L Listen to the regenerative story straight from the man who, together with his wife Amy in the year 2000, started the modern day version of Hickory Nut Gap. Jamie is filled to the brim with stories about the history of the land and, of course, four generations of farming wisdom. We’re excited to offer this tour to the public for a chance to share Jamie’s vision of regenerative agriculture with all.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

Join us for a relaxing ride through quiet countryside on your way to small town life in western North Carolina on the Tuckasegee River Excursion. Departing from Bryson City, this 4 hour excursion travels 32 miles round-trip to Dillsboro and back to the Bryson City Depot. Pass by the famous movie set of The Fugitive starring Harrison Ford!

• About This Trip
• Things To Do
• Itinerary
• Classes of Service and Pricing
• Class Comparison
• How to Purchase
• Schedule
• The Tuckasegee (tuck-uh-SEE-jee) River Excursion includes an 1 hour and 20 minute layover in the historic town of Dillsboro, where you’ll find more than 50 shops, restaurants, a brewery, and country inns. There is time to shop, snack, and visit the many unique shops before returning to Bryson City.

Join us for this special program to help celebrate Black History Month. This concert features some wonderful works for violin, cello, and piano by some neglected black composers, including some fun ragtime arrangements by Scott Joplin; two Suites of Spiritual arrangements by Samuel Coleridge-Taylor and Undine Smith Moore; and Blues-inspired pieces by Florence Price and William Grant Still. This is music filled with the pain and anguish of an oppressed people, but also powerful melodies, inspirational themes, and an exciting rhythmic drive. The wonderful Borowsky siblings—Emmanuel on violin and Frances on cello—are back to perform these sadly neglected, but very soulful works of music.

Nobody’s Darling String Band is here every Saturday from 4-6! Stop in for an afternoon libation and enjoy the ladies picking’ away on the stage!

DEEP RIVER PLAYS THE EAGLES 20 GREATEST HITS !!!!!

DEEP RIVER , Asheville’s Premier Country Vocal Group, will pay homage to the Southern California band that started the country rock genre, the Eagles, by telling their story in words and songs, album-by-album, from their debut album in 1972 simply called ‘Eagles’ to their ‘Long Road Out Of Eden’ album in 2007.

The three women who front Deep River will perform all the vocals, and the Band will add a 3rd guitarist for a total of 7 pieces in order to create that iconic Eagles sound, and take the audience on an unforgettable American musical journey.

Celebrating 31 years of making music in 2023, Deep River is fronted by three women who sing all the lead and harmony vocals. All but one of our talented instrumentalists are also music instructors at the Asheville Music School.

Deep River has sung with Vince Gill, opened for Kathy Mattea and Mark Wills. One of our Nashville-era original songs, ‘Civil War’, has been played by KISS Country 99: https://www.reverbnation.com/deepriver/song/1478838-civil-war 

Here’s a composite video of Deep River’s Eagles show: https://youtu.be/buAVPHUnMXg 

Visit The Artists Website

Heavy Ticket Sales Are Anticipated.

Thus, advance ticket purchases are HIGHLY RECOMMENDED !!!!!!!

Join us for an all-levels yoga experience and stay afterward for some community!

Instructor: Claudia Strauss

No experience necessary, all levels welcome.

Please enter at the Catawba Ave entrance, follow the hall to enter.

Bring a mat.

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

– AGES 18+
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

BURLESQUE BRUNCH

Burlesque Brunch is a monthly burlesque and bellydance show with a classic speakeasy feel. Join our dancing dames and dandies every third Sunday of the month for a little singin’, strippin’, and sippin’ starting at noon. It’s a Sunday afternoon to delight the senses!

**Ticket price covers entry, brunch is not included in price.

Poetry and A Talk with Dr. Gabrielle Foreman, MacArthur Fellow, and Glenis Redmond, Poet Laureate of Greenville about David Drake, the enslaved South Carolina potter and poet. 

Gabrielle Foreman and Glenis Redmond will discuss their collaboration on the book, Praise Songs for Dave the Potter, Art and Poetry for David Drake (University of Georgia Press, 2023).

David Drake is recognized as one of the United States’ most accomplished nineteenth-century potters. Yet, though his pots—many inscribed with original verse—sit in museums across the nation, he is too often passed over as one of the early progenitors of the African American poetic tradition. Born in South Carolina at the beginning of the nineteenth century, Drake produced hundreds of pieces while under the surveillance of the enslavers who claimed him and his work as their property. As Gabrielle Foreman notes, he is perhaps the only Black person in all of the free or slave states whose literary work was preserved in neither books nor pamphlets nor newspapers. His pots and jars served as pages as well as ceramic vessels.

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

THE GIBSON BROTHERS
There’s a reason why Ricky Skaggs pulled Eric and Leigh Gibson off the stage at the Ryman two decades ago and offered to produce their debut record. The same thing that led David Ferguson and Grammy Award winning producer and Black Keys frontman Dan Auerbach to co-write and produce their 14th album “Mockingbird” (2018) and release it on his own label Easy Eye Sound alongside cultural icons such as Hank Williams Jr. and Dr. John: the Gibson Brothers are the real deal. They can pick. They can sing. And they can write a damn good country song. They’ve won about every bluegrass award you can name and released albums on almost every premier Americana label you can think of including Sugar Hill and Rounder, and, if that’s not enough, their songs have been recorded by bluegrass legends no less than Del McCoury. It’s a resume almost anybody in country music would be proud to have. But despite all of this, the Gibson Brothers are not yet household names. Their latest album, “Darkest Hour,” produced by dobro master Jerry Douglas might just change that.

As soon as you hear Leigh singing with Alison Krauss [“I Feel The Same Way As You”] on the new project you realize that his voice is as good as anyone in music today. Add the brother harmony to that and they have something truly unique. While “Mockingbird” featured gorgeous production, recreating the sound on stage was difficult. “We put together a little band to go out and try to recreate it,” Eric told me, but we couldn’t. We would have to have such a huge band to try to recreate that record, but we did the best we could.”

Douglas—who has won 14 Grammy awards and backed up everyone from Ray Charles to Paul Simon and George Jones—wanted to make a record they could actually play on the road. So he picked the best songs (out of dozens) and squirreled them away in Sound Emporium’s Studio B.
But then the pandemic hit. “We did our last shows in March of 2020,” Eric told me. “We were in Nashville the week everything was shutting down. It was surreal, but Jerry was like, ‘Guys, the world’s going crazy. Let’s let this be our little cocoon.’ And we did. We cut all of the acoustic stuff and then went home and didn’t play any more gigs until things started opening. Then we went back and finished the record with Jerry in February of 2021.”

The result is arguably the strongest record The Gibson Brothers have ever made. The songs recorded in the first recording period featured Mike Barber (bass), Justin Moses (mandolin), Eamon McGloughlin (fiddle), and of course, Jerry Douglas, adding in John Gardner (drums), Guthrie Trapp (electric guitar), and Todd Parks (bass) for the final tracks, “Darkest Hour” showcases just how easily Eric and Leigh move from what Dan Auerbach dubbed “country soul” (“I Go Driving”) to high octane bluegrass (“What a Difference A Day Makes” and “Dust”) with Douglas always keeping the spotlight on the songs themselves. “That’s what I love about those guys,” Douglas told me, “they are just great songwriters.”

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

CELEBRATE MARDI GRAS WITH US!   This is one of our favorite times of the year, as we revamp our menu to reflect and celebrate Cajun and Creole cuisine on… Monday, February 20th and Tuesday February 21st.  We will also have some amazing traditional New Orleans cocktails! Please note that our regular menu will not be available. COURTYARD reservations will include live music by Les Chats Violets starting at 6pm.

Acoustic guitarist, JAY BROWN hosts our bi-weekly Local Live series featuring a variety of talented local musicians. Jay grew up playing folk guitar with his parents and has continued to pursue a career in music as a singer-songwriter and roots musician.

– PARTIALLY SEATED SHOW
– GA SEATING IN FIRST COME, FIRST SERVED. 

THE MOTH resumes their recurring monthly Asheville StorySLAM at The Grey Eagle at 7:30pm! This month’s theme is….

Ages 18+

Silversun Pickups release their sixth album, Physical Thrills, produced by Butch Vig via their label, New Machine Recordings. Brian Aubert of the band shares about the album: “This record is alive. It sits somewhere in between a collection of songs and an imaginary friend. A friend that from March of 2020 to April of 2021 would not only introduce itself to me but keep me company through that time of intense isolation. A friend that would remind me that in this instance, the whole world was feeling the same way as well. A comforting, playful, sometimes frightened, often delighted friend. A friend that was finally introduced to Butch Vig, once we got vaccinated, and blew through his studio like a tornado made of cotton candy, leaving little pieces of residue everywhere. But most importantly, this friend REALLY doesn’t give a fuck. I know. That sounds brash. I just mean it’s a thing that is truly free. And now, this little living head space no longer visits me. I visit it through this album. I hope you like it. My friend wouldn’t care. Little rascal.” Physical Thrills is available for purchase on all formats here.

The band also shares a track-by-track guide to the album via Consequence, who says of the album: “Helmed by legendary producer Butch Vig (Nirvana, Garbage), the new LP sees the veteran quartet finding new avenues to push the envelope within their well-established sound. The record feels universally current…depicting the paradoxical bittersweetness that comes with significant change.” Read it here.

Silversun Pickups recently shared “Alone On A Hill”, the latest single and video. Bassist Nikki Monninger’s vocals are featured on the song and video, revealing, “This song exposes a side I didn’t know I had in me. It felt freeing, especially with everything going on in the past couple of years. I’m grateful everyone gave me so much support during the recording process as I am a bit timid when it comes to hearing the sound of my own voice.  Bri just kept telling me to channel my inner Kate Bush.” Listen to the song here, and watch the Suzie Vlcek-directed video here. The band also shared the video for the first single from Physical Thrills, “Scared Together,” directed by Claire Marie Vogel. Watch it here.

Silversun Pickups recently announced their 21-date headlining tour in support of their forthcoming album, Physical Thrills (August 19^th, New Machine Recordings). On the “Physical Thrills” tour, the band will perform in cities including San Diego, Los Angeles, Boston, New York City, Atlanta, and Nashville (full dates below). Tickets for all dates are now on sale here. Silversun Pickups have partnered with PLUS1 so that $1 from every ticket sold will go to the PLUS1 x Noise For Now Reproductive Health Access Fund supporting access to reproductive rights and services for all.

Silversun Pickups’ sixth album Physical Thrills came together as a serendipitous accident during a dark time. The LA band began 2020 by touring in support of their record released the previous year, Widow’s Weeds; however, the pandemic halted those plans, with the guitarist and singer Brian Aubert, bassist Nikki Monninger, drummer Christopher Guanlao, and keyboardist Joe Lester finding themselves stuck at home. In that resting period, Aubert wasn’t focused on Silversun Pickups; instead, he channeled his energy into taking care of his son.

As much as his focus initially shifted from the band, he ultimately couldn’t escape the new melodies germinating in his head. “I would sneak off and start writing these songs, and I didn’t know what they’re for because I didn’t really think about Silversun on any level. I was just doing it to keep myself calm and keep myself company,” says Aubert. The songs were so different from what he’d previously written for Silversun Pickups that he initially thought he was writing a musical. There were “dream shanties,” gentler vocals, horror-inspired sounds, and other exciting new elements coming to mind.

When Aubert revealed the new material to his bandmates, they readily embraced the new direction—and so did producer Butch Vig. The band reunited with Vig, who first worked with Silversun Pickups on Widow’s Weeds, recording the album at the famed producer and Garbage-member’s home. Once Aubert made plans to visit Vig and play him what he had, the music began pouring out. He immediately began recording with Vig, having the rest of the band join later.

Physical Thrills was colored by the pandemic, but isn’t meant to be solemn; instead, Aubert explores his own comfort in the temporary, newfound isolation. There are tracks with shoegaze-infused distorted synths and guitar, like opener “Stillness (Way Beyond)”; bouncy, pop-tinged danceable tunes (“Empty Nest,” “Hereafter (Way After)”); pared-down ballads (“Alone On A Hill”); and a collection of “dream shanties,” as Aubert refers to them.

With such an exploratory record, the band members felt free to traverse new ground. Guanlao, who usually shies away from fills on drums, took inspiration from The Beatles documentary Get Back, throwing some into Physical Thrills, influenced by Ringo Starr’s work on Let It Be. Whereas for Monninger, this record allowed her to showcase her vocals at the forefront more than in previous work. Lester also took a larger role in composition on this record, writing the piano part for “We Won’t Come Out,” which became the backbone for the song. The making of Physical Thrills also allowed for whimsical moments, including Aubert creating a distinct tapping noise by incorporating the sound of drumsticks hitting Vig’s Grammy in “Hidden Moon,” and playfully pelting balloons at Monninger while she played “Hereafter (Way After)” on bass to create less tension.

While this record features such an eclectic mix of melodies, each song is interconnected with each other, meant to be experienced as a whole body of work. “All of our records are designed for people who want to listen to them all the way through and hopefully stick around with it,” says Aubert. “After a while, maybe you’ll catch on to the little things—not just the [pattern of] the dream songs, but maybe you’ll hear that, and you’ll hear a melody from the first song in the last song. There are crossover things happening.” Monninger adds, “We’ve been together for twenty-two years; it’s really interesting that we still love doing this. We know that we’re fortunate to still be together after all these years, seeking out the silver lining. I feel like we still have many more things to say, and we’re so happy with how this album turned out.”

Support:
paris jackson

Ages 18+

Silversun Pickups Physical Thrills VIP Package

• One general admission ticket
• Early entry into the venue
• Access to an intimate preshow soundcheck party with Silversun Pickups
• Limited edition lenticular Physical Thrills poster: autographed by Silversun Pickups
• Specially designed Silversun Pickups tote bag
• Commemorative VIP laminate with lanyard
• Limited availability

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

Every Tuesday 1/2 off bottles of wine at 131 Main Restaurant

CELEBRATE MARDI GRAS WITH US!   This is one of our favorite times of the year, as we revamp our menu to reflect and celebrate Cajun and Creole cuisine on… Monday, February 20th and Tuesday February 21st.  We will also have some amazing traditional New Orleans cocktails! Please note that our regular menu will not be available. COURTYARD reservations will include live music by Les Chats Violets starting at 6pm.

– ALL AGES
– STANDING ROOM ONLY

THELMA AND THE SLEAZE

Thelma and the Sleaze is an independent all-female, queer southern rock band from Nashville, Tennessee. The group is the brainchild of lead vocalist and guitar player Lauren “LG” Gilbert and features an evolving cast of A-team players to back her up for an unforgettable live experience.

LG is the embodiment of hustle. As the driving force behind Thelma and The Sleaze, she is the songwriter, the visionary, the take-no-shit-from-anyone front woman that is single handedly keeping rock and roll alive. Thelma and The Sleaze has been touring the US for years building a legion of fans, affectionally called her creepers. The growing social media presence, the hit podcast, the features with Yamaha Guitars are really all the result of her incredible songwriting, visceral guitar playing, and the guts to deliver on her vision of what Rock and Roll should be.

LG has also launched two successful seasons of their Podcast “Queen of Shit Mountain”. Each episode features legendary musicians such as Tanya Tucker, Brittany Howard, Juliana Hatfield, Kate Pierson, Lori Barber, Patty Schemel, Mary Ramirez and Margo Price.