Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Explore the dark side of Beer City on LaZoom’s Ghosted Tour!
Duration
1 hour
About
Come enjoy our most popular Asheville tour!
About
Bachelorette/Bachelor Parties are not permitted on this tour. The Fender Bender Bus is bachelorette/bachelor friendly!
Learn about Asheville’s strange, sometimes sordid past from our ghoulish guides. You’ll laugh! You’ll scream! You’ll discover mysteries and chilling tales of scandal and murder on the blood-stained streets of this picturesque town!
Ghosted runs approximately 60 minutes. Beer and wine are welcome onboard, but no open containers, and absolutely no liquor, please! All beer and wine must be purchased from the LaZoom Room. (Passengers must be at least 21 years old to drink on the bus, and must have valid ID.)
Age Restrictions
17 and up. No exceptions.
What’s Included
A bunch of bus seats
History of murders, ghosts and tragedies in the Land of the Sky
Tongue-in-cheek comedy
A live (not dead) tour guide
What’s Not Included
Bathroom breaks (It’s 60 minutes long – plan accordingly!)
Beer or Wine (Purchase at our bar, the LaZoom Room, and take on the bus)
Laughing (we’ll give you the funny, but it’s up to you to laugh)
Gratuity (guides only accept dead president currency)
Waitlist
If your desired time and availability is full, then please give us a call to be added to the waitlist.
The innovative “klezgrass” music of Zoe & Cloyd springs from the rich traditions and complementary styles of fiddler/vocalist Natalya Zoe Weinstein and multi-instrumentalist/vocalist John Cloyd Miller. Descending from a lineage of klezmer and jazz musicians, Natalya trained classically in her home state of Massachusetts before moving south in 2004. John, a twelfth generation North Carolinian and grandson of pioneering bluegrass fiddler, Jim Shumate, is a 1st place winner of the prestigious Chris Austin Songwriting Contest and the Hazel Dickens Songwriting Contest. Based in Asheville, NC, Zoe & Cloyd delight audiences with soaring harmonies and heartfelt songwriting, seamlessly combining original bluegrass, klezmer, old-time and folk with sincerity and zeal.
In 2023, Zoe & Cloyd released their fifth studio album on Organic Records, entitled Songs of Our Grandfathers. The project is an homage to their respective bluegrass and klezmer roots and has been enthusiastically received with feature articles in Bluegrass Unlimited, No Depression and the Bluegrass Situation. Also in 2023, Zoe & Cloyd performed at numerous events including Bluegrass Omagh in Northern Ireland, the Earl Scruggs Music Festival, the NC Folk Festival, and will host A Swannanoa Solstice at the Wortham Center for the Performing Arts in Asheville.
Zoe & Cloyd will be joined at the BMCA by bassist and long-time collaborator, Kevin Kehrberg. Kevin is an award-winning bassist who has performed jazz and traditional music styles all over the world from Indonesia to Kyrgyzstan, Japan and beyond. His recent collaborative recording for Bluegrass at the Crossroads won IBMA 2021 Instrumental Recording of the Year. Kevin has taught many workshops and clinics in addition to being a professor of music at Warren Wilson College, where he maintains an active bass studio and teaches various courses in music and culture.
Doors open at 6:30pm. Seating is general admission. Online ticket sales end one hour prior to showtime. If the show has not sold out, tickets may still be available for purchase in the office after online sales have ended. Call 828-669-0930 for availability.
Explore the Rich Heritage of Black Communities in Asheville
The Asheville Black Cultural Heritage Trail leads visitors through three areas of Asheville: Downtown, Southside, and the River Area. The entire trail takes approximately 2 hours and 30 minutes to walk and read.
Reflecting on Community Resolve
Did you know that Black people helped create this region’s first non-Indigenous households? Did you know that Black people helped build Asheville and connected Asheville globally? Black entrepreneurs created thriving business districts. Black families cultivated close-knit neighborhoods. Black people from all backgrounds built resilient communities and fostered social change.
Immerse yourself in the history and heroism of Black Ashevillians by walking the Asheville Black Cultural Heritage Trail. Deepen your understanding with articles, videos, and more resources available here on the trail’s website.
Follow the Trail
Experience this trail in pieces as you explore Asheville or start at one of our three introduction kiosks to learn more about how Black people in Asheville negotiated landscapes of unequal power to build resilient communities and foster social change.
Join us for the 49th annual Fireside Arts & Crafts Show. This years show will be held February 17th-18th, 2024 from 10:00 am to 5:00 pm at Unicoi State Park & Lodge. Free to all attendees. Come see over 50+ vendors who specialize in handmade artistry and crafts.
There are a number of ways to participate in our annual Arts and Crafts celebration at the Grove Park Inn in February:
1. Reserve an Arts and Crafts Weekend Package at the Grove Park Inn
The cost of registration is included in the Grove Park Inn package so you won’t need to worry about purchasing an additional conference events pass with the office if you’ve got the package.
The package includes the following:
- Lodging Friday and Saturday nights at the Omni Grove Park Inn*;
- The Conference Events Pass which covers all of the seminars, discussion groups, demonstrations, Grove Park Inn tours, and special exhibits for all three days;
- Entry to all three exhibitor shows on Friday, Saturday and Sunday;
- Continental breakfast Saturday and Sunday mornings;
- Dessert and coffee social hour Friday and Saturday nights;
- Use of the Grove Park Inn Sports Center;
- Conference tote bag, a calendar, and The Conference Catalog.
Call (800) 438-5800 to place a deposit for your room reservation today!
2. Purchase individual Conference Events Passes only
If you’d like to register for the conference and attend the shows, but you won’t be staying at the Grove Park Inn, then you will need to purchase Conference Events Passes from our office. The Conference Events Pass includes admission to the Exhibitor Shows. You can call the office at (828) 628-1915.
The Conference Events Pass will get your entry into all seminars, small group discussions, shows demonstrations, access to the educational exhibits, and free access to the Arts and Crafts Shows. You will also receive two continental breakfasts during the weekend and the pre-seminar dessert socials.
3. Buy general admission the day of if you’re just interested in viewing the Arts & Crafts Shows
If you just want to shop the dealer shows at the Grove Park Inn, you can purchase general admission at the door the day that you want to come to the shows! Included in the shows are access to the educational displays, two demonstrations, the silent auction, and the chance to enter a special drawing!
General admission is $10.00 and covers admittance for all three days.
Here’s what’s included in the shows:
– Discover vintage antiques as well as handcrafted contemporary items in the Arts & Crafts style including new and antique jewelry, rugs, furniture, pottery and tiles, artwork, furniture, and metalware, showcasing hand craftsmanship and simple yet elegant designs.
– View our three educational displays within the shows.
– Demonstrations on the Wooden (electric) Lamps of Charles Limbert AND the Cuerda-Seca method of ceramic motifs in Art Pottery;
– Access to our annual silent auction – bid on gently used items from collections from across the country;
– Authors will be on hand to sign their books in the 8th floor of the Vanderbilt wing;
– and a Free drawing to win a special collector’s item (to be shown at the shows).
4. You can separately register for special fundraiser events happening throughout the weekend – the Pre-Conference Workshops, the Craftsman Reception, the Historic House Tours, and the Asheville Art Museum lecture without registering for the conference!
Pre-Conference Workshops – Learn from Roycroft Renaissance Master Artisans
The Craftsman Reception – hosted by the Stickley Museum at Craftsman Farms
The annual Historic Homes Tour – hosted by the Preservation Society of Asheville and Buncombe County
Go Behind the Scenes with The Asheville Art Museum!
Baker Exhibit Center
In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.
Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Join us for a North Carolina winery tour and celebrate a date night, bachelorette party, retirement, family, or a weekend away while sampling our favorite local beverages along the way. Our standard tour includes visits to three Asheville area vineyards. With safe and reliable transportation provided, you can sit back, relax and just have fun.
Included:
- Round trip transportation*
- Three vineyard visits
- Tastings at two of your three stops. Let’s just say that the pours at the first couple of locations are generous so we like to leave the third-stop beverage choice up to you.
- Time commitment = up to 5 hours
Want to include specific vineyards on your Asheville wine tours? If you have “must-see” wineries in mind or want to craft a full day catered to your group’s interests, we’re always happy to create a custom experience. Reach out any time!
The Museum recognizes Western North Carolina youth for their original artworks
Award winners will be featured in a student exhibition in the Museum’s Van Winkle Law Firm Gallery and Multipurpose Space from January 24–March 25, 2024. All regional award recipients will be honored at a closing reception on March 21.
The Asheville Art Museum and the Asheville Area Section of the American Institute of Architects (AIA) are the Western North Carolina (WNC) regional Affiliate Partners of the National Scholastic Art Awards. This ongoing community partnership has supported the creative talents of our region’s youth for 44 years. The WNC regional program is open to students in grades 7–12, ages 13-18, across 24 counties.
“I’m thrilled to witness the incredible talent showcased in the 2024 Western North Carolina Scholastic Art Awards exhibition,” said Susan Hendley, School & Teacher Programs Manager at the Asheville Art Museum. “This is a celebration of original works by students across the WNC region and highlights the profound impact of arts education.”
The regional program is judged in two groups: Group I, grades 7–9 and Group II, grades 10–12. Out of more than 500 total art entries, over 200 works have been recognized by the judges; Gold and Silver Key awards are featured in this exhibition, with select Honorable Mentions displayed digitally. The 2024 regional judges include Victoria Bradbury, Associate Professor and Chair of New Media at UNC Asheville, Andrew Davis, Studio Technician and instructor at Winthrop University, and Jenny Pickens, a native Asheville artist and educator.
Those works receiving Gold Keys have been submitted to compete in the 101st Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2024 National Scholastic Art Awards.
Visit the Museum’s website for more information about the student exhibition.
Thanks to our sponsors, Jon and Ann Kemske, Russell and Ladene Newton, and Frugal Framer.
Download Student Artworks
 |
| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
The Asheville Gallery of Art is excited to present its February exhibit, “Reflections,” which features the virtuoso works of three new gallery artists: Carol Fetty, Annie Gustley, Sandra Brugh Moore. This exhibit of visual poetry runs February 1 to 28.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
PSABC is proud to once again participate in the National Arts & Crafts Conference with our Historic Home Tour. This conference draws Arts & Crafts enthusiasts from all over the country for a weekend of seminars, group discussions, demonstrations, selling shows and our home tour.
This year, the Preservation Society of Asheville and Buncombe County is pleased to offer four or more unique historic homes for the Historic Home Tour. The homes on the tour are located in the historic Montford Neighborhood. Planning for the Montford Neighborhood we know today began in 1889 as Asheville’s first electric streetcar suburb by the Asheville Loan, Construction and Improvement Company. Development proceeded slowly until business tycoon George W. Pack took over the enterprise. The sprawling and irregularly shaped residential neighborhood grew to include a collection of houses representing a variety of architectural styles from the early twentieth century, which are included on this tour
Explore the dark side of Beer City on LaZoom’s Ghosted Tour!
Duration
1 hour
About
Come enjoy our most popular Asheville tour!
About
Bachelorette/Bachelor Parties are not permitted on this tour. The Fender Bender Bus is bachelorette/bachelor friendly!
Learn about Asheville’s strange, sometimes sordid past from our ghoulish guides. You’ll laugh! You’ll scream! You’ll discover mysteries and chilling tales of scandal and murder on the blood-stained streets of this picturesque town!
Ghosted runs approximately 60 minutes. Beer and wine are welcome onboard, but no open containers, and absolutely no liquor, please! All beer and wine must be purchased from the LaZoom Room. (Passengers must be at least 21 years old to drink on the bus, and must have valid ID.)
Age Restrictions
17 and up. No exceptions.
What’s Included
A bunch of bus seats
History of murders, ghosts and tragedies in the Land of the Sky
Tongue-in-cheek comedy
A live (not dead) tour guide
What’s Not Included
Bathroom breaks (It’s 60 minutes long – plan accordingly!)
Beer or Wine (Purchase at our bar, the LaZoom Room, and take on the bus)
Laughing (we’ll give you the funny, but it’s up to you to laugh)
Gratuity (guides only accept dead president currency)
Waitlist
If your desired time and availability is full, then please give us a call to be added to the waitlist.
Explore the Rich Heritage of Black Communities in Asheville
The Asheville Black Cultural Heritage Trail leads visitors through three areas of Asheville: Downtown, Southside, and the River Area. The entire trail takes approximately 2 hours and 30 minutes to walk and read.
Reflecting on Community Resolve
Did you know that Black people helped create this region’s first non-Indigenous households? Did you know that Black people helped build Asheville and connected Asheville globally? Black entrepreneurs created thriving business districts. Black families cultivated close-knit neighborhoods. Black people from all backgrounds built resilient communities and fostered social change.
Immerse yourself in the history and heroism of Black Ashevillians by walking the Asheville Black Cultural Heritage Trail. Deepen your understanding with articles, videos, and more resources available here on the trail’s website.
Follow the Trail
Experience this trail in pieces as you explore Asheville or start at one of our three introduction kiosks to learn more about how Black people in Asheville negotiated landscapes of unequal power to build resilient communities and foster social change.
There is no better way to DISCOVER and EXPLORE Asheville! Hop-on board one of Gray Line’s nostalgic trolleys for a fully narrated day tour, highlighting the history, homes, hang-outs and hot spots of this “city of surprises.”
Tour Highlights include . . . Downtown Asheville | Montford Historic District | The Grove Park Inn and Grove Park Historic District | Thomas Wolfe District | Pack Square and Asheville Art Museum | Grove Arcade | River Arts District | Biltmore Village
Hop-On and hear the story of a city rich in architecture, history and the arts . . .
Hop-Off and experience its eclectic shops and galleries; its world class culinary and craft brew scenes.
Tour Duration: The complete tour (one loop) lasts approximately 90 to 100 minutes. There is an additional 15 minute stop at the Asheville Visitor Center. The Hop-On/Hop-Off Tour ticket is valid for TWO consecutive days.
Departure Points: Join the Hop-On/Hop-Off Tour at any of the 10 stops. If you’re driving in to join the tour, Stop 1, the Asheville Visitor Center may be your best option. The Visitor Center, located at 36 Montford Ave. just off I-240 at Exit 4C, offers free parking (on a first come-first served basis) and restrooms. The Asheville Visitor Center is the ONLY place to join the Overview Tour.
Artsville and the Ferguson YMCA Partner as a New Arts Resource for Candler
Announcing Expressionistic Landscape Watercolors by Cynthia Llanes
Saturday, January 13 thru Monday, March 4
Seeking a spot to bring art exhibits, discussions and workshops to Candler, Artsville Collective
has partnered with the Ferguson Family YMCA for a full schedule of year-round events. Kicking
off 2024 will be watercolors from Cynthia Llanes, an expressionistic landscape artist whose work
has become a favorite in the region and commissioned paintings appear in many collections.
The exhibit “Fluid Expressions” seeks to celebrate the sheer joy and excitement that
watercolor brings to the creative process, offering insight into the unique characteristics
of watercolor as a medium. Says Llanes, “Fluid Expressions” invites viewers to revel in
the joy of watercolor and its uncanny ability to capture subtle nuances in landscapes.”
To hear more from Llanes about her work and what captivates her in nature, meet her
at the Ferguson Y for a group presentation, demo and discussion on Monday,
February 5 from 11 am to noon. To learn more from area artists, circle the first
Monday of every other month when Artsville Collective sponsors Art Talks at the
Candler Y.
Llanes’ career as a committed art-preneur has built her brand dramatically since
showing at Artsville Collective in the RAD in 2022. Her versatility in oil and watercolor is
displayed in depth at her new space in the River Arts District. Cynthia Llanes Fine Art
Gallery and Studio is located at Riverview Station, 191 Lyman, Second Floor Studio 324
or cynthiallanesartist.com.
It is not necessary to be a Y member to attend art exhibits and talks and all are
encouraged to bring friends. More than a place to exercise, the YMCA is a community
resource for folks of all ages and backgrounds. The Candler Y also offers nutrition
consulting, childcare, discussions, outdoor activities, and family events. Visit the
Ferguson Family YMCA at 31 Westridge Market Place, Candler NC 28715 or call
828-575-2940.
Baker Exhibit Center
In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.
Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.
Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.
Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words, “at fighting erasure by making objects that engage with these long-suppressed stories.”
Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Preservers, Innovators, and Rescuers of Culture in Chiapas features eleven textiles by acclaimed Indigenous artisanas (artists) from Chiapas, Mexico commissioned by US-based fiber artists and activist Aram Han Sifuentes. As part of their 2022 Craft Research Fund Artist Fellowship, Han Sifuentes traveled to Chiapas to understand the function of garments and textiles within the social and cultural context of the area and to learn the traditional practice of backstrap weaving. Through the works on view, combined with a series of interviews Han Sifuentes conducted during her research, visitors learn about the artisanas and their role as preservers, rescuers, and innovators of culture and as protectors of Mayan ancestral knowledge. Together, these works present an approach to connecting and learning about culture through craft practices.
Han Sifuentes is interested in backstrap weaving because it is one of the oldest forms used across cultures. The vibrant hues and elaborate designs of each textile express the artisanas identities and medium to tell their stories. To understand how these values manifested in textiles made in Chiapas, Han Sifuentes invited the artisanas to create whatever weaving they desired over the course of three months. This is unique because most textiles in the area are created to meet tourist-driven and marketplace demands. Incorporating traditional backstrap weaving and natural dye techniques, some artisans created textiles to rescue or reintroduce weaving practices that are almost or completely lost in their communities, while others were created through material and conceptual experimentation. This range of approaches reflects how artistanas are constantly innovating while at the same time honoring and keeping to tradition.
Preservers, Innovators, and Rescuers of Culture in Chiapas is on view from November 17, 2023 to July 13, 2024.
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
The featured artisanas include: Juana Victoria Hernandez Gomez from San Juan Cancuc, Maria Josefina Gómez Sanchez and Maria de Jesus Gómez Sanchez from Oxchujk (Oxchuc), Marcela Gómez Diaz and Cecilia Gómez Diaz from San Andrés Larráinzar, Rosa Margarita Enríquez Bolóm from Huixtán, Cristina García Pérez from Chalchihuitán, Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez from Zinacantán, Angelica Leticia Gómez Santiz from Pantelhó, and Susana Guadalupe Méndez Santiz from Aldama
The Museum recognizes Western North Carolina youth for their original artworks
Award winners will be featured in a student exhibition in the Museum’s Van Winkle Law Firm Gallery and Multipurpose Space from January 24–March 25, 2024. All regional award recipients will be honored at a closing reception on March 21.
The Asheville Art Museum and the Asheville Area Section of the American Institute of Architects (AIA) are the Western North Carolina (WNC) regional Affiliate Partners of the National Scholastic Art Awards. This ongoing community partnership has supported the creative talents of our region’s youth for 44 years. The WNC regional program is open to students in grades 7–12, ages 13-18, across 24 counties.
“I’m thrilled to witness the incredible talent showcased in the 2024 Western North Carolina Scholastic Art Awards exhibition,” said Susan Hendley, School & Teacher Programs Manager at the Asheville Art Museum. “This is a celebration of original works by students across the WNC region and highlights the profound impact of arts education.”
The regional program is judged in two groups: Group I, grades 7–9 and Group II, grades 10–12. Out of more than 500 total art entries, over 200 works have been recognized by the judges; Gold and Silver Key awards are featured in this exhibition, with select Honorable Mentions displayed digitally. The 2024 regional judges include Victoria Bradbury, Associate Professor and Chair of New Media at UNC Asheville, Andrew Davis, Studio Technician and instructor at Winthrop University, and Jenny Pickens, a native Asheville artist and educator.
Those works receiving Gold Keys have been submitted to compete in the 101st Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2024 National Scholastic Art Awards.
Visit the Museum’s website for more information about the student exhibition.
Thanks to our sponsors, Jon and Ann Kemske, Russell and Ladene Newton, and Frugal Framer.
Download Student Artworks
|
| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
The Asheville Gallery of Art is excited to present its February exhibit, “Reflections,” which features the virtuoso works of three new gallery artists: Carol Fetty, Annie Gustley, Sandra Brugh Moore. This exhibit of visual poetry runs February 1 to 28.
Exhibition and Public Programming
Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.
Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.
Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.
Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.
The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.
In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.
Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.
Images:
Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.
Vera B. Williams, Cover for Liberation Magazine, November 1958.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Explore the Rich Heritage of Black Communities in Asheville
The Asheville Black Cultural Heritage Trail leads visitors through three areas of Asheville: Downtown, Southside, and the River Area. The entire trail takes approximately 2 hours and 30 minutes to walk and read.
Reflecting on Community Resolve
Did you know that Black people helped create this region’s first non-Indigenous households? Did you know that Black people helped build Asheville and connected Asheville globally? Black entrepreneurs created thriving business districts. Black families cultivated close-knit neighborhoods. Black people from all backgrounds built resilient communities and fostered social change.
Immerse yourself in the history and heroism of Black Ashevillians by walking the Asheville Black Cultural Heritage Trail. Deepen your understanding with articles, videos, and more resources available here on the trail’s website.
Follow the Trail
Experience this trail in pieces as you explore Asheville or start at one of our three introduction kiosks to learn more about how Black people in Asheville negotiated landscapes of unequal power to build resilient communities and foster social change.
Artsville and the Ferguson YMCA Partner as a New Arts Resource for Candler
Announcing Expressionistic Landscape Watercolors by Cynthia Llanes
Saturday, January 13 thru Monday, March 4
Seeking a spot to bring art exhibits, discussions and workshops to Candler, Artsville Collective
has partnered with the Ferguson Family YMCA for a full schedule of year-round events. Kicking
off 2024 will be watercolors from Cynthia Llanes, an expressionistic landscape artist whose work
has become a favorite in the region and commissioned paintings appear in many collections.
The exhibit “Fluid Expressions” seeks to celebrate the sheer joy and excitement that
watercolor brings to the creative process, offering insight into the unique characteristics
of watercolor as a medium. Says Llanes, “Fluid Expressions” invites viewers to revel in
the joy of watercolor and its uncanny ability to capture subtle nuances in landscapes.”
To hear more from Llanes about her work and what captivates her in nature, meet her
at the Ferguson Y for a group presentation, demo and discussion on Monday,
February 5 from 11 am to noon. To learn more from area artists, circle the first
Monday of every other month when Artsville Collective sponsors Art Talks at the
Candler Y.
Llanes’ career as a committed art-preneur has built her brand dramatically since
showing at Artsville Collective in the RAD in 2022. Her versatility in oil and watercolor is
displayed in depth at her new space in the River Arts District. Cynthia Llanes Fine Art
Gallery and Studio is located at Riverview Station, 191 Lyman, Second Floor Studio 324
or cynthiallanesartist.com.
It is not necessary to be a Y member to attend art exhibits and talks and all are
encouraged to bring friends. More than a place to exercise, the YMCA is a community
resource for folks of all ages and backgrounds. The Candler Y also offers nutrition
consulting, childcare, discussions, outdoor activities, and family events. Visit the
Ferguson Family YMCA at 31 Westridge Market Place, Candler NC 28715 or call
828-575-2940.
Baker Exhibit Center
In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.
Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.