Mountain Folk Harpers

The Weaverville Music Study Club is now organized under the direction of a Board with a niece of the late Mrs. Clark, Harriet Holcombe Burnette serving as President. The Music Study Club along with area businesses and organizations sponsor music programs throughout the year. Offerings received at these programs provide scholarships for area high school students who wish to pursue music studies.

Step into a world of magic, mystery, and self-discovery with the Tony Award-winning musical, Pippin. This Broadway classic, with music and lyrics by Stephen Schwartz and a book by Roger O. Hirson, tells the captivating story of a young prince on a daring quest for the ultimate meaning of life and fulfillment. From spectacular circus-inspired performances to stirring, emotionally-charged songs, “Pippin” unfolds as an exploration of the highs and lows of glory, love, and ambition. It’s a compelling narrative that continually asks one poignant question: is it more rewarding to live a simple life or to persist in relentlessly pursuing extraordinary feats? With its rich, allegorical storyline and memorable melodies, Pippin promises to enchant audiences, leaving them musing long after the final curtain call.

A talkback with the cast & crew of Pippin will be held following the performances on September 17th & 24th.

CANNONS alternate between flashes of gauzy introspection, glitter–drenched dancefloor  ecstasy, and gritty sensuality. The Los Angeles trio—Michelle Joy [vocals], Ryan Clapham [lead guitar], and Paul Davis [drums keys]—elevate alternative / electro–pop to a neon stratosphere with nocturnal production and a visual sensibility equally suited to Studio 54 or summer festival season. Thus far, the band has honed this signature style over the course of three albums, namely Night Drive [2017], Shadows [2019], and Fever Dream [2022]. Along the way, “Fire For You” reached RIAA gold status, generated nearly a quarter–of–a–billion streams, topped Alternative Radio, and landed massive syncs on the likes of NETFLIX’s Never Have I Ever, American Horror Story, and more. CANNONS earned critical acclaim from The Hollywood Reporter, Billboard, FLAUNT, and Consequence of Sound while YouTube touted them among 2021’s “Artists on the Rise.” Emerging as a live force, they’ve headlined countless packed shows in addition to lighting up festivals such as Coachella, Lollapalooza, Life Is Beautiful, Outside Lands, and Electric Forest, to name a few. Evolving yet again, CANNONS kickstart another era with the sunny, sassy, and sexy funkified strut of their 2023 single “Loving You” and much more to come.

The UNCA Bluegrass Band is a highly energetic and entertaining ensemble made up entirely of university students and their instructor, Wayne Erbsen. The band features red hot instrumentals on banjo, three fiddles, mandolin, guitar dobro, cello, and bass, along with powerful and heartfelt vocals. Their rich repertoire includes traditional bluegrass, western swing, blues, old-time fiddle tunes, and gospel. They have performed at many venues in western North Carolina and at the World of Bluegrass festival in Raleigh, North Carolina.

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Ooh La La Curiosity Market is an artist’s market that takes place in Pritchard Park, located in the center of beautiful downtown Asheville and will showcase the work of more than a dozen local artists. Taking place on Saturdays throughout Summer and every Saturday in October. Ooh La La will feature works by local painters, leather smiths, jewelry makers, potters, up-cycled crafters, and other curious delights, all beneath the colored canopies of large market umbrellas. In addition to the artists, the market will also feature live local music with three musical acts performing each Saturday and will include everything from a solo saxophonist to folk, blues, acoustic and jazz acts.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others. The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists. Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.

Atelier Maison & Co. and Show & Tell are teaming up to showcase the best in art & design to the Asheville Design District. Join us at the Atelier Maison Co. showroom off of Sweeten Creek Rd for a monthly Makers Market every third Saturday. Each month will feature vendors and artisans selling housewares, vintage clothing, original art, handmade crafts, fair trade imports, and more.

“Nobody puts Baby in a corner.” Get ready for the time of your life with The Music of Dirty Dancing! This musical tribute to the film shot, in part, at Henderson County’s own Lake Lure is sure to feature all the hip-shaking guilty pleasure the world came to love in the 1987 blockbuster. The sizzling soundtrack comes to life on ‘The Rock’ with vocals and dancing that will dazzle you.  Feel free to sing and dance along to tunes like “Be My Baby,” “Hungry Eyes,” “She’s Like the Wind,”  the Academy Award winning “(I’ve Had) The Time of My Life,” and so many more!

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

Dixon’s Violin

You’ve never heard violin like this! The world’s premier visionary violinist, Dixon’s life mission is to inspire people – and he has done so at over 1,000 concerts across North America, including giving four TED talks/performances, over ten years at Burning Man and Electric Forest, plus radio, TV, and film appearances. A former technology leader and symphony violinist, Dixon walked away from a distinguished career to follow his dream full-time, and invented a whole new music genre. Dixon now improvises on a 5-string electric violin with a looping system he developed to create an all-live one-man symphony, guided by his remarkable personal story of life transformation.

Tickets are $20 Advance and $25 Day Of • Doors Open at 6:30PM

Step into a world of magic, mystery, and self-discovery with the Tony Award-winning musical, Pippin. This Broadway classic, with music and lyrics by Stephen Schwartz and a book by Roger O. Hirson, tells the captivating story of a young prince on a daring quest for the ultimate meaning of life and fulfillment. From spectacular circus-inspired performances to stirring, emotionally-charged songs, “Pippin” unfolds as an exploration of the highs and lows of glory, love, and ambition. It’s a compelling narrative that continually asks one poignant question: is it more rewarding to live a simple life or to persist in relentlessly pursuing extraordinary feats? With its rich, allegorical storyline and memorable melodies, Pippin promises to enchant audiences, leaving them musing long after the final curtain call.

A talkback with the cast & crew of Pippin will be held following the performances on September 17th & 24th.

On the advice of family patriarch Ellis Marsalis, this big brass group offers a concert format that breaks the usual barriers between genres and strives to create a connection between the audience and performers.