The Village Potters Clay Center (TVPCC), announces the opening of “Nurtured by Nature”, a special exhibit featuring new works by each of the six resident potters of TVPCC.

When you have six wildly talented, skilled, and creative artists working together, it can be a challenge to pick a singular theme for a show. But it didn’t take long before the resident potters at TVPCC realized that they each had a connection to nature, and it expressed itself in different ways in their lives and work.

Sarah Wells Rolland grew up in Florida near the water and life that grew in and around it. For this exhibit, she has created singular pieces using broad strokes through slip to emulate Water Grass, and her deliciously beautiful glazes invite you to touch. You can almost feel a soft Florida breeze!

Judi Harwood has her work already rooted deeply in nature, using corn husks, bamboo leaves, and other organic materials in her sagger fired vessels. On a recent trip to the beach, she noticed an amazing pattern in the sand from the ebb and flow of the tide dragging shells across the sand. She knew instantly that she needed to carve a similar design in her pieces for Raku and other alternate firing processes, and you will find those pieces in this exhibit.

Caroline Renée Woolard has always had a deep love for nature, in particular the forest and the element of water and the rhythm of waves. You will find these things in the movement of her slip application, and in her carved mushrooms that invite a child-like sense of wonder and joy.

Katie Meili Messersmith is a self-proclaimed math nerd, and she loves the beauty of sequencing and patterning that she achieves in her slip dot applications on her pots. She also sees this beauty of math sequencing in nature, like in the petals of flowers, and has explored this in her work in a stunning series of bowls.

Julia Mann’s work has always been inspired by her love of nature and love of season, as well as her love of women and love of Goddess. Venus of Willendorf remains a guiding influence on her work more than twenty years after carving her first form. Julia has created new Venus pieces as well as pieces inscribed with other symbols of nature that inspire her, from spider webs to trees and mountains.

Lori Theriault grew up on the edge of the woods in central Vermont, and spent many afternoons hiking in the trees, touching each bark to feel what she saw. She also spent many nights star gazing with her father, waiting for an Apollo rocket to fly overhead. Lori represents her love of trees and flowers in functional work with her wax resist designs, and she is exploring more sculptural work in her “Vincent Series” that celebrates her love of a star-filled sky and her love and admiration for Van Gogh’s impasto technique in ‘Starry Night’.

Nurtured by Nature will be on exhibit through the end of June at The Village Potters Clay Center. The gallery is open daily, 10am-5pm.

The Village Potters are Sarah Wells Rolland, Judi Harwood, Lori Theriault, Julia Mann, Katie Meili Messersmith, and Caroline Renée Woolard, along with Director of Operations, Keira Peterson. They comprise an intentional Collective of potters who share a commitment to nurture creative exploration through education, experience, and community. The Village Potters includes a fine craft gallery, a Teaching Center offering ongoing classes in wheel, hand building, and sculpture for adults, an Advanced Ceramic Studies Program, and online demonstrations and workshops. The Village Potters Clay Center is an educational member of The Craft Guild of the Southern Highlands, and is an official distributor for Laguna Clays.

Saturdays from June 15-August 10, Dr. Wesley Grant Sr. Southside Community Center’s Outdoor Pool

10-10:50am .:. Free for Ages 60+ and $3 for Ages 18-59

B.A.L.L. (Be Active Live Longer) gentle water aerobics incorporate effective strategies to improve cardio fitness, build strength, boost mood, and ease joint pain.

Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.

Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.

Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words,  “at fighting erasure by making objects that engage with these long-suppressed stories.”‍

Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

This year marks the 17th Annual Art in Bloom, our most anticipated fundraiser of the year. This multifaceted event, celebrating nature and art, combines two gallery exhibits, live floral arrangements, and a local garden tour featuring working artists. Whether you join us for one event or all of them, you are playing an important role in supporting the arts in our community.

Visit the gallery to experience the stunning creativity of our Ikebana and Western floral designers who have created arrangements inspired by the artworks in the show. The flowers will only be on display for 2 days, so don’t miss your chance to see nature imitating art!

June 14 & 15 • 10am-2pm • Local Garden Tour & Plein Air Artists

Our self-guided tour features a diverse array of inspiring local gardens. Look for plein air artists creating in each garden! Your Garden Tour Ticket includes a map and directions to each garden and access to our main gallery for the Art in Bloom exhibit.

 Events

June 21 • 5-6:30pm • Art from the Garden Opening Reception

Return to BMCA after Art in Bloom to view the works created during the Garden Tour by the plein air artists. Enjoy complimentary refreshments and mingle with the artists during the last leg of Art in Bloom’s festivities.

June 21 – July 16 • 10am-5pm, Monday-Friday • Art from the Garden Exhibit

Can’t make it to the opening? Stop by during this time to visit the Art from the Garden. This beautiful show is free and open to the public.

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Art in Bloom is a unique exhibition that also serves as a fundraiser for the Black Mountain Center for the Arts. Every ticket you purchase supports local artists, programming, and creative opportunities in Western North Carolina.

Art in Bloom Gallery Exhibit – $5

Garden Tour & Gallery Exhibit -$30

Art in Bloom Everything Pass (includes Preview party, Garden Tour, and Exhibit) – $65

The site is staffed by Extension Master Gardener volunteers and provides demonstrations and answers questions from visitors.

There are five different composting methods on display at the site. There is a single bin unit, a tumbling composter, a wood pallet bin, and a classic 3-bin system — we also usually bring an example of vermiculture on most demo days. The site is stocked with informational pamphlets on the how-to and why of composting.

Stop by to learn more about composting at home!

Upstate artist Logan Foster, aka Divinity, welcomes those viewing her oil and acrylics works and poems into her daydreams to help them recapture feelings from childhood in her upcoming exhibition “Daydreamin’: Love Is Blue,” set for June 4 through 29 in Gallery III of the Artists Collective | Spartanburg.

An artist’s reception will be held Thursday, June 20, as part of Spartanburg ArtWalk.

Celebrate the ephemeral beauty of flowers during this immersive morning nature retreat! In Japan, the birthplace of forest bathing (Shinrin Yoku), they celebrate the annual cherry blossom bloom (Sakura) with a practice known as Hanami, which translates to “contemplate the flowers.” This experience gently invites us to cultivate our attention and sensory awareness, while noticing the evanescent nature of flowering, both within and around us. Together, we will explore our relationships with native wildflowers, ourselves, each-other, and the more-than-human-world.

Hit the trails and learn more about The North Carolina Arboretum’s botanically diverse forest with a guided trail walk! April through October, this free hiking program is led by trained volunteer guides who take small groups of participants along woodland trails and through a variety of forest types. Depending on the season and each guide’s area of expertise, topics of discussion may include wildflowers, plant and tree identification, natural history and more.

Guided trail walks are limited to 15 people, including the guide, and are not recommended for guests under 16 years of age. Groups depart from the Baker Visitor Center Lobby on Tuesdays at 1 p.m. and Saturdays at 10 a.m. and 1 p.m..

Walks last 1.5 – 2.5 hours, are approximately one to two miles in length. As this program is held rain or shine, all participants should dress appropriately for the weather.

There is no pre-registration; walks are first-come first served and sign up sheets are located in the Baker Visitors Center.

Walks are FREE; however, donations to The North Carolina Arboretum Society are appreciated. Regular parking fees apply. Arboretum Society Members always park free.

Know Before You Go

• Guided Trail Walks are not recommended for guests under 16 years of age.
• Guided Trail Walks are rain or shine and all participants should be dressed comfortably and for the weather.
• Hikes cover 1-2 miles and last 1.5-2 hours.
• Well-behaved leashed pets are welcome to accompany their owners. In the rare case that a pet is disruptive or negatively impacts the experience, the pet and its owner may be asked to excuse themselves from the guided walk.

All Month Long in June at the Swannanoa Library

Join us at the Swannanoa Library to create a collage mosaic Juneteenth Flag. While communally creating this flag, learn the history and meaning of this flag and all that it represents.  This program will continue for entire month of June where the community can add to it over time. All ages are welcome to contribute.

Explore Asheville with the whole family!

Age Restrictions

All Ages Welcome!
(Content is geared towards ages 5-12 years old)
Children must be accompanied by an adult.
Children 3 and under do not need a ticket if they are sitting in an adults lap.

Duration

60 Minutes

What’s Included

Crazy funny guide
Off-bus characters
Fun facts about Asheville
Age-appropriate jokes

About

Now’s your chance to bring the whole family on the big purple bus! Educational and entertaining, LaZoom’s Kids’ Comedy tour features a perfect blend of Asheville information and kid-centric comedy. Geared specifically towards the 5-12 year old crowd, you’ll learn about our city’s history and see the sights in true LaZoom style – complete with our famously outlandish tour guides, hilarious comedy skits, and all sorts of special appearances! Perfect for birthday parties or school field trips, it’s the best thing to do with your kids in Asheville. It’s a show on wheels!

The tour is 60 minutes long and includes no stops. The tour is hosted by a zany tour guide, and along the way other characters will hop on the bus and perform kid-centric sketches (Candy Pirate, Ninja, and a Levitator) The tour is not only fun – it’s educational! Kids and adults will learn new and interesting facts about Asheville along the way. There must be 1 adult for every 4 children. We do not allow any unaccompanied children. Children 3 and under do not need a ticket if they are sitting in an adults lap.

Waitlist

If your desired time and availability is full, then please give us a call to be added to the waitlist.

Kids ages 5-10 are welcome as Jill and Brannen from Spriggley’s Beescaping introduce kids to native bees and other spectacular pollinators! There will be a quick story, along with a kid-friendly craft to help create habitat for native bees! Jill Jacobs and Brannen Basham.

Do you dream of building your permaculture oasis? Now is the time to learn the skills and knowledge you need to make your vision a reality!

Join us for a one day permaculture immersion class on June 15th from 10AM-4PM at Ruby Ranch in Candler, NC.

Even if you are brand new to gardening this class is for you!

Imagine a sustainable system where every element – plants, animals, structures – works together in synergy, mimicking the resilience & diversity of natural ecosystems.

That’s Permaculture! It’s about designing regenerative landscapes that provide for our needs while enhancing biodiversity, improving soil health, and conserving resources.

If this sounds like something you’d like to tap into then join this class to meet wonderful people and drop into deep learning about our natural systems.

Do you want to expand the quantity of annuals, perennials, and shrubs in your garden or overwinter your favorite annuals for next summer’s planting? Propagation from cuttings is a fun and easy way to do this. This program will cover simple steps for soft- and semi-hard (summer) cuttings. You will learn how to select and prepare the cuttings, use rooting hormones and rooting media, and see some simple ways to prepare different propagation containers for light and humidity. You can go into the Learning Garden, take some cuttings, put them in propagation chambers, and take them home as your plant propagation experiments.

Please dress appropriately to be outside in the garden.

The talk is free, but seating is limited and registration using Eventbrite is required.

Presenters: John Bowen, Extension Master GardenerSM Volunteer

Do you want to expand the quantity of annuals, perennials, and shrubs in your garden or overwinter your favorite annuals for next summer’s planting? Propagation from cuttings is a fun and easy way to do this. This program will cover simple steps for soft- and semi-hard (summer) cuttings. You will learn how to select and prepare the cuttings, use rooting hormones and rooting media, and see some simple ways to prepare different types of propagation containers for light and humidity. You will have the opportunity to go into the Learning Garden, take some cuttings, put them in propagation chambers and take them home as your own plant propagation experiments.

Please dress appropriately for being outside in the garden.

Registration: The talk is free, but seating is limited and registration is required. Please click on the link below to register. If you encounter problems registering or if you have questions, call 828-255-5522.

Saturdays from 10:30 AM – 12 PM

Why do insects make sounds? How do they make sounds? What are the common sound-producing species in North Carolina and when are they most active? If you are curious about these questions, this is a presentation for you! This presentation is a brief introduction to the most common singing insects with special reference to those in North Carolina. The talk discusses the function and mechanisms of sound production for crickets, katydids, and cicadas. Along with learning tidbits of natural history and the behavior of singing insects, you hear the species-specific songs that help you identify them and you learn how the chorus in your backyard changes during the year.

May 3 – June 26, 2024 MON – SAT 11 – 6SUN 11 – 5

Artists: Caleb Clark, Bryant Holsenbeck, Bill Killebrew, Inigo Navarro, Isaac Payne, Amy Putansu, Daniel Robbins, Peggy Root, and Deborah Squier.

This group exhibition features paintings, collages, and sculptures that embody the alluring ambiance between sunrise and sunset. Plein air paintings capture the scattered, sleepy light of Dawn; Collaged drawings depict sidewalks blanketed by moonlight; Mixed-media sculptures portray nocturnal animals. Each artist reminds us of the recurrent and striking period of time when the atmosphere is neither totally dark, nor completely lit.

Tracey Morgan Gallery is pleased to present Echo These Words to Strangers, a two-person exhibition of paintings by Faris McReynolds & Luke Whitlatch. This is our first exhibition with McReynolds, and our second with Whitlatch. An opening reception is scheduled for Friday, June 14 from 6 to 8 PM.

Stylistically, this exhibition spans from the precision-heavy abstraction of Whitlatch, to the expressive figuration of McReynolds. While the work may be aesthetically quite different, the two artists share a rebellious intention behind their practices, mining ideas of real and imagined spaces rendered on medium and small-scale canvases.

Luke Whitlatch paints what he calls “portraits of the subconscious” and explores “the human urge to see the unseen.” Highly influenced by his upbringing in Wyoming, his paintings are representations of the myths and storytelling prevalent in the Western region of the U.S., in combination with the storytelling of the Appalachian region he now calls home. Visually, his soft, blended backgrounds are punctuated by crisp lines cutting across the canvas, reminiscent of a dream state interrupted by reality. 

Much of Faris McReynolds’ work straddles the line between figuration and abstraction, focusing more on the energy and movements of his subjects than on the subjects themselves. His recent paintings weave together ideas of leisure and chaos, utilizing a snap-shot aesthetic to look at how humans exist together in shared spaces, often by showing abstracted bodies in pastoral landscapes. The work is impulsive and intuitive as McReynolds’ gestural strokes and vibrant colors lend a sense of urgency and energy while maintaining a feeling of calm and relaxation.

With a friendship and individual art practices that date back over 25 years, the two artists have shared a painting studio more than once, played in bands together, and been next-door neighbors. Mutual influence from this long-standing relationship is inevitable, and a shift in the recent work from each artist shows their previously divergent work moving closer together; with this, the time felt apt to explore these notable overlaps in a joint exhibition.

Faris McReynolds is a Los Angeles-based artist and musician. His paintings have been shown in solo exhibitions around the world and have been featured in Details, Art Papers, Flash Art Magazine, Tema Celeste, and ArtWeek. McReynolds grew up in Richardson, Texas, a suburb of Dallas, the son of an Indian-American mother and American father. He spent his childhood between Texas and Bombay, and appeared in the 1985 Bollywood movie Shahadat when he was eight. From 1990-1998, he played bass guitar in Dallas based skate-punk band Family Values. During that time, they toured the American Southwest. He started publicly showing his paintings in 1998, and in 2000, he received his BFA from Otis College of Art and Design in Los Angeles.
Luke Whitlatch received a BFA from Otis College of Art and Design, Los Angeles, CA in 2001 and is a recipient of the Baldessari Award. His work has been exhibited at numerous national venues including shows in Los Angeles, New York City, and Wyoming. His work has been published in the Columbia Art and Literature Review, Huffington Post, Modern Painters, and Voyage LA. He currently lives and works in Asheville, NC.

In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.

This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.

Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum.

Saturday, June 15 at 11am at Pack Memorial Library

Explore the history of Juneteenth through stories and African songs led by local children’s author Jerrie Settles. For all ages.

Honeybees are a well-known pollinator, but have you ever heard of mason bees, one of our more efficient pollinators? Or learned more about the bumble bee, known for it’s “buzz pollination” that helps flowers bee more productive? Join native bee experts Jill and Brannen from Spriggley’s Beescaping to learn more about the native bees in our area and why it’s so critical that we support them.

Robert Turner (1913-2005) arrived at Black Mountain College in 1949 to establish the first studio pottery program at the College. He worked with student architect Paul Williams to design the Potshop and stayed until 1951 as a teacher and potter. There he formed lifelong friendships with M.C. Richards, Joe Fiore, and Natasha Goldowski Renner, and was part of the lively mix of art and ideas generated by Clement Greenberg, Katherine Litz, Kenneth Noland, Theodoros Stamos, and many others. Turner’s education prior to his arrival at Black Mountain included Swarthmore College, Pennsylvania Academy of Fine Arts, The Barnes Foundation, Penland School of Crafts, and Alfred University.

After Black Mountain, Turner and his family moved to Alfred Station, NY where they bought a farm, and he established a successful studio pottery practice and actively exhibited his work in galleries across the U.S. In 1958 he began teaching pottery and sculpture at Alfred University where he would lead the ceramics program until his retirement in 1979. In addition to his influential teaching position at Alfred, Turner taught at Penland, Haystack, and Anderson Ranch helping a new generation of artists and potters develop their work and establishing his own reputation as a gifted teacher.

Robert Turner’s travels to Africa and to the American Southwest proved to be important life experiences and important to his growth as an artist. Over his lifetime he received many awards for his work, but his humble, gentle demeanor and Quaker background helped keep him centered while also remaining open to exploration and discovery in nature and life.

The exhibition will include work by some of Turner’s students and colleagues at BMC, Alfred University, and Penland as well as work by contemporary ceramic artists whose work fits within the context of the show. Artists include: Meredith Brickell, Cynthia Bringle, Marjorie Dial, Cynthia Homire, Bill C. Jones, Bobby Kaddis, Karen Karnes, Eric Knoche, Jeannine Marchand, Neil Noland, Daniel Rhodes, M.C. Richards, Gay Smith, Tom Spleth, Adele Suska, Lydia C. Thompson, Xavier Toubes, Jerilyn Virden, Peter Voulkos, David Weinrib, and Kensuke Yamáda.

I wanted to work with clay so that the way it moved, the vitality of clay, is not meeting something that’s been on the drawing board. It’s using clay with abstraction to start with and then seeing what it’s going to do, how it will move and change, and always surprise you.

Curated by Alice Sebrell, Director of Preservation

Bender Gallery Artists Featured in Asheville Art Museum Exhibition The New Salon: A Contemporary View The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.   Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville. Learn More Kukula, Impossible Voyage, oil on board, 48 x 24 inches Kukula (b. 1980, Israel) Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference. Available Work Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches Yui Sakamoto (b. 1981, Japan) Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure. Available Work Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024. Available Work

When one thinks of the necessities of life, one element immediately comes to mind: water. When one thinks of modern abstraction, the dynamic realm of contemporary art where boundaries are blurred and creativity knows no limits, one name shines brightly: Patricia Hargrove.

The Asheville Gallery of Art proudly presents its June exhibit of Hargove’s series that depicts the powers of water to energize, refresh and heal the soul and body. This masterful exhibit runs June 1-30, with an opening reception on Friday, June 7 from 5-7:30pm. Everyone is welcome.