RiverRATS: Spring Season Get your students in the water this spring with our free RiverRATS lessons. We’ll give your students all the tools they need to act as stream ecologists and build a deeper connection with our local water resources.

Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.

 Asheville-Buncombe Technical Community College (A-B Tech) is a comprehensive two-year college and one of 58 colleges in the North Carolina Community College System, serving students in five locations in Buncombe and Madison Counties.  A-B Tech, through its dedication to student success, strives toward its mission to deliver quality education to enhance academic, workforce, and personal development. A-B Tech envisions changing lives and strengthening communities. 

We are currently seeking registered Therapy Dog Teams to have regular routes on campus, visiting public areas, classrooms and staff offices. Our A-B Tech Therapy Dog program aims to spread compassion, empathy, and, most importantly, “pawsitivity” across our campus.  A-B Tech Community College recognizes the positive influence that therapy dogs can have on student and staff.

Volunteer Responsibilities:

• Therapy dog teams (owner and dog) will visit public areas on campus, classrooms, and staff offices
• Therapy dog teams will also assist with special requests such as visiting classrooms before exams, counseling sessions or special events on campus.

Time Commitment:

• 1 hour once a week
• Therapy Dog teams are scheduled to ensure they are not in the same building or area at the same time as other teams.

Requirements:

• Must be 21 years old
• Complete volunteer application with A-B Tech
• Complete FERPA & HIPAA forms
• Submit to a criminal background screening
• Attend an in-person interview and orientation with A-B Tech Campus Volunteer Coordinator
• Provide copies of Therapy Dog Certification (Dog Teams must be certified by an accredited Therapy Dog Agency before starting).

*As of 2021, the Volunteer Program accepts Therapy Dog certification from the following agencies, Alliance of Therapy Dogs, Therapy Dogs International, Pet Partners (previously Delta Society).

Health & Safety:

• A-B Tech is following all CDC guidelines for higher educational institutions

Old Kentucky Home -The Thomas Wolfe Memorial

American Novelist Thomas Wolfe (1900-1938)

Considered by many to be one of the giants of 20th-century American literature, Thomas Wolfe immortalized his childhood home in his epic autobiographical novel, Look Homeward, Angel. Wolfe’s colorful portrayal of his family, his hometown of “Altamont” Asheville, North Carolina, and “Dixieland” the Old Kentucky Home boardinghouse, earned the Victorian period house a place as one of American literature’s most famous landmarks.

House tours are offered daily at half past each hour. Last tour leaves at 4:30 pm.
Group tours by reservation.

Adult – $5.00
Student (ages 7-17) – $2.00
Adult Group (10+) – $2.50 each
Student Group – $2.00 each
6 & under – Free

Hours of Operation

New map of adoptable stormdrains in the Smith Mill Creek Watershed. The Adopt-A-Storm Drain pilot program in the Central Asheville Watershed was such a success in 2021, that we are expanding it! Citizens can now volunteer to adopt a storm drain in the Central Asheville Watershed AND the Smith Mill Creek Watershed. Smith Mill Creek watershed is situated between Haywood Road and Patton Avenue, where it flows to meet the French Broad River, and features 245 adoptable storm drains. If you live or work in West Asheville, consider checking out the Adopt-A-Storm Drain map and adopting a storm drain, or two!

Do you need help paying your mortgage, rent, or utilities? Buncombe County might be able to help. Additional financial assistance will be available soon for qualifying County residents. At its Feb. 1 regular meeting, the Board of Commissioners voted unanimously to approve budget amendments accepting nearly $4 million in state and federal funding for emergency rental and low-income energy assistance.

Economic Services Director Phillip Hardin also provided the Board an overview of emergency housing spending of $8.2 million to date that has helped aid more than 3,000 residents. Additional funding in the amount of $2.2 million has been received from the state’s allocation of emergency rental assistance to be used following the same guidelines for rent and utility payments. Hardin noted there is still $4 million in funding from the previous allocation that is available immediately to support community members impacted by the COVID-19 pandemic who need help with rent or utilities. Call 250-5500 for assistance.

Heating Assistance

The Low-Income Energy Assistance Program is a seasonal program that provides for a one-time vendor payment to help eligible households pay their heating bills. NC DHHS is providing funding from two sources to the County for a total of $1,887,432. All funds will be disbursed through Eblen Charities. The County will share more information as it is available on how residents may apply for this assistance.

MATINEE SERIES FOR STUDENTS AND FAMILIES

Ephrat Asherie Dance

Do you need help preparing your taxes? If so, Buncombe County Pubic Libraries can help. AARP Foundation Tax-Aide, in cooperation with the IRS, NC Department of Revenue, Buncombe County Library System, and Council on Aging, Inc. will offer free tax preparations for taxpayers of low and moderate-income, with special attention to those age 60 and older from Feb. 1-April 15.

You will need an appointment to speak with a tax help aide. At your appointment, you can drop off your tax documents and you’ll be given another appointment in about two weeks to pick up your paperwork and completed tax form.

How it works

1. Pick up a tax record envelope and instructions at Black Mountain, West Asheville, Weaverville or Pack Library during library hours.

2. Complete the Intake/Interview Booklet in your envelope by answering all questions. Then sign and date the last 3 pages. Place all your tax forms and any information relating to your tax return in your envelope.

3. Make an appointment to drop off your Tax Record Envelope and meet with a Tax-Aide volunteer.

Wednesdays, appointments available between 10am-4pm
To make an appointment on Wednesday at Pack Library, email [email protected] with your name and telephone number. An AARP volunteer will contact you to set up your appointment. If you don’t have access to email, someone at the library can email AARP for you. At your appointment a tax volunteer will check all documents and give you a follow-up appointment to pick up your completed tax return and documents in 1 or 2 weeks.

Our first exhibition of the year, Of Body & Mind, explores the connection between form and soul. Both functional and sculptural glass work is displayed. Artists are encouraged to expand the concept beyond static objects. The show exhibits work of glass artists living in Western North Carolina or who have a connection to the area. The exhibit is open during our regular gallery hours in D Space. Closed Tuesdays. Masks required. A reception will be announced at a later date. Featured artwork: ‘Be Here Now’ by Ben Greene-Colonnese.

Did you know we have a Professional Networking Group specifically for veterans? For this group, participants should have a business that is veteran-owned or someone in a management position attending who is a veteran. Meetings happen monthly! If you’re interested, please contact Member Development Specialist Jessica Kanupp at [email protected] for more information. Our Professional Networking Groups are dedicated member professionals who gather weekly to develop relationships, learn about each member’s business, and share leads and business ideas. Only one representative per industry is permitted. To learn more about PNGs, contact Senior Director of Member Engagement Amy Jackson at [email protected].

Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers.

High school teachers in North and South Carolina are invited to submit their students’ best work in painting, drawing, sculpture, mixed media, printmaking, and photography.

First Prize and Best in Show students are awarded a cash prize to encourage their artist pursuits. Winning teachers are awarded a Be Inspired Grant that they may use for classroom projects. These prizes are made possible by our generous donors.

The 2022 Showcase of Excellence will held from February 19 – March 12 in the Parker Gallery at TFAC.

Information about registration and Showcase rules can be found below.

Y-Splash

What: Teach water safety skills, prepare children for drowning emergencies, decrease the number of deaths due to drowning in children and youth. Volunteer in the water or on land.

When: Shifts available from February 23 – April 22, Tuesday thru Friday from 10 AM – 12:30 PM.

The world is 70% water. Children are 100% curious. In an area with so many natural bodies of water, drowning prevention isn’t a luxury. It’s a necessity.

Y Splash is a volunteer-led program that challenges the startling childhood drowning statistics. Between the months of February and April, every public school second grader comes through the Y to participate in critical drowning prevention skills. We are searching for volunteers with a passion for water safety,

working with youth, and serving our local community.

Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ul’nigid’, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya.

Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, NC from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from November 19, 2021 to March 14, 2022. The Cherokee Syllabary is a system of writing developed by Sequoyah in the early 1800s prior to the Removal period. Through Sequoyah’s innovative work, Cherokee people embraced the writing system as an expedient form of communication and documentation. During the Removal period, the syllabary was used as a tactic to combat land dispossession. Cherokee people continue to use the syllabary as a form of cultural expression and pride, which is showcased in the contemporary artwork of the Cherokee Citizens in this exhibition. “We’re pleased to host this gathering of works from contemporary Cherokee artists, who perfectly illustrate how our language is a living and evolving part of who we are. It’s moving to see how each artist finds inspiration in their own way from this language that connects us as Cherokee people,” said Shana Bushyhead Condill, executive director of the Museum of the Cherokee Indian. “The Asheville Art Museum and the Museum of the Cherokee Indian have been long-term collaborators, and we are delighted to further our partnership by working together to manage an open call to Cherokee artists and subsequently curate this exciting exhibition of contemporary works that take inspiration from, celebrate, preserve and interpret the syllabary,” said Pamela L. Myers, executive director of the Asheville Art Museum. “On view at both museums, we hope the exhibition engages a wide and diverse audience in dialogue with these extraordinary works.” A Living Language: Cherokee Syllabary and Contemporary Art is organized by the Asheville Art Museum and Museum of the Cherokee Indian, and curated by Hilary Schroeder, assistant curator at the Asheville Art Museum, with assistance from curatorial consultant Joshua Adams (Eastern Band of Cherokee Indians). Special thanks to S. Dakota Brown, education director at the Museum of the Cherokee Indian, and Alexis Meldrum, curatorial assistant at the Asheville Art Museum, for their support in the planning of this exhibition. This project is made possible in part by a grant from the Blue Ridge National Heritage Area Partnership, and sponsored in part by the Cherokee Preservation Foundation and Kevin Click & April Liou in memory of Myron E. Click. Eastern Band of Cherokee Indians artists include Joshua Adams, Jody Lipscomb Bradley, Nathan Bush, Kane Crowe, John Henry Gloyne, Shan Goshorn, Luzene Hill, Christy Long, Louise Bigmeat Maney, Christopher McCoy, Tara McCoy, Joel Queen, Sean Ross, Jakeli Swimmer, Rhiannon Skye Tafoya, Mary Thompson, Stan Tooni Jr.,  Alica Wildcatt, and Fred Wilnoty. Cherokee Nation artists include Roy Boney Jr., Jeff Edwards, Joseph Erb, Raychel Foster, Kenny Glass, Camilla McGinty, Jessica Mehta, America Meredith, Jane Osti, Lisa Rutherford, Janet L. Smith, Jennifer Thiessen, and Jennie Wilson. About the Museum of the Cherokee Indian Established in 1948, the Museum of the Cherokee Indian is one of the longest operating tribal museums. Recognized for its innovative storytelling, the Museum features exhibits, artwork, and hands-on technology that brings over 15,000 years of Cherokee history to life. Located in Cherokee, NC, the Museum is open daily except Thanksgiving, Christmas, and New Year’s Day. Learn more by visiting mci.org.

Cook teams of 4-6 individuals are invited to bring ingredients and prepare meals onsite or bring meals that have been prepared elsewhere.  To meet our dietary standards, we ask that each meal provides a meat, vegetable and starch.

Requirements:

• Background Check
• Brief orientation prior to service
• Ability to Multi-Task
• Friendly Demeanor

Health & Safety:

• We are asking volunteers to wear/bring their own face mask if you have not been fully vaccinated
• Temperatures will be checked and a COVID-19 disclosure will be signed at the volunteer entrance

• Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

  Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.

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  ABCCM Transformation Village provides up to 100 beds of transitional housing and will provide emergency shelter beds, post Covid-19.  Transforming lives is through four developmental phases called Steps to Success including stabilization, life skills, education and reintegration.  We are honored to report that 8 out of 10 leave us with a living wage job and permanent housing.

  Transformation Village gives hope, healing, health and a home to single women, mothers with children, and female Veterans experiencing homelessness.  We provide residents a fresh start and a place to heal surrounded and supported by Christian love, trust, education and companionship.

  We are seeking energetic volunteers to prepare and serve meals for our residents for lunch and dinner. This opportunity provides you with the chance to prepare meals in our commercial kitchen alongside our trained staff while serving the women and children of Transformation Village. 

Asheville Gallery of Art March 2022 Exhibit, New Members Show“Color Dance” will feature works by four new gallery members: Anne Marie Brown, Raquel Egosi, JoAnn Pippin, and Cindy Shaw. The show will run March 1-31 during gallery hours, 11am-6pm. An event to meet the artists will be held at the gallery on First Friday, March 4, from 5-8pm at 82 Patton Avenue. These four exciting artists have selected “Color Dance” as the theme for their show. Paintings are generally static and are confined within a frame. The combined creative energy of these artists has seemingly moved beyond these limits, to create beautiful expressions of dynamic, moving shapes, captured within a spatial environment. They wish their works to evoke thoughts, emotions, and awareness to celebrate the sentient meaning of life. Please join us for “Color Dance” to revel in the paintings presented by these new gallery artists. They will deliver dynamic color, vibrancy, and hue into scenes that will dance their way into your heart. Anne Marie Brown began painting when, as a florist, she would paint small watercolors of her floral designs. She has exhibited in outdoor shows for over ten years and has had exhibitions in numerous galleries. Now settled in the mountains, she is inspired to paint the sweeping vistas and flora and fauna within. Anne Marie works in watercolor, gouache, oil, and acrylic, and hopes the images that touch her heart and canvas will touch yours as well. Color is music to my eyes. The song that is created on the canvas makes my heart dance. Raquel EgosiRaquel’s art career began in 1996 in Brazil. Studying with acclaimed artists and attending a variety of painting classes, she was active in her local art community, collaborating and setting up art shows. She currently participates regularly in gallery shows and museum exhibitions. Her art sells internationally, and she leads workshops for mixed media techniques in both the United States and overseas. Constructed using a variety of mixed media, my compositions are exceedingly rich in color and texture, with partial or fully figurative and abstract elements. JoAnn Pippin, her passion is to explore different watercolor techniques, with her subjects. Her paintings have been exhibited in juried art shows throughout the US, and her focus is on color, composition, and texture, to create light and mood through technique. The theme “Color Dance” is especially meaningful to watercolorists, because we literally watch color dance and blend when we add wet paint to wet paper. It is not simply mixing colors on the palette and placing them in our work, but the excitement of observing the action as they blend and mingle to create wonderful new hues. Cindy Shaw originally trained as an Architect and worked for many years on projects as well as teaching. However, when her husband’s career took her to rural Italy, she purchased art supplies and began to paint. While there, she enjoyed exploring the Italian countryside and capturing “le viste belle!”. Returning home to the USA, she has continued to grow and develop as an impressionist artist over the past decade. “Color adds depth and meaning, not only to our paintings, but also to our outlook on life. Color can be joyful, dramatic, and exciting.”

Robert Rauschenberg, John from the Ruminations series, 1999, photogravure on paper, edition 3/46, publisher: Universal Limited Art Editions, Bay Shore, NY, 29 ½ × 38 7/8 inches. Asheville Art Museum. © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), New York.

Ruminations on Memory contends with the act of remembrance and reflection, featuring a rare presentation of all nine prints from Robert Rauschenberg’s Ruminations portfolio, Judy Chicago’s Retrospective in a Box portfolio, and selections from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in Appleby Foundation Exhibition Hall at the Museum from November 19, 2021 through March 14, 2022 in conjunction with A Living Language: Cherokee Syllabary and Contemporary Art. 

Artworks are vessels for processing, recalling, and reflecting on the past. Artists often draw upon materials from their own pasts and grasp at fleeting moments in time in the creation of an object. For the viewer, observation of an artwork can draw out personal memories.

Artworks in a variety of media explore various ways of remembering, including individual memories that focus on the moments from an artist’s past; generational memory that looks back to one’s ancestors, whether recent or long past; and collective memory, wherein in an image might evoke bygone times that balance between constructed and real. Through these artworks that ruminate upon the past, viewers may discover the stirrings of their own thoughts and recollections prompted by the works before them.

Ruminations on Memory offers a unique opportunity to experience the entirety of a major print portfolio by American painter Robert Rauschenberg (Port Arthur, TX 1925–2008 Captiva, FL). Rauschenberg was a student at Black Mountain College in NC for the 1948–1949 and 1951–1952 academic sessions and for the 1951 and 1952 summers. His Ruminations series consists of nine color photogravures which were printed in 1999 and reflect on Rauschenberg’s early life, his friends and family, and the memories he held dear. The series represents especially significant mature work by Rauschenberg that looks back to his most formative moments as an artist including his time at Black Mountain College and the friendships and ideas formed there.

Also presented in the exhibition is an important series of prints by Judy Chicago (born Chicago, IL 1939). Five decades into her career, Chicago stands as one of the foremost artists of the 20th and 21st centuries, having committed to socially minded work, uplifting in particular experiences salient to her feminine and Jewish identities. Retrospective in a Box consists of seven prints and a portfolio created in collaboration with the master printers at Landfall Press, and provides an overview of her major motifs and ideas, including the print Spring the Dinner, a nod to her seminal 1979 work The Dinner Party.

In addition to the artworks from the Museum’s Collection, visitors will be able to experience Felix Gonzales-Torres’s “Untitled” (L.A.), on loan from the Art Bridges collection. “Untitled” (L.A.) is one of the artist’s iconic interactive candy installations where memories are engaged not only through sight but through sound, touch, taste, and smell as well.

Learn more about Ruminations on Memory and A Living Language: Cherokee Syllabary and Contemporary Art at ashevilleart.org.

Black Mountain College: Idea + Place Lower Level Gallery with Companion Digital Exhibition How can an idea inform a place? How can a place inform an idea? Would Black Mountain College have had the same identity and lifespan if it had been located in the urban Northeast, the desert Southwest, or coastal California? How did BMC’s rather isolated, rural, and mountainous setting during the era of the Great Depression and the Jim Crow South influence the college community’s decision-making and the evolution of ideas upon which it was based? This exhibition seeks to delve into these questions and others by exploring the places of Black Mountain College: its two very different campuses, its influential predecessor the Bauhaus in Germany, and the post-BMC diaspora. Curated by Alice Sebrell, Director of Preservation

adVANCE! Modernism, Black Liberation + Black Mountain College Upper Level Gallery with Companion Digital Exhibition Featuring the work of contemporary sculptor Larry Paul King in conversation with Black Mountain College modernist masters including Jacob Lawrence, Gwendolyn Knight Lawrence, Josef Albers, Leo Krikorian, and Sewell Sillman. Premiering three Jacob Lawrence lithographs new to the BMCM+AC permanent collection. adVANCE! celebrates Black Mountain College’s role in early civil rights and the ongoing role of Black, modernist artists in the pursuit of liberation and justice. Curated by Marie T. Cochran, Founder of the Affrilachian Artist Project

N. C. Wyeth, Eight Bells (Clyde Stanley and Andrew Wyeth aboard Eight Bells), 1937, oil on hardboard, 20 × 30 inches. Bank of America Collection

The Wyeths: Three Generations | Works from the Bank of America Collection provides a comprehensive survey of works by N. C. Wyeth, one of America’s finest illustrators; his son, Andrew, an important realist painter; his eldest daughter, Henriette, a realist painter; and Andrew’s son Jamie, a popular portraitist. Through the works of these artists from three generations of the Wyeth family, themes of American history, artistic techniques, and creative achievements can be explored. This exhibition will be on view in the Asheville Art Museum’s Explore Asheville Exhibition Hall February 12 through May 30, 2022.

N. C. Wyeth (1882–1945) has long been considered one of the nation’s leading illustrators. In the early 1900s, he studied with illustrator Howard Pyle in Delaware. In 1911, he built a house and studio in nearby Chadds Ford, PA. Later, he bought a sea captain’s house in Maine and in 1931 built a small studio, which he shared with his son, Andrew, and his daughters, Henriette and Carolyn. The exhibition includes illustrations for books by Robert Louis Stevenson and Washington Irving as well as historical scenes, seascapes, and landscapes.

Andrew Wyeth (1917–2009) is one of the United States’ most popular artists, and his paintings follow the American Realist tradition. He was influenced by the works of Winslow Homer, whose watercolor technique he admired, as well as by the art of Howard Pyle and his father, N. C. While Andrew painted recognizable images, his use of line and space often imbue his works with an underlying abstract quality. The exhibition includes important works from the 1970s and 1980s as well as recent paintings.

Henriette Wyeth (1907–1997) was the eldest daughter of N.C. Wyeth and an older sister to Andrew Wyeth. Like other members of her family, her painting style was realist in a time when Impressionism and Abstraction were popular in the early 20th century. She studied painting at the Pennsylvania Academy of the Fine Arts and was an acclaimed portraitist, though perhaps not as widely known as her father and brother. Most notably she painted the portrait of First Lady, Pat Nixon, which is in the collection of The White House.

Jamie Wyeth (born 1946), like his father and grandfather, paints subjects of everyday life, in particular the landscapes, animals, and people of Pennsylvania and Maine. In contrast to his father—who painted with watercolor, drybrush, and tempera—Jamie works in oil and mixed media, creating lush painterly surfaces. The 18 paintings in the exhibition represent all periods of his career.

This exhibition has been loaned through the Bank of America Art in our Communities® program.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

For four and a half decades, Etta and Claribel Cone roamed artists’ studios and art galleries in Europe, building one of the largest, most important art collections in the world. At one time, these two independently wealthy Jewish women from Baltimore received offers from virtually every prominent art museum in the world, all anxious to house their hitherto private assemblage of modern art. In 1949, they awarded all their holdings to the Baltimore Museum of Art. In 2002, that collection was valued at nearly $1 billion, making them two of the most philanthropic art collectors of our age. Yet, for complex reasons, the story of the Cone sisters has never been fully or accurately told. Mary Gabriel, an art-minded journalist and women’s historian, has, at long last, brought the little-known sisters to life, and shone the spotlight on their remarkable achievements.

Moderated by Barbara Pressman and Hope Warshaw, touring docents.

Arguably the most talented of the three Lange brother artists, TL Lange was an actual rockstar in Atlanta before he was an art rockstar in Asheville. “He was going to participate in the Fall Studio Stroll (2001) but something came up. He dropped a couple of cardboard jericho cases with random unstretched canvases & paper pieces for me to sell. This work is from that batch. It has never been viewed by the public before; some are for sale & others are only being shown.” –Stephen Lange. Twenty of these TL Lange paintings will be included in this exhibition as well as prints of Anonymous Bathers, one of his most noteworthy creations.TL Lange was born and raised in Charleston before studying drawing and painting at Winthrop University in Rock Hill, SC. After spending about five years in Atlanta, where he first made a name for himself in the art world, he moved to North Carolina where he maintained his home and atelier until his untimely death at the age of 36. Lange started his work with “concrete visions”, and actually began several paintings at one time. He tried to allow some form of synchronicity to determine his next decision. As the artist said, “I make marks for the sake of themselves. I create error that I find attractive in all of our everyday lives. However, I leave it hanging three marks shy of discernment. What I mean by that is that I choose that it not be understood or to be scrutinized by its detail or its adherence to reality—only to be seen for its sense and its nostalgic response without my personal sentiment.” A figurative and abstract artist, TL Lange had exhibited in numerous, prominent galleries in his young career. A condensed list includes Artworks Gallery (Salt Lake City, UT), Art Works (Atlanta, GA), Human Arts Gallery (Atlanta, GA), Landsdell Gallery (Atlanta, GA) and Art Dallas (Dallas, TX), Mary Bell Galleries (Chicago, IL) and Foster White Galleries (Seattle, WA). TL Lange’s remarkable artwork can be found in many private, corporate, and public collections including Wentworth Galleries, Larson Juhl Frames, and Saks Fifth Avenue Corporation and Microsoft Corporation.

Beginning March 9, individuals interested in joining Asheville Parks & Recreation’s team of seasonal laborers can walk in for immediate interviews on Wednesdays from 12:30-2:30 p.m. Morning, evening, and weekend shifts are available and provide flexibility depending on candidates’ schedules. Interviews take place at the department’s asset management office on 3 Hunt Hill Place near downtown Asheville. Laborers can expect to perform a variety of duties including grounds and facility maintenance, upkeep, and cleaning. Morning, evening, and weekend shifts are available and provide flexibility depending on candidates’ schedules. Seasonal and temporary positions are scheduled for up to 1,000 hours in a year. They are not eligible for benefits, paid leave (vacation, sick, or holiday), or participation in the City’s retirement system. Regular responsibilities include operating tools, pulling weeds and collecting debris, routine custodial services, loading and unloading, and repair work. For a full job description, visit ashevillenc.gov/jobs.   Open interview hours March 9, 16, 23, and 30 from 12:30-2:30 p.m. (all dates are Wednesdays) Asheville Parks & Recreation, 3 Hunt Hill Place in Asheville Park in a visitor parking space and go to the office Supervisors conduct interviews on a first-come basis. Verbal offers may be extended contingent on completing the City of Asheville’s onboarding process.

Speaker(s): TenBiz

Co-Sponsor(s): Henderson County Chamber of Commerce, Brevard/Transylvania Chamber of Commerce

Webinar info will be emailed after registration

Pre-registration required. FREE for the 2021-2022 school year
August 23, 2021-June 3, 2022 | Monday-Friday | 2:45-6pm
K-6th graders.
Does your child enjoy having fun and making new friends? Offering
arts, crafts, special events, homework assistance and more!
Families currently enrolled in the school system’s reduced or free
meal program, please contact your recreation center for discount
fee information.
Locations: Burton, Grant, Montford, Shiloh, Stephens-Lee

Option 1:  Classic Rock for acoustic guitar

Join beloved Polk County musician Woody Cowan and learn YOUR favorite tunes.  In this setting, the students pick the songs, and Woody leads the teaching.  This friendly class is full of peer-to-peer encouragement and collaboration.  Artists covered included Janis Joplin, Neil Young, Old Crow Medicine Show, & Grateful Dead.  Whether you know a lot of chords or just a couple, this class will move you forward musically while taking you back through the best era of radio-played folk music.

Option 2: Beginner/Intermediate Folk Jam

World-class musician Gaye Johnson leads this class, gently raising your comfort level to play freely in a group setting.  Rooted in traditional folk music, aspiring mandolin, and guitar students will join together to gain more comfort and self-assurance in a group setting, while also diving into rhythm techniques and ornamentations.

Option 3: Intermediate/ advanced band

Bob and Amy Buckingham guide adults on all instruments (guitar, clawhammer banjo, fiddle, mandolin, ukulele, & bass).  Several songs are picked by the group at the start of the semester, and over the 10 week semester, the musicality and “setlist” grow exponentially.  Adults love this format for
guided jamming.