Bake Sale to benefit Ukraine. Variety of baked goods including Ukrainian specialties. All sales will go to Ukraine for humanitarian aid via the UNWLA Humanitarian Aid Fund. The UNWLA is a 501(c)3 non-profit organization.

Enjoy a visit to Blazing Star Flowers with an on-farm workshop.

We’ll begin with a tour of our small farm’s specialty cut flower fields, where we grow over 200 varieties of blooms using organic methods.  All materials and tools are provided. You are welcome to take photos. All levels, including beginners, are welcome! Please read all product details before registering.

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When violence affects one, it affects us all. Come together to make a difference. Join the Asheville Dream Center and Mothers LOVe (Life Over Violence Everyday) for a free family event and community walk to stop the violence.

Several organizations are coming together for food, fun, and unity on Saturday, May 13 at Pack Square Park in downtown Asheville. The event kicks off at 11 a.m. and will run into 2 p.m. After the community walk there will be entertainment, giveaways, food trucks, face painting for the kids, diapers, and more.

“Gun violence does not discriminate and in some way or another we have or will all be affected by it,” says Buncombe Community Safety and Violence Prevention Coordinator Will Baxter. “This is our County, our community, and we all need to come together and support the efforts of those working tirelessly to see a decrease in violence. This must be our priority in order to provide safety within our communities and more importantly hope for our young people to have a future.”

Asheville Gallery of Art’s May show, “Flower Power,” introduces three new Gallery members: Nick Colquitt, Jean-Pierre Dubreuil, and Yvonne McCabe. This delightful exhibition takes its audience on a journey through the mountains of North Carolina, showcasing the mysterious beauty they display within their natural terrain. The show runs May 1-31 during Gallery hours, 11am-6pm daily.

Kids’ Comedy Tour: Wildly funny, this educational and entertaining tour features the perfect blend of Asheville’s history and kid-centric comedy. Geared specifically toward the 5–12 year old crowd, you’ll explore the town with our famously outlandish tour guides leading the way.

• Perfect for birthday parties
• Makes for memorable school field trips
• Tickets are $27 per person
• Beverages available for purchase at the LaZoom Room
• Departs from 76 Biltmore Avenue

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

Ages 13-18
Mar 25-May 13 | Saturdays at 11:45 AM-1:15 PM

Improv teaches performers spontaneity, creativity, and to think outside the box! This class is for both beginner students and for students continuing their improv journey. Students will learn and practice improv with techniques designed to get them comfortable with performing, quick thinking, and being present on stage. They’ll be laughing and learning with fun games, warm-ups, “Yes And” exercises, and a showcase for family and friends during the last class.

Registration begins on Wednesday, February 1, 2023 at 10:00 am. Tuition will be $225 – Scholarships are available.

NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.

Starting April 8th, you can ride ArtAVL’s new free ArtsAVL Connect Trolley – connecting the Downtown and River Arts Districts with two overlapping routes. The initiative is a partnership between ArtsAVL and Gray Line Asheville. Beginning April 8th, two chartered Gray Line trolleys will circulate on 20-30 minute intervals from 12-8 pm on every Second Saturday. Riders are welcome to hop on and off anywhere along the trolley routes. The Downtown Trolley connects the main areas of the Central Business District to the River Arts District. The River Arts Trolley loops throughout the River Arts District. Residents and visitors can view stops and current location of trolleys through the interactive trolley map on ArtsAVL’s website and the new ArtsAVL app.

Head to the banks of the Swannanoa River, just past Biltmore Village, for an intimate brunch experience. Cursus Kĕmē, the brewery partner for the Asheville Amadeus Festival, has teamed up with local restaurant The Blackbird to serve up a delicious three-course menu created by Executive Chef Michael Reppert. Each course will be thoughtfully paired with a Cursus Kĕmē brew — including the official beer of the festival, Das Horner Bier. It’s an exclusive chance to treat yourself to a beer brunch that you won’t soon forget. Don’t miss out on this unique opportunity to enjoy a truly special culinary event!

ASO Amadeus Festival

Visit the Asheville Art Museum Atrium for Music Mixology!

Music on the hour from Noon to 5 pm
The music begins with Flute at Noon, adds Bassoon at 1 pm then Clarinet at 2 pm; Oboe at 3 pm and finally mixes in a French horn at 4 pm to concoct a woodwind quintet!

Gorgeous music featuring: Kare Steinbeck, flute; Rosalind Buda, bassoon; Taylor Massey, clarinet; Michael Jones, oboe; Anneka Zuehlke, French horn

Each musical portion is 20-25 minutes long. Drop in for any part of the afternoon. Walk-ins are welcome. Reservations are encouraged, as seating is limited.

Join a certified forest therapy guide for a relaxing 2.5-hour stroll through the forest on the peaceful Arboretum grounds. Through a series of invitations, you’ll have the opportunity to be present in the moment, deepening your connection with nature and community, and enjoying the many gifts nature has to offer. Your guide will share mindfulness practices designed to connect you more deeply to your inner landscapes, as well as the world around you. Inspired by Shinrin-Yoku, the Japanese art of immersing oneself in a forest environment, a forest bathing walk invites you to spend time in nature in a way that invites healing for ourselves, our fraught ecosystems, and our community. It is true nature therapy!

• Special, discounted rate of $45/person (includes parking!)
• Occurs on select dates each month
• Max group size is 15 for a more intimate experience

Hit the trails and learn more about The North Carolina Arboretum’s botanically diverse forest with a guided trail walk! April through October, this free hiking program is led by trained volunteer guides who take small groups of participants along woodland trails and through a variety of forest types. Depending on the season and each guide’s area of expertise, topics of discussion may include wildflowers, plant and tree identification, natural history and more.

Guided trail walks are limited to 15 people, including the guide, and are not recommended for guests under 16 years of age. Groups depart from the Baker Visitor Center Lobby on Tuesdays at 1 p.m. and Saturdays at 10 a.m. and 1 p.m..

Walks last 1.5 – 2.5 hours, are approximately one to two miles in length. As this program is held rain or shine, all participants should dress appropriately for the weather.

There is no pre-registration; walks are first-come first served and sign up sheets are located in the Baker Visitors Center.

Walks are FREE; however, donations to The North Carolina Arboretum Society are appreciated. Regular parking fees apply. Arboretum Society Members always park free.

Know Before You Go

• Guided Trail Walks are not recommended for guests under 16 years of age.
• Guided Trail Walks are rain or shine and all participants should be dressed comfortably and for the weather.
• Hikes cover 1-2 miles and last 1.5-2 hours.
• Well-behaved leashed pets are welcome to accompany their owners. In the rare case that a pet is disruptive or negatively impacts the experience, the pet and its owner may be asked to excuse themselves from the guided walk.
• COVID-19 Safety: In order to hear the guide and fully participate in the trail walk, participants will be in close proximity to one another for extended periods of time. While face coverings are not required, participants should use their best judgement to keep themselves and others safe while enjoying the trails. Individuals who are experiencing flu-like symptoms or suspect they may have been exposed to COVID-19 should not participate.
• At this time, no more than 6 spaces may be filled by a single family/group through pre-registration for any one Guided Trail Walk. If additional spaces are available on the day of the Walk, additional members of the family/group may participate. We apologize for any inconvenience and look forward to welcoming larger groups in the future.

“Laughter through tears is my favorite emotion.” Written in just 10 days as a tribute to his sister Susan by playwright Robert Harling, Steel Magnolias explores the relationships between a tight-knit group of Louisiana southern ladies who gather in Truvy’s small-town beauty parlor, celebrating the milestones in each other’s lives. Filled with hilarious repartee and humorously acerbic verbal lacerations, the play deepens when the spunky Shelby (who is diabetic) contradicts her doctor’s advice and risks pregnancy. Steel Magnolias exemplifies the universal and unconditional strengths of sisterhood, resilience, and love.

The Blue Ridge Orchestra’s contribution to the 2023 Asheville Amadeus Festival begins with Mozart’s Sinfonia Concertante in E-Flat for Violin, Viola and Orchestra, some of the last and possibly the best music he wrote before leaving Salzburg for Vienna at age 25. In keeping with the festival’s Americana theme, the second half of the program features the Blue Ridge Orchestra Winds performing classic works by several of the best-known American composers.

Milton Crotts, Conductor
Emily Schaad, Guest Conductor

The BRO plans to wrap up this season with a program paying homage to the ever famous Wolfgang Amadeus Mozart! We will be joining the “Asheville Amadeus”campaign as we highlight one of his works, “Concertante Sinfonia” with Violinist Rachel Handman and Violist, Emily Schaad. Emily will also be doubling as Guest Conductor for this piece! You will not want to miss this incredible talent and unique delivery!

Program:

Mozart – Sinfonia Concertante in E Flat Major

Soloists: Rachel Handman, Violin
Emily Schaad, Viola, Guest Conductor

Copland- The Tender Land Suite

Gould- Symphonette No. 2

Hendersonville Theatre (HT) continues its New Works Series (formerly called Staged Reading Series) Saturday, May 13 at 3 p.m. Showcasing the work of area playwrights and performed by local actors, The New Works Series is a FREE public reading of a new play in development. However, donations are welcome to support HT.

HT’s New Works Series offers exciting script-in-hand readings of new plays by emerging local playwrights. The readings are followed by a talk back with the playwright and actors to provide feedback to the playwright.

A short discussion will follow each reading to provide feedback to the playwright about their script. There is no charge to attend or to participate, however donations are welcome and will be used to support HT.

Hendersonville Theatre is committed to exploring and developing new work for American theater, supporting local playwrights with their creative process from concept to production.

Joey Latino and Frankie Z by Nedra Pezold Roberts will be read on May 13. In Joey Latino and Frankie Z, the lives of lifelong friends Joey Latino and Frankie Z come to a crossroads as they confront their past and future.

Nedra Pezold Roberts is from Atlanta, GA. Her first drama was an O’Neill finalist, and its premiere run at California Stage Company garnered seven Elly awards. Since then her plays have had productions and readings coast to coast plus Canada and the UK. Several of the plays have won competitions and received publication. She is a member of the Dramatists Guild.

Playwrights who would like to submit work for consideration for the New Works Series can follow the submission guidelines posted at here and email questions to [email protected].

Since 1966, Hendersonville Theatre has provided an inviting and nurturing environment for live theatre, as well as high-quality, affordable entertainment for the residents of Hendersonville and surrounding areas. Hendersonville Theatre is wheelchair accessible, with free parking behind and in front of the theater.

– ALL AGES
– STANDING ROOM ONLY
– RAIN OR SHINE

Suprise Function 1 Pop-up Decompression
Phon – Funky Disco
Push/Pull – Sunset DNB
Wij – Breakbeat

Ages 13-18
Mar 14-May 13 | Tuesdays at 4:30-7:30 PM and Saturdays at 1:00-5:00 PM

Tech Week: May 15-18 | Monday through Thursday | 4:30-8:00 PM
Performances: Saturday, May 20 at 6:30 PM and Sunday, May 21 at 2:30 PM

Inspired by a real event and featuring the Tony-nominated score by Steve Martin and Edie Brickell, Broadway’s Bright Star tells a sweeping tale of love and redemption set against the rich backdrop of the American South in the 1920s and ’40s. When literary editor Alice Murphy meets a young soldier just home from World War II, he awakens her longing for the child she once lost. Haunted by their unique connection, Alice sets out on a journey to understand her past – and what she finds has the power to transform both of their lives.

Youth Production Classes tackle the entire production process – from auditions, rehearsals, character development, and performance. Great for performers of all levels of experience.

Registration begins on Wednesday, February 1, 2023 at 10:00 am. Tuition will be $450– Scholarships are available.

NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.

Register Now!

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

NC Wine Academy will partner with Plēb Urban Winery to offer appetizers plus five food courses paired with six wines, including wines from Plēb as well as vintages from vintners in other regions.

From the regional crafters to local guide artisans, set up on the river banks of the Nantahala. Come and meet these vendors and more on the second Saturday of every month, May – September.

If you are interested in joining us as a vendor, please fill out your information here: https://forms.gle/BgqQQpY4XSGqtH6f6

Darko Butorac, conductor

Kishi Bashi, soloist

– ALL AGES
– STANDING ROOM ONLY
– FEATURING STEVE KIMOCK, ALPHONSO JOHNSON, PETE LAVEZZOLI, BOBBY LEE RODGERS

JAZZ IS DEAD celebrates it’s 25th Anniversary with an all-star ensemble performing a limited run of shows to honor the 50th Anniversary of The Grateful Dead’s ‘WAKE OF THE FLOOD.’

The acclaimed All-Star instrumental ensemble, famous for interpretations of classic Grateful Dead songs with jazz influences, returns in 2023 to celebrate its 25^th Anniversary. Co-founder Alphonso Johnson will be joined by Steve Kimock, Pete Lavezzoli & Bobby Lee Rodgers, performing Grateful Dead’s ‘Wake of The Flood’ marking it’s 50^th Anniversary, in addition to other beloved selections. Jazz Is Dead XXV ‘reunites’ two greats! Steve Kimock & Alphonso Johnson, who together in heavyweight post-Garcia Grateful Dead offshoot The Other Ones together with Bob Weir, commanded the instrumental prowess of that band.

Formed in 1998 by bassist Alphonso Johnson (Weather Report, Santana, Bobby & The Midnites, The Other Ones), drummer Billy Cobham (Miles Davis, Mahavishnu Orchestra, Bobby & The Midnites), keyboardist T Lavitz (Dixie Dregs) & guitarist Jimmy Herring (Aquarium Rescue Unit, Widespread Panic), with drummers Rod Morgenstern (Dixie Dregs) & Jeff Sipe (Leftover Salmon) replacing Cobham in 1999, and guitarist Jeff Pevar (CSN, David Crosby CPR, Phil Lesh & Friends) replacing Herring in 2000, recorded 3 acclaimed albums, the second of which ‘Laughing Water’ in 1999 was in fact an instrumental ‘Wake of The Flood’ reinterpretation – so there is precedent. That album also featured Derek Trucks, Donna Jean Godchaux & Vassar Clements.

On Laughing Water, the fusion ensemble Jazz Is Dead one-ups the band that it sets out to honor. Laughing Water is a superior remake of the Grateful Dead’s rather ordinary rock album Wake of the Flood. Fortunately, you don’t have to be a Deadhead to appreciate this album. Laughing Water not only fuses jam-rock with jazz, but it possesses a country-bluesy Americana flavor. The songs on Laughing Water are long and improvisational, but they seldom grow boring. From a purely technical standpoint, each musician in Jazz Is Dead is a superior player to his counterpart in the Grateful Dead. But unlike many pop-jazz remakes of rock albums, Laughing Water manages to capture the rock ‘n roll animus of the original. The communal carefree spirit of tie-died counter culturalism lives on in this music. Not only should Deadheads come away happy, but fusion freaks and aficionados of improvisational rock should, too. – Ed Kopp, All About Jazz 1999