See the WNC Nature Center like never before – behind the scenes! During the tour, we’ll explore how we feed and care for our animals, experience an animal enrichment session, and have the opportunity to meet with some of our keepers. Ticket includes admission to the Nature Center for the day and a 10% discount coupon for the Gift Shop valid only for the day of the event.

The tour is for ages 16 and up.

*Cancellation policy: Cancellations must be made 1 week prior to the event for a full refund.  If the event is cancelled due to weather concerns, full refunds will be issued to all participants.

L. Frank Baum’s beloved story of a young girl’s adventure in a magical land has been entertaining audiences for over a century. MGM’s blockbuster 1939 film adaptation, featuring the timeless songs of Harold Arlen and E.Y. Harburg, along with the brilliant instrumental music of Herbert Stothart, elevated the popular novel to even greater heights. This stage adaptation, featuring the characters and celebrated songs from the film, brings the wondrous Land of Oz to life.

Join Dorothy and her loyal companion, Toto, as they “Follow the Yellow Brick Road” through the Land of Oz, determined to reach the Emerald City, where the great and powerful Wizard of Oz will help them get home. Of course, along the way, Dorothy encounters witches (both good and bad), Munchkins, talking trees and winged monkeys. But most importantly, she befriends three unique characters: a Scarecrow with no brain, a Tin Man with no heart, and a Lion with no nerve. Their journey to happiness – and self-awareness – is a glowing testament to friendship, understanding and hope in a world filled with both beauty and ugliness.

Asheville Junior Theater is kicking this show up a notch with a bluegrass/Appalachian/Asheville adaptation of the original. It’s the classic story with a creative twist in a very familiar setting. Asheville, you are going to love this! Featuring local Bluegrass band, The Well Drinkers, who combine traditional roots of their Appalachian region with progressive instrumentation and songwriting, this show will knock your socks off!!

*Show length is approximately 75 minutes and is suitable for audiences of all ages.

Beginning in January 2024, ASAP (Appalachian
Sustainable Agriculture Project) will partner with Blue Ridge Women in Agriculture and MountainWise
to expand Double SNAP for Fruits and Vegetables programs to more farmers markets, farmstands,
and groceries in Western North Carolina. This group has established the WNC Double SNAP Network
in order to bring together existing programs and expand to new sites, making SNAP incentives more
accessible throughout the region.
SNAP programs that center local food and farms can significantly improve individual and community
health. They make fresh fruits and vegetables more accessible, keep food dollars in the local
economy, and connect participants with positive food and social environments in their communities.
“ASAP, Mountainwise, and Blue Ridge Women in Agriculture currently operate successful SNAP
incentive programs at 26 sites, which connect participants with fresh food and farms in their
communities,” said Mike McCreary, ASAP’s Farmers Market Program Manager. “By combining efforts
and resources, we’ll not only be able to deepen the impact of our existing programs, but also create
adaptive programs that meet the needs of communities that don’t currently have access.”
The first phase of the project focuses on strengthening existing programs across sites operating
January through March, including:
● Asheville City Winter Market, 52 N. Market St., Saturdays, 10 a.m.–1 p.m.
● Winter King Street Market, 252 Poplar Grove Rd., Saturdays, 10 a.m.–1 p.m.
● Columbus Winter Market, 35 Locust St., 1st and 3rd Saturdays, 10 a.m.–1 p.m.
● High Country Food Hub, 252 Poplar Grove Rd., Boone, online ordering with Wednesday pick-up,
12–6:30 p.m.
● Jackson County Winter Farmers Market, 110 Railroad Ave., Sylva, 10 a.m.–1 p.m.
● Jarrett Brothers IGA, 191 Main St., Rosman, daily, 7 a.m.–9 p.m.
● North Asheville Tailgate Market, 275 Edgewood Rd., Saturdays, 10 a.m.–1 p.m.
● River Arts District Farmers Market, 350 Riverside Dr., Asheville, 3–5:30 p.m.
● Rutherford County Winter Farmers Market, 146 North Main St., Rutherfordton, 1st and 3rd
Saturdays, 10 a.m.–1 p.m.
● Saluda Winter Market, 64 Greenville St., 2nd and 4th Saturdays, 10 a.m.–1 p.m.
● Transylvania Farmers Market, 200 E. Main St., Brevard, Saturdays, 10 a.m.–12 p.m.
● Weaverville Tailgate Market, 60 Lakeshore Dr., Saturdays, 3–6 p.m

Benefitting TrapKing Humane Cat Solutions
Fundraiser & Silent Auction, Music
Performances, Cat Clicker-Training, & More!
Join us for the purrfect, cat-filled evening!

Join us for our 2024 Kickoff! We will be gathering to celebrate the beginning of the 2024 election season with live music, good food, friends & fellowship!

Get Tickets

Whether you sponsor or buy one ticket to this fun evening event, your generosity will help ensure our success at the polls and safeguard the future of our democracy. BCDP volunteers are the grassroots organizing power behind every Democratic victory, and your support allows us to pay for printing, canvassing and Get Out The Vote materials, as well as access to our data software. It also helps us maintain our headquarters, which is already bustling with activity! Sponsors will receive special recognition during the event and candidate sponsors will have the option of having their information included in our presentation (email [email protected] for details).

With your ticket or sponsorship, you will enjoy a buffet dinner from Mamacita’s Taqueria — a locally-owned family business, serving up fresh, made-from-scratch Mexican cuisine. You’ll also receive a free drink ticket for beer or wine (additional tickets will be available for purchase).

Discounted tickets are available for those under 35 years old, as well as our dedicated teachers and first responders. If you aren’t able to pay the full or discounted amount for a ticket to this event, please contact BCDP Chair Kathie Kline at [email protected].

Who should attend: Democrats and left-leaning unaffiliated voters in Buncombe and surrounding counties.

L. Frank Baum’s beloved story of a young girl’s adventure in a magical land has been entertaining audiences for over a century. MGM’s blockbuster 1939 film adaptation, featuring the timeless songs of Harold Arlen and E.Y. Harburg, along with the brilliant instrumental music of Herbert Stothart, elevated the popular novel to even greater heights. This stage adaptation, featuring the characters and celebrated songs from the film, brings the wondrous Land of Oz to life.

Join Dorothy and her loyal companion, Toto, as they “Follow the Yellow Brick Road” through the Land of Oz, determined to reach the Emerald City, where the great and powerful Wizard of Oz will help them get home. Of course, along the way, Dorothy encounters witches (both good and bad), Munchkins, talking trees and winged monkeys. But most importantly, she befriends three unique characters: a Scarecrow with no brain, a Tin Man with no heart, and a Lion with no nerve. Their journey to happiness – and self-awareness – is a glowing testament to friendship, understanding and hope in a world filled with both beauty and ugliness.

Asheville Junior Theater is kicking this show up a notch with a bluegrass/Appalachian/Asheville adaptation of the original. It’s the classic story with a creative twist in a very familiar setting. Asheville, you are going to love this! Featuring local Bluegrass band, The Well Drinkers, who combine traditional roots of their Appalachian region with progressive instrumentation and songwriting, this show will knock your socks off!!

*Show length is approximately 75 minutes and is suitable for audiences of all ages.

TFAC’s popular event, Chase Away the Blues, returns to January in 2024 to brighten up the winter nights! Get ready! The VIP Blues Lounge opens at 5:30 PM with live music open bar and food provided by Tryon Resort in the Pavilion. All are sure to get your feet stomping…

Attire: Dress to impress in your favorite sparkly and colorful party clothes!

What’s Happening: A performance at 6:30pm with appearances from current and former PGS students and staff.

Other Details: A performance, activities for kids, drinks and snacks will be provided. Adult Beverages from Highlands Brewery will be available for purchase. All children must be accompanied by an adult for the evening.

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

FOY VANCE
Foy Vance is a singer and songwriter hailing from the land of Bangor, Northern Ireland. Deeply rooted in the rich musical history and aesthetic of the Southern United States, Foy independently released his debut album Hope in 2007, quickly garnering acclaim from fans and fellow musicians alike. Foy released his second full-length album, Joy of Nothing, in 2013 on Glassnote Records which led to further critical praise and star-studded invites on tours worldwide from the likes of Ed Sheeran, Bonnie Raitt, Marcus Foster, Snow Patrol and Sir Elton John.

Foy was only the second artist signing to Gingerbread Man Records, Ed Sheeran’s label division within Atlantic Records. Foy’s debut recording on Gingerbread Man Records, The Wild Swan, was Executive Produced by Sir Elton John and released in 2016. His music video for the lead single “She Burns” featured “Pretty Little Liars” and People’s Choice Award winner Lucy Hale. His music video for “Coco” featured the inspiration for the song title, Coco Arquette, the daughter of Courteney Cox and David Arquette, and was directed by Cox as well.

Foy’s recent collaborations include “Moonshine” with Kacey Musgraves, the end credits track from Ben Affleck’s film “Live By Night,” four tracks including “Galway Girl” on Ed Sheeran’s latest album ÷, as well as cuts on recent releases by Miranda Lambert, Plan B and Rudimental.

Foy has headlined globally to sell-out crowds and splits his time between London and the hills of Aberfeldy, Scotland with his family.

BONNIE BISHOP

The first thing that registers about Bonnie Bishop’s stirring album The Walk is that the seasoned Grammy winner is no longer trying to outrun herself; she owns whatever has come her way, good wind or ill. It’s an uplifting confessional that she dedicates ‘to all who wander’ – laying down searing, emotionally-charged variations to award-winning producer Steve Jordan’s (Robert Cray, John Mayer, Buddy Guy) powerhouse production. She does so in a voice that aches and arches and grabs and never lets go.

Blessed with an authentically resounding range, a blistering lyrical gift, and OK – she admits it – a couple of inherent vices that any God-fearing Americana/country/soul artist must wrestle with after years of bringing it live and in-color, Bishop has now broken free from the bust-boom mentality of Nashville to walk a line of her own making. The recipe may sound oversimplified, but it’s a frank, funny, ferocious, insightful Bonnie Bishop we encounter on this path; a recharged singer/songwriter full of grace. Her determination to put one foot in front of the other and find the road to reclamation shifted into overdrive when she left Nashville for her native Texas in 2017. Since then, she’s never looked back. The Walk soars as her most honest effort to date. It’s a groove-laden, lyrical lightning bolt from which the tonic of self-revelation pours forth on songs such as the grateful “Every Happiness Under The Sun” and the gut-wrenching “I Don’t Like To Be Alone.” The album’s euphoric closer, “Song Don’t Fail Me Now,” is Bonnie’s most heartfelt testament to date that music absolutely can still heal the spirit.

Explore the dark side of Beer City on LaZoom’s Ghosted Tour!

Duration

1 hour

About

Come enjoy our most popular Asheville tour!

About

Bachelorette/Bachelor Parties are not permitted on this tour. The Fender Bender Bus is bachelorette/bachelor friendly!

Learn about Asheville’s strange, sometimes sordid past from our ghoulish guides. You’ll laugh! You’ll scream! You’ll discover mysteries and chilling tales of scandal and murder on the blood-stained streets of this picturesque town!

Ghosted runs approximately 60 minutes. Beer and wine are welcome onboard, but no open containers, and absolutely no liquor, please! All beer and wine must be purchased from the LaZoom Room. (Passengers must be at least 21 years old to drink on the bus, and must have valid ID.)

Age Restrictions

17 and up. No exceptions.

What’s Included

A bunch of bus seats
History of murders, ghosts and tragedies in the Land of the Sky
Tongue-in-cheek comedy
A live (not dead) tour guide

What’s Not Included

Bathroom breaks (It’s 60 minutes long – plan accordingly!)
Beer or Wine (Purchase at our bar, the LaZoom Room, and take on the bus)
Laughing (we’ll give you the funny, but it’s up to you to laugh)
Gratuity (guides only accept dead president currency)

Waitlist

If your desired time and availability is full, then please give us a call to be added to the waitlist.

The nation’s largest comedy club network is back! After a popular run last season, this hilarious collective returns to bring top-notch comedians for four weekends of side-splitting laughter. Some of the hottest stand-up comedians of today — seen in specials on Comedy Central, HBO Comedy, Netflix, Hulu and more — deliver witty one-liners, preposterous punchlines and hysterical anecdotes that will keep you laughing all night long. Contains adult content.

Hendersonville Theatre is proud to launch its 2024 Hometown Sound Music Series with Asheville favorite, Empire Stikes Brass! This unforgettable performance is not to be missed.

This brass, funk, and rock band has a lot to say with a big sound. Chock-full of serious groove from a thumping rhythm section and lush horn arrangements, the band’s compositional roots as well as its creative and collaborative soul contribute lots of depth to their original tunes and covers.

Founded in 2012, ESB has grown from a party band of friends playing New Orleans-originated or inspired second-line and funk tunes with elements of rock and jam. Now, it consists of a collective of players, singers, songwriters, and producers who have found an original sound that fuses their musical influences with fresh ideas while still holding to their foundation.

Featuring rich group and lead vocals from several members including Grammy Award-winning artist Debrissa McKinney (Secret Agent 23 Skidoo), keyboardist/producer Lenny Pettinelli, drummer Nik Hope, bassist JP Furnas, guitarist Chris Porter, trumpet Alex Bradley, trombone Kyle Snuffer, saxophone Pauly Juhl, and keyboard/percussion Sean Donnelly. Since their conception, they have been a constant fixture at various festivals throughout the USA. Empire has also co-billed with some of the biggest names in funk and soul.

When Empire Strikes Brass comes together, whether live or in the studio, the sound is undeniably solid. The band’s debut album was recorded at Asheville’s own renowned Echo Mountain Recording Studio, and released in 2017. Entitled Theme For A Celebration, it was tapped as one of the year’s top 100 releases by WNCW 88.7 radio. ESB’s newest release Brassterpiece Theatre (2019), also recorded at Echo, was a fierce follow-up and both albums are available through all major music distribution streaming, sales, and listening platforms. As they continue to tour and captivate audiences, Empire Strikes Brass is diligently working on their highly anticipated third studio album. Between shows, they are crafting and mastering new sounds that will undoubtedly leave their fans craving for more.

Janna Hymes, conductor
Joshua Roman, cellist
Adam Schoenberg: Bounce
Camille Saint-Saëns: Cello Concerto No. 1
Maurice Ravel: Ma mère l’oye (Mother Goose Suite)
Paul Hindemith: Symphonic Metamorphosis of Themes by Carl Maria von Weber

Saint-Saëns got it right with his first cello concerto, widely believed to be one of the greatest ever written for the instrument, even by tough critics like Shostakovich and Rachmaninoff. The success of this piece catapulted the composer to stardom, and it’s only fitting that our audience should hear it performed by a major star: Joshua Roman.
Pair that with the dreamy playfulness of Ravel’s Ma mère l’Oye or “Mother Goose Suite,” written in 1910 for six-year-old Mimi and seven-year-old Jean, the children of the composer’s close friends. The piece has been featured regularly in popular culture, on albums, in television series, and movies.
Paul Hindemith and his wife loved playing piano duets by Classical period composer Carl Maria von Weber, and it was these pieces that inspired his ambitious Symphonic Metamorphosis of Themes by Carl Maria von Weber. Beloved by orchestras for its sumptuous harmonies and technical challenges, you’ll be amazed when you hear and see the artistry our Greenville Symphony musicians bring to this metamorphosis.

CLICK TO LEARN MORE ABOUT THE CONDUCTOR & GUEST ARTIST

A career spanning twenty five years has brought this Canadian guitarist multiple accolades including a coveted Acoustic Guitar Magazine ‘Player’s Choice Silver Award’, eleven Juno Award nominations (he won for 2001’s ‘Free Fall’), a Gemini Award and, most impressively, ten platinum and gold studio albums.

Moreover, he has sold out concert halls the world over, produced five PBS television specials and five live CD’s. Not a bad legacy for a guy who never planned to release an album.

“If you had asked me at age 22, I would have said that I would never, never make music for the public,” Jesse Cook says with a laugh. “I would have told you that the public is much too fickle — they may love you one minute and forget you the next. Well, it turns out I did the thing I said I’d never do, and somehow it’s worked out.”

That’s an understatement. Since launching his career with 1995’s Tempest, Cook has blazed an incredible trail. Along with being a global-guitar virtuoso, he’s honed his skills as a composer, producer, arranger, performer and, more recently, filmmaker and cultural ambassador. Surprisingly, he started down many of those paths before he even started school.

As a child he was introduced to flamenco while spending summers at his father’s house in the Camargue region of southern France. John Cook’s neighbour happened to be Nico Reyes, guitarist for The Gypsy Kings. Meanwhile his mother, Heather Cook, with whom he lived, enrolled him in Toronto’s prestigious Eli Kassner Guitar Academy.

Cook’s musical education continued at the world renowned Royal Conservatory, Toronto’s York University and the esteemed Berklee College in Boston. He set his sights on a career as a composer. That was until an Ontario cable TV company aired his music on the listings channel.

“Their switchboard got flooded with calls,” he recalls. “People even got my number somehow and started phoning me at home and asking for a CD. And I was saying, ‘I don’t have a CD, I’m a background composer guy. I don’t make records.’ “

This proved to be a critical turning point leading Cook to self-produce Tempest at home using an eight-track recorder and one microphone. Then he delivered the initial run of 1,000 CDs from the plant to the distributor in his car. Those humble beginnings quickly sparked a mighty international career.

Canadian television appearances followed and so too did important gigs in the US. If he must point to one it was the 1995 Catalina Jazz Festival where his playing earned a 10-minute standing ovation, sparked mob scenes — “It was like being The Beatles,” he marvels — and prompted one store to order enough copies of Tempest to land it at No.14 in Billboard.

In Poland, his 2004 live album Montreal took the country by storm. In India, he gained fame after one of his songs was plagiarized for a major Bollywood movie. (“In India, that’s allowed,” he explains. “They call it cultural appropriation — it obviously doesn’t mean the same thing there.”) In Iraq, his instrumentals score the nightly news. Elsewhere, they’ve accompanied gymnastics and skating routines at the Olympics.

“In Torino, the Japanese skater and the Russian skater both competed using the same song (Mario Takes A Walk). One of them won. I think I should have got bronze,” he says laughing.

It’s no wonder Cook also jokes that his music “has had a way more interesting life” than he’s had. But lately, that international appeal — reflected in a compositional style that mixes flamenco with everything from classical and jazz to Zydeco, blues and Brazilian samba — has become something he takes more seriously.

“If music can come from around the world and interconnect so beautifully to create this beautiful tapestry, maybe there’s something that music can teach us.”

Over the course of his first twenty -five years making award winning music for a global audience Cook could be forgiven should he contemplate retiring or, as he puts it,  ‘hanging out at my cottage dipping my toes in the water.”  But the fact is he loves creating music. And, there’s also the matter of some unfinished business interrupted by the pandemic.

“Tempest 25’ the reissue of his debut album (released 25 years prior) had been amongst those pre-Covid plans. So too had been another world tour in support of its release.  Cook, like most of us, found himself house bound due to travel restrictions.

“The first year with no touring since my career began. I needed a mountain to climb” Cook quips.

So, Cook got to work producing 23 (and counting) extraordinary solo YouTube videos of his favourite songs in which he played all the instruments, recorded, and filmed himself. The collection is called “Love in the Time of Covid” Not only have they pleased his existing fan base but this YouTube video collection has expanded his worldwide audience who are now craving that soon to be announced world tour.

Jesse Cook, clearly, has many more years of memorable performances ahead of him.

A career spanning twenty five years has brought this Canadian guitarist multiple accolades including a coveted Acoustic Guitar Magazine ‘Player’s Choice Silver Award’, eleven Juno Award nominations (he won for 2001’s ‘Free Fall’), a Gemini Award and, most impressively, ten platinum and gold studio albums.

Moreover, he has sold out concert halls the world over, produced five PBS television specials and five live CD’s. Not a bad legacy for a guy who never planned to release an album.

“If you had asked me at age 22, I would have said that I would never, never make music for the public,” Jesse Cook says with a laugh. “I would have told you that the public is much too fickle — they may love you one minute and forget you the next. Well, it turns out I did the thing I said I’d never do, and somehow it’s worked out.”

That’s an understatement. Since launching his career with 1995’s Tempest, Cook has blazed an incredible trail. Along with being a global-guitar virtuoso, he’s honed his skills as a composer, producer, arranger, performer and, more recently, filmmaker and cultural ambassador. Surprisingly, he started down many of those paths before he even started school.

As a child he was introduced to flamenco while spending summers at his father’s house in the Camargue region of southern France. John Cook’s neighbour happened to be Nico Reyes, guitarist for The Gypsy Kings. Meanwhile his mother, Heather Cook, with whom he lived, enrolled him in Toronto’s prestigious Eli Kassner Guitar Academy.

Cook’s musical education continued at the world renowned Royal Conservatory, Toronto’s York University and the esteemed Berklee College in Boston. He set his sights on a career as a composer. That was until an Ontario cable TV company aired his music on the listings channel.

“Their switchboard got flooded with calls,” he recalls. “People even got my number somehow and started phoning me at home and asking for a CD. And I was saying, ‘I don’t have a CD, I’m a background composer guy. I don’t make records.’ “

This proved to be a critical turning point leading Cook to self-produce Tempest at home using an eight-track recorder and one microphone. Then he delivered the initial run of 1,000 CDs from the plant to the distributor in his car. Those humble beginnings quickly sparked a mighty international career.

Canadian television appearances followed and so too did important gigs in the US. If he must point to one it was the 1995 Catalina Jazz Festival where his playing earned a 10-minute standing ovation, sparked mob scenes — “It was like being The Beatles,” he marvels — and prompted one store to order enough copies of Tempest to land it at No.14 in Billboard.

In Poland, his 2004 live album Montreal took the country by storm. In India, he gained fame after one of his songs was plagiarized for a major Bollywood movie. (“In India, that’s allowed,” he explains. “They call it cultural appropriation — it obviously doesn’t mean the same thing there.”) In Iraq, his instrumentals score the nightly news. Elsewhere, they’ve accompanied gymnastics and skating routines at the Olympics.

“In Torino, the Japanese skater and the Russian skater both competed using the same song (Mario Takes A Walk). One of them won. I think I should have got bronze,” he says laughing.

It’s no wonder Cook also jokes that his music “has had a way more interesting life” than he’s had. But lately, that international appeal — reflected in a compositional style that mixes flamenco with everything from classical and jazz to Zydeco, blues and Brazilian samba — has become something he takes more seriously.

“If music can come from around the world and interconnect so beautifully to create this beautiful tapestry, maybe there’s something that music can teach us.”

Over the course of his first twenty -five years making award winning music for a global audience Cook could be forgiven should he contemplate retiring or, as he puts it,  ‘hanging out at my cottage dipping my toes in the water.”  But the fact is he loves creating music. And, there’s also the matter of some unfinished business interrupted by the pandemic.

“Tempest 25’ the reissue of his debut album (released 25 years prior) had been amongst those pre-Covid plans. So too had been another world tour in support of its release.  Cook, like most of us, found himself house bound due to travel restrictions.

“The first year with no touring since my career began. I needed a mountain to climb” Cook quips.

So, Cook got to work producing 23 (and counting) extraordinary solo YouTube videos of his favourite songs in which he played all the instruments, recorded, and filmed himself. The collection is called “Love in the Time of Covid” Not only have they pleased his existing fan base but this YouTube video collection has expanded his worldwide audience who are now craving that soon to be announced world tour.

Jesse Cook, clearly, has many more years of memorable performances ahead of him.

The nation’s largest comedy club network is back! After a popular run last season, this hilarious collective returns to bring top-notch comedians for four weekends of side-splitting laughter. Some of the hottest stand-up comedians of today — seen in specials on Comedy Central, HBO Comedy, Netflix, Hulu and more — deliver witty one-liners, preposterous punchlines and hysterical anecdotes that will keep you laughing all night long. Contains adult content.

Lace Larrabee is an actor, nationally touring stand-up comedian and former southern beauty queen who can be seen at clubs from coast to coast. Lace was a season 17 semifinalist on America’s Got Talent and was brought back at the finale show to roast judge Simon Cowell alongside the Roastmaster General himself, Jeff Ross!

Lace’s debut comedy album, White Trash Cinderella, produced by 800 Pound Gorilla Records, was released in September 2022 at the number 1 spot on the comedy charts. The accompanying YouTube special garnered over 190k views in the first month and continues to climb.

Lace and fellow Atlanta comedian Katherine Blanford (The Tonight Show) co-host the hilariously healing podcast, CHEATIES! CHEATIES is a delicious, juicy part of a well-balanced diet. Every week, these two snarky co-hosts interview a guest who’s either been cheated on or been the cheater. This podcast focuses on the mistakes we all make in relationships and, more importantly, how we overcome them and make it out on top.

Lace is also very passionate about helping to elevate the voices of other women. She founded Atlanta’s first and only all female stand-up comedy class Laugh Lab at the legendary Punchline Comedy Club. Laugh Lab now offers coed classes as well and was voted “2019 Best Comedy Class” by Atlanta Magazine.