Join award-winning naturalist and storyteller Doug Elliott as he describes not only the natural world of the groundhog but its role in the folklore, history, mythology, and philosophy of people past and present, from Europe to the Appalachians. You might even gain new insight into today’s society and world politics!

For more information, contact Pam Torlina, [email protected].

Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers. February 3 – 24, 2024 Opening Public Reception & Awards Saturday, February 3, 2024 at 10:30 AM Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers. Entry forms, Rules available soon.

The Museum recognizes Western North Carolina youth for their original artworks Award winners will be featured in a student exhibition in the Museum’s Van Winkle Law Firm Gallery and Multipurpose Space from January 24–March 25, 2024. All regional award recipients will be honored at a closing reception on March 21. The Asheville Art Museum and the Asheville Area Section of the American Institute of Architects (AIA) are the Western North Carolina (WNC) regional Affiliate Partners of the National Scholastic Art Awards. This ongoing community partnership has supported the creative talents of our region’s youth for 44 years. The WNC regional program is open to students in grades 7–12, ages 13-18, across 24 counties. “I’m thrilled to witness the incredible talent showcased in the 2024 Western North Carolina Scholastic Art Awards exhibition,” said Susan Hendley, School & Teacher Programs Manager at the Asheville Art Museum.  “This is a celebration of original works by students across the WNC region and highlights the profound impact of arts education.” The regional program is judged in two groups: Group I, grades 7–9 and Group II, grades 10–12. Out of more than 500 total art entries, over 200 works have been recognized by the judges; Gold and Silver Key awards are featured in this exhibition, with select Honorable Mentions displayed digitally. The 2024 regional judges include Victoria Bradbury, Associate Professor and Chair of New Media at UNC Asheville, Andrew Davis, Studio Technician and instructor at Winthrop University, and Jenny Pickens, a native Asheville artist and educator. Those works receiving Gold Keys have been submitted to compete in the 101st Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2024 National Scholastic Art Awards. Visit the Museum’s website for more information about the student exhibition. Thanks to our sponsors, Jon and Ann Kemske, Russell and Ladene Newton, and Frugal Framer. Download Student Artworks

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

The Asheville Gallery of Art is excited to present its February exhibit, “Reflections,” which features the virtuoso works of three new gallery artists: Carol Fetty, Annie Gustley, Sandra Brugh Moore. This exhibit of visual poetry runs February 1 to 28.

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Exhibition and Public Programming

Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.

Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.

Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.

Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.

The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.

In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.

Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.

Images:

Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.

Vera B. Williams, Cover for Liberation Magazine, November 1958.

Join us Saturday January 27th for our Second annual WINTERFEST festival! An all day extravaganza hosted by the Warriors Of Ash and Fae Nectar, this exciting Axe & Sword Fighting Event will be accompanied by a roaring bonfire, working blacksmiths, live music, axe throwing, pony rides, and a village of Artisans from lands near and far.

Liven up the quiet winter months by watching some authentic medieval combat with the Warriors of Ash in our tournament arena. Or try your hand at axe throwing while you enjoy the mystical battle music of Chris Welsh and his Sun and Moon Dance band. And don’t forget to browse our Artisan Village which features live blacksmithing demos, handmade jewelry, leathercraft, fantasy garb, and more!

Artisan Market – 11am to 5pm
Sword Fighting & Viking Battle Music – 12pm, 2pm, and 4pm

Our festive mead hall will be serving delicious mead and cider aplenty, beer, hot cocoa, and delicious food options including turkey legs and Irish stew!

Calling adventurous tweens/teens! Join us for Dungeons & Dragons at the Weaverville Library! This program is open to tweens and teens ages 12+.

All skill levels are welcome.

Space for this program is limited. Registration is required. Please stop by the Weaverville Library or call 828-250-6482 to reserve your space!

All aboard, sisters! The hysterical sequel to the smash-hit Menopause The Musical® is finally here! Five years after their chance encounter in a department store, we set sail with our beloved ladies for more high jinks on the high seas. Menopause The Musical 2: Cruising Through ‘The Change’® is a hilarious and heartfelt look at the joys of menopause and friendship — plus hot flashes, mood swings, and memory lapses! Join us on a trip of self-discovery, backed by a new soundtrack of toe-tapping parodied hits from the 70s, 80s and 90s. For these four ladies, menopause was not the end, but the beginning of a beautiful friendship where love conquers all, and friendships never fail.

All aboard, sisters! The hysterical sequel to the smash-hit Menopause The Musical^® is finally here! Five years after their chance encounter in a department store, we set sail with our beloved ladies for more high jinks on the high seas. Menopause The Musical 2: Cruising Through ‘The Change’^® is a hilarious and heartfelt look at the joys of menopause and friendship — plus hot flashes, mood swings, and memory lapses! Join us on a trip of self-discovery, backed by a new soundtrack of toe-tapping parodied hits from the 70s, 80s and 90s. For these four ladies, menopause was not the end, but the beginning of a beautiful friendship where love conquers all, and friendships never fail.

Beginning in January 2024, ASAP (Appalachian
Sustainable Agriculture Project) will partner with Blue Ridge Women in Agriculture and MountainWise
to expand Double SNAP for Fruits and Vegetables programs to more farmers markets, farmstands,
and groceries in Western North Carolina. This group has established the WNC Double SNAP Network
in order to bring together existing programs and expand to new sites, making SNAP incentives more
accessible throughout the region.
SNAP programs that center local food and farms can significantly improve individual and community
health. They make fresh fruits and vegetables more accessible, keep food dollars in the local
economy, and connect participants with positive food and social environments in their communities.
“ASAP, Mountainwise, and Blue Ridge Women in Agriculture currently operate successful SNAP
incentive programs at 26 sites, which connect participants with fresh food and farms in their
communities,” said Mike McCreary, ASAP’s Farmers Market Program Manager. “By combining efforts
and resources, we’ll not only be able to deepen the impact of our existing programs, but also create
adaptive programs that meet the needs of communities that don’t currently have access.”
The first phase of the project focuses on strengthening existing programs across sites operating
January through March, including:
● Asheville City Winter Market, 52 N. Market St., Saturdays, 10 a.m.–1 p.m.
● Winter King Street Market, 252 Poplar Grove Rd., Saturdays, 10 a.m.–1 p.m.
● Columbus Winter Market, 35 Locust St., 1st and 3rd Saturdays, 10 a.m.–1 p.m.
● High Country Food Hub, 252 Poplar Grove Rd., Boone, online ordering with Wednesday pick-up,
12–6:30 p.m.
● Jackson County Winter Farmers Market, 110 Railroad Ave., Sylva, 10 a.m.–1 p.m.
● Jarrett Brothers IGA, 191 Main St., Rosman, daily, 7 a.m.–9 p.m.
● North Asheville Tailgate Market, 275 Edgewood Rd., Saturdays, 10 a.m.–1 p.m.
● River Arts District Farmers Market, 350 Riverside Dr., Asheville, 3–5:30 p.m.
● Rutherford County Winter Farmers Market, 146 North Main St., Rutherfordton, 1st and 3rd
Saturdays, 10 a.m.–1 p.m.
● Saluda Winter Market, 64 Greenville St., 2nd and 4th Saturdays, 10 a.m.–1 p.m.
● Transylvania Farmers Market, 200 E. Main St., Brevard, Saturdays, 10 a.m.–12 p.m.
● Weaverville Tailgate Market, 60 Lakeshore Dr., Saturdays, 3–6 p.m

This winter and spring join us for an introduction to pollinators presented by Bee City USA Asheville. Pollinators are under threat, but there’s plenty we can do to help right in our backyards.

We’ll talk about:

• What is pollination
• The importance of pollination
• Pollinators & their identification
• The importance of pollinator habitat

The presenter for this program will be Athena Rayne Anderson who holds PhD in Ecology with a focus on native pollinators. Athena is also a Certified Pollinator Steward through the Pollinator Partnership and works with Bee City USA Asheville to promote the value of native pollinator plants.

Our pollinator programs will be:

Fairview Library
Wednesday, Jan. 24 at 3:30 p.m.

Swannanoa Library
Saturday, Feb. 3 at 3:30 p.m.

Leicester Library
Saturday, April 13 at 2 p.m.

Skyland/South Buncombe Library
Tuesday, May 14 at 6 p.m.

These programs are free, and everyone is invited.

An adaptation of Homer’s epic masterpiece into an evening of theater at its best: intimate, incisive, and urgent. The war in Troy is over – and the Poet saw it all. Back from the frontlines, he spins a tale of unquenchable rage, disputatious gods, and grieving widows. Telling the story of the war, like the war itself, both seduces and ravages the Poet; it emboldens, burdens, and threatens to overwhelm him. An Iliad weaves humanity’s unshakable attraction to warfare with the music of the muses, capturing the contradictory conditions of glory and violence with spellbinding modernity.

Eyes Up Here Comedy is a night featuring all femme comedians and this month we have a special show featuring comedians from the South East

Modelface Comedy presents Eyes Up Here Comedy at Ginger’s Revenge!

Eyes Up Here Comedy is a night featuring all femme comedians and this month we have a special show featuring comedians from Asheville and around the South East. Hosted by local favorite Erin Terry.

ages 18+

doors at 6:30pm, show at 7pm

Explore the dark side of Beer City on LaZoom’s Ghosted Tour!

Duration

1 hour

About

Come enjoy our most popular Asheville tour!

About

Bachelorette/Bachelor Parties are not permitted on this tour. The Fender Bender Bus is bachelorette/bachelor friendly!

Learn about Asheville’s strange, sometimes sordid past from our ghoulish guides. You’ll laugh! You’ll scream! You’ll discover mysteries and chilling tales of scandal and murder on the blood-stained streets of this picturesque town!

Ghosted runs approximately 60 minutes. Beer and wine are welcome onboard, but no open containers, and absolutely no liquor, please! All beer and wine must be purchased from the LaZoom Room. (Passengers must be at least 21 years old to drink on the bus, and must have valid ID.)

Age Restrictions

17 and up. No exceptions.

What’s Included

A bunch of bus seats
History of murders, ghosts and tragedies in the Land of the Sky
Tongue-in-cheek comedy
A live (not dead) tour guide

What’s Not Included

Bathroom breaks (It’s 60 minutes long – plan accordingly!)
Beer or Wine (Purchase at our bar, the LaZoom Room, and take on the bus)
Laughing (we’ll give you the funny, but it’s up to you to laugh)
Gratuity (guides only accept dead president currency)

Waitlist

If your desired time and availability is full, then please give us a call to be added to the waitlist.

Greenville Swamp Rabbits vs. Jacksonville Icemen

An Act of God was submitted by Pasquale LaCorte as a dream role to perform. He teams up again with Candice Dickinson who directed him in the sold out run of Say Goodnight, Gracie. An Act of God had a limited run in 2015 starring Jim Parsons and then Sean Hayes as God and received a Tony Award Nomination for best performance.

By David Javerbaum
Directed by Candice Dickinson
Fangmeyer Theatre

Starring Pasquale LaCorte as God.

God sits down to discuss the mysteries of life and explains how humans got it all wrong. With the help of his archangels, Gabriel, played by David Spivey, and Micheal, played by Tom Bastek, God is asked to examine some of humanity’s most pressing questions and introduces his brand new set of commandments.

Rated PG-13 for language and suggestive content.

Directed by Charlie Flynn-McIver

PLAYFUL | COMING OF AGE | COMEDY

It’s 1973: Nixon is president, Aerosmith is releasing their first album, and 19 year old Linda O’Shea has been tasked by her mother with explaining the birds and the bees to her little sister. Things quickly snowball into hilarious crisis after the conversation is overheard by the parish priest. As secrets are unintentionally revealed, it takes every member of the modest, Irish Catholic O’Shea family — from Linda’s quirky younger sister to her sassy aunt — to keep the family’s name in good standing.

Content advisory: strong language and mature content, including colorful discussion of sex and sexuality

All aboard, sisters! The hysterical sequel to the smash-hit Menopause The Musical^® is finally here! Five years after their chance encounter in a department store, we set sail with our beloved ladies for more high jinks on the high seas. Menopause The Musical 2: Cruising Through ‘The Change’^® is a hilarious and heartfelt look at the joys of menopause and friendship — plus hot flashes, mood swings, and memory lapses! Join us on a trip of self-discovery, backed by a new soundtrack of toe-tapping parodied hits from the 70s, 80s and 90s. For these four ladies, menopause was not the end, but the beginning of a beautiful friendship where love conquers all, and friendships never fail.

ABOUT MUSCADINE BLOODLINE

Proudly independent and unapologetically Southern, country duo Muscadine Bloodline find their true voice on their upcoming new album, Dispatch to 16th Ave. Charlie Muncaster and Gary Stanton grew up in Mobile, Alabama, but didn’t cross paths until they each started to pursue their musical dreams. In 2012, they forged a friendship when Stanton opened a show for Muncaster’s band at Soul Kitchen in Mobile. Charlie’s contemporary vocals complimented by Gary’s harmonies and masterful guitar licks showcase a powerfully refreshing mix of talent, passion and unfiltered authenticity. Since naming themselves Muscadine Bloodline in 2015, they’ve had two Billboard-charting critically acclaimed EP’s, have sold out shows across the country, opened concerts for hundreds of artists and earned a standing ovation at their Grand Ole Opry debut in 2018. The guys’ Southern roots carry over to their band name as well: Muscadine grapes grow in the South while Bloodline represents their heritage. For more information visit muscadinebloodline.com.

In the tradition of The Vagina Monologues and For Colored Girls…, The Glorious World of Crowns, Kinks, and Curls is a collection of monologues and scenes exploring the often complex relationship Black women have with their hair. From Afros to braids, weddings, and funerals, falling in love to grieving a loss, these stories serve as a powerful reminder that for Black women in particular, hair is both deeply personal and political. These heartbreaking, heartwarming, and hilarious stories will take audiences on an unparalleled journey into the world of Black womanhood.

Purchase the Different Strokes! 23-24 Season 4 Production Package! Buy two tickets to each production and get two additional half-price tickets to every show in your package. Purchase your 4 Production Package through the link below and then call the box office at 828-257-4530, ext 1, to purchase your half price tickets.

A poignant and hilarious tour of the last frontier, the ultimate forbidden zone, The Vagina Monologues is a celebration of the feminine experience in all its complexity and mystery. Based on countless interviews conducted with real-life women, the production features stories of body image, consensual and nonconsensual sexual experiences, genital mutilation, direct and indirect encounters with reproduction, sex work, and several other topics through the eyes of women of various ages, races, sexualities, and other differences. A recurring theme throughout the piece is the vagina as a tool of female empowerment and the ultimate embodiment of individuality.

Thursday, 2/1 at 7:30 (pay what you can)

AN ALL-FEMALE TRIBUTE TO THE MUSIC OF THE GRATEFUL DEAD, WITH RAINY EYES

Brown Eyed Women is an ensemble of powerful female players from popular bands around the country, celebrating the music of the Grateful Dead with a unique spin.

Members hail from Massachusetts, New Jersey, Florida, New York, and Pennsylvania. Their high-caliber musicianship and shared love of the Dead drew them together. This  band is decidedly different in a field brimming with tribute acts. BEW brings authentic jams and a soulful new approach to the familiar Grateful Dead catalog.

Multi-faceted singer/songwriter A.J. Croce is hitting the road again in celebration of his father Jim Croce’s work and performing works from the legendary albums Life and Times, I Got A Name, and You Don’t Mess Around With Jim. The Croce Plays Croce 50^th Anniversary show – which features a legendary band (drummer Gary Mallaber, bassist David Barard, guitar/violin James Pennebaker) and a moving presentation accompanying Jim’s songs – was inspired by A.J.’s connection to the fans, the players, and his father’s timeless music.

This 50^th anniversary tour builds upon A.J.’s previous critically-praised performances where he shared intimate aspects of his father’s career, showcased his own musical style, and provided insights into Jim’s enduring musical canon. While Jim’s work still resonates on radio, streaming, movies, and shows, it is A.J.’s showmanship that enlivens the legacy of the music by inviting “the sold-out crowds into his father’s worldview and work mindset, culminating in the playing of Jim Croce tunes . . . making for an intimate experience riddled with wryness and humor.”

Two of Jim Croce’s finest albums Life and Times and I Got A Name were both released in 1973 and featured hits like “Bad, Bad Leroy Brown,” which peaked at #1 on Billboard’s Hot 100, as well as “I’ll Have to Say I Love You In A Song” and “Workin’ At The Car Wash Blues.” A.J. is focused on keeping the shows featuring these albums fresh and spontaneous by letting the musicians “have a level of improvisation that makes it a lot of fun.”

Fans and critics who attended last year’s shows are thrilled that A.J. is readying another affectionate interpretation of his father’s enduring legacy. The shows have renewed interest in Jim Croce and garnered praise for A.J: “I think they come as a Jim Croce fan but also leave as fans of mine. That’s something that has also made this whole experience really amazing.”