South Asheville Cemetery by Anne Chesky Smith
From Mountain Crafts to Arts and Crafts by Bruce Johnson
It happened on Chiles Avenue by James Vaughn
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Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Evergreen Community Charter school of Asheville, North Carolina is holding Better World Day, a week-long Earth Day event. Evergreen has anchored our Better World Day activities in our annual Earth Day event for years. This has traditionally been a day where our school community participates in watershed stewardship service projects around our campus with support from community partners and a variety of learning workshops led by local wildlife experts. This year, we are making important changes to our event that reflect our school’s mission more broadly and to more comprehensively embody our school’s mission.
In addition to including the traditional watershed stewardship-focused projects, our event will include actions that engage us with community stewardship and emphasize our commitment to breaking down the structural and relational barriers that perpetuate racial inequalities in our community. Our event will celebrate and engage all of the ways we are stewards of the natural world, the rivers, the wild animals, the air, and the humans we share our Earth with. This year on Better World Day, Evergreeners are “In This Together”, exploring the many ways our school’s practices of learning about and taking actions towards habitat protection and ecological restoration can be done with mindful attention towards the building and restoration of our human community, too.
Friday, April 22- Earth Day! Evergreen’s Better World Day event: Community circle and school-wide day of service projects and learning workshops. Local wildlife experts Carlton Burke, Steve O’Neil, and Rob Gudger will be joining us to share animals and stories of the human impacts on the habitat of some of these wild creatures. The EV Club of Asheville will be bringing an EV car show and sharing information about the impacts of moving towards electric vehicles as one way to curb the impacts of climate change. Every grade level/classroom will engage with meaningful service projects, such as:
– Raised bed construction in the garden ($2K grant monies raised to support this project)
– Forest pond habitat restoration project ($1K grant monies raised to support this project)
– Water quality assessments in local streams with a community partner, Riverlink
– Campus composting program – building bear-proof classroom composting bins, with a community partner, Asheville Greenworks
– Food System Justice, service in local community gardens in partnership with local community gardens, supported by Bountiful Cities
– Invasive Plant Removal- education about invasive plants and their impact on our local ecosystems + service groups focused on the removal of invasive plants from our campus forest and AVL streams (in partnership with Riverlink)
– Family engagement: Evergreen’s Social Justice Curriculum team will share with our greater family community ways to be “In This Together” with us to work towards the greater health of our planet and our community.
Saturday, April 23- My Place in Race: An equity workshop for middle school youth. Evergreen aims to host this workshop that will bring youth from around Asheville together for a day of relationship building and learning together about ways to dismantle structural racism in our communities and the power of youth voice and youth action in this movement. Led by local community leaders. (still seeking funding to be able to make this happen)
Monday & Tuesday, April 25 & 26: Evergreen Plant Sale
A fundraiser to support Better World Day projects and partnerships
Thursday, April 28: Student-Led Conferences.
A family engagement reflection opportunity.
Friday, April 29- Monday, May 1: YWCA’s Stand Against Racism

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.
The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.
Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?
Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.
A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant
Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)
Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan
Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.
Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.
West Buncombe Elementary PTO is starting to plan for our silent and live auction event
scheduled for April 29, 2022. At this fun event we have a meal followed by a silent auction and
ending with a live auction of 10-15 big items. This event is typically attended by about 300
community members. Another highlight of the night is our raffle basket drawing. The event
proceeds will help pay for much-needed materials for our teachers and students.
We would greatly appreciate any donation to make our annual fundraiser a success. Should you
make a donation for the silent or live auction your business will be recognized on the auction
display as well as event flyers. We will also provide a donation receipt letter with the PTO’s tax
exempt ID number for your records. A list of needed items or ideas can be found at the bottom
of this letter.
If you have any questions or need further information please contact us via email
[email protected] or call 828-232-4282. On behalf of the students, parents, and
faculty of West Buncombe Elementary, we thank you.
Sincerely,
West Buncombe Elementary PTO
Raffle Basket Items needed for
1. Gift Card Basket (any gift cards to make this basket great)
2. Local Business Basket (Local business items that promote our community)
3. Family Fun Basket. (New Board Games, Sports Equipment, Movie Tickets. etc..)
Silent Auction Items:
New or Like New Items with a value of $25 to $100. (Popular items from the past.
1. Photography Session 2. Fishing Equipment 3. Small Appliances 4. Spa Services 5. Sporting
Event Tickets 6. Handmade Items from Local Craftsmen.)
Live Auction Items:
New or Like New Items with a value of $100 or more. (Popular items from the past.
1. Bicycles 2. Vacation Packages 3. Jewelry 4. Furniture 5. New Appliances 6. Musical
Equipment) 7. Monetary Donations will also be accepted.

Fact: Small businesses that fail during the first 3 years usually fail because they don’t understand financials. Not because of products or service, but because they don’t understand.
In this workshop, you will learn:
• Tips to write a business plan and keep it up to date
• Understanding your credit, how to build it and/or fix it, and its impact on your business
• Business start-up funding options
• Bookkeeping tips
• How banking products can help you keep records from transactions
• Why profits should go in the bank first and not your pocket
• How SBA resource partners can have a positive impact on your business
Speaker(s): Sharon Harvey, SBA
Co-Sponsor(s): SBA, WWBC
Fee: No Cost
An All-Ages Hip Hop Dance class led by LEAF Schools & Streets Master Teaching Artist Otto (Aquaboogy) Vazquez. Get up and get your body moving every Thursday at LEAF Global Experience, with this great family-friendly, fun class!
Weekly on Thursdays from 2:00 – 3:00pm at LEAF Global Experience (19 Eagle St, Asheville, NC, 28801)

Queer Music Exploration with Kayla Lynn – Students will explore guitar, bass, drums, singing and piano with a focus on learning music by artists from the LGBTQ+ community. Students will have the chance to interact with their peers and share their experiences through music

What goes on behind the curtains? In this course students learn the ins and outs of technical theatre and backstage work, including safety, basic light and sound board operation, and stage management. Students will then put their skills to practice by covering technical and backstage roles during Youth Production Class performances of The Giver. Students will split tech and performance dates so some scheduling conflicts may be accommodated. Tuition will be $225.00 – payment plans and scholarships will both be available.
Classes: Mar 17-May 5, 2022 | Thursdays at 4:30-6:00 PM
Tech Week (Group 1): May 9-12, 2022 | Monday through Thursday| 4:30-6:30 PM
Tech Week (Group 2): May 16-19, 2022 | Monday through Thursday| 4:30-6:30 PM
Performances (Group 1): Saturday, May 14 at 2:30 PM and Sunday, May 15 at 6:30 PM
Performances (Group 2): Saturday, May 21 at 2:30 PM and Sunday, May 22 at 6:30 PM
Registration will begin on Tuesday, February 8, 2022.
Ages 12+
No cost due to sponsor support
Video is the king and queen of the Internet and gets the most engagement out of any content format anywhere! Youtube is the most powerful, prolific, and widely used social video platform there is. In this session we will begin to cover:
And we will continue deeper in Part 2 as we talk about:
Speaker(s): Aaron Wesley Means
Co-Sponsor(s): Henderson County Chamber of Commerce, Brevard/Transylvania Chamber of Commerce
Webinar info will be emailed after registration
No cost due to sponsor support
Video is the king and queen of the Internet and gets the most engagement out of any content format anywhere! Youtube is the most powerful, prolific, and widely used social video platform there is. In this session we will begin to cover:
And we will continue deeper in Part 2 as we talk about:
Speaker(s): Aaron Wesley Means
Co-Sponsor(s): Henderson County Chamber of Commerce, Brevard/Transylvania Chamber of Commerce
Webinar info will be emailed after registration

Documentarian Michael Frienerson will screen his new film on noted NC novelist and poet Fred Chappell. Chappell, a native of nearby Canton, is one of the most innovative and creative writers this state has ever produced. Register to attend through Zoom
This film screening is the final of three events in the Mountain South Lecture Series. Other events that took place included the March 24 Hiking Western North Carolina panel and the April 4 “Somebody Died, Babe”: The Swannanoa Tunnel in Music and Memory panel.
This series is made possible with funding from Professorship of the Mountain South.
Community Expectations
As members of this community, we care about everyone. Faculty, staff, students, and visitors have a shared commitment to take the necessary precautions to avoid spreading COVID-19 while following all recommended health guidelines. Please see UNC Asheville’s Community Expectations. Be respectful of individual choice to wear or not wear a mask in any situation; wear a mask when and where encouraged, following guidelines and precautions outlined by the CDC.
Find accessibility information for campus buildings at maps.unca.edu. For accessibility questions or to request event accommodations, please contact [email protected] or 828.250.3832.
Visitors must have a permit to park on campus — please visit the Transportation website to register.
Step Into the heart of Rwanda With Culture Keeper David Kwizera + the LEAF International Rwanda Jr. Troupe! This spring documentary is exactly what you need!
![]() |
WNC Collaborative Regional Alliance for Farmer Training (CRAFT) is a farmer-led effort to bring established farmers, farm apprentices, and aspiring farmers together for year-long training in the art and science of sustainable agriculture, straight from the hearts, mouths, and fields of seasoned local farmers in Western North Carolina (WNC).
Stories from the House is a virtual tour of our 1840s-era brick mansion as seen through the eyes of many of the people who walked these same hallways over a century ago and whose stories represent a microcosm of the history of western North Carolina.
In 1918 vs. 2020, we took an in-depth look at the 1918 influenza epidemic in Western North Carolina through newspaper clippings, advertisements, ephemera, photographs, and oral history and place the events of 1918 into context with our present-day response to the coronavirus pandemic.
Old Shiloh was one of Asheville’s first communities established by emancipated people. The community moved to its present-day location – New Shiloh – after George Vanderbilt, in an effort to expand his land holdings as he planned to build his Biltmore Estate, purchased the land and buildings and agreed to relocate the Shiloh church and cemetery.

We invite you to view this 13-minute film and share it with your friends, neighbors, coworkers, and other communities. As you view this film, we hope that you can see your hands, heart, and support at work in the collective efforts of everyone – volunteers, partner agencies, donors, advocates, and our neighbors sharing their lived experience – to address hunger right here in the mountains of Western North Carolina, and to be part of the solution for thousands of families every month.
The Preservation Society of Asheville and Buncombe County (PSABC) was formed in 1976, with interest in preservation sparked by observance of the U. S. Bicentennial, and in response to threats to local buildings and sites posed by neglect, insensitive alteration, and large-scale transportation projects. Disinvestment in downtown, plans for the open cut through Beaucatcher Mountain, and a proposal to turn Montford Avenue into a through street connecting to U.S.19-23 spurred formation of the volunteer group, which quickly incorporated and initiated work as a community non-profit.
and more

Previously known as the 21-Day Racial Equity and Social Justice Challenge, the Stand Against Racism Challenge: A Virtual Community of Growth is the same program developed by YWCA and adopted nationwide.
The Stand Against Racism Challenge is an exciting opportunity to dive deep into racial equity and social justice. This year, we will be investigating Critical Race Theory, Living Wage, Film and Television, and Reproductive Justice. Participants will be able to download an app for their phone or visit the challenge website to engage with curated articles, podcasts, videos, activities, and more.
The SAR Challenge goes live Monday, April 4th, and continues (Monday –Friday) through May 2nd. Before April 4th you must register and download the appropriate app for your device.
Participation in an activity like this helps participants discover how racial injustice and social injustice impact their community, connect with one another, and identify action steps to dismantle racism and other forms of discrimination. This is an exciting opportunity to join a learning community dedicated to racial equity and social justice.

Who was the visionary who designed some of America’s most iconic gardens and parks? Find out at an all-new exhibit celebrating the life and work of Frederick Law Olmsted (FLO).
The exhibit on the man who planned both Central Park (his first major design) and Biltmore in Asheville (his final one), takes center stage in the Baker Visitor Center Exhibit Hall and at select locations in the landscape on the occasion of his 200th birthday. Thanks FLO features a retrospective of Olmsted’s life through landmarks and key moments and shows off a selection of his most iconic designs through vintage postcards, maps and green screen technology.
Step into the designing game and build a park using interactive tools and take a selfie that puts you front and center in iconic Olmsted parks. Outdoor exhibits await discovery and illustrate the design principles Olmsted used while designing and building parks, greenways, campuses and private estates across the United States.
The exhibit is created in conjunction with the National Association for Olmsted Parks (NAOP) in celebration of Olmsted’s 200th birthday on April 26, 2022.
Thanks FLO: Celebrating the Life and Legacy of Frederick Law Olmsted is presented in participation with Olmsted 200, a nationwide celebration taking place in parks and public spaces across the United States.

Evergreen Community Charter school of Asheville, North Carolina is holding Better World Day, a week-long Earth Day event. Evergreen has anchored our Better World Day activities in our annual Earth Day event for years. This has traditionally been a day where our school community participates in watershed stewardship service projects around our campus with support from community partners and a variety of learning workshops led by local wildlife experts. This year, we are making important changes to our event that reflect our school’s mission more broadly and to more comprehensively embody our school’s mission.
In addition to including the traditional watershed stewardship-focused projects, our event will include actions that engage us with community stewardship and emphasize our commitment to breaking down the structural and relational barriers that perpetuate racial inequalities in our community. Our event will celebrate and engage all of the ways we are stewards of the natural world, the rivers, the wild animals, the air, and the humans we share our Earth with. This year on Better World Day, Evergreeners are “In This Together”, exploring the many ways our school’s practices of learning about and taking actions towards habitat protection and ecological restoration can be done with mindful attention towards the building and restoration of our human community, too.
Friday, April 22- Earth Day! Evergreen’s Better World Day event: Community circle and school-wide day of service projects and learning workshops. Local wildlife experts Carlton Burke, Steve O’Neil, and Rob Gudger will be joining us to share animals and stories of the human impacts on the habitat of some of these wild creatures. The EV Club of Asheville will be bringing an EV car show and sharing information about the impacts of moving towards electric vehicles as one way to curb the impacts of climate change. Every grade level/classroom will engage with meaningful service projects, such as:
– Raised bed construction in the garden ($2K grant monies raised to support this project)
– Forest pond habitat restoration project ($1K grant monies raised to support this project)
– Water quality assessments in local streams with a community partner, Riverlink
– Campus composting program – building bear-proof classroom composting bins, with a community partner, Asheville Greenworks
– Food System Justice, service in local community gardens in partnership with local community gardens, supported by Bountiful Cities
– Invasive Plant Removal- education about invasive plants and their impact on our local ecosystems + service groups focused on the removal of invasive plants from our campus forest and AVL streams (in partnership with Riverlink)
– Family engagement: Evergreen’s Social Justice Curriculum team will share with our greater family community ways to be “In This Together” with us to work towards the greater health of our planet and our community.
Saturday, April 23- My Place in Race: An equity workshop for middle school youth. Evergreen aims to host this workshop that will bring youth from around Asheville together for a day of relationship building and learning together about ways to dismantle structural racism in our communities and the power of youth voice and youth action in this movement. Led by local community leaders. (still seeking funding to be able to make this happen)
Monday & Tuesday, April 25 & 26: Evergreen Plant Sale
A fundraiser to support Better World Day projects and partnerships
Thursday, April 28: Student-Led Conferences.
A family engagement reflection opportunity.
Friday, April 29- Monday, May 1: YWCA’s Stand Against Racism

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.
The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.
Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?
Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.
A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant
Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)
Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan
Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.
Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.
Step Into the heart of Rwanda With Culture Keeper David Kwizera + the LEAF International Rwanda Jr. Troupe! This spring documentary is exactly what you need!
![]() |
WNC Collaborative Regional Alliance for Farmer Training (CRAFT) is a farmer-led effort to bring established farmers, farm apprentices, and aspiring farmers together for year-long training in the art and science of sustainable agriculture, straight from the hearts, mouths, and fields of seasoned local farmers in Western North Carolina (WNC).
Stories from the House is a virtual tour of our 1840s-era brick mansion as seen through the eyes of many of the people who walked these same hallways over a century ago and whose stories represent a microcosm of the history of western North Carolina.
In 1918 vs. 2020, we took an in-depth look at the 1918 influenza epidemic in Western North Carolina through newspaper clippings, advertisements, ephemera, photographs, and oral history and place the events of 1918 into context with our present-day response to the coronavirus pandemic.
Old Shiloh was one of Asheville’s first communities established by emancipated people. The community moved to its present-day location – New Shiloh – after George Vanderbilt, in an effort to expand his land holdings as he planned to build his Biltmore Estate, purchased the land and buildings and agreed to relocate the Shiloh church and cemetery.

We invite you to view this 13-minute film and share it with your friends, neighbors, coworkers, and other communities. As you view this film, we hope that you can see your hands, heart, and support at work in the collective efforts of everyone – volunteers, partner agencies, donors, advocates, and our neighbors sharing their lived experience – to address hunger right here in the mountains of Western North Carolina, and to be part of the solution for thousands of families every month.
The Preservation Society of Asheville and Buncombe County (PSABC) was formed in 1976, with interest in preservation sparked by observance of the U. S. Bicentennial, and in response to threats to local buildings and sites posed by neglect, insensitive alteration, and large-scale transportation projects. Disinvestment in downtown, plans for the open cut through Beaucatcher Mountain, and a proposal to turn Montford Avenue into a through street connecting to U.S.19-23 spurred formation of the volunteer group, which quickly incorporated and initiated work as a community non-profit.
and more

Who was the visionary who designed some of America’s most iconic gardens and parks? Find out at an all-new exhibit celebrating the life and work of Frederick Law Olmsted (FLO).
The exhibit on the man who planned both Central Park (his first major design) and Biltmore in Asheville (his final one), takes center stage in the Baker Visitor Center Exhibit Hall and at select locations in the landscape on the occasion of his 200th birthday. Thanks FLO features a retrospective of Olmsted’s life through landmarks and key moments and shows off a selection of his most iconic designs through vintage postcards, maps and green screen technology.
Step into the designing game and build a park using interactive tools and take a selfie that puts you front and center in iconic Olmsted parks. Outdoor exhibits await discovery and illustrate the design principles Olmsted used while designing and building parks, greenways, campuses and private estates across the United States.
The exhibit is created in conjunction with the National Association for Olmsted Parks (NAOP) in celebration of Olmsted’s 200th birthday on April 26, 2022.
Thanks FLO: Celebrating the Life and Legacy of Frederick Law Olmsted is presented in participation with Olmsted 200, a nationwide celebration taking place in parks and public spaces across the United States.

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.
The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.
Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?
Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.
A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant
Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)
Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan
Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.
Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

Led by Stewart/Owen Dance Co-Directors, Vanessa Owen and Gavin Stewart, this open level adult contemporary dance class gradually awakens the body and senses through guided improvisation and a follow along warm-up, followed by foundational across-the-floor exercises and center-work combinations. All experience levels welcome!
In person: $10, pay at the door
Online: $7 suggested donation, contact [email protected] for class link and details.
About Stewart/Owen Dance: Gavin Stewart and Vanessa Owen, a husband and wife duo, are the co-directors of Western North Carolina based Stewart/Owen Dance. Their choreography has been presented by festivals and companies across the U.S., and their careers have most notably taken them around the globe on fifteen U.S. State Department tours to teach, perform and choreograph contemporary dance with Washington D.C. based Company E. In 2017 they made North Carolina their home base where they work towards building a sustainable community for professional dance artists to set roots. They have choreographed music videos for artists such as Moses Sumney, Sylvan Esso and Ben Phantom. Gavin and Vanessa won the Audience Choice Award at the NYC Dance Gallery Festival 2018, were commissioned as Dance Gallery 2019 Level UP Artists, are recipients of a McDowell Regional Artist Project Grant, a North Carolina Artist Support Grant and were voted “Artists Who Most Pushed the Boundaries with the Human Body” by 2020 Asheville Fringe Arts Festival. Since the pandemic, they have focused on producing COVID-conscious dance experiences for live audiences, including drive-up performances and a guided walk-along dance exhibit presented in residence with Asheville’s beloved Wortham Center for the Performing Arts.


CLIMATE CHANGE IN WESTERN NORTH CAROLINA – WHY SHOULD I CARE?
This pilot BMC MindTreks Forum will explore a subject affecting us now; one that will continue to impact generations to come: climate change in our own backyard, here in western NC. The forum will be moderated by Tom Fiedler, former Executive Editor of The Miami Herald, and Dean Emeritus and Journalism Professor at Boston University’s College of Communication. Local expert panelists will include Deke Arndt, James Fox, Scott Shuford, Amber Weaver, and Ben Teague (see panelist details below).
Held at Parker Concert Hall on the Music Center’s picturesque campus in the delightful Blue Ridge mountain town of Brevard, event patrons will also have the opportunity to enjoy a music interlude, to mix and mingle with the experts, and to enjoy the beautiful Music Center grounds.
FORUM SCHEDULE
9:30am – 12:00pm Panelist Presentations
12:00pm — 12:45pm Attendee Small Group Discussions + Lunch*
12:45pm — 1:15pm Music Presentation
1:15pm — 3:30pm Attendee + Panelist Engagement + Discussion
*Box Lunches are available for $10 each. Reservations can be made by choosing the Add-On Lunch option during the ticket purchase.
Have you been dreaming about a more sustainable future? Cultivate a deeper connection with your community, place, and self with the Organic Growers School one-day workshop: Homegrown Dreams, Visioning for a Land-Based Life.
Homegrown Dreams is an entry-level workshop designed to help you start planning out and acting on your dreams to become more self-sufficient and live off of your land, no matter the scale.
When we form these reciprocal relationships with the land, we better understand the importance of regenerative practices.
Enhance your confidence, skill, and excitement to create the lifestyle you imagine.
Uncover your personal values, skills, and resources
Chart a path to move forward over the next 1 to 5 years in your homestead plans.
Date: Saturday, April 30, 2022; 10am – 4:30 pm
Location: Creekside Farm
339 Avery Creek Rd, Arden, NC 28704
https://organicgrowersschool.org/product/2022-homegrown-dreams-in-person/