Located within the wildly-popular and botanically beautiful Southern Appalachian Mountains, The North Carolina Arboretum offers more than 10 miles of hiking trails that connect to many other area attractions such as Lake Powhatan, the Pisgah National Forest and the Blue Ridge Parkway. Visitors of all ages and abilities can enjoy their hiking experience at the Arboretum as trail options include easy, moderate, and difficult challenge levels. All trails are dog-friendly and visitors are asked to adhere to the proper waste disposing procedures for pets.

Part of a running group that would like to use the Arboretum as a starting point or parking location? Please review our Running Group Guidance and email [email protected] with any questions.

Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.

Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.

Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words,  “at fighting erasure by making objects that engage with these long-suppressed stories.”‍

Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

Sign up to greet voters at the Friendship Community Center during Early Voting!

Poll greeting is an important way you can help make sure voters fill out their entire ballot, even our important local races.

The shifts are 2 hours long, but please consider 1) signing up for two shifts at a time on as many days as possible; and 2) signing up for an empty shift first until they’re all filled with at least one volunteer. Early Voting begins on February 15th and will continue through March 2nd.

All Poll Greeters are encouraged to attend a Poll Greeter Training. Here is the link to sign up for the training: https://mobilize.us/s/oazSHJ

Thanks so much for agreeing to welcome and inform voters, and to encourage them to join our efforts.

Every Wednesday morning, we open up the children’s activity room to give kids time for free play with puppets. Children must be under the supervision or a parent or guardian.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

The Museum recognizes Western North Carolina youth for their original artworks Award winners will be featured in a student exhibition in the Museum’s Van Winkle Law Firm Gallery and Multipurpose Space from January 24–March 25, 2024. All regional award recipients will be honored at a closing reception on March 21. The Asheville Art Museum and the Asheville Area Section of the American Institute of Architects (AIA) are the Western North Carolina (WNC) regional Affiliate Partners of the National Scholastic Art Awards. This ongoing community partnership has supported the creative talents of our region’s youth for 44 years. The WNC regional program is open to students in grades 7–12, ages 13-18, across 24 counties. “I’m thrilled to witness the incredible talent showcased in the 2024 Western North Carolina Scholastic Art Awards exhibition,” said Susan Hendley, School & Teacher Programs Manager at the Asheville Art Museum.  “This is a celebration of original works by students across the WNC region and highlights the profound impact of arts education.” The regional program is judged in two groups: Group I, grades 7–9 and Group II, grades 10–12. Out of more than 500 total art entries, over 200 works have been recognized by the judges; Gold and Silver Key awards are featured in this exhibition, with select Honorable Mentions displayed digitally. The 2024 regional judges include Victoria Bradbury, Associate Professor and Chair of New Media at UNC Asheville, Andrew Davis, Studio Technician and instructor at Winthrop University, and Jenny Pickens, a native Asheville artist and educator. Those works receiving Gold Keys have been submitted to compete in the 101st Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2024 National Scholastic Art Awards. Visit the Museum’s website for more information about the student exhibition. Thanks to our sponsors, Jon and Ann Kemske, Russell and Ladene Newton, and Frugal Framer. Download Student Artworks

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

The Asheville Gallery of Art is excited to present its February exhibit, “Reflections,” which features the virtuoso works of three new gallery artists: Carol Fetty, Annie Gustley, Sandra Brugh Moore. This exhibit of visual poetry runs February 1 to 28.

Exhibition and Public Programming

Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.

Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.

Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.

Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.

The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.

In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.

Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.

Images:

Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.

Vera B. Williams, Cover for Liberation Magazine, November 1958.

Sign up to greet voters at the Friendship Community Center during Early Voting!

Poll greeting is an important way you can help make sure voters fill out their entire ballot, even our important local races.

The shifts are 2 hours long, but please consider 1) signing up for two shifts at a time on as many days as possible; and 2) signing up for an empty shift first until they’re all filled with at least one volunteer. Early Voting begins on February 15th and will continue through March 2nd.

All Poll Greeters are encouraged to attend a Poll Greeter Training. Here is the link to sign up for the training: https://mobilize.us/s/oazSHJ

Thanks so much for agreeing to welcome and inform voters, and to encourage them to join our efforts.

Sponsored by NC Cooperative Extension and the Transylvania County Library, Living in the Mountains is a five-part educational series exploring the unique challenges and opportunities of living in the mountains of Western North Carolina.

Part Five: Wildlife Control for Your Landscape

Living in harmony with nature means a lot more than just putting out bird feeders. In fact, sometimes that’s a bad idea! In this presentation, we’ll discuss how to get along with the moles, voles, deer, birds, bats, bears, and other varmints that might come to visit your home here in the mountains. This will include deer-resistant plants and strategies to keep critters out of your garden.

This event will take place in person, in the Library’s Rogow Room.  Can’t make it in person?  Join the program via Zoom.

The experience of homelessness is especially hard on women. Homelessness experienced by women is made unique by their disproportionate experiences of gender-based violence including domestic violence, dating violence, stalking, human trafficking, and sexual assault, and is experienced by both cisgender (those who identify with the gender assigned them at birth) and transgender women. Over time, women’s wealth compounds at a lower rate compared to men’s due to persistent pay gaps, resulting in higher rental burdens and housing instability. Though younger women are facing higher rates of first-time homelessness, gendered wealth disparities also force older women, no longer able to afford the cost of living, into homelessness. Older women face more chronic health conditions and, on average, die 35 years prematurely. Due to longstanding systemic racism and sexism, women’s homelessness is disproportionately experienced by BIOPC and LGBTQIA communities.

Sign up to greet voters at the Friendship Community Center during Early Voting!

Poll greeting is an important way you can help make sure voters fill out their entire ballot, even our important local races.

The shifts are 2 hours long, but please consider 1) signing up for two shifts at a time on as many days as possible; and 2) signing up for an empty shift first until they’re all filled with at least one volunteer. Early Voting begins on February 15th and will continue through March 2nd.

All Poll Greeters are encouraged to attend a Poll Greeter Training. Here is the link to sign up for the training: https://mobilize.us/s/oazSHJ

Thanks so much for agreeing to welcome and inform voters, and to encourage them to join our efforts.

Sing with our Choir at a progressive church

Come join us! Contact Mark Acker for more information ([email protected]).

Rehearsals on Wednesday’s, 3:30-4:45

Sign up to greet voters at the Friendship Community Center during Early Voting!

Poll greeting is an important way you can help make sure voters fill out their entire ballot, even our important local races.

The shifts are 2 hours long, but please consider 1) signing up for two shifts at a time on as many days as possible; and 2) signing up for an empty shift first until they’re all filled with at least one volunteer. Early Voting begins on February 15th and will continue through March 2nd.

All Poll Greeters are encouraged to attend a Poll Greeter Training. Here is the link to sign up for the training: https://mobilize.us/s/oazSHJ

Thanks so much for agreeing to welcome and inform voters, and to encourage them to join our efforts.

Beginning & Intermediate youth music classes on traditional and ol’ time instruments including but not limited to, fiddle, mandolin, banjo and guitar. Students will attend 40 minutes of music enrichment, including multiple flat-footing sessions led by Alice Kexel, story-telling, visits from guest musicians, as well as learn about the heritage of the music and the region. They will have 40 minutes of group music classes, and 40 minutes of singing or JAM rehearsal.

Advanced students will have 40 minutes of group instrument lessons, followed by 30 minutes of advanced singing including harmony and shape-note singing, and finish with 50 minutes of coached, small-ensemble rehearsal.

Classes are $15/session, for a total of $210 for the first student, and a 20% discount of $168 for each additional sibling. Parents may choose to split payments when registering. Inquire with Julie Moore at [email protected] or 864-420-6407 about scholarships.

Youth Classes

Wednesdays, 4-6 pm

Savvy Post Marketing is a digital marketing agency dedicated to boosting success for food and beverage businesses. Their specialized services include strategic digital campaigns (social media management, targeted ad campaigns Etc.). They also offer custom mobile app development and user-friendly website development. Committed to local business growth, they tailor solutions for enhanced user engagement, and ultimately help businesses gain a substantial return on investment (ROI).

Come celebrate their ribbon cutting as a new member of the Chamber!

Asheville Parks & Recreation (APR) will host a community meeting to discuss the process that led to the difficult decision to not open the outdoor pool in Malvern Hills Park this year. Asheville residents are invited to attend. 

• Wednesday, February 21, 2024 

• 5:30 – 7:00 p.m. 

• Lucy S. Herring Elementary School, 98 Sulphur Springs Road

City of Asheville officials previously announced the 90 year-old pool can no longer be repaired to safely serve the community. APR Director D. Tyrell McGirt gave a presentation and answered questions from City Council members during an agenda briefing on February 8.  Slides from the presentation are available online and the meeting can be viewed on the City of Asheville’s YouTube channel (presentation begins at 1:25:30).

As part of the larger APR system, the forthcoming community-created parks and recreation comprehensive plan, Recreate Asheville: Shaping Our City’s Parks, will inform future investments in Malvern Hills Park and other recreation facilities in the city. Development of the plan is currently entering its second phase of engagement with additional public feedback opportunities in March including community workshops on March 28. The completed plan is scheduled for presentation to City Council in June 2024.

Asheville Parks & Recreation

With its oldest parks dating to the 1890s, Asheville Parks & Recreation manages a unique collection of more than 65 public parks, playgrounds, and open spaces throughout the city in a system that also includes full-complex recreation centers, swimming pools, Riverside Cemetery, sports fields and courts, and community centers that offer a variety of wellness-, education-, and culture-related programs for Ashevillians of all ages. With 10 miles of paved greenways and numerous natural surface trails, its complete portfolio acts as the foundation of a vibrant hub for the people of Asheville to connect with their neighbors and explore the natural beauty of a livable and walkable city.

Follow the Terriers on Twitter at @WoffordBaseball

Sign up to greet voters at the Friendship Community Center during Early Voting!

Poll greeting is an important way you can help make sure voters fill out their entire ballot, even our important local races.

The shifts are 2 hours long, but please consider 1) signing up for two shifts at a time on as many days as possible; and 2) signing up for an empty shift first until they’re all filled with at least one volunteer. Early Voting begins on February 15th and will continue through March 2nd.

All Poll Greeters are encouraged to attend a Poll Greeter Training. Here is the link to sign up for the training: https://mobilize.us/s/oazSHJ

Thanks so much for agreeing to welcome and inform voters, and to encourage them to join our efforts.

Weekly mountain music JAM with
players in a round, where the session is focused on regional fiddle tunes and songs, You are welcome to come and listen or to
learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program, Free but
donations are accepted.