Calendar of Events

The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.

House of Operation:

WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.

Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.

“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”

Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.

The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.

Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.

In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.

For more information or to compete, please visit: https://epicdanceshowcase.com/competitions

With over 30 years of dance convention and competition experience, EDS has integrated the positive aspects of both, and eliminated the unfavorable. We strive to present a fun, friendly atmosphere with fair results! Using a system that acknowledges studio size, you are guaranteed to compete on a “level playing field”. You will be categorized in a division with studios of comparable size, much like the divisions in college sports. Finally, the stress of competing against studios much larger or smaller than yours is removed! In addition to our 3 levels of competition, we will have 2 divisions of overall awards!!! With cash prizes, scholarships, fun games, and more, we’re sure your “Epic” experience will be one you will want to relive each year!

The beginning of the year is a great time for Ashevillians of all ages to explore, connect, and discover. Asheville Parks & Recreation  (APR)’s new winter-spring program guide is filled with registration dates, information, and listings for hundreds of fitness and active living offerings, sports and clubs, arts and culture programs, out-of-school time activities, outdoor recreation, special events, parks and facilities’ hours of operation, and more.

The free guide is available at all APR community centers and online as a PDF or enhanced digital flipbook. Community members may also download the APR app for iPhone or search programs on avlREC.com.

Winter-Spring 2023 Guide Highlights

• Exercise at fitness centers with a free membership (through June 30, 2023).

• Walk, roll, or run your way to 50 miles in February and March during the Fit 50 Challenge for a free T-shirt.

• Celebrate Black Legacy Month with food, art, and festivals throughout the city in February.

• Meet neighbors over cards, board games, bingo, trivia contests, and community meals.

• Get an up-close look at big trucks, small trucks, transit buses, construction rigs, rescue vehicles, and public works equipment during Truck City AVL on April 15.

• Experience the fun, fellowship, fitness, arts, and competition of Asheville-Buncombe Senior Games and Silver Arts Classic for local adults over 50..

• Flex creativity at art, painting, writing, scrapbooking, and crafting classes.

• Connect with neighbors over sports such as basketball, flag football, volleyball, pickleball, tennis, and archery for kids, teens, and adults.

• Enjoy the honor of dirty hands with community garden workdays and Green Thumbs Garden Club at Grove Street Community Center’s greenhouse.

• Witness the power of gravity at the Montford Pinewood Derby in May.

• Refine square, tap, line, and West African dance skills at multiple locations.

• And so much more!

Peter Werner will be demonstrating his tips and techniques for traditional broom-tying in the lobby of the Folk Art Center on the Blue Ridge Parkway. Visitors are encouraged to watch and ask questions while the demonstrators work and talk about their creative process! Call ahead for the latest updates: 828-298-7928.

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Italian Renaissance Alive at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.

• Guided comedy tour bus of historical Asheville
• 90-Minutes – tours run daily
• 15-minute break at Green Man Brewing
• $39 per person (ages 13+ only)

The Craft Fair of the Southern Highlands is held twice every year (July & October) in downtown Asheville, North Carolina at Harrah’s Cherokee Center. It brings together hundreds of makers in what has become a key event for craft. These events are unique in that they offer attendees the opportunity to connect with the artists by purchasing directly from them. In an age of mass production and global imports, the connection to fine American craft and the individual maker is often lost but more significant than ever.

Hosted in downtown Asheville at Harrah’s Cherokee Center, artisans will fill both the concourse and arena levels of the venue, exhibiting a variety of craft ranging from contemporary to traditional in works of clay, wood, metal, glass, fiber, natural materials, paper, leather, mixed media, and jewelry. Join us for this unique shopping experience and enjoy live music and craft demonstrations during your visit. $10 tickets are available for individual days, online or at the door. Children under 12 are free.

Parking

The streets of Asheville will be bustling and parking can sometimes be problematic. In addition to Harrah’s Cherokee Center-Asheville’s parking garage below the building, the Asheville Chamber of Commerce parking lot is available (an 8-minute walk to the Craft Fair). For street parking, please utilize Asheville’s parking app for a real-time display of open parking spaces downtown. Asheville Parking App

On Saturday & Sunday, the following school parking lots will be empty for you to use:
Asheville Middle, Isaac Dickson, Montford North Star

Lee Entrekin will be demonstrating how he turns long pieces of wood into beautiful musical instruments – and he’ll play for you, too! Lee will be in the lobby of the Folk Art Center on the Blue Ridge Parkway. Visitors are encouraged to watch and ask questions while the demonstrators work and talk about their creative process! Call ahead for the latest updates: 828-298-7928.

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

During this weekend art experience, we will explore how to use natural dyes to create a limitless array of colors, hues, and values on fabric. Using natural indigo, madder, and weld, we will create an entire rainbow of colors!

We will dye both silk and cotton fibers and you will discover how to mordant (prepare) these different fibers for dyeing. You are welcome to bring in your own small natural fiber items to dye.

In this two-day course, you will create a color wheel using natural indigo, madder, and weld. You’ll learn to create resists on fabric using wooden shapes and shibori techniques and use pH to shift colors. Learn to measure out and start a dye pot based on the weight of fiber. This Adult Studio is supportive programming for our exhibition Pulp Potential: Works in Handmade Paper.

Reserve your spot soon; there’s only capacity for 12 participants per class.

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

Library open hours

Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander

• • • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Game Highlight: Sunday Family Fun Days

Post Game Kids Run the Bases presented by Ingles.

Promotion: Yacumamas de Asheville

“This is a phenomenon.”- New York Magazine, Sara Holdren

All rise for Academy Award® winner Aaron Sorkin’s adaptation of Harper Lee’s Pulitzer Prize-winning masterwork. The New York Times Critic’s Pick TO KILL A MOCKINGBIRD is “the most successful American play in Broadway history” (60 Minutes). With direction by Tony Award® winner Bartlett Sher, TO KILL A MOCKINGBIRD — “the greatest novel of all time” (Chicago Tribune) — has quickly become “one of the greatest plays in history” (NPR).

Emmy Award®-winning actor Richard Thomas will play the role of Atticus Finch in the National Tour.

Ever wanted to try stand up comedy? Have you been going to the open mics and looking for advice to get to the next level? Or maybe just looking for other femme and queer friends interested in comedy.

Come out to Catawba Brewing South Slope on Sunday 4/23 for a one day workshop let by Erin Terry of Eyes Up Here Comedy, Marlene Thompson (Asheville) and Shelley Gruenberg (Atlanta)

Open to all femme and non-binary identifying people and all comedy levels

ages 18+

Signup $40* and includes ticket to the 6pm comedy show at Catawba Brewing

*sliding scale available

Directed and adapted by Aaron Snook for the Drama Department from a new translation of Euripedes’ Electra by the Ancient Mediterranean Studies Department, and infused with original Appalachian roots music composed by the Music Department, this production of Elektra aims to spark a conversation around the cycles of violence that inherited hate produces.

The Civil War may have ended, but the blood that was spilled sowed the Appalachian soil with loss and grievance.  In the succeeding years, the Conservative cause nurtured those seeds with violence and intimidation, creating an inheritance of hate to be passed down to the younger generation.  In the sleepy mountain town of Mycenae, North Carolina this legacy is tearing at the heart of a young girl named Elektra.  Fatherless at the hands of her mother’s new husband, Elektra awaits her brother’s return and prays for vengeance.