Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Purchase a subscription to the Music on the Rock® Winter / Spring Concert Series and receive a 10% Discount!
Don’t miss out!
Performances are limited. Join us for a rockin’ night with these enduring tunes and the incredible artists that will have you swooning and hungry for more!
Building Community One Tune at a TimeJoin us for a weekly mountain music JAM with players in a round, where the session is focused on regional fiddle tunes and songs! You are welcome to come and listen or to learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program. Free but donations are accepted. Weekly event takes place at Oklawaha Brewing Company.
Purchase a subscription to the Music on the Rock® Winter / Spring Concert Series and receive a 10% Discount!
Don’t miss out!
Performances are limited. Join us for a rockin’ night with these enduring tunes and the incredible artists that will have you swooning and hungry for more!
La Vie Boheme! Join the HS Company in the musical that shaped a generation of audiences and taught us all to measure our life in love.
Set in the East Village of New York City, Rent School Edition is about falling in love, finding your voice and living for today. Winner of the Tony Award for Best Musical and the Pulitzer Prize for Drama, it has become a pop cultural phenomenon with songs that rock and a story that resonates with audiences of all ages.
Based loosely on Puccini’s La Boheme, Rent School Edition follows a year in the life of a group of impoverished young artists and musicians struggling to survive and create in New York’s Lower East Side, under the shadow of HIV/AIDS. The physical and emotional complications of the disease pervade the lives of Roger, Mimi, Tom and Angel. Maureen deals with her chronic infidelity through performance art; her partner, Joanne, wonders if their relationship is worth the trouble. Benny has sold out his Bohemian ideals in exchange for a hefty income and is on the outs with his former friends. Mark, an aspiring filmmaker, feels like an outsider to life in general. How these young bohemians negotiate their dreams, loves and conflicts provides the narrative thread to this groundbreaking musical.
Please note, this performance is rated PG-13. This musical contains mature themes that center around the AIDS Crisis.
Neal Francis with special guest Danielle Ponder will be performing LIVE on the Indoor Stage at Salvage Station on Thursday, February 2nd, 2022! Doors open at 7pm and the music starts at 8pm. 18+ ONLY (no exceptions)! FREE ON-SITE PARKING! Root Down will be serving their delicious twist on Southern Soul food PLUS we will have our FULL bar open for you to enjoy!
2.2. 23 The Orange Peel’s Comedy Basement PULP
What: Stand up Comedy at The Orange Peel’s Pulp Lounge
When: Thursday 2.2.2023. 8p-11p, doors at 7:30p
Where: The Orange Peel’s Comedy Basement, Pulp Lounge103 Hilliard Ave, Downtown Asheville
Tickets: $14 (available at door or The Orange Peel website)
Cocktails available while you laugh the night away to some of the area’s best Stand Up Comics in a ridiculously fun adult environment!! .
Open mic comics signup at door get 3-5m. [Free entry for performing comics, free snacks at comics table]
Stand up comedy featuring Roman Fraden. Hosted by Cody Hughes
FB Event: https://fb.me/e/5QB8e3jo7
For more info about this show contact Michele Scheve, [email protected]
Roman Fraden: Romanis a Los Angeles-based comedian and a regular performer at classic Hollywood venues including The Comedy Store, The Laugh Factory, and The Hollywood Improv. He has trained with Upright Citizens Brigade (UCB) Theatre, performed in various ensemble casts in film and on stage, and has opened for Mark Normand, Margaret Cho, and Patton Oswald. His one man show ‘Back In The Closet’ made it’s world premiere at Edinburgh Fringe Festival in 2018. He currently is living in Asheville while still performing everywhere.
Host Cody Hughes: Cody is a comedian who cut his teeth in Chicago and Atlanta. He is now based out of West North Carolina and tours the Southeast. He has opened for Lewis Black, John Oliver and Maria Bamford among others and hosts the regular Slice of Life Comedy shows at The Orange Peel’s Pulp Lounge.
About Pulp: The speakeasy inspired hideaway offers a cozy space for show-goers to relax and enjoy a beverage during the concert. Boasting over 200 different Bourbons and Whiskeys, alongside a myriad of other spirits, it is a must-visit for cocktail lovers and Bourbon sippers alike. Pulp will also open various other nights to feature local artists and “Slice of Life” open-mic comedy nights. To stay informed with the happenings at Pulp, visit the Orange Peel’s website, and follow @pulp_avl on Instagram.
About Slice of Life Comedy: Slice of Life Comedy is owned and run by long standing Ashevillian Michele Scheve. Michele was the Founder and Publisher of the hit satire newspaper “The Asheville Disclaimer” in 2002 (till 2015). She also Hosts one of 103.3 Asheville FM’ longest running and most popular shows, “Slumber Party AVL”, which began in 2011. In addition to these established platforms, Michele also Co-Founded and Co-Owns Buzz Radio Asheville, which features only local music and comedy 24/7. Slice of Life Comedy began as a partnership, between Michele and comedian Kelly Rowe, doing live shows at Pulp Lounge in 2010, highlighting local up-and-coming comics through Open Mic events. From there, Slice of Life Comedy began booking feature shows, After-Party shows for national headline acts and collaboration with more and more venues and producers in the scene. Today, Slice of Life Comedy is the Premiere Partner for shows at some of Asheville’s most well-known and beloved venues.
Purchase a subscription to the Music on the Rock® Winter / Spring Concert Series and receive a 10% Discount!
Don’t miss out!
Performances are limited. Join us for a rockin’ night with these enduring tunes and the incredible artists that will have you swooning and hungry for more!
PUBLIC TICKETS FEB 3rd
“Not The Smile as in ha-ha-ha, more The Smile as in the guy who lies to you everyday”… so speaks Thom Yorke on the inspiration behind the name of the new trio consisting of himself, his Radiohead bandmate Jonny Greenwood and drummer Tom Skinner of UK jazz outfit Sons of Kemet. The description is borne out by The Smile’s acerbic first single “You Will Never Work In Television Again,” a 2:48 blast of ragged, raw energy that moved The New York Times to rave: “Over a bruising 5/4 beat and flailing guitars climbing through three chords, Yorke snarl-sings his avenging fury at some gangster troll promising the moon who’d devour all those beautiful young hopes and dreams, and you can almost feel the spittle flying.” “You Will Never Work In Television Again” was one of eight songs played by The Smile during the band’s debut performance as part of the 2021 global streaming Glastonbury event Live At Worthy Farm. Following the release of second track “The Smoke,” The Smile played three back to back live shows across 16 hours and three timezones at Magazine London. Performed in the round to an in-person audience and simultaneously livestreamed worldwide, the hybrid shows featured multiple songs that comprise The Smile’s first album, A Light For Attracting Attention, released digitally May 13th via XL Recordings.
Produced by Nigel Godrich and featuring additional critically acclaimed singles “Skrting On The Surface, “Pana-vision”, “Free In The Knowledge” and “Thin Thing”, A Light For Attracting Attention features strings by the London Contemporary Orchestra and a full brass section of contemporary UK jazz players including Byron Wallen, Theon and Nathaniel Cross, Chelsea Carmichael, Robert Stillman and Jason Yarde. The Smile began their 2022 European tour on May 16th in Croatia with UK dates in London, Edinburgh, and Manchester, before heading back into Europe, finishing their headline shows in Taormina, Sicily, on July 20th and with a final UK date in London’s All Points
East on 28th August.
Odeya Nini makes her return to BMCM+AC, in support of her latest album ODE (Populist Records), exploring the multidimensionality of solo voice performance. Nini is a member of the Grammy nominated new music ensemble, Wild Up, and has recently completed a residency with Los Angeles-based destination-concert series, Feels Like Floating.
Local support from Grammy-award winning composer, Zach Cooper (RVNG Int’l, Ipecac Recordings), performing very quiet music for solo contrabass.
“Nini gave a (performance) of the sheer power of her vocal prowess, reaching notes deep as the earth and reaching twinkling harmonics meant for dog’s ears.” – Mark Swed, LA Times
Odeya Nini is a Los Angeles based interdisciplinary vocalist and composer. At the locus of her interests are performance practices, gesture, textural harmony, tonal animation, and the illumination of minute sounds, in works spanning chamber music to vocal pieces and collages of musique concrète. Her solo vocal work extends the dimension and expression of the voice and body, creating a sonic and physical panorama of silence to noise and tenderness to grandeur. Her work has been presented at venues and festivals across the US and internationally, such as The LA Phil, Merkin Concert Hall, The Broad Museum, and MONA from Los Angeles to Tel Aviv, Australia, Mongolia, Madagascar and Vietnam. Her performance of I See You was included in the The New Yorker’s 10 notable performances of 2021. She leads vocal sound baths, workshops and retreats exploring the transformative and healing qualities of embodying the voice.
Odeya holds a BFA from the New School for Jazz and Contemporary Music and an MFA in composition from California Institute of the Arts.
Zach Cooper is a Grammy award winning composer, producer and songwriter based in Black Mountain, North Carolina. He has contributed to works by Leon Bridges, Jazmine Sullivan, Jon Batiste, Moses Sumney, Billy Porter, and Ellie Goulding, among others. Zach is also a founding member of experimental soul group, King Garbage. His work has been featured in Pitchfork, The Fader, Rolling Stone, and Guitar World Magazine, and he’s released records with RVNG Int’l, Styles Upon Styles and Mike Patton’s Ipecac Recordings.
La Vie Boheme! Join the HS Company in the musical that shaped a generation of audiences and taught us all to measure our life in love.
Set in the East Village of New York City, Rent School Edition is about falling in love, finding your voice and living for today. Winner of the Tony Award for Best Musical and the Pulitzer Prize for Drama, it has become a pop cultural phenomenon with songs that rock and a story that resonates with audiences of all ages.
Based loosely on Puccini’s La Boheme, Rent School Edition follows a year in the life of a group of impoverished young artists and musicians struggling to survive and create in New York’s Lower East Side, under the shadow of HIV/AIDS. The physical and emotional complications of the disease pervade the lives of Roger, Mimi, Tom and Angel. Maureen deals with her chronic infidelity through performance art; her partner, Joanne, wonders if their relationship is worth the trouble. Benny has sold out his Bohemian ideals in exchange for a hefty income and is on the outs with his former friends. Mark, an aspiring filmmaker, feels like an outsider to life in general. How these young bohemians negotiate their dreams, loves and conflicts provides the narrative thread to this groundbreaking musical.
Please note, this performance is rated PG-13. This musical contains mature themes that center around the AIDS Crisis.
Edvard Tchivzhel, conductor
Virginia Metzger, oboe
MOZART Divertimento, K. 136
MOZART Oboe Concerto
MOZART Symphony No. 28
Virginia Zeblisky Metzger, a native of Long Island, holds an M.A. degree from the City University of New York, Hunter College, and a B.F.A. degree from the State University of New York, Purchase College. Her major teachers include Ronald Roseman, Joseph Robinson, Joel Timm, and John Mack.
Ginny has held the position of Principal Oboe with the Greenville Symphony Orchestra since 1985. In addition to her position with the GSO, she currently holds principal oboe positions with the Spartanburg Philharmonic Orchestra, Hendersonville Symphony and the Greater Anderson Musical Arts Consortium. She previously held principal oboe positions with the Asheville Symphony and Brevard Chamber Orchestra, and has performed with many other regional orchestras, including the North Carolina Symphony, Charlotte Symphony, and Charleston Symphony. She has been featured as a soloist with various orchestras, including the Greenville Symphony Chamber Orchestra, Hendersonville Symphony, and Brevard Chamber Orchestra.
Before coming to South Carolina, Ginny was a founding member of the Kaiser Woodwind Quintet, a group which was sponsored by Carnegie Neighborhood Concerts and which performed throughout the tri-state area. She also played regularly with the Amato Opera and New Amsterdam Symphony, and free-lanced with diverse musical organizations such as Scovasso Opera, Putnam Symphony, and Darien Dinner Theatre. She spent the 1984-1985 season touring Europe with ‘Showboat’ before moving to Greenville.
In Greenville, Ginny has performed various chamber works in the Greenville Symphony’s ‘Spotlight Series’. She has also performed with the Galliard Woodwind Quintet, the Bob Jones University Woodwind Quintet, and the Heritage Woodwind Quintet, and was a founding member of the French Broad River Woodwind Quintet. With the Greenville Symphony Woodwind Quintet, she has played educational concerts in all of the elementary schools in Greenville County.
Ginny has served as artist-in-residence at the Greenville Fine Arts Center, and has taught oboe at Furman University. Her reeds have been sold nationally through Covey Oboes in Atlanta.
Lua Flora’s sun-kissed melodies are rooted in the harmonies of Appalachia, rhythms of the West Indies, and lyricism of American folk. Joined by indie folk band, Strawhouse, for this intimate concert.
Carolina Clay is a band started in 2017 by North Carolina native singer/songwriter Heather Foster. Carolina Clay was established to embody the ideation of living in the Carolinas through a unique style of country music. Their latest album “Whiskey & Women” seamlessly blends a punch of southern rock with the storytelling of folk and Americana music. Lyrically, Carolina Clay is known for telling the gut wrenching truth with just a touch of outlaw to keep things interesting.
Moving into 2023, the band is touring regionally to promote their latest release as well as defining a permanent roster. Works for a second EP with the new line up are already in progress!
Purchase a subscription to the Music on the Rock® Winter / Spring Concert Series and receive a 10% Discount!
Don’t miss out!
Performances are limited. Join us for a rockin’ night with these enduring tunes and the incredible artists that will have you swooning and hungry for more!
Kate Steinbeck flute and Dewitt Tipton piano
Music of JS Bach, Wilhelm Peterson-Berger, Claude Debussy, Albert Roussel and Katherine Hoover
Read more about Adventure Armenia here: https://panharmonia.org/2023/01/02/adventure-armenia/
We are committed to ensuring that programs remain accessible to all members of the community. In the spirit of inclusivity and equity, PAN HARMONIA offers donation-based, pay-as-you-can community concerts. All are welcome.
Those planning to attend are expected to be fully vaccinated for the safety of our community. Advanced reservations are encouraged.
Email [email protected] or call the office at (828) 254-7123, if you have questions.
panharmonia.org
Nobody’s Darling String Band is here every Saturday from 4-6! Stop in for an afternoon libation and enjoy the ladies picking’ away on the stage!
La Vie Boheme! Join the HS Company in the musical that shaped a generation of audiences and taught us all to measure our life in love.
Set in the East Village of New York City, Rent School Edition is about falling in love, finding your voice and living for today. Winner of the Tony Award for Best Musical and the Pulitzer Prize for Drama, it has become a pop cultural phenomenon with songs that rock and a story that resonates with audiences of all ages.
Based loosely on Puccini’s La Boheme, Rent School Edition follows a year in the life of a group of impoverished young artists and musicians struggling to survive and create in New York’s Lower East Side, under the shadow of HIV/AIDS. The physical and emotional complications of the disease pervade the lives of Roger, Mimi, Tom and Angel. Maureen deals with her chronic infidelity through performance art; her partner, Joanne, wonders if their relationship is worth the trouble. Benny has sold out his Bohemian ideals in exchange for a hefty income and is on the outs with his former friends. Mark, an aspiring filmmaker, feels like an outsider to life in general. How these young bohemians negotiate their dreams, loves and conflicts provides the narrative thread to this groundbreaking musical.
Please note, this performance is rated PG-13. This musical contains mature themes that center around the AIDS Crisis.
Edvard Tchivzhel, conductor
Virginia Metzger, oboe
MOZART Divertimento, K. 136
MOZART Oboe Concerto
MOZART Symphony No. 28
Virginia Zeblisky Metzger, a native of Long Island, holds an M.A. degree from the City University of New York, Hunter College, and a B.F.A. degree from the State University of New York, Purchase College. Her major teachers include Ronald Roseman, Joseph Robinson, Joel Timm, and John Mack.
Ginny has held the position of Principal Oboe with the Greenville Symphony Orchestra since 1985. In addition to her position with the GSO, she currently holds principal oboe positions with the Spartanburg Philharmonic Orchestra, Hendersonville Symphony and the Greater Anderson Musical Arts Consortium. She previously held principal oboe positions with the Asheville Symphony and Brevard Chamber Orchestra, and has performed with many other regional orchestras, including the North Carolina Symphony, Charlotte Symphony, and Charleston Symphony. She has been featured as a soloist with various orchestras, including the Greenville Symphony Chamber Orchestra, Hendersonville Symphony, and Brevard Chamber Orchestra.
Before coming to South Carolina, Ginny was a founding member of the Kaiser Woodwind Quintet, a group which was sponsored by Carnegie Neighborhood Concerts and which performed throughout the tri-state area. She also played regularly with the Amato Opera and New Amsterdam Symphony, and free-lanced with diverse musical organizations such as Scovasso Opera, Putnam Symphony, and Darien Dinner Theatre. She spent the 1984-1985 season touring Europe with ‘Showboat’ before moving to Greenville.
In Greenville, Ginny has performed various chamber works in the Greenville Symphony’s ‘Spotlight Series’. She has also performed with the Galliard Woodwind Quintet, the Bob Jones University Woodwind Quintet, and the Heritage Woodwind Quintet, and was a founding member of the French Broad River Woodwind Quintet. With the Greenville Symphony Woodwind Quintet, she has played educational concerts in all of the elementary schools in Greenville County.
Ginny has served as artist-in-residence at the Greenville Fine Arts Center, and has taught oboe at Furman University. Her reeds have been sold nationally through Covey Oboes in Atlanta.
A very special evening featuring The Asheville Jazz Orchestra playing a variety of l jazz favorites !!!!
Dedicated to advancing and preserving the big band jazz tradition, the 17-piece Asheville Jazz Orchestra is western North Carolina’s premier big band. Whether they are playing a swing dance, club date, or formal concert, the AJO is the hardest swinging band in Asheville.
Since its founding the Asheville Jazz Orchestra has been directed by Dr. David Wilken. In addition to directing the AJO, he also plays trombone and also composes much of their material. He can also be heard playing traditional New Orleans jazz with the Low-Down Sires and conducting the Land of the Sky Symphonic Band.
Edvard Tchivzhel, conductor
Virginia Metzger, oboe
MOZART Divertimento, K. 136
MOZART Oboe Concerto
MOZART Symphony No. 28
Virginia Zeblisky Metzger, a native of Long Island, holds an M.A. degree from the City University of New York, Hunter College, and a B.F.A. degree from the State University of New York, Purchase College. Her major teachers include Ronald Roseman, Joseph Robinson, Joel Timm, and John Mack.
Ginny has held the position of Principal Oboe with the Greenville Symphony Orchestra since 1985. In addition to her position with the GSO, she currently holds principal oboe positions with the Spartanburg Philharmonic Orchestra, Hendersonville Symphony and the Greater Anderson Musical Arts Consortium. She previously held principal oboe positions with the Asheville Symphony and Brevard Chamber Orchestra, and has performed with many other regional orchestras, including the North Carolina Symphony, Charlotte Symphony, and Charleston Symphony. She has been featured as a soloist with various orchestras, including the Greenville Symphony Chamber Orchestra, Hendersonville Symphony, and Brevard Chamber Orchestra.
Before coming to South Carolina, Ginny was a founding member of the Kaiser Woodwind Quintet, a group which was sponsored by Carnegie Neighborhood Concerts and which performed throughout the tri-state area. She also played regularly with the Amato Opera and New Amsterdam Symphony, and free-lanced with diverse musical organizations such as Scovasso Opera, Putnam Symphony, and Darien Dinner Theatre. She spent the 1984-1985 season touring Europe with ‘Showboat’ before moving to Greenville.
In Greenville, Ginny has performed various chamber works in the Greenville Symphony’s ‘Spotlight Series’. She has also performed with the Galliard Woodwind Quintet, the Bob Jones University Woodwind Quintet, and the Heritage Woodwind Quintet, and was a founding member of the French Broad River Woodwind Quintet. With the Greenville Symphony Woodwind Quintet, she has played educational concerts in all of the elementary schools in Greenville County.
Ginny has served as artist-in-residence at the Greenville Fine Arts Center, and has taught oboe at Furman University. Her reeds have been sold nationally through Covey Oboes in Atlanta.
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
Jack of the Wood
95 Patton ave
Asheville, NC 28801
(828) 252.5445
What: Asheville’s Premier Standup Feature & Open Mic comedy
When: Sunday, February 5, 6:30pm (Come early to get your food and drinks!)
Where: Asheville Pizza & Brewing Co., Theater 2
675 Merrimon Avenue in North Asheville (onsite parking)
Tickets: $14
Comedy open mic. [signup at the door to get 3-5m. Free entry for performing comics, free pizza at comics table]
Hosted by Morgan Bost featuring Allison Shelnut, Jess Cooley and Larry Griffin
FB: https://fb.me/e/3Yb5s4IfD
American music masters Sam Bush (mandolin/violin), Mike Marshall (mandolin) & Edgar Meyer (bass) join together with George Meyer (violin) for a special collaboration usually only heard on the summer bluegrass festival circuit! Expect to hear works from the genre bending Short Trip Home album of many years ago as well as new music written specifically for this tour.
Edgar’s son George is charting his own course in the musical world and represents the next generation of artists expressing their unique voices and perspective. He certainly has strong roots!
The Swingbillies are a newly founded eclectic acoustic band based out of Boone, NC. They play improvised music through a repertoire of traditional and classical styles from around the world.
The group is centred around award winning, conservatory trained musicians, Meade Richter and Savash Altuntas on fiddle and guitar and regularly features guests on bass and percussion.
Guitarist, Savash Altuntas, grew up singing and playing Flamenco style guitar in his homeland of Turkey and moved to the US to study French horn at Oberman School of Music at the age of 18. Fiddle player, Meade Richter, started playing Old-Time fiddle as a child and quickly made a name for himself in NC as a contest fiddle player. He became one of the first people to earn a 4-year-degree in Bluegrass Music Studies and went on to earn a Masters in Jazz Violin at the prestigious Norwegian Academy of Music.
The two have teamed up in an effort to guide audiences through a musical trip around the world focused on traditional styles and classic composers, with an emphasis on improvisation and personal expression. The Swingbillies transport listeners to distinct settings through their instruments and voices while creating something new and unique.
February 6 – April 17 (Spring Break March 13-17)
MONDAY 5:45-6:45PM
Instructor: Zoe Zelonky
In this 10-week session discover the fun and fundamentals of musical theatre technique by integrating acting, singing, and simple choreography in the development of a Broadway repertoire. Students will learn proper vocal technique, story-telling through song, musical theatre-style choreography, and how to work within an ensemble. Apply your skills at the end of class performance for friends and family on Monday April 24 in the evening. With new material every semester, this class can (and should) be taken multiple times.
Dates: February 6 – April 17
Grades: 3rd-5th
Day/Time: Monday 5:45-6:45
Tuition: $190
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- Payment plans are available through the Box Office at 828.693.0731.
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A $50 deposit is required to secure the student’s spot in the class. The full payment must be completed by the first day of class.
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Students and families that register for more than one class are offered a $25 discount for each additional class. This offer applies to multiple classes for one student or family discounts for siblings.
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*Need-based scholarships are available upon application.
The Wailin’ Jennys are Nicky Mehta, Ruth Moody and Heather Masse – three distinct voices that together make a perfect vocal sound. Starting as a happy accident of solo singer-songwriters getting together for a one-time performance, the trio has earned their place as one of today’s most beloved international folk groups. Since releasing their first full-length album in 2004, the group has won a Juno Award (Canadian Grammy) for Roots & Traditional Album of the Year, a 2007 Folk Alliance Award for Contemporary Release of the Year, made frequent appearances on Garrison Keillor’s public radio show, and charted on the Billboard charts consistently.