The program is facilitated locally by the Henderson County Chamber of Commerce, a licensed ATHENA host organization. Nominations are sought throughout the community. Recipients are selected by a diverse group of out-of-town professional judges, based on Athena leadership criteria.

ATHENA Leadership Award Recipients hail from all professional sectors. The award’s rich history, international scope, and emphasis on mentorship make this award unique and amongst the most prestigious leadership awards one can receive. Past Henderson County ATHENA Recipients Include:

Kathy Streeter Morgan (2021)

Barbara Volk, City of Hendersonville (2020)

Barb Morgan, Project Dignity of WNC (2019)

Lee Henderson Hill, Community Foundation of Henderson County (2018)

Roxanna Pepper, Children & Family Resource Center (2017)

Judy Stroud, State Farm Insurance (2016)

Judith Long, Free Clinics (2015)

Caroline Long, St. Gerard House (2014)

Annie Fritschner, First United Methodist Church (2013)

Myra Grant, Pardee Hospital Foundation (2012)

Joyce Mason, Four Seasons Compassion for Life (2011)

Pat Shepherd, Pat’s School of Dance (2010)

Ragan Ward, Carolina Alliance Bank (2009)

Robin Reed, Bares It All (2008)

ATHENA Leadership Award Recipients are presented a hand-cast, bronzed and crystal sculpture that symbolizes the strength, courage, and wisdom of ATHENA Recipients.

Spread a Little Love with the Dog Therapy Program – A-B Tech
Mar 2 @ 9:00 am – 8:00 pm
A-B Tech Community College

Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.


 Asheville-Buncombe Technical Community College (A-B Tech) is a comprehensive two-year college and one of 58 colleges in the North Carolina Community College System, serving students in five locations in Buncombe and Madison Counties.  A-B Tech, through its dedication to student success, strives toward its mission to deliver quality education to enhance academic, workforce, and personal development. A-B Tech envisions changing lives and strengthening communities. 

We are currently seeking registered Therapy Dog Teams to have regular routes on campus, visiting public areas, classrooms and staff offices. Our A-B Tech Therapy Dog program aims to spread compassion, empathy, and, most importantly, “pawsitivity” across our campus.  A-B Tech Community College recognizes the positive influence that therapy dogs can have on student and staff.

Volunteer Responsibilities:

  • Therapy dog teams (owner and dog) will visit public areas on campus, classrooms, and staff offices
  • Therapy dog teams will also assist with special requests such as visiting classrooms before exams, counseling sessions or special events on campus.

Time Commitment:

  • 1 hour once a week
  • Therapy Dog teams are scheduled to ensure they are not in the same building or area at the same time as other teams.

Requirements:

  • Must be 21 years old
  • Complete volunteer application with A-B Tech
  • Complete FERPA & HIPAA forms
  • Submit to a criminal background screening
  • Attend an in-person interview and orientation with A-B Tech Campus Volunteer Coordinator
  • Provide copies of Therapy Dog Certification (Dog Teams must be certified by an accredited Therapy Dog Agency before starting).

*As of 2021, the Volunteer Program accepts Therapy Dog certification from the following agencies, Alliance of Therapy Dogs, Therapy Dogs International, Pet Partners (previously Delta Society).

Health & Safety:

  • A-B Tech is following all CDC guidelines for higher educational institutions
Tours: Thomas Wolfe Memorial State Historic Site
Mar 2 @ 9:00 am – 4:30 pm
The Thomas Wolfe Memorial

Old Kentucky Home -The Thomas Wolfe Memorial

American Novelist Thomas Wolfe (1900-1938)

American Novelist Thomas Wolfe (1900-1938)

Considered by many to be one of the giants of 20th-century American literature, Thomas Wolfe immortalized his childhood home in his epic autobiographical novel, Look Homeward, Angel. Wolfe’s colorful portrayal of his family, his hometown of “Altamont” Asheville, North Carolina, and “Dixieland” the Old Kentucky Home boardinghouse, earned the Victorian period house a place as one of American literature’s most famous landmarks.

House tours are offered daily at half past each hour. Last tour leaves at 4:30 pm.
Group tours by reservation.

Adult – $5.00
Student (ages 7-17) – $2.00
Adult Group (10+) – $2.50 each
Student Group – $2.00 each
6 & under – Free

Hours of Operation

9:00am – 5:00pm
Tuesday – Saturday
Sunday & Monday: CLOSED
Closed State Holidays

“Weaving Across Time”
Mar 2 @ 10:00 am – 6:00 pm
Center for Craft

Bringing thousands of years of tradition into conversation with contemporary practice, the Center for Craft’s exhibition ᎢᏛᏍᎦ ᏫᏥᏤᎢ ᎠᎵᏰᎵᏒ Weaving Across Time showcases the works of nine Eastern Band Cherokee basket makers. Touching on the dynamic evolution of lineage, sustainability, and cultural expression, the exhibition opens on December 13. This exhibition is supported in part by the Cherokee Preservation Foundation, the National Endowment for the Arts, and AARP, Mountain Region North Carolina.

The artists’ work with two of the oldest materials in Cherokee basket making tradition, mountain rivercane and white oak, both of which have been used for thousands of years by Southeastern tribes. The end results are both beautiful and functional – entries in an evolving craft tradition that began tens of thousands of years ago and is experiencing a resurgence. The labor-intensive process of basket making, which includes harvesting materials, gathering plants for dyes, and deciding on intricate patterns, itself becomes a key component of the final object, which interweaves ecology, culture, land, and identity.

These plants, particularly rivercane, are at the heart of Cherokee tradition and culture. The subject of serious conservation efforts, rivercane is also a vital plant for water quality and erosion mitigation, as well as a habitat for riparian species. Despite its importance, the effects of climate change and continually encroaching development in rivercane habitats has contributed to its depletion, both as a material for artists and a plant essential for environmental health. Basket makers harvesting rivercane for splints approach the plant with deep reverence and knowledge of its centrality to the ecosystem, sometimes traveling hundreds of miles to harvest it sustainably.

Other materials, selected with just as much care, reveal elements of process and the natural environment, including the plants available to harvest in particular seasons. White oak can be gathered year-round, but is easiest to process in spring and summer when sap runs up the tree. Dyes used for the baskets, sourced from plants including bloodroot, butternut, and walnut, add rich color to final pieces while also revealing information about harvest time and supply. The laborious, intensive process links generations of basket makers across centuries.

As Cherokee lands have been stolen or transformed beyond recognition, materials are harder to come by, but the rewards are rich. As basket maker ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow, explains, “When you’re taking that extra step, going out and doing this completely by hand, you’re a basket maker, not just a weaver. My hands are rough and calloused over because I make the splints myself.” Crow makes an average of just 20 baskets a year and, like other basket makers, wastes no scraps, instead making mats, miniature pieces, or, as a last resort, using them for kindling.

The baskets in the exhibition, all of which were created in the last two decades, connect lineages across time and space in a vibrant, living tradition. Patterns based on rhythmic numerical sequences are passed down from teacher to student. Basket makers also borrow from contemporaries and innovate to create pieces in their own recognizable styles. Basket maker ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson, who is also the consulting artist for The Basket public art parklet, finds inspiration in designs she sees on her travels to visit other tribes in North and South America. For her, baskets are symbolic of Cherokee resilience. “The Cherokee have always been able to change and adapt with time,” she says, “so our artwork and art forms have changed and evolved along with us.”

The exhibition will be on view until April 22. Visitors can reserve 30-minute time slots for unguided visits to explore the current exhibitions, learn more about the Center’s national impact, and enjoy interactive activities. The Center is open to the public Monday – Friday, 10 am – 6 pm. Hours of operation may be subject to change.

Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center requires the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.

Additional Financial Assistance Available for Housing + Heating Needs
Mar 2 @ 10:00 am – 4:00 pm
online

 

Do you need help paying your mortgage, rent, or utilities? Buncombe County might be able to help. Additional financial assistance will be available soon for qualifying County residents. At its Feb. 1 regular meeting, the Board of Commissioners voted unanimously to approve budget amendments accepting nearly $4 million in state and federal funding for emergency rental and low-income energy assistance.

Economic Services Director Phillip Hardin also provided the Board an overview of emergency housing spending of $8.2 million to date that has helped aid more than 3,000 residents. Additional funding in the amount of $2.2 million has been received from the state’s allocation of emergency rental assistance to be used following the same guidelines for rent and utility payments. Hardin noted there is still $4 million in funding from the previous allocation that is available immediately to support community members impacted by the COVID-19 pandemic who need help with rent or utilities. Call 250-5500 for assistance.

Heating Assistance

The Low-Income Energy Assistance Program is a seasonal program that provides for a one-time vendor payment to help eligible households pay their heating bills. NC DHHS is providing funding from two sources to the County for a total of $1,887,432. All funds will be disbursed through Eblen Charities. The County will share more information as it is available on how residents may apply for this assistance.

MAINSTAGE SERIES FOR STUDENTS AND FAMILIES The Joshua Show
Mar 2 @ 10:00 am
Tina McGuire Theatre

MAINSTAGE SERIES FOR STUDENTS AND FAMILIES

Recommended for Grades PreK-2

Bring your students to the feel-good event of the season! Described as a modern-day Mr. Rogers with hipster appeal, Joshua Holden uses live music, puppetry, physical comedy and tap-dancing to send a message of kindness, love and warmth, reminding children and adults alike to celebrate their differences, find joy in everyday life and respect the feelings of others.

Updated safety policy, effective September 1, 2021: To ensure the health and wellness of students, patrons, artists, staff and volunteers, masks are required at all times for all students, patrons and visitors regardless of vaccination status.

Miss Malaprop’s Storytime— ages 3-9
Mar 2 @ 10:00 am
online

Due to Covid-19, we are posting Storytime on Instagram in lieu of an in-store event. Join us on Instagram at https://www.instagram.com/malapropsbookstore/ to tune into Miss Malaprop’s Storytime from your home.

Join us with your wee ones on Wednesdays at 10 am for classic and contemporary stories sure to enchant and entertain. Together, we’ll introduce children to the wonderful world of books! Recommended for ages 3-9.

Wednesday, February 2, 2022 – 10:00am
Wednesday, February 16, 2022 – 10:00am
Wednesday, Ma
Mobile Blood Drive at Pardee Hospital Hendersonville Parking Lot #9
Mar 2 @ 10:00 am – 3:00 pm
Pardee Hospital Hendersonville Parking Lot #9

Your blood is going to someone who really needs it. To get it there is a process. It takes a team; our phlebotomists collect the blood, our couriers bring it to our headquarters for processing, our lab techs process it, and our couriers then deliver the products to our hospitals. Once they’re there, lives are saved.

Need Tax Help? Buncombe Libraries Offer Free Assistance: Pack Memorial Library
Mar 2 @ 10:00 am – 4:00 pm
Pack Memorial Library

Do you need help preparing your taxes? If so, Buncombe County Pubic Libraries can help. AARP Foundation Tax-Aide, in cooperation with the IRS, NC Department of Revenue, Buncombe County Library System, and Council on Aging, Inc. will offer free tax preparations for taxpayers of low and moderate-income, with special attention to those age 60 and older from Feb. 1-April 15.

You will need an appointment to speak with a tax help aide. At your appointment, you can drop off your tax documents and you’ll be given another appointment in about two weeks to pick up your paperwork and completed tax form.

How it works

1. Pick up a tax record envelope and instructions at Black Mountain, West Asheville, Weaverville or Pack Library during library hours.

2. Complete the Intake/Interview Booklet in your envelope by answering all questions. Then sign and date the last 3 pages. Place all your tax forms and any information relating to your tax return in your envelope.

3. Make an appointment to drop off your Tax Record Envelope and meet with a Tax-Aide volunteer.

Wednesdays, appointments available between 10am-4pm
To make an appointment on Wednesday at Pack Library, email [email protected] with your name and telephone number. An AARP volunteer will contact you to set up your appointment. If you don’t have access to email, someone at the library can email AARP for you. At your appointment a tax volunteer will check all documents and give you a follow-up appointment to pick up your completed tax return and documents in 1 or 2 weeks.

Of Body + Mind Art Exhibit
Mar 2 @ 10:00 am – 5:00 pm
North Carolina Glass Center

Our first exhibition of the year, Of Body & Mind, explores the connection between form and soul. Both functional and sculptural glass work is displayed. Artists are encouraged to expand the concept beyond static objects. The show exhibits work of glass artists living in Western North Carolina or who have a connection to the area. The exhibit is open during our regular gallery hours in D Space. Closed Tuesdays. Masks required. A reception will be announced at a later date. Featured artwork: ‘Be Here Now’ by Ben Greene-Colonnese.

Place and Presence: exhibition featuring new works by Asheville artists Linda Gritta and Moni Hill
Mar 2 @ 10:00 am – 6:00 pm
Bender Gallery

Interesting Finds
Linda Gritta
mixed media on canvas
36 x 36 inches

Sweeten Creek on Busbee Mountain
Moni Hill
acrylic on panel
60 x 60 inches
Gritta and Hill are abstract painters with different yet complementary styles reflecting the chaotic nature of the modern world and finding respite in nature and art. The exhibition celebrates the artists’ vibrant abstract work and their interconnection with Western North Carolina and its longstanding arts culture. Place and Presence runs from April 2nd through 30th during Bender Gallery’s regular business hours. There will be an opening reception for Gritta and Hill at the gallery on Saturday April 2nd from 6 to 9 PM at 29 Biltmore Avenue in downtown Asheville. Both artists will be in attendance to discuss their work. We hope to see you there!
SHOWCASE OF EXCELLENCE
Mar 2 @ 10:00 am – 4:00 pm
Tryon Fine Arts Center

Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers.

High school teachers in North and South Carolina are invited to submit their students’ best work in painting, drawing, sculpture, mixed media, printmaking, and photography.

First Prize and Best in Show students are awarded a cash prize to encourage their artist pursuits. Winning teachers are awarded a Be Inspired Grant that they may use for classroom projects. These prizes are made possible by our generous donors.

The 2022 Showcase of Excellence will held from February 19 – March 12 in the Parker Gallery at TFAC.

Information about registration and Showcase rules can be found below.

 

YMCA Splash Volunteer Opportunity
Mar 2 @ 10:00 am – 12:30 pm
Corpening YMCA, 348 Grace Corpening Drive, Marion, NC

Y-Splash

child learning how to swim during a swim lesson at the YMCA of Western North Carolina

 

What: Teach water safety skills, prepare children for drowning emergencies, decrease the number of deaths due to drowning in children and youth. Volunteer in the water or on land.

When: Shifts available from February 23 – April 22, Tuesday thru Friday from 10 AM – 12:30 PM.

The world is 70% water. Children are 100% curious. In an area with so many natural bodies of water, drowning prevention isn’t a luxury. It’s a necessity.

Y Splash is a volunteer-led program that challenges the startling childhood drowning statistics. Between the months of February and April, every public school second grader comes through the Y to participate in critical drowning prevention skills. We are searching for volunteers with a passion for water safety,

working with youth, and serving our local community.

Flash Fiction: Creative Writing Workshops Author Dr. Beth Keefauver
Mar 2 @ 10:30 am
online

 

This series will be held the first Wednesday of the Month at 10:30 a.m. – begins Jan. 5 on Zoom.

Flash fiction is a prose narrative that takes the form of very short, self-contained stories. Flash fiction is a dynamic genre, and though it is not new, it has become popular in contemporary literary culture. With the rise of social media and short attention span readers, as well as the form’s unique ability to double as prose poetry, publishing opportunities for flash fiction abound.

In this free workshop series, we will focus on the intensity of the short prose form as “illuminated moment.” Through prompts and exercises, we will practice writing and revising a variety of flash stories. Participants will have the opportunity to share their own flash stories for feedback, as well as read and discuss selected works as models.

The classes may be taken individually or as a series. The schedule is:

  • Intro to Flash Fiction: Wednesday, January 5 at 10:30 AM
  • Finding the Illuminated Moment: Wednesday, February 2 at 10:30 AM
  • Revising for the Iceberg Effect: Wednesday, March 2 at 10:30 AM

Beth Keefauver earned her Ph.D. in English and Creative Writing at the University of Tennessee. She has taught creative writing for the Great Smokies Writing Program as well as several colleges and universities in the region. In 2015, Beth joined the University of South Carolina Upstate Department of Languages, Literature, and Composition. Beth lives in Fairview, NC with her sons Boone & Rowan, their cat, and a flock of chickens.

This class is sponsored by Buncombe County and the Fairview Friends of the Library.  Class size is limited so register early!  Call 828-250-6496 or email to register.

Revising for the Iceberg Effect
Mar 2 @ 10:30 am – 11:30 am
online w/ Fairview Library

This workshop explores the tension between lyrical and narrative elements in flash. We will revise our stories to achieve the “iceberg effect.” The instructor will also share flash fiction resources, publications, and contests where you can submit your work.  NOTE: This session works best if participants bring one or two stories, though this is not required.

Flash fiction is a dynamic genre, and though it is not new, flash has become popular in contemporary literary culture. With the rise of social media and short attention span readers, as well as the form’s unique ability to double as prose poetry, publishing opportunities for flash fiction abound. In this workshop series, we will focus on the intensity of the short prose form as “illuminated moment.” Through prompts and exercises, we will practice writing and revising a variety of flash stories. Participants will have the opportunity to share their own flash stories for feedback, as well as read and discuss selected works as models. The classes may be taken individually or as a series.

Beth Keefauver earned her Ph.D. in English and Creative Writing at the University of Tennessee, where she specialized in contemporary fiction, environmental literature, women’s studies, and served as a fiction editor for Grist. Her work has appeared in numerous national publications. Beth currently teaches creative and professional writing, environmental literature, women’s and gender studies at the University of South Carolina.

This class is sponsored by Buncombe County and the Fairview Friends of the Library.  Class size is limited, so register early!  Call 828-250-6484 or email [email protected] to register.

2022 WNC Regional Scholastic Art Awards Exhibition
Mar 2 @ 11:00 am – 6:00 pm
Asheville Art Museum
Olivia Jones, Face Vessel, Ceramics & Glass, Silsa-Asheville High School, Grade 12. 2022 WNC Regional Scholastic Art Awards, Gold Key award.
The Asheville Art Museum has announced the regional award recipients of the 2022 Scholastic Art Awards and artworks will be on view at the Museum.
The regional program is judged in two groups: Group I, grades 7–8 and Group II, grades 9–12. Out of 540 total art entries, 190 works have been recognized by the judges, and Gold and Silver Key award-winning artworks are featured in this exhibition while honorable mentions will be featured digitally. The 2022 regional judges include local artists and educators Brandy Bourne, Jenny Pickens, and M. Paige Taylor.

Those works receiving Gold Keys have been submitted to compete in the 99th Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2022 National Scholastic Art Awards. Award winners include students from public, private, homeschools, and charter schools in Buncombe, Burke, Haywood, Henderson, Jackson, Madison, McDowell, Rutherford.

Since the program’s founding in 1923, the Scholastic Art Awards have fostered the creativity and talent of millions of students, and include a distinguished list of alumni including Andy Warhol, who received recognition in the Awards when he was a teen.

National Gold Key medalists will be announced in March 2022 and honored during a special awards ceremony in June 2022.

For more information about the Alliance for Young Artists & Writers and the Scholastic Art & Writing Awards, visit the Scholastic Newsroom: mediaroom.scholastic.com/artandwriting.

Citations (left to right): Wen Yaxuan, Shakivatou, Painting, Asheville School, Grade 12. 2022 WNC Regional Scholastic Art Awards, Gold Key award. | Gracie Hart, Fly, Drawing & Illustration, West Henderson High School, Grade 11. 2022 WNC Regional Scholastic Art Awards, Gold Key award.
About the Asheville Art Museum  
The Museum’s galleries, the Museum Store, Art PLAYce, and Perspective Café are open with limited capacity. The Frances Mulhall Achilles Art Research Library remains temporarily closed. The Museum welcomes visitors Wednesday through Monday from 11am to 6pm, with late-night Thursdays from 11am to 9pm. The Museum is closed on Tuesdays. General admission is always free for Museum Members, UNC Asheville students, active-duty military personnel with valid ID, and children under 6; $15 per adult; $13 per senior (65+); and $10 per student (child 6–17 or degree-seeking college students with valid ID). Admission tickets are available at ashevilleart.org/visit. Visitors may become Members at the welcome desk during their visit or online at ashevilleart.org/membership.
A Hand in Studio Craft: Harvey K. Littleton as Peer and Pioneer Exhibition
Mar 2 @ 11:00 am – 6:00 pm
Asheville Art Museum

Harvey K. Littleton, Amber Maze, 1968, blown glass, 8 3/4 × 10 1/2 × 6 inches. Asheville Art Museum. © Estate of Harvey K. Littleton.
Asheville, N.C.A Hand in Studio Craft: Harvey K. Littleton as Peer and Pioneer highlights recent gifts to the Asheville Art Museum’s Collection and loans from the family of glass artist Harvey K. Littleton. This exhibition places Harvey and Bess Littleton’s collection into the context of their lives, as they moved around the United States, connected with other artists, and developed their own work. This exhibition—organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator—will be on view in the Judith S. Moore Gallery at the Museum from January 19 through June 27, 2022.

Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) founded the Studio Glass Movement in the United States in 1962 when, as a teacher, he instituted a glass art program at the University of Wisconsin in Madison, the first of its kind in the United States. He taught the next generation of glass artists—who taught the next—and his influence can still be seen today. But before he dedicated himself to the medium of glass, Littleton studied industrial design, ceramics, and metalwork at the University of Michigan and the Cranbrook Academy of Art in the late 1930s and early 1940s. He met his wife Bess Tamura Littleton, a painting student, at the University of Michigan. Over the course of their careers, Harvey and Bess collected artwork by their fellow artists and amassed an impressive collection from the early days of the Studio Glass Movement and the height of the American mid-century Studio Pottery Movement.

“This exhibition offers the viewer an exciting opportunity to see some of Harvey K. Littleton’s early work in ceramic and metal—directly from his family’s collection—before he began making art in glass,” says Whitney Richardson, associate curator. “Best known for his glassworks, those will be on display alongside the work of his students and his peers making clear the influence he had on them and the Studio Glass Movement.” 

A Living Language: Cherokee Syllabary and Contemporary Art
Mar 2 @ 11:00 am – 6:00 pm
Asheville Art Museum

Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ul’nigid’, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya.
 Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, NC from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from November 19, 2021 to March 14, 2022.

The Cherokee Syllabary is a system of writing developed by Sequoyah in the early 1800s prior to the Removal period. Through Sequoyah’s innovative work, Cherokee people embraced the writing system as an expedient form of communication and documentation. During the Removal period, the syllabary was used as a tactic to combat land dispossession. Cherokee people continue to use the syllabary as a form of cultural expression and pride, which is showcased in the contemporary artwork of the Cherokee Citizens in this exhibition.

“We’re pleased to host this gathering of works from contemporary Cherokee artists, who perfectly illustrate how our language is a living and evolving part of who we are. It’s moving to see how each artist finds inspiration in their own way from this language that connects us as Cherokee people,” said Shana Bushyhead Condill, executive director of the Museum of the Cherokee Indian.

“The Asheville Art Museum and the Museum of the Cherokee Indian have been long-term collaborators, and we are delighted to further our partnership by working together to manage an open call to Cherokee artists and subsequently curate this exciting exhibition of contemporary works that take inspiration from, celebrate, preserve and interpret the syllabary,” said Pamela L. Myers, executive director of the Asheville Art Museum. “On view at both museums, we hope the exhibition engages a wide and diverse audience in dialogue with these extraordinary works.”

A Living Language: Cherokee Syllabary and Contemporary Art is organized by the Asheville Art Museum and Museum of the Cherokee Indian, and curated by Hilary Schroeder, assistant curator at the Asheville Art Museum, with assistance from curatorial consultant Joshua Adams (Eastern Band of Cherokee Indians). Special thanks to S. Dakota Brown, education director at the Museum of the Cherokee Indian, and Alexis Meldrum, curatorial assistant at the Asheville Art Museum, for their support in the planning of this exhibition. This project is made possible in part by a grant from the Blue Ridge National Heritage Area Partnership, and sponsored in part by the Cherokee Preservation Foundation and Kevin Click & April Liou in memory of Myron E. Click.

Eastern Band of Cherokee Indians artists include Joshua Adams, Jody Lipscomb Bradley, Nathan Bush, Kane Crowe, John Henry Gloyne, Shan Goshorn, Luzene Hill, Christy Long, Louise Bigmeat Maney, Christopher McCoy, Tara McCoy, Joel Queen, Sean Ross, Jakeli Swimmer, Rhiannon Skye Tafoya, Mary Thompson, Stan Tooni Jr.,  Alica Wildcatt, and Fred Wilnoty.

Cherokee Nation artists include Roy Boney Jr., Jeff Edwards, Joseph Erb, Raychel Foster, Kenny Glass, Camilla McGinty, Jessica Mehta, America Meredith, Jane Osti, Lisa Rutherford, Janet L. Smith, Jennifer Thiessen, and Jennie Wilson.

About the Museum of the Cherokee Indian

Established in 1948, the Museum of the Cherokee Indian is one of the longest operating tribal museums. Recognized for its innovative storytelling, the Museum features exhibits, artwork, and hands-on technology that brings over 15,000 years of Cherokee history to life. Located in Cherokee, NC, the Museum is open daily except Thanksgiving, Christmas, and New Year’s Day. Learn more by visiting mci.org.

Cook and Serve Meals – ABCCM Transformation Village
Mar 2 @ 11:00 am – 1:00 pm
Transformation Village

Cook teams of 4-6 individuals are invited to bring ingredients and prepare meals onsite or bring meals that have been prepared elsewhere.  To meet our dietary standards, we ask that each meal provides a meat, vegetable and starch.

Requirements:

  • Background Check
  • Brief orientation prior to service
  • Ability to Multi-Task
  • Friendly Demeanor

Health & Safety:

  • We are asking volunteers to wear/bring their own face mask if you have not been fully vaccinated
  • Temperatures will be checked and a COVID-19 disclosure will be signed at the volunteer entrance
  • Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

    Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.


    ABCCM Transformation Village provides up to 100 beds of transitional housing and will provide emergency shelter beds, post Covid-19.  Transforming lives is through four developmental phases called Steps to Success including stabilization, life skills, education and reintegration.  We are honored to report that 8 out of 10 leave us with a living wage job and permanent housing.

    Transformation Village gives hope, healing, health and a home to single women, mothers with children, and female Veterans experiencing homelessness.  We provide residents a fresh start and a place to heal surrounded and supported by Christian love, trust, education and companionship.

    We are seeking energetic volunteers to prepare and serve meals for our residents for lunch and dinner. This opportunity provides you with the chance to prepare meals in our commercial kitchen alongside our trained staff while serving the women and children of Transformation Village. 

March Art Exhibit, New Members Show “Color Dance”
Mar 2 @ 11:00 am – 6:00 pm
Asheville Gallery of Art

Asheville Gallery of Art March 2022 Exhibit, New Members Show“Color Dance” will feature works by four new gallery members: Anne Marie Brown, Raquel Egosi, JoAnn Pippin, and Cindy Shaw. The show will run March 1-31 during gallery hours, 11am-6pm. An event to meet the artists will be held at the gallery on First Friday, March 4, from 5-8pm at 82 Patton Avenue. These four exciting artists have selected “Color Dance” as the theme for their show. Paintings are generally static and are confined within a frame. The combined creative energy of these artists has seemingly moved beyond these limits, to create beautiful expressions of dynamic, moving shapes, captured within a spatial environment. They wish their works to evoke thoughts, emotions, and awareness to celebrate the sentient meaning of life. Please join us for “Color Dance” to revel in the paintings presented by these new gallery artists. They will deliver dynamic color, vibrancy, and hue into scenes that will dance their way into your heart. Anne Marie Brown began painting when, as a florist, she would paint small watercolors of her floral designs. She has exhibited in outdoor shows for over ten years and has had exhibitions in numerous galleries. Now settled in the mountains, she is inspired to paint the sweeping vistas and flora and fauna within. Anne Marie works in watercolor, gouache, oil, and acrylic, and hopes the images that touch her heart and canvas will touch yours as well. Color is music to my eyes. The song that is created on the canvas makes my heart dance. Raquel EgosiRaquel’s art career began in 1996 in Brazil. Studying with acclaimed artists and attending a variety of painting classes, she was active in her local art community, collaborating and setting up art shows. She currently participates regularly in gallery shows and museum exhibitions. Her art sells internationally, and she leads workshops for mixed media techniques in both the United States and overseas. Constructed using a variety of mixed media, my compositions are exceedingly rich in color and texture, with partial or fully figurative and abstract elements. JoAnn Pippin, her passion is to explore different watercolor techniques, with her subjects. Her paintings have been exhibited in juried art shows throughout the US, and her focus is on color, composition, and texture, to create light and mood through technique. The theme “Color Dance” is especially meaningful to watercolorists, because we literally watch color dance and blend when we add wet paint to wet paper. It is not simply mixing colors on the palette and placing them in our work, but the excitement of observing the action as they blend and mingle to create wonderful new hues. Cindy Shaw originally trained as an Architect and worked for many years on projects as well as teaching. However, when her husband’s career took her to rural Italy, she purchased art supplies and began to paint. While there, she enjoyed exploring the Italian countryside and capturing “le viste belle!”. Returning home to the USA, she has continued to grow and develop as an impressionist artist over the past decade. “Color adds depth and meaning, not only to our paintings, but also to our outlook on life. Color can be joyful, dramatic, and exciting.”

Ruminations on Memory Exhibition
Mar 2 @ 11:00 am – 6:00 pm
Asheville Art Museum
Robert Rauschenberg, John from the Ruminations series, 1999, photogravure on paper, edition 3/46, publisher: Universal Limited Art Editions, Bay Shore, NY, 29 ½ × 38 7/8 inches. Asheville Art Museum. © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), New York.

Ruminations on Memory contends with the act of remembrance and reflection, featuring a rare presentation of all nine prints from Robert Rauschenberg’s Ruminations portfolio, Judy Chicago’s Retrospective in a Box portfolio, and selections from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in Appleby Foundation Exhibition Hall at the Museum from November 19, 2021 through March 14, 2022 in conjunction with A Living Language: Cherokee Syllabary and Contemporary Art

Artworks are vessels for processing, recalling, and reflecting on the past. Artists often draw upon materials from their own pasts and grasp at fleeting moments in time in the creation of an object. For the viewer, observation of an artwork can draw out personal memories.

Artworks in a variety of media explore various ways of remembering, including individual memories that focus on the moments from an artist’s past; generational memory that looks back to one’s ancestors, whether recent or long past; and collective memory, wherein in an image might evoke bygone times that balance between constructed and real. Through these artworks that ruminate upon the past, viewers may discover the stirrings of their own thoughts and recollections prompted by the works before them.

Ruminations on Memory offers a unique opportunity to experience the entirety of a major print portfolio by American painter Robert Rauschenberg (Port Arthur, TX 1925–2008 Captiva, FL). Rauschenberg was a student at Black Mountain College in NC for the 1948–1949 and 1951–1952 academic sessions and for the 1951 and 1952 summers. His Ruminations series consists of nine color photogravures which were printed in 1999 and reflect on Rauschenberg’s early life, his friends and family, and the memories he held dear. The series represents especially significant mature work by Rauschenberg that looks back to his most formative moments as an artist including his time at Black Mountain College and the friendships and ideas formed there.

Also presented in the exhibition is an important series of prints by Judy Chicago (born Chicago, IL 1939). Five decades into her career, Chicago stands as one of the foremost artists of the 20th and 21st centuries, having committed to socially minded work, uplifting in particular experiences salient to her feminine and Jewish identities. Retrospective in a Box consists of seven prints and a portfolio created in collaboration with the master printers at Landfall Press, and provides an overview of her major motifs and ideas, including the print Spring the Dinner, a nod to her seminal 1979 work The Dinner Party.

In addition to the artworks from the Museum’s Collection, visitors will be able to experience Felix Gonzales-Torres’s “Untitled” (L.A.), on loan from the Art Bridges collection. “Untitled” (L.A.) is one of the artist’s iconic interactive candy installations where memories are engaged not only through sight but through sound, touch, taste, and smell as well.

Learn more about Ruminations on Memory and A Living Language: Cherokee Syllabary and Contemporary Art at ashevilleart.org.

Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
Mar 2 @ 11:00 am – 6:00 pm
Asheville Art Museum
 
Left: Thermon Statom, Frankincense, 1999, siligraphy from glass plate with digital transfer on BFK Rives paper, edition 50/50, 36 1/4 × 29 3/8 inches. Asheville Art Museum. © Thermon Statom. | Right: Dale Chihuly, Suite of Ten Prints: Chandelier, 1994, 4-color intaglio from glass plate on BRK Rives paper, edition 34/50, image: 29 ½ × 23 ½ inches, sheet: 36 × 29 ½ inches. Asheville Art Museum. © Dale Chihuly / Artists Rights Society (ARS), New York.
Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.

In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.

“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.”