Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.

Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Thursday, April 20, 2023
Italian Renaissance Alive
Apr 20 @ 10:00 am
Biltmore Estate

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

  • Italian Renaissance Alive at Amherst at Deerpark®
  • 8,000 Acres of Gardens and Grounds for two consecutive days
  • Antler Hill Village & Winery
  • Complimentary Wine Tastings at the Winery
  • Tastings require a Day-of-Visit Reservation, which can be made by:
    • Scanning the QR Code found in your Estate Guide
    • Visiting any Guest Services location
  • Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

Pottery | Live Demo at the Folk Art Center
Apr 20 @ 10:00 am – 4:00 pm
Folk Art Center

Lynn Jenkins will be demonstrating wheel-throwing, as well as some carving and burnishing which change the surface of the pots. She will also explain how she fires her pots in a raku kiln (she’ll have photos, but the firing is not part of the demo) to achieve different results on both glazed and unglazed pots. Lynn will be in the lobby of the Folk Art Center on the Blue Ridge Parkway. Visitors are encouraged to watch and ask questions while the demonstrators work and talk about their creative process! Call ahead for the latest updates: 828-298-7928.

Art Exhibit: RAUSCHENBERG: A Gift in Your Pocket
Apr 20 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center
RAUSCHENBERG: A Gift in Your Pocket From the Collections of Friends in Honor of Bradley Jeffries

Robert Rauschenberg, Autobiography, 1968

In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.

The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.

Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.

Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.

Luzene Hill: Revelate
Apr 20 @ 11:00 am – 6:00 pm
Asheville Art Museum

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector | Gifts of Fleur S. Bresler
Apr 20 @ 11:00 am – 6:00 pm
Asheville Art Museum

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.
Natural Collector Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature.

According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.”

This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Pulp Potential: Works in Handmade Paper
Apr 20 @ 11:00 am – 6:00 pm
Asheville Art Museum

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
Apr 20 @ 11:00 am – 6:00 pm
Asheville Art Museum
 
Left: Thermon Statom, Frankincense, 1999, siligraphy from glass plate with digital transfer on BFK Rives paper, edition 50/50, 36 1/4 × 29 3/8 inches. Asheville Art Museum. © Thermon Statom. | Right: Dale Chihuly, Suite of Ten Prints: Chandelier, 1994, 4-color intaglio from glass plate on BRK Rives paper, edition 34/50, image: 29 ½ × 23 ½ inches, sheet: 36 × 29 ½ inches. Asheville Art Museum. © Dale Chihuly / Artists Rights Society (ARS), New York.
Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.

In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.

“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.” 

Too Much Is Just Right: The Legacy of Pattern and Decoration
Apr 20 @ 11:00 am – 6:00 pm
Asheville Art Museum

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.

Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.

Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.

This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

Mother’s Pizza Thursday Pizza Party!
Apr 20 @ 3:00 pm – 7:30 pm
Oak & Grist Distilling Company

We are absolutely STOKED to announce that Mother’s Pizza is coming back for a series of Pop-Ups this Spring! Come by and get delicious Neapolitan-style pizza paired with your favorite Oak and Grist cocktails. We’re even staying open a little bit later so you can enjoy the beautiful Black Mountain sunset! Make sure you cancel those dinner plans, ‘cause you won’t wanna miss this exclusive pop-up event! Available for dine-in or take-out!

MOTHERS PIZZA WEBSITE

Story Explorers
Apr 20 @ 4:00 pm
Pack Memorial Library

We have a new after-school story time for kids from ages 5 to 12 years old. On the third Thursday of the month at 4 p.m. the Story Explorers will meet at Pack Library. Explore a new adventure each month through stories and hands-on S.T.E.A.M. (Science, Technology, Engineering, Arts and Math) activities. Story Explorers will allow school-age children to create, discover, and experiment!

  • March 16: Explore your inner artist and learn simple techniques that mimic the styles of famous artists such as Picasso, Monet, and others. Play with new mediums like paint, clay, and fiber to create your own masterpieces.
  • April 20: Explore different bird beak shapes and learn the type of food they’re designed to eat.  Listen to a bird story and touch some real bird skulls! Hosted by WNC Nature Center.

These events are free, but you do need to register. Please visit the library web page and use the link on the calendar for these programs to sign up. Any questions? Call the Youth Services team at Pack Library at 828-250-4720. We’ll see you at the library!

PATIO: Okapi
Apr 20 @ 5:00 pm
The Grey Eagle
– ALL AGES
– LIMITED PATIO SEATING IS FIRST COME, FIRST SERVED

OKAPI
Okapi is an avant-rock songwriting duo that utilizes upright bass, cello, and voice. Their raw and intricate compositions are cathartic but inviting, carrying honest and satirical messages that aim to stimulate a universal confrontation with reality, while encouraging consciousness, healthy growth, and individual empowerment in the curious and attentive observer.
Live Music with Aaron Lafalce
Apr 20 @ 6:00 pm
131 Main Restaurant
Every Thursday
Not Rocket Science Trivia at Highland Brewing Downtown
Apr 20 @ 6:00 pm – 7:30 pm
Highland Brewing Downtown

Trivia, Singo, tailgate games, and more! Our games are sure to challenge you, but c’mon… it’s not rocket science!

Public Tour: Altruistic Genius: Buckminster Fuller’s Plans to Save the Planet
Apr 20 @ 6:00 pm – 7:00 pm
Asheville Art Museum

Free for Members or included with Museum admission. Registration is not required.
Join us for a guided tour of our new exhibition. Altruistic Genius brings the inventions and designs of R. Buckminster Fuller (Milton, MA 1895–1983, Los Angeles, CA) to Western North Carolina and introduces visitors to Fuller’s strategies for the sustainability of humans and the planet relating to housing, transportation, mathematics, and engineering.

COCKTAIL CLASS: “No Sleep ‘Til Manhattan”
Apr 20 @ 6:30 pm – 7:30 pm
Oak & Grist Distilling Company

LED BY ELLE BLACKBURN, O&G BAR MANAGER

NO SLEEP TILL… well, Manhattan! If we weren’t overtly clear, April’s Cocktail Classes will cover the classic stirred cocktail (and its many, many variations), the Manhattan. Utilize O&G whiskies, explore a curated selection of vermouth, and use that knowledge to stir your way to interesting and innovative Manhattans to make at home! We will provide everything you need for the class & afterward, you will have the chance to stock your home bar (using a special discount) while you sip on a Manhattan of your own creation! As always, if you plan on having a cocktail before class, make sure to get here early!

There are options for both paired and solo tickets, so if you’re coming with a friend, please make sure you purchase the correct ticket. One ticket per participant is required. Classes are capped at a maximum of 12 people per class.

As a special treat, we will have Mother’s Pizza here slinging delicious Neapolitan Pizza so you can snack before, during, or after class!

Please direct any and all questions to [email protected] and we’ll be sure to get back to you as soon as possible!

WHAT YOU’LL NEED TO KNOW

All O&G Cocktail Classes are 21+. Photo IDs are required to participate in our Cocktail Classes so make sure you bring yours to each class. Don’t forget to arrive early to get settled in & sip on a cocktail before the class starts.

Please reach out to [email protected] about any allergies or accessibility accommodations when booking the event and we will do our best to accommodate.

Doors open at 6:30 pm before the start of the event and will start promptly at 7:00 pm. Classes are taught in pairs and make for the perfect night out for couples, besties, or families. Paired tickets are offered at a discounted price!

There are options for both paired and solo tickets, so if you’re coming with a friend, please make sure you purchase the correct ticket. One ticket per participant is required. Classes are capped at a maximum of 12 people per class.

Oak and Grist Distilling Co. reserves the right to refuse service to any guest who appears or acknowledges to be intoxicated.

All cocktail class students will receive a complimentary barware goodie, take-home recipes, a hand-crafted cocktail, & a 15% discount in our Bottle Shop so you can keep your home bar stocked!

OUTPOST: Bearly Dead
Apr 20 @ 7:00 pm
The Outpost

– ALL AGES
– STANDING ROOM ONLY
– RAIN OR SHINE

Bearly Dead is an all-star cast of players with deep roots in the New England jam & festival scene. While the band plays all of the Grateful Dead classics, they also dive into an extended catalog, which may include any song that any member of the Dead ever performed. With over 230 songs in rotation and new material being added all the time, Bearly Dead performs wildly different setlists every night and ensures that each show is a unique experience. With no designated “Jerry” or “Bobby”, this band is able to breathe new life into songs with their fresh, high-energy approach to them. Bearly Dead is a setlist-nerd’s dream!

Founded during an intense snowstorm in April 2015, Bearly Dead played its first show at Church of Boston, marking the beginning of its hallowed Wednesday Night Residency. In September of that year, Church was sold and the band found a new home on Wednesday nights at Thunder Road in Somerville. During their 5 years at Thunder Road, Bearly Dead was nominated twice for the Boston Music Award’s “Live Music Residency of the Year,” and burst onto the scene as New England’s premier Grateful Dead tribute band. The phrase “Never Miss A Wednesday Show” became ubiquitous around Boston…and you really never knew what might happen! Bearly Dead’s Wednesday Night Residency at Thunder Road continued unabated every week since its inception in September 2015 until the club’s closing in 2020. Thunder Road was a beacon to all musicians on Wednesday nights to join in the fun, with notable appearances by Mike Campbell (Tom Petty & The Heartbreakers), Paul Wolstencroft (Slightly Stoopid), Steve Molitz (Particle/Phil Lesh & Friends), Kebbi Williams (Tedeschi Trucks Band), Rob Compa (Dopapod), Hayley Jane (Hayley Jane & The Primates), Johnny Trama (Dub Apocalypse), and Gary Backstrom (Gary Backstrom Band); and a surprise appearance by Jerry Garcia’s “Wolf” guitar in 2018 on Jerry Garcia’s birthday! The Wednesday Night Residency was briefly revived in 2021 at The Burren and Sonia before officially ending in May 2022.

Silverados Season Kickoff Party w/ Empire Strikes Brass
Apr 20 @ 7:00 pm – 10:00 pm
Silverados

4/20 TRINITY PHARMS HEMP CO SEASON KICKOFF PARTY AT SILVERADOS MUSIC PARK FEATURING EMPIRE STRIKES BASS WITH SPECIAL GUESTS CHILLTONIC AND JOSH CLARK’S VISIBLE SPECTRUM.

Speakeasy Improv Presents: Improv Jams
Apr 20 @ 7:00 pm – 9:00 pm
Story Palor


Come out the third Thursday night for these FREE monthly improv jam sessions. What better place to test out your improv skills than in a low stakes setting among friends.

PALMYRA
Apr 20 @ 7:30 pm
White Horse Black Mountain

Drawing from the sounds of Appalachia and Midwestern Americana, Palmyra captures the collective spirit of three Virginia natives, Teddy (he/him), Manoa (he/him), and Sasha (they/them). With an ever-expanding sonic palette, Palmyra’s live set explores the fusion of traditional folk string instruments, three part harmonies and foot percussion.

The burgeoning trio sounds like a distant cousin of the progressive folk band, Punch Brothers, mixed with elements of Fleet Foxes or the Avett Brothers. Palmyra’s songs are intimate and contemplative, with three-part vocal arrangements that allow them to create the illusion of a full, larger-than-three ensemble.

HAPPY AGAIN TOUR JUDAH + THE LION
Apr 20 @ 8:00 pm
The Orange Peel

Judah and the Lion’s Revival comes at a moment of rejuvenation and evolution for the band, both personally and professionally, with a world looking to get back to normal. Judah Akers and
Brian Macdonald return with the band’s fourth album that aims to channel the energy and spirit presented at the beginning of the group’s journey.

Revival is a collection of songs that speaks to the band’s return to innocence and hope through reclamation. They look inwards on life’s changes as a group that still finds energy in innocence
after touring for 8 years and reaching heights on the Billboard charts and earning awards like iHeart Music’s Best New Alternative Rock Artist of the Year in 2018.

“It’s learning to let go of things that are out of our control,” Judah said, reflecting on working with his therapist through anxiety and depression. “Finding purity in life again. For all of us, we’re
gifted innocence when we’re born, and at some point in our lives, be it through choices or tragedy, innocence is robbed. Second innocence is where we’re not given it, but we choose to take it.”

In their last release, Pep Talks, Judah processed the loss of stability with his family. In the leadup to Revival, he was able to process his grief and anxieties alone in his home. The band toured nonstop for eight years, giving the project everything they had. Being primarily on the road prior to 2020 created a misunderstanding of where they were individually and their connection to feeling at home.

“Being home and not getting to mask my emotions with being on tour and being around crowds was big,” Judah said. “It’s an easy distraction because you can avoid dealing with it emotionally. You can get on stage and perform, and everything’s fine.”

Brian also had a journey in finding peace and putting in work to feel complete in a different emotional environment. His wife attended a graduate program in Sweden, thousands of miles from the home they made. As the world slowed to a halt, he had to find comfort in Visby Island’s cold, lonely, and grey terrain.

“The big thing for me was re-learning what ‘home’ means,” Brian said. “Leaving my home and trying to make a new one and realizing that home wasn’t a physical place for me.”

When they came back together, their fulfillment alone proved to change not just themselves but how they fit together. Founding member Nate Zuercher informed them he was leaving the group, changing dynamics for a group of friends making music together for over a decade. Brian picked up the banjo, trying his best to fill the void Nate left but making his playing be his own and offering a new style.

The loss of a key member helped Brian and Judah grow further in reinvigorating their partnership. It brought new energy to their songwriting and collaboration. In the Fall of 2021, Judah & Brian invited their longtime friends and touring musicians with them to record at Echo Mountain in Asheville, North Carolina.

“It was one of the most fun times we had in the studio,” Brian said. “There was a lot of freedom to it, and it felt like a retreat. We were all in it.”

The Sadies
Apr 20 @ 8:00 pm
The Grey Eagle

– ALL AGES
– STANDING ROOM ONLY

THE SADIES

Without doubt or qualification, The Sadies are one of this continent’s greatest extant rock ’n’ roll bands — just as they have been for the last quarter-century. Versatile and imaginative, they skip from astral psychedelia to shuffling bucolics and leap from puckish pop to righteous garage-rock without losing momentum or mastery. Their albums deliver masterclasses on pointed songwriting, lockstep harmonies, and a devil-may-care attitude to expectations and past successes.  With their new album – Colder Streams – out now, check out what Shindig Magazine calls “a stone-cold masterpiece”.
Friday, April 21, 2023
Asheville Art Museum 75th Anniversary Spring Annual Fund
Apr 21 all-day
online w/ Asheville Art Museum

Celebrate with us by contributing to the future of the arts in Western North Carolina.

 

Make your 75th Anniversary Spring Annual Fund donation today!

! The Diamond Anniversary is a time to honor our rich heritage and—more importantly—envision our future as the premier visual arts organization in this vibrant, creative region.

 

Founded in 1948 by a group of local artists to showcase the scope and depth of creativity in Western North Carolina (WNC), the Museum brings art of international significance to the region and encourages lively, diverse dialogue.

 

The Museum’s original home was a modest, unheated, three-room building on Charlotte Street in the former sales office of Dr. E.W. Grove. The building was designed by Richard Sharp Smith and provided to the Museum by the City of Asheville. Exhibitions by local painters and sculptors could only be staged in warmer weather, and Sunday afternoon receptions gave the community an opportunity to view original art and to listen to artists talk about their work. By the 1950s, the Museum had become an invaluable part of Asheville’s cultural life. It also began acquiring artworks for its Collection.

 

Three quarters of a century later, the Museum has evolved into the preeminent cultural and educational hub for WNC—welcoming tens of thousands of visitors annually, hosting several major exhibitions each year, holding scores of special programs, and housing its Collection of more than 7,500 works in its state-of-the-art Pack Square location. From its humble beginnings on Charlotte Street to its breathtaking permanent home in the heart of downtown Asheville, the Museum has remained dedicated to Its mission to engage, enlighten, and inspire individuals and enrich the community through dynamic experiences in American art of the 20th and 21st centuries.

 

The Asheville Art Museum was built, cherished, and supported by the community throughout the past 75 years. Our anniversary celebration will give back through community partnerships and special programs, and by creating new reasons to visit or become a Member. We hope you’ll join us at one (or all) of our Diamond Anniversary special events: the 2023 Gala on June 17th, the 75th Anniversary Community Day Celebration in August, and the 75th Anniversary Dance Party in November!

 

Asheville Regional Airport: art exhibit highlighting local artists
Apr 21 all-day
Asheville Regional Airport (AVL)

Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.

The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.

 

“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”

 

Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.

CALL FOR ARTISTS! Story Parlor’s Story/Arts Residency
Apr 21 all-day
online w/ Story Parlor

Offered for BIPOC, LGTBQIA+, and individuals from other historically marginalized communities—the residency invites artists to present a three-week performance featuring the core elements of storytelling through art, collaboration, and exploration of the human condition.
Applications due April 30.

About the STORY/ARTS RESIDENCY

Story Parlor’s residencies exist to champion the creative work of locally-based artists and art groups hailing from BIPOC, LGTBQIA+, and other historically marginalized communities in the quest to amplify and bridge together the diverse fabric of voices in Asheville.

Specifically, the Story/Arts residency aims to provide a platform that showcases the transformative and healing powers of storytelling through all art mediums, while tending to the core values of Story Parlor’s mission, which include:

• Connecting audiences and artists from varying creative backgrounds and interests

• Informing, inspiring, and invigorating through the arts

• Promoting and fostering self-inquiry and mindfulness

• Cultivating creative exchange and cultural insight

• Fostering authenticity and inclusiveness

In addition to public performances and/or workshops, artists-in-residence receive dedicated rehearsal time in the space; an artist stipend; creativity coaching sessions; marketing and promotion; and more.

Applications for the 2023 summer residency are below and due no later than April 30, with preference given to applicants who cross disciplines, embrace collaboration, and present a residency proposal that embodies the core elements of storytelling through all art forms.

LEAF Visiting Teaching Artists May 2023 Catalog
Apr 21 all-day
online
Mother Earth Food: Local + sustainable food delivered to your door
Apr 21 all-day
online w/ Organic Growers School
OGS Ad

Mother Earth Food:

Local & sustainable food delivered to your door!

 

Ever wish your favorite items from your local farmers market could be delivered to your door? Mother Earth Food makes that possible!

Mother Earth Food is a family-owned, grocery home delivery service featuring local organic food from farmers and food artisans from Asheville and across Western North Carolina. Mother Earth Food delivers organic and sustainably raised vegetables, meats, eggs, dairy, baked goods, prepared meals, wellness items, and pantry items to those living in Western NC.

“We believe that supporting locally raised and produced food is how we can best change our food system and help our community move towards a healthier and more sustainable future. By partnering with Mother Earth Food, you dramatically lessen the miles that your food travels to get to your plate. It is estimated that meals in the U.S. travel about 1,500 miles to get from farm to plate, while local meals travel an average of 50 miles. The environmental and economic ripple effect from what we do is not only changing our community… it’s changing the world! We’re lessening our carbon footprint by bringing the Farmer’s Market to your door!” – MEF Team.

 

Use the coupon code “OGS25” to get $25 off your first order.

Spring Photo Contest: “Spring Trails”
Apr 21 all-day
Chimney Rock State Park

NC State Parks’ Year of the Trail continues with a celebration of how our trails transform each spring. Bring your camera on your next excursion in the park and capture budding wildflowers, spring hikers, or whatever you encounter along the way. You may even win a prize for your efforts!

GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES

1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park and lunch for four at the Old Rock Café.

2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive one annual pass to Chimney Rock State Park and lunch for two at the Old Rock Café.

3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and lunch for two at the Old Rock Café.

Exhibition on Display: Attributes
Apr 21 @ 8:00 am – 5:00 pm
Folk Art Center

 

Michelle Tway – fiber
Timothy Bridges – fiber
Martine House – mixed media
Noel Yovovich – metal
Deb Herman – fiber

The Focus Gallery is located on the second level of the Folk Art Center. The Folk Art Center is located at Milepost 382 of the Blue Ridge Parkway, just north of the Highway 70 entrance in east Asheville, NC. 

This exhibition is hosted by the Southern Highland Craft Guild. The Guild is a non-profit, educational organization established in 1930 to cultivate the crafts and makers of the Southern Highlands for the purpose of shared resources, education, marketing, and conservation. The Southern Highland Craft Guild is an authorized concessioner of the National Park Service, Department of the Interior. 

Exhibition on Display: Follow the Thread by Tapestry Weavers South
Apr 21 @ 8:00 am – 3:00 pm
Folk Art Center
woven tapestry landscapes, notecards

 

The Main Gallery is located on the second level of the Folk Art Center. The Folk Art Center is located at Milepost 382 of the Blue Ridge Parkway, just north of the Highway 70 entrance in east Asheville, NC. 

This exhibition is hosted by the Southern Highland Craft Guild. The Guild is a non-profit, educational organization established in 1930 to cultivate the crafts and makers of the Southern Highlands for the purpose of shared resources, education, marketing, and conservation. The Southern Highland Craft Guild is an authorized concessioner of the National Park Service, Department of the Interior. 

Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Apr 21 @ 8:30 am
Biltmore Estate

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!