Acclaimed traditional musicians, Laura Boosinger and Josh Goforth, will grace the stage at a
Friends of Music presentation on Sunday, February 19 at Flat Rock's St. John in the Wilderness
Church, at 4:00 p.m.  The concert is free and open to the public, with no reservations required.
Laura Boosinger has won glowing reviews wherever she appears and is blessed with an
"essence of the mountains" spirit that can take one back to the good old days when folks used
to huddle around the radio. It's said that people who haven't seen her live should prepare
themselves for a "goose pimples experience."
Josh Goforth is an outstanding musician, acclaimed fiddler, guitar picker, mandolin player and
storyteller, from Madison County, North Carolina.  Josh has already garnered a Grammy
nomination and has established himself as a great producer as well as stunning instrumentalist.
"Sing Out" magazine called Josh and Laura's latest CD, Most of All, "simple, direct and as good
as it gets."  It encompasses sweet harmonies and sympathetic accompaniments.
“It’s always a treat for us to play together in our own community.  We are looking forward to
introducing the audience to some traditional North Carolina music.  Josh and I love playing
together and we guarantee a good time,” said Ms. Boosinger.
Dewitt Tipton, founder of Friends of Music, added, “An exciting and engaging duo of highly
experienced traditional musicians. I promise you’ll have a satisfying and toe-tapping afternoon. “

The Magnetic Theatre is thrilled to kick off its 2023 Mainstage Season with HappyLand, a fun and fantastical new musical by Brayden Dickerson and Zach Knox of Asheville’s blues-fusion band Smooth Goose, featuring live tunes and an exciting ensemble of quirky characters.

This non-stop rock opera tells the tale of a delivery person who doesn’t quite fit into the titular town of HappyLand. Tasked with delivering one last package before the vacation they have been dreaming of, our bicycling box-bearer embarks on an epic journey through the barren Neither, where a host of unsavory characters contrives to stay this courier from their appointed rounds.  Nevertheless, our maudlin messenger is determined to make it to SadLand. But what will they find when they arrive? Could the addressee be the love of their life? What message does the all-important package contain? And can our hero deliver the earth from annihilation?

Directed by Jason Phillips and featuring an ensemble cast with rotating lead actors, HappyLand is a delightful extravaganza of song, silliness, dance, romance, and splendiferous space battles.

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

THE GIBSON BROTHERS
There’s a reason why Ricky Skaggs pulled Eric and Leigh Gibson off the stage at the Ryman two decades ago and offered to produce their debut record. The same thing that led David Ferguson and Grammy Award winning producer and Black Keys frontman Dan Auerbach to co-write and produce their 14th album “Mockingbird” (2018) and release it on his own label Easy Eye Sound alongside cultural icons such as Hank Williams Jr. and Dr. John: the Gibson Brothers are the real deal. They can pick. They can sing. And they can write a damn good country song. They’ve won about every bluegrass award you can name and released albums on almost every premier Americana label you can think of including Sugar Hill and Rounder, and, if that’s not enough, their songs have been recorded by bluegrass legends no less than Del McCoury. It’s a resume almost anybody in country music would be proud to have. But despite all of this, the Gibson Brothers are not yet household names. Their latest album, “Darkest Hour,” produced by dobro master Jerry Douglas might just change that.

As soon as you hear Leigh singing with Alison Krauss [“I Feel The Same Way As You”] on the new project you realize that his voice is as good as anyone in music today. Add the brother harmony to that and they have something truly unique. While “Mockingbird” featured gorgeous production, recreating the sound on stage was difficult. “We put together a little band to go out and try to recreate it,” Eric told me, but we couldn’t. We would have to have such a huge band to try to recreate that record, but we did the best we could.”

Douglas—who has won 14 Grammy awards and backed up everyone from Ray Charles to Paul Simon and George Jones—wanted to make a record they could actually play on the road. So he picked the best songs (out of dozens) and squirreled them away in Sound Emporium’s Studio B.
But then the pandemic hit. “We did our last shows in March of 2020,” Eric told me. “We were in Nashville the week everything was shutting down. It was surreal, but Jerry was like, ‘Guys, the world’s going crazy. Let’s let this be our little cocoon.’ And we did. We cut all of the acoustic stuff and then went home and didn’t play any more gigs until things started opening. Then we went back and finished the record with Jerry in February of 2021.”

The result is arguably the strongest record The Gibson Brothers have ever made. The songs recorded in the first recording period featured Mike Barber (bass), Justin Moses (mandolin), Eamon McGloughlin (fiddle), and of course, Jerry Douglas, adding in John Gardner (drums), Guthrie Trapp (electric guitar), and Todd Parks (bass) for the final tracks, “Darkest Hour” showcases just how easily Eric and Leigh move from what Dan Auerbach dubbed “country soul” (“I Go Driving”) to high octane bluegrass (“What a Difference A Day Makes” and “Dust”) with Douglas always keeping the spotlight on the songs themselves. “That’s what I love about those guys,” Douglas told me, “they are just great songwriters.”

CELEBRATE MARDI GRAS WITH US!   This is one of our favorite times of the year, as we revamp our menu to reflect and celebrate Cajun and Creole cuisine on… Monday, February 20th and Tuesday February 21st.  We will also have some amazing traditional New Orleans cocktails! Please note that our regular menu will not be available. COURTYARD reservations will include live music by Les Chats Violets starting at 6pm.

Acoustic guitarist, JAY BROWN hosts our bi-weekly Local Live series featuring a variety of talented local musicians. Jay grew up playing folk guitar with his parents and has continued to pursue a career in music as a singer-songwriter and roots musician.

Ages 18+

Silversun Pickups release their sixth album, Physical Thrills, produced by Butch Vig via their label, New Machine Recordings. Brian Aubert of the band shares about the album: “This record is alive. It sits somewhere in between a collection of songs and an imaginary friend. A friend that from March of 2020 to April of 2021 would not only introduce itself to me but keep me company through that time of intense isolation. A friend that would remind me that in this instance, the whole world was feeling the same way as well. A comforting, playful, sometimes frightened, often delighted friend. A friend that was finally introduced to Butch Vig, once we got vaccinated, and blew through his studio like a tornado made of cotton candy, leaving little pieces of residue everywhere. But most importantly, this friend REALLY doesn’t give a fuck. I know. That sounds brash. I just mean it’s a thing that is truly free. And now, this little living head space no longer visits me. I visit it through this album. I hope you like it. My friend wouldn’t care. Little rascal.” Physical Thrills is available for purchase on all formats here.

The band also shares a track-by-track guide to the album via Consequence, who says of the album: “Helmed by legendary producer Butch Vig (Nirvana, Garbage), the new LP sees the veteran quartet finding new avenues to push the envelope within their well-established sound. The record feels universally current…depicting the paradoxical bittersweetness that comes with significant change.” Read it here.

Silversun Pickups recently shared “Alone On A Hill”, the latest single and video. Bassist Nikki Monninger’s vocals are featured on the song and video, revealing, “This song exposes a side I didn’t know I had in me. It felt freeing, especially with everything going on in the past couple of years. I’m grateful everyone gave me so much support during the recording process as I am a bit timid when it comes to hearing the sound of my own voice.  Bri just kept telling me to channel my inner Kate Bush.” Listen to the song here, and watch the Suzie Vlcek-directed video here. The band also shared the video for the first single from Physical Thrills, “Scared Together,” directed by Claire Marie Vogel. Watch it here.

Silversun Pickups recently announced their 21-date headlining tour in support of their forthcoming album, Physical Thrills (August 19^th, New Machine Recordings). On the “Physical Thrills” tour, the band will perform in cities including San Diego, Los Angeles, Boston, New York City, Atlanta, and Nashville (full dates below). Tickets for all dates are now on sale here. Silversun Pickups have partnered with PLUS1 so that $1 from every ticket sold will go to the PLUS1 x Noise For Now Reproductive Health Access Fund supporting access to reproductive rights and services for all.

Silversun Pickups’ sixth album Physical Thrills came together as a serendipitous accident during a dark time. The LA band began 2020 by touring in support of their record released the previous year, Widow’s Weeds; however, the pandemic halted those plans, with the guitarist and singer Brian Aubert, bassist Nikki Monninger, drummer Christopher Guanlao, and keyboardist Joe Lester finding themselves stuck at home. In that resting period, Aubert wasn’t focused on Silversun Pickups; instead, he channeled his energy into taking care of his son.

As much as his focus initially shifted from the band, he ultimately couldn’t escape the new melodies germinating in his head. “I would sneak off and start writing these songs, and I didn’t know what they’re for because I didn’t really think about Silversun on any level. I was just doing it to keep myself calm and keep myself company,” says Aubert. The songs were so different from what he’d previously written for Silversun Pickups that he initially thought he was writing a musical. There were “dream shanties,” gentler vocals, horror-inspired sounds, and other exciting new elements coming to mind.

When Aubert revealed the new material to his bandmates, they readily embraced the new direction—and so did producer Butch Vig. The band reunited with Vig, who first worked with Silversun Pickups on Widow’s Weeds, recording the album at the famed producer and Garbage-member’s home. Once Aubert made plans to visit Vig and play him what he had, the music began pouring out. He immediately began recording with Vig, having the rest of the band join later.

Physical Thrills was colored by the pandemic, but isn’t meant to be solemn; instead, Aubert explores his own comfort in the temporary, newfound isolation. There are tracks with shoegaze-infused distorted synths and guitar, like opener “Stillness (Way Beyond)”; bouncy, pop-tinged danceable tunes (“Empty Nest,” “Hereafter (Way After)”); pared-down ballads (“Alone On A Hill”); and a collection of “dream shanties,” as Aubert refers to them.

With such an exploratory record, the band members felt free to traverse new ground. Guanlao, who usually shies away from fills on drums, took inspiration from The Beatles documentary Get Back, throwing some into Physical Thrills, influenced by Ringo Starr’s work on Let It Be. Whereas for Monninger, this record allowed her to showcase her vocals at the forefront more than in previous work. Lester also took a larger role in composition on this record, writing the piano part for “We Won’t Come Out,” which became the backbone for the song. The making of Physical Thrills also allowed for whimsical moments, including Aubert creating a distinct tapping noise by incorporating the sound of drumsticks hitting Vig’s Grammy in “Hidden Moon,” and playfully pelting balloons at Monninger while she played “Hereafter (Way After)” on bass to create less tension.

While this record features such an eclectic mix of melodies, each song is interconnected with each other, meant to be experienced as a whole body of work. “All of our records are designed for people who want to listen to them all the way through and hopefully stick around with it,” says Aubert. “After a while, maybe you’ll catch on to the little things—not just the [pattern of] the dream songs, but maybe you’ll hear that, and you’ll hear a melody from the first song in the last song. There are crossover things happening.” Monninger adds, “We’ve been together for twenty-two years; it’s really interesting that we still love doing this. We know that we’re fortunate to still be together after all these years, seeking out the silver lining. I feel like we still have many more things to say, and we’re so happy with how this album turned out.”

Support:
paris jackson

Ages 18+

Silversun Pickups Physical Thrills VIP Package

• One general admission ticket
• Early entry into the venue
• Access to an intimate preshow soundcheck party with Silversun Pickups
• Limited edition lenticular Physical Thrills poster: autographed by Silversun Pickups
• Specially designed Silversun Pickups tote bag
• Commemorative VIP laminate with lanyard
• Limited availability

CELEBRATE MARDI GRAS WITH US!   This is one of our favorite times of the year, as we revamp our menu to reflect and celebrate Cajun and Creole cuisine on… Monday, February 20th and Tuesday February 21st.  We will also have some amazing traditional New Orleans cocktails! Please note that our regular menu will not be available. COURTYARD reservations will include live music by Les Chats Violets starting at 6pm.

This live streamed virtual event is free but registration is required. Please click here to register. The link required to attend will be emailed to registrants prior to the event.

If you decide to attend and to purchase books, we ask that you purchase from Malaprop’s. When you do this you make it possible for us to continue hosting author events and you keep more dollars in our community. You may also support our work by purchasing a gift card or making a donation of any amount below. Thank you!

YOURS TRULY
Someday, your life story is likely to be boiled down to a few lines. If you leave things to chance, your obituary is almost sure to be solemn, formulaic, and full of errors—an obligatory final chapter written in haste by others. James R. Hagerty, longtime obit writer for The Wall Street Journal, knows how to get the job done right: Do it yourself, starting now, while you still can.  In this heartfelt and reassuring guide, Hagerty explains how to preserve your personal history—from crafting a brief obituary for newspapers and websites, to a more thoughtful and detailed mini-memoir for those close to you. Through his personal stories, on-the-job anecdotes, and insights, you will learn what to include, what to leave out, and how to provide historical context, record oral histories and make the most of details, all with candor and wit. Best of all, you’ll find that reviewing your life story helps you think about what you’re doing with your time on Earth and whether you’re on the right path. It isn’t too late to improve the narrative with a stronger ending. Telling your story your way can be the best gift you ever give to friends and loved ones—and yourself.

James R. (Bob) Hagerty, who grew up in North Dakota, has been a staff reporter and editor for The Wall Street Journal for more than 40 years in the U.S., Europe and Asia. For the past seven years, he has written nearly 1,000 obituaries as the WSJ’s lead obituary writer. His guide to writing life stories, Yours Truly, grew out of that work as he noticed that many telling details and anecdotes are lost when people die. His advice: Don’t leave it to friends and families to sum up your life. For all their good intentions, they’re almost certain to make a hash of it. He also urges people to help others preserve their stories before it’s too late.

White Horse’s legendary Open Mic takes place each and every Tuesday at 7pm.

You’ll hear a variety of wonderfully talented folks on their way up. You never know what you’ll hear… original songs, covers, guitar, piano….. and often something quite surprising.

The signup sheet is placed on the bar at 6:30 and the first ten to sign in are the performers for the evening. Each gets 15 minutes or three songs.

It’s a lot of fun… especially since it’s FREE !!!!!

– ALL AGES
– STANDING ROOM ONLY

THELMA AND THE SLEAZE

Thelma and the Sleaze is an independent all-female, queer southern rock band from Nashville, Tennessee. The group is the brainchild of lead vocalist and guitar player Lauren “LG” Gilbert and features an evolving cast of A-team players to back her up for an unforgettable live experience.

LG is the embodiment of hustle. As the driving force behind Thelma and The Sleaze, she is the songwriter, the visionary, the take-no-shit-from-anyone front woman that is single handedly keeping rock and roll alive. Thelma and The Sleaze has been touring the US for years building a legion of fans, affectionally called her creepers. The growing social media presence, the hit podcast, the features with Yamaha Guitars are really all the result of her incredible songwriting, visceral guitar playing, and the guts to deliver on her vision of what Rock and Roll should be.

LG has also launched two successful seasons of their Podcast “Queen of Shit Mountain”. Each episode features legendary musicians such as Tanya Tucker, Brittany Howard, Juliana Hatfield, Kate Pierson, Lori Barber, Patty Schemel, Mary Ramirez and Margo Price.

Adrian Miller will give a lecture entitled “Southern Black Chefs in the White House” from 6 to 7:30 p.m. in the Blue Ridge Room on February 22, 2023 as part of the Thomas Howerton Distinguished Professor Speaker Series, “Diverse Roots at the Common Table: Culinary Conversations in the American South.” Adrian is a culinary historian whose books have twice won a James Beard Award for Reference and Scholarship; he was recently featured in High on the Hog: How African American Cuisine Transformed America, a Netflix documentary based on Jessica Harris’s book by the same name. He also served as a special assistant to the president under the Clinton Administration, and served as the deputy director of the President’s Initiative for One America.

Books will be available for purchase at the event through Malaprop’s Bookstore.

Attendees who wish to attend via Zoom may pre-register here.

For more information, contact Erica Abrams Locklear at [email protected].

Join us for a weekly mountain music JAM with players in a round, where the session is focused on regional fiddle tunes and songs! You are welcome to come and listen or to learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program. Free but donations are accepted. Weekly event takes place at Oklawaha Brewing Company.

Adrian Miller will give a lecture entitled “Southern Black Chefs in the White House” from 6 to 7:30 p.m. in the Blue Ridge Room on February 22, 2023 as part of the Thomas Howerton Distinguished Professor Speaker Series, “Diverse Roots at the Common Table: Culinary Conversations in the American South.” Adrian is a culinary historian whose books have twice won a James Beard Award for Reference and Scholarship; he was recently featured in High on the Hog: How African American Cuisine Transformed America, a Netflix documentary based on Jessica Harris’s book by the same name. He also served as a special assistant to the president under the Clinton Administration, and served as the deputy director of the President’s Initiative for One America.

This is a free event. In-person seating is open to the public. 

Attendees who wish to attend via Zoom may pre-register HERE.

Books will be available for purchase at the event through Malaprop’s Bookstore and may also be ordered online below.

For more information, contact Erica Abrams Locklear at [email protected].

Accessibility

UNC Asheville is committed to providing universal access to all of our events. If you have any questions about access or to request reasonable accommodations that will facilitate your full participation in this event, please contact the Event Organizer (see below). Advance notice is necessary to arrange for accessibility needs.

Visitor Parking

Visitors may park in faculty/staff and non-resident All Permit lots from 5:00 p.m. until 7:30 a.m., Monday through Friday, and on weekends, holidays, and campus breaks. Visitors are not permitted to park in resident student lots at any time. Find a campus map here.
Prior to 5pm, any visitor (regardless of their reason for visit) need to adhere to the current practices listed on the parking website. Get your visitor parking permit here.

Bobby Weir & Wolf Bros featuring The Wolfpack are coming to the Thomas Wolfe Auditorium on Wednesday, February 22nd.

Foodie Book Club

The traditional music of the mountains of North Carolina traces its roots back to the Celtic music of Ireland and Scotland. Traditional Celtic music is still played on the porches and in the pubs of the Celtic lands… and also throughout the southern Appalachian mountains.

In true pub fashion, White Horse Black Mountain hosts a traditional Irish style session twice a month, on the second and fourth Wednesdays, starting at 7pm….

……..and there is NO COVER CHARGE.

Sessions are in many ways the heart and soul of Irish traditional music, a place for players to share tunes and socialize. It’s not a performance, but rather an informal situation in which listeners are welcome to participate, whether offering encouragement, singing along on a chorus, or asking questions about the music and instruments. White Horse sessions regularly draws players from as far away as Waynesville, Cullowhee, Rutherfordton and even Clayton, Georgia.

The sessions are hosted by Richard and Melinda Halford.

Drop by for a beer or a cup of tea and get uplifted by some great traditional tunes and a few new songs.

Come join us in a long musical tradition spanning hundreds of years.

– ALL  AGES
– FULLY SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

RON SEXSMITH
Ron Sexsmith is a three time, Juno award winning singer songwriter from St Catharines Ontario. Born in 1964, Ron was drawn to music from an early age by the melodic songs of the era, which he heard on the radio and by his Mom’s record collection. His earliest musical heroes were Buddy Holly and Elton John. He always loved to sing, but didn’t start playing guitar until age 14 when he formed his first band “Paper Moon” (named after the film of the same name). Although he tried to write songs throughout his teens, it wasn’t until he was 21 and living in Quebec with his partner and first child, that he truly became a songwriter.

Ron eventually moved his young family to Toronto in 1987 to further pursue a career in music. He worked as a courier by day, while performing in the clubs by night. He formed the band ‘Ron Sexsmith and The Uncool’ and started gaining attention from music label executives, though all passed on signing him. In 1991 he released his first full length album on cassette called “Grand Opera Lane” produced by Bob Wiseman. The album was rejected by the Canadian music industry, although it found its way to Los Angeles where Ron ultimately signed his first music publishing deal with Interscope Records followed by a recording contract.

With producer Mitchell Froom, Sexsmith released his self-titled label debut album in 1995. The melancholic tone and sparse acoustic arrangements of the album were met with disapproval from Interscope. However an enthusiastic endorsement from Elvis Costello drew media attention and the album was declared a critical success. In his Sept 7, 1995 review for Rolling Stone, Bud Scoppa wrote: “He just may be the most fluent balladeer to come along since Tim Hardin or Harry Nilsson.”

Sexsmith’s songwriting style evolved into a unique and timeless blend of classic pop, contemporary folk, and roots-rock idioms. He has built a steadfast reputation with critics and with some of his own songwriting hero’s (Elton John, Ray Davies, John Prine, Gordon Lightfoot, Leonard Cohen and Paul McCartney) for his characteristically honest, sensitive, and enduring approach to the songwriting craft. Ron has released albums on a consistent basis since 1995 and has recorded with noted producers Mitchell Froom, Daniel Lanois, Steve Earle, Jim Scott, Don Kerr, Brad Jones, Bob Rock, and Martin Terefe.

His extensive song and album catalog has garnered Sexsmith a substantive cult following and an international touring career. His early years of touring included opening for established artists such as, John Hiatt, Elvis Costello, Sarah McLaughlin, Tori Amos, Squeeze, Aimee Mann, Coldplay, Nick Lowe, John Prine, Lucinda Williams and many others. His songs as well, have been covered by the likes of Rod Stewart, Nick Lowe, Emmy Lou Harris, Feist, and Michael Buble to name a few. In the past few decades as a headlining artist, Ron has performed at some of the most prestigious venues in the world, such as Massey Hall, Royal Albert Hall, and Carnegie Hall. In 2017, Ron penned his first novel ‘Deer Life, A Fairy Tale’ published worldwide by Dundurn Press Limited.

Ron completed work on a brand new album which is scheduled to be released in early 2023 and is in keeping with his reputation for catchy but graceful melodies, drawing on love, and the trials of everyday life. He currently lives in Stratford, Ontario and continues to be inspired to write, record and perform live worldwide.

Support:
Anti-Flag
Skinny Lister

Ages 18+

Flogging Molly Tour Package

Support:
Anti-Flag
Skinny Lister

Ages 18+

Flogging Molly Tour Package