Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Mannheim Steamroller Christmas
Legendary music icons, THREE DOG NIGHT, celebrating nearly 5 decades, claims some of the most astonishing statistics in popular music. In the years 1969 through 1974, no other group achieved more top 10 hits, moved more records or sold more concert tickets than THREE DOG NIGHT.
THREE DOG NIGHT hits wind through the fabric of pop culture today, whether on the radio where they are heard day in and day out, in TV commercials or in major motion pictures — songs like “Mama Told Me (Not To Come)”, “Joy to the World”, “Black and White”, “Shambala” and “One” serve to heighten our emotions and crystallize THREE DOG NIGHT’s continuing popularity.
This Grammy-nominated band is not content resting on its legacy alone. Always working to expand its audience, THREE DOG NIGHT has embraced and been embraced by 21st century music technology. New and existing fans buy THREE DOG NIGHT’s music on iTunes as well as at record stores. In fact, releases from this decade alone have sold well over a million copies.
Recently, THREE DOG NIGHT began adding new songs to its arsenal by releasing its first double-A sided single in nearly 25 years. The blistering performance of “Heart Of Blues” and the timely, beautiful a-cappella ballad “Prayer of the Children” are available online at iTunes, Amazon.com and other digital retailers as well as through the official band website (www.threedognight.com).
Now, marking nearly 50 years on the road, THREE DOG NIGHT continues to grow its fan base by keeping up a full schedule of concerts at theatres, performing arts centers, fairs, festivals, corporate events, and casinos. Since 1986, the band has performed over 2,200 shows including two Super Bowls.
THREE DOG NIGHT’s 21 Top 40 Hits:
Mama Told Me (Not To Come) #1
Joy to The World #1
Black And White #1
Shambala #3
Easy To Be Hard #4
An Old Fashioned Love Song #4
The Show Must Go On #4
One #5
Never Been To Spain #5
Liar #7
Eli’s Coming #10
The Family Of Man #12
Celebrate #15
Out In The Country #15
Sure As I’m Sittin’ Here #16
Let Me Serenade You #17
One Man Band #19
Pieces Of April #19
Try A Little Tenderness #29
Til The World Ends #32
Play Something Sweet (Brickyard
Blues) #33
The ONLY AUTHORIZED SOURCE for tickets to the Spartanburg Memorial Auditorium is TICKETMASTER. You can purchase your tickets at our box office on Monday-Friday from 9 am – 3 pm. We do not charge a service charge when you purchase from our ticket office. You can also purchase tickets through Ticketmaster online at www.ticketmaster.com, or from the official Ticketmaster app.
Please call the box office at (864) 582-8107 if you have any questions! Thank you and we look forward to seeing you at the Spartanburg Memorial Auditorium!
– PARTIALLY SEATED SHOW (please note – guaranteed seating OR standing room ticket options)
BUFFALO NICHOLS
On his second album, The Fatalist, Carl “Buffalo” Nichols does things with the blues that might catch you off guard. There’s 808 programming, chopped up Charley Patton samples, washes of synth. There’s a consideration of the fullness of the sonic stage and the atmospherics of the music that can only come with a long engagement with electronic music. But this is no gimmicky hybrid or attempt to turn the blues into 21st century music by simply dressing it with skittering hi-hats. Nichols’ vision for the blues is of a form of music that’s intimately tied to everyday life in 2023, something that’s reflected not only in the choice of instrumentation, but in the complexities of the songwriting and the gray areas his lyrics explore. This is music that comes straight from the present, and as such, it’s a reminder that the same shit that drove the first blues singers to pick up a guitar is still present behind the throbs of deep bass hits today. The Fatalist sounds unlike any blues record you’re likely to hear in 2023.
Of course, Nichols’ songwriting has always been firmly rooted in the present. He proved he could succeed on the music industry’s own blues terms on his self-titled 2021 debut, whose songs, Bandcamp Daily said, “seem to flow from some great repository of emotion and insight.” The Fatalist finds him digging deeper in search of answers to ever-more-complicated questions around responsibility and self-definition, his plainspoken lyrics both cutting and refreshing in their sincerity and refusal to accept pat solutions. Over a guitar line that blisters and pops with bright sunshine, he holds forth on the simple everyday power of love in “Love is All,” and when he shades his optimism with a clear-eyed view of “bad behavior in the canon of good men,” as he sings, his guitar line goes cloudy with the thought. He slowly walks around a broken relationship in “The Difference,” trying to find the faults. It’s a decidedly modern breakup song, one steeped in moral ambiguity. “I just don’t know the difference between love and sympathy,” he sings, before hoping his once-beloved “won’t forget the one who kept your ego fed.”
Still, Nichols rarely sounds like a blues singer. Like Leonard Cohen, he dominates these songs with his voice. His low, guttural baritone is high in the mix, and he sounds coiled, clenched tight. The slow drip of his songwriting lends The Fatalist an incredible amount of drama, which the production—at times dark and dewy and claustrophobic, at times zippy with light—further emphasizes.
Nichols produced the album himself at home, having recently returned to Milwaukee following a few years in Austin.
“Being back in Milwaukee reminded me of why I started making music in the first place. It got me away from the ‘industry-town’ mentality,” he says. “There’s definitely a certain work ethic that comes from being in a city like Milwaukee. There are no clear paths to success and not many examples of ‘making it,’ so people end up creating their own path and developing a broad skill set to sustain a career as an artist.”
Poetry Open Mic Hendo is the all-new sister event of Poetry Open Mic Asheville, the
longest-running open mic in Western North Carolina, this weekly event welcomes all people and all forms of creative expression at
Hendersonville’s only Kava lounge.
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
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- Dawn – Dusk
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
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- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
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- Library open hours
- Buncombe County Landfill – Convenience Center
85 Panther Branch Road, Alexander
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
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Registration is ongoing through the year. Get new updates and access all previous entries in a convenient online library.
The Curator’s Journal by Bonsai Curator Arthur Joura is a year-long course offering the ultimate insider’s view of bonsai at The North Carolina Arboretum. Regular entries chronicle growing an art and growing an enterprise. Some journal entries will be long and others more brief; some will be mostly words and others mostly pictures; some will be close-up studies of detail and others will step back to take in the wider scene. The path will not be linear, but all the entries will be steps along a journey.
You’re invited to come along.
Buncombe County’s residents, especially those living in and at the edge of poverty, have been able to access valuable, life-saving emergency assistance benefits through Eblen Charities. For many years now, Eblen Charities has partnered with Buncombe County Health and Human Services (BCHHS) to administer the Emergency Assistance, Crisis Intervention, and Low Income Energy Assistance programs. Due to an increase in need from our neighbors and challenges with processing benefits between state and partner agency systems, BCHHS transitioned the administration of these programs from Eblen Charities to the County on November 13, 2023.
We recognize that this a change for our community as Eblen Charities has provided this assistance for many years and has been a vital resource for our neighbors in crisis. BCHHS began answering calls and processing online applications on November 13, 2023. Beginning December 1, 2023, with the start of Low Income Energy Assistance application processing, BCHHS will start taking in-person requests at 40 Coxe Ave. in downtown Asheville.
Low Income Energy Assistance provides a one-time annual vendor payment to help eligible families pay their heating expense. Households containing a person age 60 or older or disabled receiving services can apply starting December 1, 2023. All households can apply starting January 1, 2024. Low Income Energy Assistance applications are accepted until March 31, 2024 or until funds are exhausted.
To qualify for the Low Income Energy Assistance Program, households that meet the following criteria may be eligible:
- Have at least one U.S. citizen or non-citizen who meets the eligibility criteria.
- Meet income requirements.
- Be responsible for its heating costs.
The Crisis Intervention Program serves individuals and families who are experiencing or are in danger of experiencing a heating- or cooling-related crisis.
To qualify for the Crisis Intervention Program, households that meet the following criteria may be eligible:
- Have at least one U.S. citizen or non-citizen who meets the eligibility criteria.
- Meet the income requirements.
- Have an energy related crisis.
- Have a utility statement that shows how much is owed to alleviate the crisis.
For those who have previously received Low Income Energy Assistance Program assistance, the North Carolina Department of Health and Human Services will begin notifying eligible households by mail beginning November 19, 2023. Households will have 10 days to report any changes to their household. Applicants can report changes by contacting the BCHHS office or by making changes to the form that was mailed to you and return it to BCHHS, located at 40 Coxe Ave. in Downtown Asheville. If no changes are reported, the information from last year will be used to process this year’s automated Low Income Energy Assistance payment.
If you are interested in applying for these Energy Assistance benefits, you can quickly apply online at www.epass.nc.gov. If you would like to apply over the phone, have general questions about energy assistance, or need to check on the status of your case, please call us at (828) 250-6330. Beginning December 1, 2023, you may also visit us in person at 40 Coxe Ave. in downtown Asheville. Please bring your parking ticket with you inside of the building for free parking.
Buncombe County also will administer Emergency Assistance, which Buncombe County Social Work Services distributes as funds become available to our community. To apply for Emergency Assistance, go online to epass.nc.gov, call Buncombe County at 828-250-6330, or apply in person at 40 Coxe Ave.
BCHHS will continue to partner with Eblen Charities to assist families and individuals in our community during times of crisis and hardship. For more information on the services that are available in our community, visit www.buncombecounty.org/hhs.
Mini-grant applications are available three times during the 2023-2024 school year. You may apply one time during this cycle. Mini-grants must be used within a year after receiving the funding.
Applications due by:
- November 30, 2023
- January 30, 2024
- March 30, 2024
If you have questions about your eligibility to apply for funding, please email us at [email protected] before submitting your application. We are unable to provide mini-grants to schools located outside of our 23-county service area or to folks who have received a grant from us within the past year. Learn more and apply here!
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations Holidays call for hours
Buncombe County Landfill – Convenience Center
85 Panther Branch Road, Alexander
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
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- Dawn – Dusk
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
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- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
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- Library open hours
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WNC Farmers Market, 570 Brevard Rd., Farmers Truck Shed #1, daily, 8 a.m.–5 p.m.
- Even though it’s getting colder, you can still find fresh, local food at area farmers markets. Nine markets in Buncombe County will offer extended seasons or special holiday dates in November and December. In addition to seasonal produce, meats, cheeses, eggs, and bread, these markets will feature local artists and handmade goods, such as wreaths, pottery, jewelry, and more.
- ASAP’s Double SNAP for Fruits and Vegetables and Farm Fresh Produce Prescription. Both programs offer participants free market tokens that can be spent on fresh fruits and vegetables. That includes in-season fall produce such as root veggies (including carrots, beets, radishes, and turnips), tubers (potatoes and sweet potatoes), brassicas (broccoli, cauliflower, and cabbage), winter squash, greens, and fruits like apples and persimmons.
The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.
House of Operation:
WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Join us for our annual annual Holiday Craft Sale featuring nature-themed, handcrafted items including ornaments, textiles, botanical beauty products and holiday décor. Bullington’s popular evergreen gnomes add a whimsical touch to the holidays along with our uniquely decorated Fraser Fir wreaths.
Decorated wreaths and swags, holiday house plants, gifts & more
The Council on Aging for Henderson County (COAHC) wants to make sure all seniors receive a gift this holiday season, and they need your help. For the 25th year, the COAHC will be collecting shoebox gifts filled by community members, then deliver those gifts to Henderson County seniors. Last year they delivered more than 350 boxes to COAHC clients. This year all additional boxes will be donated to clients of Henderson County Department of Social Services Adult Services.
Participants fill a shoe box with small, useful items and gifts, such as hygiene items, gloves, large-print books and puzzles, notepads, calendars, flashlights, and any other small gifts a senior would appreciate. Then bring the wrapped shoebox to the Council on Aging office (105 King Creek Boulevard) during their business hours: Mon-Fri, between 9am and 4pm. Please mark if the box is for a male, female or either. Gift collection ends on Friday, December 8th.
This gift drive is in conjunction with a Meals on Wheels gift drive for requested items from their clients. Participants can choose a client, shop for their requested items, then bring the wrapped gift to the Council on Aging office, where volunteers will distribute the gifts to clients in late December.
Living in Western North Carolina means there is always something to do in the garden, from preparing soil and pruning to fertilizing and transplanting. But when and how? You’ll find the answers in A Gardening Guide for Our Mountains.
Created by NC State Extension Master GardenerSM volunteers of Buncombe County (BCEMG), the guide provides a complete month-by-month description of what to do (and not to do), along with tips on invasive species, mulching, composting, and creating bird- and pollinator-friendly habitats.
This quick reference makes the perfect holiday gift for the gardeners in your life, whether they are old hands, new to gardening, or new to gardening in the mountains. A Gardening Guide for Our Mountains will get them off to the right start and keep their gardens growing all year long. Plus, you’ll have the satisfaction of knowing that funds raised through this publication go to support the many educational and outreach programs provided by BCEMG volunteers.
How to order: Send $13 (checks payable to Buncombe County Extension Master Gardener) to N.C. Cooperative Extension, Buncombe County Center, 49 Mount Carmel Road, Asheville, N.C. 28806, ATTN: Buncombe County Master Gardeners. Include mailing address for shipping and a phone number, in case we have a question about your order.
Copies are available for pick up at the office for $10. Please call in advance. 828-255-5522.
To learn more about the NC State Extension Master Gardener Program in Buncombe County, go to: https://www.buncombemastergardener.org/
Whether you start decorating for the holidays before Thanksgiving or well into December, now is the best time to get into the holiday spirit by sponsoring a gift for kids or adults.
Being an adult without a support network, an adult with a disability, or a kid in foster care can be tough over the holidays; this is a great opportunity to let them know that the community cares for them.
Every year, Buncombe County hosts an Adult Wish Tree and a Foster Care Wish Tree that allows members of the community to sponsor a gift for someone this holiday.
Foster Care Wish Tree
Each year, children in foster care in Buncombe County submit a list of wishes they would like for the holidays.
To sign up to sponsor a child, click this link and select the person you would like to sponsor. You will receive an email confirmation that provides a copy of the wish list and all the instructions for drop-off.
A note from Health and Human Services:
Hello and thank you for your generosity this holiday season. We are grateful for your unwavering support for our foster youth. Here at Buncombe County Health and Human Services, we are dedicated to meeting the needs of our foster youth, and having your support means so much to us and our kids. You are not just providing gifts this holiday season; you are telling someone that they matter and that they are important! That is something to celebrate! From the bottom of our hearts, thank you!
If you have any questions about your sponsorship, please call Amber Cook at 828-772-5553 or email [email protected] during business hours of 8 a.m. – 5 p.m. Monday – Friday.
Adult Wish Tree
When you can’t drive a car or don’t have someone to bring you the things you might need, like a new nightgown or socks, it can be tough. The Adult Wish Tree is a Buncombe County program that works with agencies throughout the county to identify adults and adults with disabilities who don’t have access to a support network to help with these basic needs. The program also identifies young adults in our extended foster care program who will likely not receive a gift this year. Please consider selecting an adult to sponsor this holiday season.
To sign up to sponsor an adult, click this link and select the person you would like to sponsor. You will receive an email confirmation that provides a copy of the wish list and all the instructions for drop-off.
A note from Health and Human Services:
This holiday season we hope you will choose one of the many names that are submitted by Health and Human Services and our partner agencies for adults and adults with disabilities. It is such a joy to see the smiles on the faces of adults who have their wishes fulfilled, as these are adults who are not expected to have anyone else to provide them with a gift this year.
If you have questions, please email us at [email protected].
Happy Holidays and thank you for supporting those who need a little extra care this upcoming season.
Join us on a journey into the world of butterflies and plants, and see the complex relationship between monarchs and milkweed. “Monarchs and Milkweed” explores how very survival of these majestic creatures has been shaped over time by one another, traveling through the seasons of a calendar year and revealing how both insect and plant grow and interact, culminating in a massive migration that crosses a continent.
Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.
Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.
Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words, “at fighting erasure by making objects that engage with these long-suppressed stories.”
Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in
two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
Library open hours
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
-
- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
-
- Dawn – Dusk
Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander
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-
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
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Give the gift of holiday joy in the form of a unique, beautiful, locally made ornament! Handcrafted ornaments made by local artists will be for sale in our lobby on our Christmas tree through the middle of December. Gift the gift of art this year and support local artists in the process!
Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
- Guided comedy tour bus of historical Asheville
- 90-Minutes – tours run daily
- 15-minute break at Green Man Brewing
- $39 per person (ages 13+ only)
Preservers, Innovators, and Rescuers of Culture in Chiapas features eleven textiles by acclaimed Indigenous artisanas (artists) from Chiapas, Mexico commissioned by US-based fiber artists and activist Aram Han Sifuentes. As part of their 2022 Craft Research Fund Artist Fellowship, Han Sifuentes traveled to Chiapas to understand the function of garments and textiles within the social and cultural context of the area and to learn the traditional practice of backstrap weaving. Through the works on view, combined with a series of interviews Han Sifuentes conducted during her research, visitors learn about the artisanas and their role as preservers, rescuers, and innovators of culture and as protectors of Mayan ancestral knowledge. Together, these works present an approach to connecting and learning about culture through craft practices.
Han Sifuentes is interested in backstrap weaving because it is one of the oldest forms used across cultures. The vibrant hues and elaborate designs of each textile express the artisanas identities and medium to tell their stories. To understand how these values manifested in textiles made in Chiapas, Han Sifuentes invited the artisanas to create whatever weaving they desired over the course of three months. This is unique because most textiles in the area are created to meet tourist-driven and marketplace demands. Incorporating traditional backstrap weaving and natural dye techniques, some artisans created textiles to rescue or reintroduce weaving practices that are almost or completely lost in their communities, while others were created through material and conceptual experimentation. This range of approaches reflects how artistanas are constantly innovating while at the same time honoring and keeping to tradition.
Preservers, Innovators, and Rescuers of Culture in Chiapas is on view from November 17, 2023 to July 13, 2024.
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
The featured artisanas include: Juana Victoria Hernandez Gomez from San Juan Cancuc, Maria Josefina Gómez Sanchez and Maria de Jesus Gómez Sanchez from Oxchujk (Oxchuc), Marcela Gómez Diaz and Cecilia Gómez Diaz from San Andrés Larráinzar, Rosa Margarita Enríquez Bolóm from Huixtán, Cristina García Pérez from Chalchihuitán, Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez from Zinacantán, Angelica Leticia Gómez Santiz from Pantelhó, and Susana Guadalupe Méndez Santiz from Aldama
Tyger Tyger Gallery is pleased to present Reckoning: Adornment as Narrative, a group exhibition curated by Asheville-based artist and curator Erika Diamond.
Reckoning: Adornment as Narrative is an exhibition of diverse practices, anchored at three points: methods of reckoning; the function of adornment; and the fusing of personal and cultural narrative. It features acts of glitz, embellishment, and homage by Shae Bishop, David Harper Clemons, Kashif Dennis, Annie Evelyn, Margaret Jacobs, Julia Kwon, Katrina Majkut, Heather Mackenzie, and Luis Sahagun. Through material language, each artist tells the story of their identity. Inherent to these stories are contradictions—between labor and value, feminine and masculine, natural and fabricated.
The Peppermint Bear Scavenger Hunt will take you on a fun-filled bear hunt through downtown Hendersonville looking for Peppermint Bear’s lost bear cubs, who are hiding out in the shops, Get your map at the Visitor Center, then head out to find all of the cubs and get a stamp at each location after you’ve found the bear, return completed entry forms to the Visitor Center to be eligible for great prizes!
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Bargain Hendo Thrift Store will be permanently closing its doors on December 13th.
• WNCSource operates the small thrift store which is located on the corner of King Street
and 2nd Avenue in Hendersonville.
• Bargain Hendo first opened in December of 2020 and was meant to support the programs
and services WNCSource provides in 4 western North Carolina Counties. Unfortunately,
low sales and competition from other local thrift stores has made the store less than
profitable.
• But don’t worry, starting Thursday, November 2nd, Bargain Hendo will be open
Wednesdays through Fridays 10AM to 4PM and Saturdays from 10AM to 2PM with some
incredible bargains and sales to clear the shelves.
• Bargain Hendo’s last day is December 13th
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
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| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
Throughout the history of painting from the mid-19th century forward, artists have used an
endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.
Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,
bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.
This multigenerational survey demonstrates how the 35-mm camera, and later technological
advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.
“Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”
Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.
This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.
This exhibition is sponsored in part by Jim and Julia Calkins Peterson.