Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Wednesday, April
10, 2024
Property Value Help Line
Recreate Asheville: Shaping Our City’s Parks
Business Morning Update
Entrepreneurial pedagogy + networking lunch
Nature’s Blueprints: Biomimicry in Art and Design
New Park Pavilion Reservation Software
Less Plastic Asheville Challenge
NC Arboretum Hiking Trails
Youth Advocacy Collective Monthly Meeting
ART CONNECTIONS TOURS
Art Exhibition: Hammer and Hope
Preservers, Innovators, and Rescuers of Culture in Chiapas
Puppet Playtime
Worlds Apart: Musical Instruments from Secular to Sacred
North Carolina Winery Tour Adventures
Pack Library Book Club
Tuckasegee River Excursion
American Art in the Atomic Age: 1940-1960
Honoring Nature: Early Southern Appalachian Landscape Painting
Joseph Fiore: Black Mountain College Paintings
The New Salon: A Contemporary View
Vera B. Williams / STORIES Eight Decades of Politics and Picture Making
Western North Carolina Glass: Selections from the Collection
Our VOICE bilingual Information Sessions and Assistance
ONEmic Open Studio Hours with Paul
River Arts District Farmers Market
Weaverville Tailgate Market
One Book, One Buncombe: Sound Lab with Junior Appalachian Musicians
Pacolet Junior Appalachian Music (PacJAM) Spring Semester
Pedal Stroke
Do you have questions about your property value and don’t feel comfortable talking with a Buncombe County Property Appraiser there is help available.
Buncombe County Property Assessment and Land of the Sky Association of REALTORS (LOTSAR) volunteers have partnered to help.
Call 828-239-2906 and leave a message with your name and contact information and trained volunteer will call you back in 1-2 business days. Get help with property record information, filing an appeal, tax relief programs, and general questions.
The Property Value Help Line is available through April 15.
Call 828-239-2906.
Following multiple in-person and online engagement opportunities last summer and fall, Asheville Parks & Recreation (APR) announced additional feedback workshops and a survey for Recreate Asheville: Shaping Our City’s Parks, a community-driven comprehensive plan to guide the City of Asheville’s parks and recreation decisions for the next 10-15 years.
During the City of Asheville’s Environment and Safety Committee meeting on February 27, APR shared an update on the months-long planning process and a summary of information learned during a community needs assessment period that included a statistically valid survey mailed to homes throughout the city, an online survey, in-person workshops and engagement events, focus group meetings, and stakeholder discussions.
- View presentation on the City of Asheville’s YouTube channel
- View slides from the presentation in PDF format
Upcoming Feedback Opportunities
- March 27-April 15
- Online survey available on the City of Asheville’s virtual engagement hub
- Use this direct link at that time: https://publicinput.com/recreateasheville
- March 27 at 6 p.m.
- Virtual community meeting with a presentation followed by town hall-style comment period
- Use this direct link at that time: https://publicinput.com/recreateasheville
- March 28 from 7-11 a.m.
- Stephens-Lee Community Center on 30 George Washington Carver Avenue
- Drop-in open house community meeting with the opportunity to stay as little or as long as your schedule allows to participate in hands-on budgeting activities and speak directly with City of Asheville staff
- Additional opportunities in April will be announced on the Recreate Asheville website as they are confirmed.
- APR team members are also happy to attend virtual or in-person meetings of Asheville’s neighborhood organizations to discuss the plan in greater detail.
What happens next?
Feedback during this phase will be incorporated with feedback from the previous community needs assessment period to develop a strategic action plan. Community members then have an additional period (tentatively scheduled from May 20-June 2) to review and comment on the drafted plan.
What is Recreate Asheville: Shaping Our City’s Parks?
Recreate Asheville: Shaping Our City’s Parks is a community-built comprehensive plan to guide long-range planning, address service gaps, and identify opportunities for improvements. It is a visionary document that sets the values and goals for systemwide investments and a framework to guide future investments in recreation programs and spaces.
It is not an operations model or financial budget, though it is a method to inform capital expenditures. The Recreate Asheville plan does not contain detailed design proposals for specific neighborhoods, parks, or facilities.
Asheville Parks & Recreation
With its oldest parks dating to the 1890s, Asheville Parks & Recreation manages a unique collection of more than 65 public parks, playgrounds, and open spaces throughout the city in a system that also includes full-complex recreation centers, swimming pools, Riverside Cemetery, sports fields and courts, and community centers that offer a variety of wellness-, education-, and culture-related programs for Ashevillians of all ages. With 10 miles of paved greenways and numerous natural surface trails, its complete portfolio acts as the foundation of a vibrant hub for the people of Asheville to connect with their neighbors and explore the natural beauty of a livable and walkable city.
Driven by the promise that Asheville is a better and safer place when everyone from infants to retirees has the opportunity to be supported, healthy, and successful, Asheville Parks & Recreation was the first nationally-accredited municipal recreation department in the United States. For latest updates, sign up for Asheville Parks & Recreation’s monthly newsletter, follow the department on Facebook (@aprca) and Instagram (@ashevilleparksandrecreation), or visit www.ashevillenc.gov/parks.
Join us each month for an info-packed event brought to you by the Blue Ridge Community College\’s Small Business Center, the City of Hendersonville Main Street Program, the Hendersonville Merchants & Business Association and the Chamber. Get the lowdown on current community events and the issues that matter to our local businesses and community.
Stay tuned for updated on our monthly lineup of guests and speakers!
The 2024 Business Morning Updates are proudly Presented by ALLCHOICE Insurance!
April is Hosted by Southern Quality Company!
REGISTER HERE
Join the SBTDC, W.C.U. College of Business Faculty, and the Corporation for Entrepreneurship & Innovation for an engaging morning of entrepreneurial pedagogy for members of the business community, with a networking lunch.
Topics Include
- Social Media Marketing Strategy in 2024
- Project Management 101: An Overview for Small Business
- The Future of Artificial Intelligence in Business
- Robust retirement planning for your unique business circumstances
Agenda
- Registration: 8:00 AM – 8:30 AM
- Event: 8:30 AM – 12:00 PM
- Networking Lunch: 12:00 PM – 1:00 PM
Baker Exhibit Center
In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.
Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.
Buncombe County Parks & Recreation is announcing the launch of its new online reservation system for park pavilions.
ACTIVENet, the new online reservation system, allows for a hassle-free user experience for Buncombe County park visitors. With just a few clicks, visitors can make and cancel reservations from the comfort of their home, in addition to checking real-time availability of the pavilions. Park pavilions are located at Lake Jullian, Charles D. Owen, and the Buncombe County Sports Park. Field rental is also available through this new portal.
Key takeaways of the new reservation system include:
Seamless Interface: The user-friendly layout of the reservation system allows for hassle-free bookings and cancelations.
Real-time Park Pavilion Availability: Users are able to check the availability of the park pavilions at their favorite park, and on their preferred date and time.
Secure Payment: ACTIVENet’s secure payment portal ensures data protection and encryption with Payment Card Industry (PCI) compliant technology.
Email confirmations: Once a reservation is made or canceled, users will receive a confirmation email with the details of their booking.
Click here to view a tutorial on how to book a park pavilion.
To access the new park pavilion reservation system, please visit www.buncombecounty.org/parks. There is a “Reserve & Register” button that will take users directly to the reservation portal. Please note that users must create an account prior to booking a park pavilion. For any inquiries or additional information, please contact [email protected] or call (828) 250-4260.
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This City of Asheville is launching the Less Plastic Asheville Challenge to encourage residents to reduce their consumption of single-use plastics. The campaign has two key features, a social media challenge called Less Plastic Bingo and a Pass on Plastic Pledge. The City will provide information on the impacts of single-use plastic on our community and tips for how our residents can understand and reduce their consumption of single-use plastics at tabling events around town and on our social media platforms. Those participating in the social media challenge can post photos and videos of themselves taking action to reduce single-use plastic consumption. Those who take the pledge will make commitments to sustainable lifestyle choices such as using reusable grocery bags and refusing single-use plastics. Residents who participate in either the Less Plastic Bingo Challenge or Pass on Plastic Pledge will win great prizes! The Less Plastic Asheville Challenge will begin in February 14, 2024 and end May 31, 2024. Follow the link at the top of the page to learn more about how you can participate and win these great sustainable items.
BackgroundIn October 2022, Asheville City Council directed the Sustainability Department to take a phased approach to reduce the consumption of single-use plastic. The first phase included an update to Chapter 15 of the City Code to prohibit the use of plastic bags in curbside brush and leaf collection. This ordinance change was approved by City Council on January 10, 2023 and was implemented August 1, 2023. For more information about this change and resources available check out this sanitation webpage. The second phase included further analysis and stakeholder engagement with area businesses, residents and city staff to inform a recommendation on additional single-use plastic reduction strategies surrounding plastic bags at point of sale and expanded polystyrene (StyrofoamTM) disposable foodware products. To see the results of this engagement read this blog post. On September 22, 2023 the North Carolina General Assembly approved the state budget that included a law prohibiting local governments from banning single-use plastic products. Due to this regulation, the City cannot adopt an ordinance banning plastic bags or expanded polystyrene (StyrofoamTM) takeout containers. Instead, the City is providing information and resources to residents and businesses to reduce single-use plastic consumption voluntarily through the Less Plastic Asheville Challenge. For more information on the previous plastic-reduction projects go to this webpage.
Less Plastic Asheville ChallengeTo reduce single-use plastic consumption and litter in our community it will take all of us! We invite you to join us, have a little fun and earn some prizes in the process! There are two ways to participate in the Less Plastic Asheville Challenge. You can take the Pass on Plastic Pledge and/or play Less Plastic Asheville Bingo. The pledge asks for you to commit to changes in your life to reduce your own plastic footprint, and the Bingo Challenge asks you to spread the word and help educate and inspire others about the issue through social media. The Pass on Plastic PledgeThe Pass on Plastic Pledge asks you to look at your own habits regarding single-use plastics and commit to practices that cut down your consumption, simple acts that improve our community and the environment. By taking this pledge, you are taking the charge to reduce your own plastic consumption. You can do this in a number of ways and the City of Asheville is here to inspire, support and cheer you on! When you commit to any one of the sustainable practices in the pledge, you will win plastic reducing prizes from the City. Your actions alone can reduce hundreds of pounds of plastic waste every year! By taking this pledge, you are showing that you care about the health, cleanliness, and pristine environment of our home in Asheville. It’s a big deal, and the City of Asheville thanks you. Take the Pass on Plastic Pledge
Less Plastic Asheville BingoThis bingo game is a social media challenge. It’s a fun way for you to help spread the word about single-use plastics, and to inspire the people around you to make changes and support sustainable businesses and habits. When you sign up, you will be emailed a bingo card. Once you have your card, follow the steps below in order to earn your swag.
Sign up below to receive your Less Plastic Bingo Card. |
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Located within the wildly-popular and botanically beautiful Southern Appalachian Mountains, The North Carolina Arboretum offers more than 10 miles of hiking trails that connect to many other area attractions such as Lake Powhatan, the Pisgah National Forest and the Blue Ridge Parkway. Visitors of all ages and abilities can enjoy their hiking experience at the Arboretum as trail options include easy, moderate, and difficult challenge levels. All trails are dog-friendly and visitors are asked to adhere to the proper waste disposing procedures for pets.
Part of a running group that would like to use the Arboretum as a starting point or parking location? Please review our Running Group Guidance and email [email protected] with any questions.
YAC aims to bring together service providers who work with youth (13-24 years old) to encourage networking, collaboration, and awareness.
The goal of the YAC is to bring together service providers who work with youth/young adults (13-24 years old) to encourage networking, collaboration, and awareness. Come as your schedule allows and invite peers who can benefit from attending.
We will meet monthly on the 2nd Wednesday of the month from 9-10am. Meetings will take place at the Goodwill Career Center at 1616 Patton Avenue unless an alternate location is communicated.
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Questions, comments, or suggestions? Pleae contact:
Kristin Kress – [email protected] or 828-298-9023 ext. 11139
Jordan Meeks – [email protected] or 828-298-9023 ext. 11167
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Please take a moment to complete the survey at the link below so that we can maximize our time together. Thank you for attending!
A morning tour on select Wednesdays and Fridays going to 2 studios – which will always include 1 private glass studio and 1 art studio in a different medium (such as pottery, fiber, books, sculpture, etc). These will be pre-arranged studio visits – not customized with the participant. Time frame: 9:30a to 12 ~ 12:15p.
Inspired by the Chihuly at Biltmore glass exhibit, this new tour will give participants a chance to meet a local glass artist along with another professional artist in a different medium. Glass studios included will feature: cast glass, blown glass or cold formed glass. Glass artists will be one of the following: Alex Bernstein, Carl Powell, Brad Smith, Robert Stephan or Hayden Wilson.
Dates for the first half of the year are: April 5, 10, 19; May 8, 17, 22; June 12, 14, 21, 26; July 5, 10, 19, 24, 26.
AND If you are a glass collector, or have special interest in meeting more of the regions incredible glass artists, private customized tours are available to book.
Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.
Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.
Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words, “at fighting erasure by making objects that engage with these long-suppressed stories.”
Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Preservers, Innovators, and Rescuers of Culture in Chiapas features eleven textiles by acclaimed Indigenous artisanas (artists) from Chiapas, Mexico commissioned by US-based fiber artists and activist Aram Han Sifuentes. As part of their 2022 Craft Research Fund Artist Fellowship, Han Sifuentes traveled to Chiapas to understand the function of garments and textiles within the social and cultural context of the area and to learn the traditional practice of backstrap weaving. Through the works on view, combined with a series of interviews Han Sifuentes conducted during her research, visitors learn about the artisanas and their role as preservers, rescuers, and innovators of culture and as protectors of Mayan ancestral knowledge. Together, these works present an approach to connecting and learning about culture through craft practices.
Han Sifuentes is interested in backstrap weaving because it is one of the oldest forms used across cultures. The vibrant hues and elaborate designs of each textile express the artisanas identities and medium to tell their stories. To understand how these values manifested in textiles made in Chiapas, Han Sifuentes invited the artisanas to create whatever weaving they desired over the course of three months. This is unique because most textiles in the area are created to meet tourist-driven and marketplace demands. Incorporating traditional backstrap weaving and natural dye techniques, some artisans created textiles to rescue or reintroduce weaving practices that are almost or completely lost in their communities, while others were created through material and conceptual experimentation. This range of approaches reflects how artistanas are constantly innovating while at the same time honoring and keeping to tradition.
Preservers, Innovators, and Rescuers of Culture in Chiapas is on view from November 17, 2023 to July 13, 2024.
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
The featured artisanas include: Juana Victoria Hernandez Gomez from San Juan Cancuc, Maria Josefina Gómez Sanchez and Maria de Jesus Gómez Sanchez from Oxchujk (Oxchuc), Marcela Gómez Diaz and Cecilia Gómez Diaz from San Andrés Larráinzar, Rosa Margarita Enríquez Bolóm from Huixtán, Cristina García Pérez from Chalchihuitán, Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez from Zinacantán, Angelica Leticia Gómez Santiz from Pantelhó, and Susana Guadalupe Méndez Santiz from Aldama
Every Wednesday morning, we open up the children’s activity room to give kids time for free play with puppets. Children must be under the supervision or a parent or guardian.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Join us for a North Carolina winery tour and celebrate a date night, bachelorette party, retirement, family, or a weekend away while sampling our favorite local beverages along the way. Our standard tour includes visits to three Asheville area vineyards. With safe and reliable transportation provided, you can sit back, relax and just have fun.
Included:
- Round trip transportation*
- Three vineyard visits
- Tastings at two of your three stops. Let’s just say that the pours at the first couple of locations are generous so we like to leave the third-stop beverage choice up to you.
- Time commitment = up to 5 hours
Want to include specific vineyards on your Asheville wine tours? If you have “must-see” wineries in mind or want to craft a full day catered to your group’s interests, we’re always happy to create a custom experience. Reach out any time!
The Pack Library Book Club is a book discussion group that meets the second Wednesday of each month at 10:30AM at the library. We read and discuss a variety of book genres. The book for January 2024 is “Solito” by Javier Zamora.
Newcomers are always welcome! If you have any questions about book club, you can email [email protected] .
TAKE A TRAIN RIDE ALONG SIDE THE BEAUTIFUL NANTAHALA RIVER ON OUR NANTAHALA GORGE EXCURSION! DEPARTING FROM BRYSON CITY, THIS 4½ HOUR ROUNDTRIP EXCURSION CARRIES YOU 44 MILES TO THE NANTAHALA GORGE AND BACK AGAIN ARRIVING AT OUR BRYSON CITY DEPOT.
Ride this excursion via Steam or Diesel locomotive power!
Enjoy the sights and sounds of the Great Smoky Mountains while traveling along the Tennessee and Nantahala (nan-tuh-HAY-luh) River. The historic trellis bridge Fontana Trestle takes you across Fontana Lake and into the beautiful Nantahala Gorge. Onboard dining is available in First Class Seating and selecting from our First Class dining menu options OR you can pre-purchase a box lunch option to make this an amazing unique moving dining experience. Arrive at our layover destination in the heart of the Nantahala Gorge for a one-hour layover where you can relax by the river or enjoy sightseeing!
Itinerary
| 30m before departure | Boarding begins at Bryson City Depot |
| See schedule for departure time | Depart Bryson City, NC |
| 1h 45m | Reach top of the line |
| 2h 00m | Begin return |
| 2h 30m—3h 30m | Layover |
| 3h 30m | Depart Layover |
| 4h 30m | Arrive at Bryson City Depot |
| Time from Departure | Activity |
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| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.
This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.
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Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum. |
11am – 5pm Tuesday through Saturday
Born in Cleveland, Ohio, Joseph Fiore (1925-2008) first enrolled at Black Mountain College for the Summer Session of 1946, the summer that Josef Albers invited Jacob Lawrence to teach painting at BMC. Over the next three years, Fiore also studied with Ilya Bolotowsky, Willem de Kooning, and Jean Varda. In 1949, after Josef and Anni Albers’ departure, Joe was invited to join the faculty, and he taught painting and drawing until 1956 when the college leaders decided to close.
After BMC closed, Joe and his wife Mary, whom he met and married at BMC, moved to New York City. There he became involved with the 10th Street art scene of the late 1950s and 1960s, a group of galleries that exhibited the work of young artists on the rise. Eventually he resumed his teaching career at the Philadelphia College of Art, Maryland Institute College of Art, and the National Academy.
In May of 2001, Joseph Fiore was awarded the Andrew Carnegie Prize at the National Academy of Design in New York. The Carnegie Prize is awarded “for painting” at the National Academy’s Members’ Show.
This exhibition consists of paintings in our collection donated by the artist and by The Falcon Foundation. All of the paintings were made at Black Mountain College and show Fiore’s distinctive use of color and his ability to work comfortably in the spaces between abstraction and representation.
Curated by Alice Sebrell, Director of Preservation
Bender Gallery Artists Featured in
Asheville Art Museum Exhibition
The New Salon: A Contemporary View
The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.
Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville.
Learn More
Kukula, Impossible Voyage, oil on board, 48 x 24 inches
Kukula (b. 1980, Israel)
Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference.
Available Work
Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches
Yui Sakamoto (b. 1981, Japan)
Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure.
Available Work
Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches
Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024.
Available Work
Exhibition and Public Programming
Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.
Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.
Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.
Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.
The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.
In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.
Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.
Images:
Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.
Vera B. Williams, Cover for Liberation Magazine, November 1958.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
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Join us for an Our VOICE Bilingual Information Session. This session will be provided to inform Spanish & English speaking community members about sexual assault and human trafficking resources that Our Voice provides. Do you have questions about services? Need assistance? All are welcome and encouraged to attend. Social workers will be fluent in both Spanish and English. These conversations will take place privately and in a safe space. Walk-ins welcome. Our VOICE inspires hope and healing while ending sexual violence and human trafficking through education, counseling, and advocacy. We serve survivors of sexual violence, age 13 through adult, in Buncombe County. |
Join us in LEAF’s ONEmic Studio generously supported by the Ben Gradison Memorial Fund, which was created to carry on Ben’s mission of connecting cultures and building community through recording studios both locally and globally.
Internationally, the Ben Gradison Memorial Fund has been an integral support for setting up ONEmic studios in Haiti and Costa Rica, in conjunction with LEAF International.
Through LEAF’s partnership with Asheville Parks and Recreation, the ONEmic Studio continues to fulll Ben’s mission of creating opportunities for local youth to nd their voice through music and the arts.
In honor of Ben Gradison (1984-2012)
Teaching Artist
Ben Gradison Memorial Fund
To help us in carrying on Ben’s dreams and dedication, please make donations to:
LEAF Schools & Streets
c/o Ben Gradison Memorial Fund
Located in the River Arts District, and surrounded by art galleries and breweries, come find out about Asheville’s favourite mid-week market!
Buncombe County will continue to offer ASAP’s Double SNAP for Fruits and Vegetables and Farm Fresh Produce Prescription.
Buncombe County will continue to offer ASAP’s Double SNAP for Fruits and Vegetables and Farm Fresh Produce Prescription
Proudly serving the Weaverville community since 2009
| Meet musicians from the Junior Appalachian Musicians program at Black Mountain Center for the Arts and their instruments! It’s a fun and free introduction to Appalachian music and instruments! |
Beginning & Intermediate youth music classes on traditional and ol’ time instruments including but not limited to, fiddle, mandolin, banjo and guitar. Students will attend 40 minutes of music enrichment, including multiple flat-footing sessions led by Alice Kexel, story-telling, visits from guest musicians, as well as learn about the heritage of the music and the region. They will have 40 minutes of group music classes, and 40 minutes of singing or JAM rehearsal.
Advanced students will have 40 minutes of group instrument lessons, followed by 30 minutes of advanced singing including harmony and shape-note singing, and finish with 50 minutes of coached, small-ensemble rehearsal.
Classes are $15/session, for a total of $210 for the first student, and a 20% discount of $168 for each additional sibling. Parents may choose to split payments when registering. Inquire with Julie Moore at [email protected] or 864-420-6407 about scholarships.
Youth Classes
Wednesdays, 4-6 pm
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