Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Education program at Flat Rock Playhouse is undergoing a name change! We are excited to streamline our program and we can’t wait to share the news with you!
Our new name will be Playhouse Jr.!

This new name will encompass many things. You might ask….what is Playhouse Jr.?
Playhouse Jr. means many things and we are excited to share this news with our community!

We are introducing a new software system for our Playhouse Jr. families! This new system will make your life easier! Once you have registered you are in our system for good. That means that once you register all you have to do is access your account to purchase any classes and camps moving forward. No need to register every time!
To register for our new system and to enroll in classes please visit this link: https://app.jackrabbitclass.com/regv2.asp?id=548849
Questions? Please email [email protected]!
Want to register over the phone? No problem! You can call our Education Director, Lauren Hopkins at (828)693-0403 ext. 246 starting Monday March 6!
Want help to do a little some spring cleaning in your neighborhood?
From April 15-29, 2023, the City of Asheville, North Carolina Department of Transportation, and Asheville GreenWorks are holding the Spring Litter Sweep.
To honor these mountains we call home, we’re encouraging residents to gather family, friends, and neighbors for a litter cleanup of their neighborhoods during these dates.
Volunteers can borrow cleanup supplies from GreenWorks, including safety vests, gloves, trash grabbers, bags, and SHARPs containers.
Full bags will be collected by the City of Asheville and NCDOT.
Register to let us know where we can find them!
Supplies will be available for pickup beginning April 11, 2023 from Asheville GreenWorks at 2 Sulphur Springs Road, Asheville, NC 28806.
Volunteers can also reserve supplies from NCDOT, 11 Old Charlotte Hwy, Asheville, NC 28803, by calling 828-250-3250.
NC State Parks’ Year of the Trail continues with a celebration of how our trails transform each spring. Bring your camera on your next excursion in the park and capture budding wildflowers, spring hikers, or whatever you encounter along the way. You may even win a prize for your efforts!
GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES
1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park and lunch for four at the Old Rock Café.
2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive one annual pass to Chimney Rock State Park and lunch for two at the Old Rock Café.
3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and lunch for two at the Old Rock Café.
Check out our video illustrating the many uses of Stinging Nettle!
Want more Stinging Nettle facts?
Stinging nettle, aka Urtica dioica, has been used for food, medicine, and fiber dating back to the Bronze Age!
This plant is jam-packed with nutrients. Plants that are so nutrient-dense are also often used medicinally. Any herbalist you ask will likely gush about how much they love this plant.
The use of stinging nettle for fiber and food predates medieval times. Along with flax and hemp, nettle was Europe’s most important plant-based textile material since it grows even in northern climates, unlike cotton.
We build strength, stability and self-reliance through shelter.
Welcome to our online volunteer calendar!
Whether sorting donations in the ReStore, hammering on the construction site, or assisting families with critical home repair, we hope you’ll find the volunteer opportunity that is right for you!
- Our construction sites are open! Sign-up to build with us with just your email and first name. No password is required. If you need additional assistance please email Stephanie Wallace.
- Looking to schedule a team build day? We welcome corporate and faith groups year-round. To inquire about sponsorship opportunities please email Zoe Trout.
- Looking for ReStore opportunities? Please email Carrie Burgin.
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Building together for 40 years
Since incorporating on February 11, 1983, thousands of local adults and children have benefitted from AAHH’s affordable Homeownership and Home Repair Programs. Each home build and home repair project has been an exercise in partnership. Volunteers, donors, advocates, homeowners, and ReStore supporters – folks of various religions, ethnicities, socio-economic classes, and political beliefs – unite around a shared vision and build homes, communities, and hope.
We are grateful to all who have been part of the journey thus far. And we invite new partners to our work. There is still much work to be done, and it will take all of us
Buncombe County currently contracts its curbside trash pickup service with Waste Pro for non-municipal county residents. The contract is set to expire on December 31, 2024. The Board of Commissioners, Solid Waste, and County administration are currently looking for input from residents to help guide the decision to either extend the contract for two years, renegotiate with new or different services, or look for bids from other companies. Please take just a couple of minutes to answer a few questions to provide your input.
If you’ll remember last year, we had our Let’s Talk Trash survey. The goal of that survey was to determine whether or not Buncombe County should utilize convenience sites apart from the Transfer Station for more options for trash disposal services for residents. While that survey did take in a lot of input concerning Waste Pro, Buncombe County wanted to dedicate this outreach solely to the Waste Pro contract. The Board of Commissioners is set to decide on the contract with the help of the input from this survey in June 2023.
Stay tuned to buncombecounty.org and Engage Buncombe for more opportunities to provide input and to stay engaged with Buncombe County services.
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LEARN MORE THIS YEAR |
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Brush up on your wilderness medicine or learn new survival skills! SOLO Southeast & NOC are offering over 200 courses in 2023 and classes in locations across the southeast.
Find your next course with SOLO Southeast and be prepared for the unexpected! |
Asheville Parks & Recreation (APR) recently renovated fitness centers at Linwood Crump Shiloh and Stephens-Lee community centers – and community members can enjoy use of cardio equipment, exercise machines, free weights, open gym time, and more through June 30, 2023. During this time, APR will waive membership and daily pass fees so more people can access the necessities for a regular fitness routine. Locals can sign up online or at either community center to receive a fitness center key fob that can be scanned at either location.
“Our team is committed to creating spaces in which everyone feels welcome,” according to D. Tyrell McGirt, APR Director. “We are in the community building business. The gyms and fitness rooms at these two locations are filled with everything you’d expect from other top-notch fitness facilities and dedicated to body positivity and accessible wellness. By waiving the cost to use them for the first six months of the year, we hope more friends and neighbors will be able to connect with each other and maintain healthy lifestyles.”
Asheville Parks & Recreation (APR) recently renovated fitness centers at Linwood Crump Shiloh and Stephens-Lee community centers – and community members can enjoy use of cardio equipment, exercise machines, free weights, open gym time, and more through June 30, 2023. During this time, APR will waive membership and daily pass fees so more people can access the necessities for a regular fitness routine. Locals can sign up online or at either community center to receive a fitness center key fob that can be scanned at either location.
“Our team is committed to creating spaces in which everyone feels welcome,” according to D. Tyrell McGirt, APR Director. “We are in the community building business. The gyms and fitness rooms at these two locations are filled with everything you’d expect from other top-notch fitness facilities and dedicated to body positivity and accessible wellness. By waiving the cost to use them for the first six months of the year, we hope more friends and neighbors will be able to connect with each other and maintain healthy lifestyles.”
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in
two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
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- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
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- Dawn – Dusk
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
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- Library open hours
- Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
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Michelle Tway – fiber
Timothy Bridges – fiber
Martine House – mixed media
Noel Yovovich – metal
Deb Herman – fiber
The Focus Gallery is located on the second level of the Folk Art Center. The Folk Art Center is located at Milepost 382 of the Blue Ridge Parkway, just north of the Highway 70 entrance in east Asheville, NC.
This exhibition is hosted by the Southern Highland Craft Guild. The Guild is a non-profit, educational organization established in 1930 to cultivate the crafts and makers of the Southern Highlands for the purpose of shared resources, education, marketing, and conservation. The Southern Highland Craft Guild is an authorized concessioner of the National Park Service, Department of the Interior.

The Main Gallery is located on the second level of the Folk Art Center. The Folk Art Center is located at Milepost 382 of the Blue Ridge Parkway, just north of the Highway 70 entrance in east Asheville, NC.
This exhibition is hosted by the Southern Highland Craft Guild. The Guild is a non-profit, educational organization established in 1930 to cultivate the crafts and makers of the Southern Highlands for the purpose of shared resources, education, marketing, and conservation. The Southern Highland Craft Guild is an authorized concessioner of the National Park Service, Department of the Interior.
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations Holidays call for hours
Buncombe County Landfill – Convenience Center
85 Panther Branch Road, Alexander
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
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- Dawn – Dusk
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
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- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
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- Library open hours

The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.
House of Operation:
WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.
Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.
“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”
Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.
The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.
Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.
In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.
for veterans and their spouses
Mock interview, tips from employers. This workshop provides you with the unique opportunity to meet live with a panel of employers for candid conversation about the best ad worst practices with resumes and interviews.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in
two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
Library open hours
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
-
- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
-
- Dawn – Dusk
Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander
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-
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
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Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
- Guided comedy tour bus of historical Asheville
- 90-Minutes – tours run daily
- 15-minute break at Green Man Brewing
- $39 per person (ages 13+ only)

Sandra Rowland will be [hopefully] demonstrating sun-printed fabric outside of the Folk Art Center’s entrance. In the event of rain or a really cloudy day Sandy will be inside demonstrating how to make a Magic Carpet, so you may be praying for rain during her 3-day stint! Demonstrations are [usually] held in the lobby of the Folk Art Center on the Blue Ridge Parkway. Visitors are encouraged to watch and ask questions while the demonstrators work and talk about their creative process! Call ahead for the latest updates: 828-298-7928.
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
Every Wednesday
- Kids Storytime at Barnes and Noble, 11:00 a.m.
An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.
Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.
Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.
Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.”
This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.





