Calendar of Events

The Amazing Acro-cats Featuring Tuna and the Rock Cats are a troupe of REAL performing house cats. The Acro-cats experience all started with Chief Executive Human (CEH for short) and animal trainer Samantha Martin. She has not only rescued her own pets, but also has found happy homes for over 200 homeless cats and kittens. Using the magic of clicker training (a stress-free positive reinforcement method) Samantha and the cats take their newfound amazing abilities on the road, and tour the nation’s stages in the infamous Acro-cat bus! A portion of the proceeds always benefits our mobile foster and rescue efforts. They have cats riding skateboards, jumping through hoops, and Alley, our rising star, has even leapt into the Guinness Book of World Records, holding the record for the longest cat jump!

Showtimes
6/13 7PM

Tickets
VICP First Row $40
VICP Orchestra $25
Orcehstra $22
Discounts Available for Children, Seniors, and Military

In partnership with the Fine Arts Theatre, we’re celebrating the work of Black Mountain College alumnus Arthur Penn with two screenings of his classic films on the big screen. The films will be preceded by a short talk on Arthur Penn’s legacy in American film, a legacy rooted in his experiences at Black Mountain College.

July 12th – “Bonnie and Clyde” (1967). Arthur Penn’s modern classic was revolutionary in its time, opening the door for the hyper-violent, morally ambiguous films produced throughout the 1970s. Warren Beatty and Faye Dunaway star as two star-crossed lovers on a doomed crime spree across Depression-era America. They’re Young, They’re In Love, They Kill People.

July 26th – “Alice’s Restaurant” (1969). This film, based on the song by Arlo Guthrie and starring the musician as himself, captures the essence of late 1960’s counter-culture. Starting with a trip to the dump on a fateful Thanksgiving Day, the film follows Guthrie and his friends through a frenetic series of events that lampoon the Vietnam War and American society.

On Friday, July 20^th, the Asheville Comedy Community comes together to raise funds for the family of the late local comedian Michael Roach. The benefit will feature Asheville’s best comedians with shows at 7:00PM and 9:30PM

The Asheville Comedy Community comes together for the benefit of the family of local comedian Michael Roach. Michael passed away suddenly in April, leaving his partner, Genevieve, who is expecting their only child this summer. Please join us as the Asheville comedy community comes together to support this great cause with an evening of hilarious stand-up from Asheville’s best comics.

Featuring performances from Cary Goff, Tom Peters, Hilliary Begley, Ben Atkins, Blaine Perry, Art Sturtevant, Kelly Morgan, Chesney Goodson, Moira Gorey & Special Guests!

For more information or to donate directly, please go to: https://www.gofundme.com/michael-amp-gen039s-back-the-baby-fund

$10 advance / $12 at the door
Tickets @ http://www.ashevillefunnybusiness.com/best-of-asheville-comedy-benefit-tickets/

Buying tickets in advance is highly-recommended. Parking is available at the Grey Eagle’s parking lot and on Clingman Ave. and Haywood Road. The Grey Eagle offers full bar service, and food is available inside the club at The Grey Eagle Taqueria. http://www.thegreyeagle.com/

About Funny Business at The Grey Eagle: Funny Business at the Grey Eagle brings live, nationally-recognized stand-up comedians to Asheville on a regular basis. The Grey Eagle offers full bar service, food and a selection of Asheville’s locally-made craft beers.

 This film, based on the song by Arlo Guthrie and starring the musician as himself, captures the essence of late 1960’s counter-culture. Starting with a trip to the dump on a fateful Thanksgiving Day, the film follows Guthrie and his friends through a frenetic series of events that lampoon the Vietnam War and American society. $8 for BMCM+AC members + students w/ID / $10 for non-members. Tickets are available through the Fine Arts Theatre Box Office

In partnership with the Fine Arts Theatre, we’re celebrating the work of Black Mountain College alumnus Arthur Penn with two screenings of his classic films on the big screen. The films will be preceded by a short talk on Arthur Penn’s legacy in American film, a legacy rooted in his experiences at Black Mountain College.

July 12th – “Bonnie and Clyde” (1967). Arthur Penn’s modern classic was revolutionary in its time, opening the door for the hyper-violent, morally ambiguous films produced throughout the 1970s. Warren Beatty and Faye Dunaway star as two star-crossed lovers on a doomed crime spree across Depression-era America. They’re Young, They’re In Love, They Kill People.

July 26th – “Alice’s Restaurant” (1969). This film, based on the song by Arlo Guthrie and starring the musician as himself, captures the essence of late 1960’s counter-culture. Starting with a trip to the dump on a fateful Thanksgiving Day, the film follows Guthrie and his friends through a frenetic series of events that lampoon the Vietnam War and American society.

Shelby Lynne Moorer was born in Quantico, Virginia, on October 22, 1968, and raised in Frankville, Alabama. She came from a musical family and her house was filled with the sounds of classic country music as well as The Beatles and Elvis. Her mother was a natural singer, and her father began teaching her to play guitar around age seven. Lynne once said in an interview, “I was singing before I could talk.”
After high school, Lynne decided to leave her Alabama life behind, for Nashville in 1989, so she could pursue her musical dreams. Once in Tennessee, Lynne met veteran songwriter Bob Tubert, and she gave him her demo tape. Tubert liked it and played it for the TV producer of Nashville Network’s Nashville Now, who invited Lynne to perform on the show. The performance caught the attention of CBS Records, and Lynne was offered a contract with the label.
Over the next three years, Lynne produced an album a year: Sunrise (1989), Tough All Over (1990) and Soft Talk (1991), landing a few hits along the way. In 1991, she won the Academy of Country Music’s Top New Female Vocalist award.
Never complacent, after two more albums, Lynne became hungry for a change from the Nashville system, and for her next album she enlisted producer Bill Bottrell, who had worked with such artists as Michael Jackson, Madonna and Sheryl Crow. The resulting album, I Am Shelby Lynne (1999), recorded far away from Nashville on the Northern California coast, earned Lynne the Grammy for Best New Artist in 2000—which was especially poignant as she had been in the music business nearly 13 years.
Love, Shelby was released in 2001, followed by two self-produced albums:Identity Crisis (2003) and Suit Yourself (2005). Just a Little Lovin’, her critically acclaimed tribute to Dusty Springfield, was released in 2008. And the same year Suit Yourself came out, Lynne made her acting debut in the Johnny Cash biopic Walk the Line, playing Cash’s mother. She has also appeared on the TV shows Head Case (2007) and Army Wives(2009).
Again showcasing her need to take a different path, Lynne founded her own label, Everso Records, and its first release, Tears, Lies, and Alibis, debuted at No. 16 on Billboard’s Top Independent Albums chart in April 2010. The album resonated with critics as well, and Newsday called it “her strongest album in a decade.” After this critical success, Lynne released her first-ever holiday collection, Merry Christmas, in time for 2010’s holiday season.
In 2011, Everso released Revelation Road, and Lynne headed out on a year-long solo acoustic tour. In 2013, a five-song EP, Thanks, came out to rave reviews from the likes of Mother Jones and The New York Times. Lynne said of the album: “These songs are a way to express my love and gratitude to the universe and to all of the music appreciating souls out there for the friendship and fellowship that music brings us.”
In 2014, I Am Shelby Lynne got the deluxe reissue treatment.
I Can’t Imagine was released in the spring of 2015, it was her first album for Rounder. The tour that followed included complete concert performances of the new recording and I Am Shelby Lynne in a single set.
Lynne and sister Moorer teamed for the Side by Side tour, and considered recording an album together. The plan was shelved until 2017 when they got together in Los Angeles with producer Teddy Thompson and a small group of invited guest musicians including Benmont Tench, Erik Deutsch, Doug Pettibone, and Val McCallum. The sisters chose to record a host of covers from the classic country canon, alongside contemporary fare by pop and Americana songwriters. Their lone co-written original was the set closer “Is It Too Much?” Titled Not Dark Yet, the album was released by Thirty Tigers in August. They sold out venues across the U.S. And U.K. Lynne recently wrapped her first starring film role called Here I Am, a rock and Roll saga, directed by Cynthia Mort (Nina, Tell Me You Love Me).  Lynne co-wrote the music and film score. The new single Off My Mind is currently available online.
shelbylynne.com

Susan Anderson presents Paul’s Prayers: A Mother’s Account of Raising an Autistic Son

Paul’s Prayers is the story of a moderately autistic young man navigating life with a spiritual intelligence that runs further than most people can walk. Written by Paul’s mother, this insightful memoir gives readers a unique look at the challenges and joys of raising her autistic son in a large Catholic family.

The first of six children, Paul’s early years were an exciting and confusing time for his parents. At the time, very little information on autism and its early signs was available, and the fact that the disorder is a spectrum ranging from mild to severe was not widely known.

Unpredictable outbursts and sensitivities to light and schedule disruptions lead Paul’s parents to refer to his condition as “The Marauder.” The Marauder sweeps over the hospital nursery as the fluorescent lights blind Paul’s eyes. The Marauder throws his black cape over the Christmas holidays, stealing four-year-old Paul’s speech for three long days. In school, The Marauder keeps other students at bay, leaving Paul isolated and alone. Finally a developmental assessment gives some clarity to the exhausted family: Paul is on the autism spectrum, and they will all have to adjust their perspectives. Small victories emerge as Paul begins to reach developmental milestones in creative ways. Six years of piano lessons lead to a dramatic improvement in reading skills. A jaunt through the mountains with his father introduces Paul to his talent for running; with his brothers, he joins the high school cross country running team, which goes on to win the state championship. After high school, Paul works for the family business and attends college.

Throughout this intimate memoir, every day is a challenge to be met with creative thinking, patience, and faith. Paul finds comfort in contemplative prayer and the support of his family when the world around him becomes too chaotic. As her son grows up, Susan Anderson learns how to cope with autism and embrace the importance of faith in the things unseen. Her family’s experience is a beacon of light for those who find themselves on a similar path.

This book is available for purchase in-store, by phone, or online by visiting https://www.malaprops.com/book/9781680993479

We ask that you purchase the books you want to be signed at our events from Malaprop’s. When you do this you are not only supporting the work it takes to run an events program, you are also telling the publishers that they should keep sending authors here.
Can’t make it to the store for the event? Call us or order the book on our website in advance, and we’ll get it signed for you. Make sure you write your preferences in the comments if you purchase online.

https://www.facebook.com/events/1063959153770449/

Menopause The Musical® is a groundbreaking celebration of women who are on the brink of, in the middle of, or have survived “The Change.” Now celebrating 17 years of female empowerment through hilarious musical comedy, Menopause The Musical® has evolved as a “grassroots” movement of women who deal with life adjustments after 40 by embracing each other and the road ahead.

Set in a department store, four women meet while shopping for a black lace bra at a lingerie sale. After noticing unmistakable similarities among one another, the cast jokes about their woeful hot flashes, mood swings, wrinkles, weight gain and much more. These women form a sisterhood and unique bond with the entire audience as they rejoice in celebrating that menopause is no longer “The Silent Passage.”

Performance schedule:

Tuesday, August 14 at 8 p.m.
Wednesday, August 15 at 8 p.m.
Thursday, August 16 at 8 p.m.
Friday, August 17 at 8 p.m.
Saturday, August 18 at 2 p.m. and 8 p.m.
Sunday, August 19 at 2 p.m.

Inspired by a hot flash and a bottle of wine, Menopause The Musical® is a celebration of women who find themselves at any stage of “The Change.” The laughter-filled 90-minute production gets audience members out of their seats and singing along to parodies from classic pop songs of the ‘60s, ‘70s and ‘80s.

Menopause The Musical® is a groundbreaking celebration of women who are on the brink of, in the middle of, or have survived “The Change.” Now celebrating 17 years of female empowerment through hilarious musical comedy, Menopause The Musical® has evolved as a “grassroots” movement of women who deal with life adjustments after 40 by embracing each other and the road ahead.

Set in a department store, four women meet while shopping for a black lace bra at a lingerie sale. After noticing unmistakable similarities among one another, the cast jokes about their woeful hot flashes, mood swings, wrinkles, weight gain and much more. These women form a sisterhood and unique bond with the entire audience as they rejoice in celebrating that menopause is no longer “The Silent Passage.”

Performance schedule:

Tuesday, August 14 at 8 p.m.
Wednesday, August 15 at 8 p.m.
Thursday, August 16 at 8 p.m.
Friday, August 17 at 8 p.m.
Saturday, August 18 at 2 p.m. and 8 p.m.
Sunday, August 19 at 2 p.m.

Inspired by a hot flash and a bottle of wine, Menopause The Musical® is a celebration of women who find themselves at any stage of “The Change.” The laughter-filled 90-minute production gets audience members out of their seats and singing along to parodies from classic pop songs of the ‘60s, ‘70s and ‘80s.

This Saturday at Grovewood Gallery, Asheville fiber artist Karen Kennedy, a graduate of Haywood Community College’s Professional Crafts Program, will demonstrate needle felting using locally dyed wool to create fall pumpkins and leaves. Pre-made versions will be available to purchase, a perfect addition to your Halloween and Thanksgiving décor.

https://www.facebook.com/events/326354097954572/

Fall is just around the corner and we couldn’t be more excited! To celebrate the beginning of our favorite time of year we are kicking off our countdown to fall mimosa series this Tuesday! Each week leading up to the first day of Fall we’ll feature a different Mimosa dedicated to all those delicious Fall flavors we love! This week our feature is an Apple Cider Mimosa- with local Apple cider, Simonet Blanc de Blanc and a cinnamon-sugar rim.

Plus, each week we offer wine specials, food specials and a complimentary champagne bar with fresh juices, fruits and Bitters for you to add to your sparkling wine (sparkling wines purchased separately).

Sept 4th- Apple Cider Mimosas

Sept 11th- Vanilla Bean Pear Mimosa

Sept 18th- Pumpkin Pie Mimosa

https://www.facebook.com/events/679259562446616/

Cold readings from the script which will be provided. Looking for three female actors, aged late teens to early forties. ALL EXPERIENCE LEVELS ARE ACCEPTED AND HIGHLY ENCOURAGED! You won’t want to miss this spooky show–just in time for Halloween!

https://www.facebook.com/events/261264131181196/

The Magnetic Theatre will present the world premiere of Karen Saari’s intimate, affirming, and heartfelt play, IN A CLEARING.

Mark is three months into sobriety. He is still haunted by the death of close friend, who died in an unexplained roadside accident after a night of hard partying. The looming guilt Mark secretly feels about his friend’s death has motivated him to become sober; a challenging feat in the small north woods, Wisconsin small town where he has always lived. Seeing friends, family, and the world in a whole new light; Mark rekindles a relationship with Pam, an old “friend” from school and the aggrieved sister of his dead friend, and finally solves the mysteries of his own heart.

The production is being directed by Andrew Gall, The Magnetic Theatre’s co-Artistic Director.

Featuring:
Thomas Traugaer
Emily Tynan McDaniel
Kay Galvin
Jered Shults

Scenic Design: Rodney Smith
Lighting Design: Abby Auman
Costume Design: Victoria Smith
Sound Design: Mary Zogzas

https://www.facebook.com/events/259302424887309/

JOSEPH at The Grey Eagle

There is nothing like the sound of siblings singing together. Whether it’s the Beach Boys or the Everly Brothers—or, more recently, First Aid Kit—absorbing the same breathing rhythms and speech patterns adds an element to vocal harmonies that can be pure magic. With the release of I’m Alone, No You’re Not, the mesmerizing, hypnotic sound of the trio known as Joseph—made up of sisters Allison, Meegan, and Natalie Closner—joins this elite company.

“It’s just second nature, like a fifth limb that’s already on you,” says first-born Natalie. “There’s an ability to anticipate what’s going to happen and blend with it. When Meegan and Allison sing, they know exactly what I’m going to do and when.”

But the Closners didn’t actually start singing together when they were growing up in Oregon, the children of artistic parents (their dad was a jazz singer and drummer, their mom a theater teacher). Natalie was the performer—“the older sister who stood on the edge of the fireplace and told everyone, ‘Watch me!,’“ she says. Twins Meegan and Allison stayed out of her lane, joining in for their mother’s musical theater productions but otherwise avoiding the spotlight.

When Natalie was in college, she began pursuing music more seriously. The summer before her senior year, she went to Nashville to check out the scene and work on her guitar playing and songwriting. She had recorded an EP and done a few rounds of touring when a friend sat her down one day.

“It was kind of dramatic,” she says, “He took me aside and said, ‘I don’t think you really believe in this.’ It stopped me in my tracks.” She thought deeply about the music she was making and had a curious epiphany; she decided to ask her sisters if they would consider singing with her.

Initially, they didn’t really get it. “We thought she was asking us to be background singers, so we didn’t take it that seriously,” says Allison. “It was more commitment than I was expecting—I even tried to leave at one point, but after a while, I was convinced.”

A transformation occurred when the Closners were in the process of recording their first album, Native Dreamer Kin. At the time, they were calling themselves Dearborn, but their producer felt that the name didn’t fit the strength of the music. They went to visit their grandfather Jo, in the eastern Oregon town of Joseph. Allison made a playlist for the trip and called it “Joseph,” which is what influenced the band’s name.

“Once she said it, it just hit us all—that’s what this is and who we are, these are the sounds of the land that we’ve lived on,” says Natalie.

With this new sense of themselves, Meegan and Allison began taking a more active role in the group’s songwriting. Meegan notes that while the process was a “totally new journey” for her, it felt similar to the candor and vulnerability of her long-time journaling—just “pulling out the gold and arranging that into neater lines.”

She and Natalie both point to the song “Honest” as a keystone for the development of I’m Alone, No You’re Not. “We were trying really hard to write a song, but nothing was coming,” recalls Natalie. “One night, Meegan was working on some lyrics and getting frustrated, so she wrote in the margin of the page, ‘I can’t say a true thing. It’s hard to be that honest.’ Immediately after that, her most honest sentence spilled out—‘There’s always two thoughts, one after the other: I’m alone. No, you’re not.’ And she thought, ‘Oh, there’s the song.’ “

Meanwhile, the group was cultivating a devoted fan base in the most traditional ways possible: touring the Western states playing living room shows, backyard parties, and secret house party gigs; reaching an audience directly through such platforms as Noisetrade; selling their self-released CD and building a loyal following step by step. By the time they were approached by ATO Records, Joseph had already built a strong community of fans on its own.

As they moved toward making their second record, the project took an additional turn when the Closners decided to work with some other songwriters in Los Angeles. “We were afraid of it at first because the songs were more pop than we were used to writing,” says Meegan, “but as we internalized them, they started becoming super-important to us.”

They point to “More Alive Than Dead,” co-written with Ethan Gruska, as an example of these contributions. “That song describes an experience with a partner where you have hard things in your combined past,” says Natalie. “You’re haunted by them until you realize that those things are dead, and as long as you dwell on them, you’re missing the real live person in front of you.”

She adds, though, that Gruska was critical in clarifying and sharpening the nuanced emotion of the lyric. “When Ethan sent us back the demo, I lost it, He was able to see the heart of the song and bring it out, cut to the core of what I was trying to say.”

Finally, the women of Joseph recorded the album with acclaimed producer Mike Mogis (Bright Eyes, Jenny Lewis, First Aid Kit) at his studio in Omaha. He was able to open up their expansive, evocative vocal sound with powerful and striking arrangements, adding depth while highlighting their haunting intensity.

“This was our first time doing a recording like this,” says Natalie, “and we learned so much about creativity. Mike is a genius, and he’s just a total maniac as a musician, so he took these bare bones songs and brought them to life with lush, gorgeous textures and sounds.”

The initial reaction to the music on I’m Alone, No You’re Not has been remarkable. Joseph was selected as a #SpotifySpotlight artist, and booked for festivals including Bonnaroo, Pickathon, and Sasquatch even prior to the release of the single “White Flag,” a song inspired by an article predicting a massive earthquake for the Pacific Northwest.

“Reading that created a heaviness that was making us jumpy, scared, and miserable,” says Natalie. “It became clear we had two options: be scared and cowering, backing away from the world into paralysis, or keep moving and live. Defy fear. Wear peace. Find better ways to love the people in our lives instead of huddling together like frightened sheep thinking about earthquakes.”

Most rewarding for the Closner sisters has been feeling the audience response to the new songs, as they tour supporting such artists as James Bay and Amos Lee. “This is really when you learn what’s special about a song, or if it’s special,” says Natalie. “It’s this crazy firecracker thing that happens—‘Am I feeling something? Is anyone? What is this song, what does it do, which parts make the most sense?’

“It really is about connection with people, and we’re so grateful we’ve gotten the chance to do that. This has been a totally wild journey, and we’re constantly blown away with possibility of what could be.”

https://www.facebook.com/events/188070488495632/

Come and get it, honey! Queen Bee & the Honeylovers will be swinging the block tonight! There will be fabulous music, and great classes for beginners! Stay late for our post dance blues hour! Plus the venue is not only gorgeous, but they have a fabulous bar!

~~~Schedule (short version- see below for details)~~~
7 pm: Level-Up Lindy w/ Deb & Jean
8 pm: Intro to Lindy Hop w/ Deb & Jean
9-11pm: Swing AVL Dance w/ Queen Bee & The Honeylovers
11-12pm: Vintage Blues Hour w/ DJ
~~~~~~~~~~~~
PRICING: Dance/Band is $5 (includes blues hour) and classes are $10/$8 for Swing Asheville members. Vintage Blues Hour is $2 suggested donation for those who didn’t pay for Dance/Band admission.

VOLUNTEERS NEEDED
Interested in free dances or half priced lessons? Want to help prom…http://signup.com/go/qiyRjLG

MUSIC
Queen Bee and the Honeylovers is an upbeat, nostalgic dance band that indulges in an eclectic exploration of jazz, swing and latin music styles. Their unabashedly joyous repertoire includes classic standards as well as the occasional peppering of more obscure latin and jazz tunes. Vocal-driven with an infectious groove, they’re guaranteed to put a grin on your face and a tap in your toes.

BLUES
Band finished and you’re not done dancing? You’re in luck… stick around for our vintage blues hour! Continue dancing to DJ’d music until the bar kicks us out. $2 suggested donation for those coming just for the blues hour.

FOOD: Feeling peckish? The bar has a small selection of vegan goodies to help keep your stamina up! Ask a bartender for more details.

CLASSES
7pm: Continuing Class: Level-Up Lindy w/ TDeb & Jean

For people who can do basic lindyt footwork on demand and feel comfortable doing this footwork within the context of basic social dancing. We will work on practical dance technique, common but interesting social moves / repertoire, styling, and anything else that moves your dancing forward! Remember, the more regularly you show up, the more the whole group can make progress! Come swing out with us, y’all!

“Continuing” classes are for those dancers who have cemented the basics of the dance being featured that specific month. This includes knowing (and being able to execute cleanly and consistently) basic footwork and lead/follow skills for that dance. Some continuing classes may require no advance knowledge of a dance. This will be noted in the the class description.
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8 pm: Core Class w/ TBA

In this class, we’ll focus on rhythm and lead-follow technique while learning a basic “vocabulary” of steps to build your swing dance repertoire. In just a short time, you’ll be able to get out on the dance floor with a partner and have fun dancing! For brand new dancers and those who would like to review and improve their basic steps and technique. No partner or experience necessary.

“Core” lessons stress the fundamentals of swing dancing for beginning dancers. Lessons rotate monthly to focus on a different kind of swing dance (6 Count Lindy, 8 Count Lindy, Charleston, Balboa, etc.). Because good fundamentals are hard to develop in one month, we recommend repeating Core lessons (on the same topic) to help develop the solid foundation you’ll need in continuing classes. Core lessons are also great for intermediate and advanced dancers who want to “get back to basics” or learn a different dancing role (lead vs. follow).
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GIFT CERTIFICATES
Do you want to buy a gift certificate for our classes as a gift, or to pre-pay for a block of classes for yourself? You can purchase gift certificates at the door at our weekly dance! They are $40 for a block of 4, and a great way to dive into the fun world of dance.

UPCOMING SCHEDULE
Sept 18: Big Dawg Slingshots
Sept 25: Low Down Sires
Oct 2: Community Jazz Jam
Oct 9: Sparrow & Her Wingmen
Oct 16: Drayton & The Dreamboats
Oct 23: Gravyhouse Storytellers
Oct 30: House Hoppers Halloween Spooktacular

https://www.facebook.com/events/2062955600382148/

Matt and Kim
plus Michael Christmas
Show: 8pm
Doors: 7pm
$25 – $28
Ages 18+
Language not suitable for all ages.

Tickets & Info: www.theorangepeel.net/event/matt-and-kim/

For many bands, making music is all about the routine of recording an annual album, or being able to tour in progressively bigger venues. Not Matt and Kim. “Our goal is to make music we want to hear,” says Matt Johnson, who co-founded the band with Kim Schifino. “When it comes time to make a new album, I’m just so excited, since I know we have all these ideas and I just want to get them out there.” As for the band’s extra-emphatic live shows, which these days happen in large venues, he explains, “We’ve always just really enjoyed playing music, and things have kept growing.”

Matt and Kim’s enthusiasm comes across loud and clear on the band’s new album, Lightning, its most diverse and developed to date. From the relentless drive of “Now” to the dance-fueled beat of “Let’s Go” to the more contemplative “Ten Dollars I Found,” Lightning is the strongest distillation yet of Matt and Kim’s unique sound: a spunky hybrid of indelible songs, an emphatic beat and almost tangible energy, mixed with the duo’s influence of listening nonstop to Top 40 Hip-Hop and pop-punk.

To make the album, Matt and Kim spent six months working in their home studio in Brooklyn, producing the record themselves. Lightning is a touch more minimal than their earlier work – with layers taken away, instead of added, enabling its intense performances and memorable tunes to really come to the forefront. “What’s made the songs on this album really strong is we’ve been able to pull a lot off – to not have so much going on – and still have a strong song,” Kim explains.

“It’s easier to make a song with a lot going on,” Matt adds. “It feels very safe. It’s like putting on a lot of clothes: you feel all covered up so no one can judge just one aspect of it, but when you try to break it down to be as simple as can be, you’re really baring it all. When you can see clearly what’s going on, those are the times that the songs are easiest to connect to.”

Connecting with their audience is certainly a key focus for Matt and Kim. The indie dance duo’s live shows – which are legendary for constant, in-your-face exuberance – feel more like vibrant, sweaty loft parties than traditional concerts, for both audiences and the band. “I think we’ve managed to continue to make them feel intimate,” says Matt. “When we first started playing venues instead of playing on the floor at parties, we tried hard to keep the vibe of ‘we’re all doing this together and having a wild time’ going. The show is not just the two of us: it’s the 3002 of us, or however big the venue is.” Or, as in the words of Rolling Stone: “Matt and Kim’s reputation as a live act precedes them – and justifiably so. Simply put, they are a two-person dynamo, frantic, tightly wound, and full of good cheer. Their performances are as physical as they are musical. . . . For sheer adrenaline-per-second, no other band comes close.”

The band started in 2004, essentially by accident when Matt and Kim were art students at the prestigious Pratt Institute, where they studied film and illustration, respectively. When Kim wanted to learn to play drums and Matt (who’d been in bands before) was getting his head around a new keyboard, the band was born. Since then, they have earned a Gold Record for the upbeat, stick-in-your-head track “Daylight,” played festivals like Coachella, Lollapalooza, and Bonnaroo, along with international festivals like V (U.K), Pukkelpop (Belgium), Fuji (Japan), Big Day Out (Australia), Primavera (Spain), Oya (Norway), SWU (Brazil), as well as hundreds of shows. They have won 3 MTV awards: a Breakthrough Video Music Award and mtvU Best Video Woodie Award for “Lessons Learned”, as well as a 2011 award for Best Live Band. Lightning is the band’s fourth album, following Sidewalks, Grand, and their self-titled debut.

Matt and Kim have always been inspired by Brooklyn’s general urban din as well as the area’s artists, yet Matt points out, “I don’t think a place can define a person. We simply write songs about us and our life so that’s why where we live comes up.”

Indeed, there’s something universal about a song with a beat that grabs you, with a great melody, played by a band that simply loves to play music. And that, in Williamsburg and way beyond, is the key to the universal appeal of Matt and Kim.

www.mattandkimmusic.com

https://www.youtube.com/watch?v=JyVzPx4ecHA

https://www.facebook.com/events/250605672364492/

Cost covers 11×14 canvas, step-by-step instructions and all supplies!

https://www.facebook.com/events/322109515014065/

The King is Returning

https://www.facebook.com/events/260360611276551/

Opening Sept. 15, 2018 – Nov. 4, 2018

Come to the prettiest, most authentic pumpkin patch in the Smoky Mountains. An affordable excursion for the whole family, complete with your very own pumpkin picked right out of the field. Meet amazing hayride drivers (who are the actual farmers) and experience the beautiful scenery of the place we call home.

$8 per person, includes any size pumpkin.
Children under 3 are free to ride the hayride, and paying parents are welcome to give them their pumpkin.

Additional pumpkins from the pumpkin patch are $4.

https://www.facebook.com/events/490214898055778/

This year, Eliada will maintain some beloved attractions including the tractor ride, which now drives all the way around the Corn Maze, jumping pillow, corn kernel sand box, spider web climber, tube slides, and corn cannons.

This year, Eliada will maintain some beloved attractions including the tractor ride, which now drives all the way around the Corn Maze, jumping pillow, corn kernel sand box, spider web climber, tube slides, and corn cannons.

This year, Eliada will maintain some beloved attractions including the tractor ride, which now drives all the way around the Corn Maze, jumping pillow, corn kernel sand box, spider web climber, tube slides, and corn cannons.

This year, Eliada will maintain some beloved attractions including the tractor ride, which now drives all the way around the Corn Maze, jumping pillow, corn kernel sand box, spider web climber, tube slides, and corn cannons.

This year, Eliada will maintain some beloved attractions including the tractor ride, which now drives all the way around the Corn Maze, jumping pillow, corn kernel sand box, spider web climber, tube slides, and corn cannons.