Asheville Gallery of Art’s March show, “Awakenings” features work by three new Gallery members: Jon Sebastian, Sara Bell, Andrea Stutesman. The show runs daily March 1 through March 31st, 2023 during gallery hours, 11am-6pm. An opening reception will be held March 3, 5-8pm; everyone is welcome.

The three artists will showcase their passion through three mediums, respectively. Not unlike the delicate and elusive trillium of the North Carolina mountain beds, these artists spring forward in the presentation of “Awakenings.” As featured artists of the month, Andrea Stutesman, Sara Bell, and Jon Sebastian join forces in presenting this amazing show by rendering their art using pastels, watercolors, and oil paints. Mesmerizing spring colors will grace the windows and walls of the gallery, rendering imagery of flowers, exotic and endangered animals, and vibrant landscapes. “Awakenings” is the second of three group shows featuring new artists to the gallery.

Andrea Stutesman
Andrea’s early art explorations began with pastels under the guidance of her mother, an accomplished painter. Her work is from the heart, inspired by her interactions with people and places or by the stories brought to her with requests for commissions. She strives to transform a sense of calm and connection that she experiences when painting that will invite viewers to slow down and enjoy the beauty of life.

Jon Sebastian
Art and painting in particular is, for artist Jon Sebastian, the selective recreation of reality according to his own principles and what he deems interesting and just in this world we share. Jon cannot remember a time when he did not paint. At Asheville Gallery of Art, Jon is now moving forward with confidence that others will find his works a compelling addition to their own collections. Jon paints immersive works filled with color, light and shadow. His subjects are of nature and of the peace and spirituality in which they envelope us.

Sara Bell
Sara Bell has always loved drawing. It’s a form of meditation for her and has now become a way for her to find peace and sanity when her world gets too overwhelming, which, as a single mom with a neuro-divergent teen, happens quite often. When it does, Sara follows John Muir’s quote, “Off into the woods I go to lose my mind and find my soul.” The results of these adventures are delightful sketches and photography of the forests. Sara then works from her photos to create her watercolors and intaglio prints.
Come visit this engaging and thoughtful exhibition at 82 Patton Avenue in downtown Asheville. For further information about this show, contact the Asheville Gallery of Art at (828) 251-5796, visit the Gallery’s website at ashevillegallery-of-art.com, or go to the Gallery’s Facebook page.

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

There not only will be bargains on ceramic functional and artistic pieces, but live music, snacks and drinks.  All are welcome!

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

Join us for a relaxing ride through quiet countryside on your way to small town life in western North Carolina on the Tuckasegee River Excursion. Departing from Bryson City, this 4 hour excursion travels 32 miles round-trip to Dillsboro and back to the Bryson City Depot. Pass by the famous movie set of The Fugitive starring Harrison Ford!

• About This Trip
• Things To Do
• Itinerary
• Classes of Service and Pricing
• Class Comparison
• How to Purchase
• Schedule
• The Tuckasegee (tuck-uh-SEE-jee) River Excursion includes an 1 hour and 20 minute layover in the historic town of Dillsboro, where you’ll find more than 50 shops, restaurants, a brewery, and country inns. There is time to shop, snack, and visit the many unique shops before returning to Bryson City.

DYSTOPIA WORKSHOP
Presented by Ripley Improv
Learn how to improvise narrative through the lens of genre! Ripley Improv will pull back the curtain and reveal the tropes, themes, and characters that make an improvised play a YA Dystopia. You’ll monologue, you’ll fight, you’ll fall in love, and, in the end, you’ll know how to construct a complete show. After you attend the workshop, be sure to get a ticket to the show. Ripley will be drawing an attendee’s name from a hat. The winner will be one of the tributes to perform in Saturday’s DYSTOPIA show.

About Ripley Improv:

Ripley is an all-female and nonbinary, genderqueer improv collective that creates stories about people who save the day, save the world, and save each other.

Their mission: To awaken bravery, embrace weird, and cultivate play.

March 11, 2023
Saturday at 11am

The Wine and Chocolate Festival is coming to the Harrah’s Cherokee Center – Asheville on Saturday, March 11th. The festival features numerous regional wine and chocolate vendors, as well as other local businesses offering clothing, jewelry, and more. The festival will be split into two sessions: an early session from 1-4 p.m., and a later session from 5-8 p.m.

Festivalgoers will be able to sip and sample their way through the event.  Early bird wine lover tickets are on sale now through December 31 st for only $30. Starting January 1st , advanced sale wine lover tickets will be $40. All wine lover tickets include an etched wine glass and unlimited samples during the session.  Designated driver tickets are $20 in advance and include a water at entry and a wine glass at exit. All attendees also receive a pass to our Chocolate Bar, filled with tasty nibbles and sweet treats. Tickets can be purchased at the box office or online at WineAndChocolateFestivals.com.

ExploreAsheville.com Arena

DOORS

Session 1: 1pm & Session 2: 5pm

SHOW

Session 1: 1pm-4pm & Session 2: 5pm-8pm

KNOW BEFORE YOU GO
Designated driver and youth tickets available. Must be 21+ to consume alcohol at this event.

Workshop meets for 3 hours on 2 consecutive Saturdays:  March 11 & 18, 1:30 – 4:30 pm

$145, all supplies and materials included

A hands-on workshop dedicated to the ‘art of building art’ out of the images, materials and objects that we fancy, collect & cannot part with.

In this workshop, we will discuss a bit of the history of collage/assemblage in contemporary art, how to approach composition and incorporate visual art principles, use of adhesives and hardware to combine varying materials, and more.

Learn how to build an assemblage or collage with intention – and make it successful. Numerous material options/ideas and substrates will be supplied, but please bring found or collected items of your own, objects or materials that inspire you – this is the first, integral step for this process!

Email [email protected] for more extensive details and registration. All attendees will receive a printed summary of the class – including materials/techniques/topics covered.

Flatfooting is a low, close-to-the floor style of dance that focuses on making rhythms that go along with the music, usually an old-time dance tune. It’s really all about the sound, and most flatfooters don’t do anything fancy with their arms. Participants will learn how to do basic flatfoot moves in this workshop while learning the history of one of Appalachia’s deepest rooted dance forms and hearing personal anecdotes about other traditional Appalachian dancers that Rodney has had the pleasure of encountering throughout his journey.

About Rodney Sutton: Rodney Clay Sutton is a dance performer and teacher of Appalachian step dance – both flatfoot and clogging. He calls square dances and contra dances, and is a storyteller and ballad singer. Rodney offers workshops, lectures, and demonstrations catered for a range of age groups, including youth, seniors, and corporate gatherings. He is also a concert and festival producer, emcee, and stage manager. In 2019, Rodney was one of 9 folks selected to receive a first ever Folk & Traditional Arts Master Artist Fellowship from South Arts. He was able to use the monies to go to Ireland for a month in September of 2019 to study Sean Nos` dance – the Irish step-dance equivalent to flat-footing.

Winter Jam Tour, hosted by Newsong & produced by Premier Productions, Christian music’s biggest tour, is back for 2023 with headliners We the Kingdom and Jeremy Camp and a solid lineup of acts including Andy Mineo, Disciple, Austin French, NewSong and featuring for the first time Dove Award-winning new artist of the year Anne Wilson.

– ALL AGES
– FULLY SEATED SHOW
– LIMITED NUMBER OF PREMIUM TICKETS AVAILABLE

BEN ROY

Roy cut his comedic teeth in Denver at the world famous Comedy Works. Since then, he has been selected to perform at the Montreal Just for Laughs Comedy Festival, Just For Laughs Toronto, Just For Laughs Chicago, The New York Comedy Festival, Austin’s South by Southwest festival, and many more. Roy has been featured on HBO’s Funny as Hell series; as well as on the Comedy Central shows Adam DeVine’s House Party, Corporate, @midnight, and This Is Not Happening. Ben has also released four stand-up comedy albums and was listed as one of Variety’s Top 10 Comics to Watch.

Along with fellow Denver Comedians Adam Cayton-Holland and Andrew Orvedahl (who collectively perform as The Grawlix), Ben created, wrote, and starred in TruTV’s original comedy series Those Who Can’t, which now has all three seasons available for streaming on HBOMax. He’s also currently host of two podcasts, 97.9 The Rat Race on the All Things Comedy network, and The Grawlix Saves the World available on The Starburns Audio Network. In addition to stand-up comedy, acting, and writing, Roy is a prolific musician and the current lead singer of pop punk outfit SPELLS

Academy Awards for Asheville Youth Movie Makers! Come see their movies and awards, plus learn about an exciting new film about Media Literacy, Project-Centered Learning & Education in the US, “The Other Side of Learning.”

Oscar Wilde’s brilliant and wicked comic-masterpiece defines wit and style. The comedy is blissfully silly and outrageously shrewd. Over 120 years after its first performance, The Importance of Being Earnest continues to delight audiences with its playful language, charming character and biting look at society.

The Importance of Being Earnest is the story of two bachelors, John “Jack” Worthing and Algernon “Algy” Moncrieff, who create alter egos named Ernest to escape their tiresome lives. They attempt to win the hearts of two women who, conveniently, claim to only love men called Ernest. The pair struggle to keep up with their own stories and become tangled in a tale of deception, disguise and misadventure. The elaborate plot ridicules Victorian sensibilities with some of the best loved, and indeed bizarre, characters to be found on the modern stage. Presented in a reader’s theater format, actors don’t memorize scripts but read them to the audience while using their voices and upper bodies to convey the roles they are playing.

Reader’s theatre actors don’t memorize scripts but read them to the audience while using their voices and upper bodies to convey the roles they are playing. Actors also use vocal and facial expressions, as well as hand and arm movements.

The cast of The Importance of Being Earnest features Natalie Broadway as Cecily, Rachel Crisp as the Reader, Rowan Duncan as Jack, Bruce Jayne as Lane and Merriman, Alexandra McPherson as Miss Prism, Regina Palian as Gwendolen, Terry Terranova as Dr. Chasuble, Matt Wade as Algernon and Katie Winkler as Lady Bracknell.

The Importance of Being Earnest’s artistic team includes director John Baldwin and stage manager Sara Hassinger.

John Baldwin began directing 10 years ago at Broadway West in Fremont, CA. His directing credits include Run For Your Wife, Every Christmas Story Ever Told (And Then Some), Coney Island Christmas, Vanya and Sonia and Masha and Spike, A Very Modern Marriage, and has directed for play festivals for The Magnetic Theatre and Calliope Stage in Silva.

The show is rated PG due to mild adult situations. Showtimes are 3 pm and 7:30 pm on Saturday, March 11. Running time is approximately 1 hour and 45 minutes with one 15 minute intermission. Hendersonville Theater has made masks optional for patrons, and no proof of vaccination is required to attend a performance.

Ripley’s premiere genre brings epic dystopian storytelling to life on the stage, honoring popular titles such as Hunger Games, Divergent, and A Handmaid’s Tale. In each performance you can expect to find your protagonist battling the evil powers that be as well as her own hormones. What might otherwise be a silly exploration of teenagers in a bleak setting often turns into a heartfelt commentary on everyone’s unique ability to rise to the challenge and affect change.

About Ripley Improv: Ripley Improv is an all-female and nonbinary / genderqueer improv collective that creates stories about people who save the day, save the world, and save each other.  Their mission: To awaken bravery, embrace weird, and cultivate play.

With Mary Chieffo, Madi Goff, Laurie Jones, Kelly Lohman and Jessica Lynn Verdi.

March 11, 2023
Saturday at 7:30pm

After a three year hiatus, Bike Love, AoB’s annual gala event, returns on Saturday, March 11th to Highland Brewing Company. The event stirs the passions of the Asheville’s cycling community and welcomes the return of Spring riding.

This year’s event includes the music of JLoyd MashUp featuring April B and Dj JutRut, a cycle centric raffle and silent auction, and a photo booth hosted by South Slope Acupuncture.

The 1898 Waverly Inn, Hendersonville’s oldest continuously operating inn, continues it’s Waverly Live Americana music series this March for our 6^th season. with monthly musical performances from local, regional and national acts.  Waverly house smoked BBQ and sides will be offered at all events beginning in April.  The first two events will be ticketed events and held at Continuum Art on 1^st Avenue in Hendersonville and the remainder will be free and held at the Waverly Inn for our front porch series.

Schedule is as follows:

March 11^th, David Childers and the Serpents, Continuum Art, 8-10pm

April 2^nd, Jose’s 2^nd Annual Lookin’ Good Showcase Featuring Paleface and Carolinabound benefitting Thrive

May 4^th, Jess Jocoy

June 1^st, Letters to Abigail

June 29^th, The Gathering Dark

July 27^th, The Last Full Measure

September 7^th, Angela Easterling

October 5^th, David Childers (solo)

Our Waverly BBQ menu consists of western North Carolina pulled pork and chicken, smoked wings, smoked pork and beans, Waverly cole slaw, five cheese macaroni, Memphis baby back ribs, tomato pie and more.  Local craft beer, hard cider and wines are available along with lemonade, sweet/unsweet tea and sodas.