Buncombe County will continue to offer ASAP’s Double SNAP for Fruits and Vegetables and Farm Fresh Produce Prescription.

Plan to collaborate with other musicians at Sideways Farm & Brewery in Etowah. Bring your instruments and voices and enjoy making music and networking with other artists, while enjoying the beautiful scenery. Food truck is on site and beverages available for purchase from Sideways (small
batch craft beers, hard jun, ciders, wine, and non alcoholic drinks). Family, fans, friends, and leashed dogs are all welcome!
During winter months enjoy playing under the covered, sheltered, heated porch! And during the summer months enjoy
collaborating in the fields, on the stage, or under the patio

With a curated beer and wine selection, craft cocktails, and air of sophistication, Wine & Roses offers a peek into the
captivating personality of the hotel’s namesake, Zelda Fitzgerald.
Designed by Hatteras Sky and with interiors by Nashville-based firm, Anderson Design Studio,
Wine & Roses is tucked within a thoughtfully restored turn-of-the-century mansion in Asheville’s
South Slope neighborhood. Wine & Roses is inspired by the clandestine meetings that first
ignited their whirlwind courtship, leaving Zelda wistfully nostalgic and furiously imaginative in her
writing and artistry. The space exudes warmth with golden hues, dim lighting, and lush velvet
accents. Always topped with fresh roses, the eight-seat bar at Wine & Roses sits under
glimmering chandeliers and overlooks a portrait of Zelda herself. Additional seating for up to 21
guests is spread throughout the bar area. A dreamy outdoor patio boasts two roaring fire pits
and 24 additional seats for those who choose to indulge al fresco.
Wine & Roses serves craft cocktails like The Sayre (Monkey 47, lemon, orange blossom, egg
white, and orange bitters), The Fitz (Four Roses, demerara simple syrup, angostura bitters,
orange, and luxardo cherry), and the Gilded Girl (Casamigos Reposado, orange curacao,
apricot juice, and lime juice), and a curated selection of local beers and wines by the glass. A
small menu of decadent bites will debut later this summer.
Wine & Roses is open to guests Sunday through Thursday from 4pm to 8pm, and to the public
Friday and Saturday nights from 4pm to 10pm. For additional information about Wine & Roses,
to book a private event, or to reserve a seat at the bar, call Zelda Dearest at 828.514.2489, visit
zeldadearest.com, or follow @zeldadearest on Instagram.

Follow the Terriers on Twitter at @WoffordBaseball

​

The sleepy town of Popcorn Falls is forced into bankruptcy when a neighboring town threatens to turn them into a sewage treatment plant. Their only hope – open a theater! Two actors play over twenty roles in a world of farce, love, and desperation, proving once and for all that art can save the world.

The sleepy town of Popcorn Falls is forced into bankruptcy when a neighboring town threatens to turn them into a sewage treatment plant. Their only hope – open a theater! Two actors play over twenty roles in a world of farce, love, and desperation, proving once and for all that art can save the world.

Seating is general admission, first come first served. Door opens 30 minutes prior to showtime. Online ticket sales end 1 hour prior to showtime. There may still be tickets available for purchase in the office after online sales have ended. Contact BMCA for more information at 828-669-0930.

Get ready for off the wall improv as Speakeasy presents “Summer Vibez”. Come out to our last show of the season at Story Parlor before our summer break. Our improv head chef, Tim Hearn, will be heading off to Greece to teach and we want to party one more time before he leaves. Come out and get ready for those sweet sweet Summer Vibez! We got your favorite Improv troupes; Upstairs/Downstairs, The Speakeasy House Improv Troupe and Dr. No and the Yessirs!

Elderly siblings Marilla and Matthew Cuthbert asked the orphanage for a boy. What they got was Anne Shirley––a plucky redhead with a huge imagination and an even bigger temper. Soon, Anne burrows her way into the hearts of the Cuthberts, and the residents of Avonlea, as she grows from a hysterical twelve-year-old to a whip-smart young woman who burns with ambition. Adapted from the 1908 book by Lucy Montgomery, this classic faithfully follows Anne’s journey through all of her iconic moments.

Program includes:

Claude Debussy: Beau Soir

Lukas Foss: Capriccio

Camille Saint-Saens: Romance, Op. 36

Michael Stephen Brown: Prelude and Dance (2017)

Nicholas Canellakis: Romance a GF (2022)

“The Four Seasons story still hits all the high notes!” Experience the Unforgettable Music and Untold Story of Frankie Valli and The Four Seasons with Jersey Boys. This Tony Award-winning musical, filled with chart-topping hits, captivating storytelling, and electrifying performances, will have audiences singing and dancing in their seats. Featuring iconic songs like “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” and “Can’t Take My Eyes Off You,” this musical is a celebration of the timeless music that defined a generation. Don’t miss your chance to experience the magic, the music, the story of Jersey Boys.

The Montford Park Players is pleased to announce auditions for its 52nd  Season: 

Muse of Fire: Shakespeare’s Wars of the Roses

Jason Williams, Artistic Director

5/10/2024 5/24/2024   Edward III, directed by Mandy Bean
5/31/2024 6/23/2024   Richard II, directed by Jason Williams
6/28/2024 7/21/2024   Henry IV Parts 1 & 2, directed by Dr. George Brown, Callista Brown and Elizabeth DeVault
7/26/2024 8/25/2024   Henry V, directed by David Doersch
8/30/2024 9/22/2024  Henry VI Parts 1, 2 & 3, directed by Glenna Grant, Ariel Robinson and Adam Kampouris
9/27/2024 10/27/2024 Richard III, directed by Kristi DeVille

Conveniently located in the heart of the Historic Montford District of Asheville, North Carolina, the Outdoor Hazel Robinson Amphitheatre is easy to get to and accessible from I-240 and I-26. And, it’s just a short drive down Montford Avenue from downtown.

Returning to the stripped-back, string band sound of their busking years, Lost Dog Street Band’s new album Glory is a searing testament to recovery, redemption and resolve. Fronted by songwriter Benjamin Tod and his wife, fiddler Ashley Mae, the DIY band began out of desperation on the sidewalks of Nashville roughly a decade ago, but now sustains a significant national audience that’s drawn to their authentic songwriting, old-time instrumentation, and hard-won independence.

“I wanted to make an album with the specific intention of being raw but full at the same time and to get back to our roots,” Benjamin Tod says. “Everyone on this album has been a busker. Douglas Francisco, who plays slide guitar — I met him on the streets busking. Jeff Loops, our bassist, was in a busking band, too. That flavor was important to me, just getting back to the root of things.”

By centering the songs of Glory around acoustic arrangements, without the drums or steel guitar of prior albums, these harrowing personal stories become even more graphic. It’s a feeling that Benjamin Tod himself describes as “a logical glimpse of climbing out of hell.” He observes, “Something that was shocking to me was realizing that as soon as I got sober, that was really the beginning of the journey. Choosing to get sober was barely even a milestone.”

Leading the album, “Until I Recoup (Glory I)” vengefully demands justice and describes the fight for glory after it’s been unjustly taken away. The lyrics read like a mission statement of redemption.

Similar to Steve Earle’s influential Train a Comin’ album from 1999, Glory conveys the hard work that goes into getting clean, particularly in tracks like “Fighting Like Hell to Be Free,” “Beautiful Curse” and “Jalisco Bloom.” Calling to mind the skillful writing of Guy Clark or Townes Van Zandt, “What Keeps Me Up Now” views that phrase from multiple angles, from sleepless nights to a suicide attempt, where “the belt was a noose when I came to on the ground.” It’s one example of the “dark country” description that the band occasionally uses to describe their sound. In contrast, “End With You” finds Benjamin Tod feeling damn glad that he’s found a relationship that’s sustained him for a decade, through the achievements as well as the obstacles.

Raised in Sumner County, just outside of Nashville, Benjamin Tod was primarily raised by his grandmother and grandfather. However, at age 7, his mother surprised him with a cheap electric guitar — then his competing father bought him a pawnshop classical guitar. With nobody to show him how to play, they were little more than toys. However, at 14, he and a friend each received a Fullerton parlor guitar from his friend’s father. The boys started getting interested in folk music and protest songs, which led Benjamin to the streets of Nashville to busk.

Meanwhile, Ashley Mae was spending more and more time in Nashville, where her mother worked the overnight shift at rock station WKDF. She’d already tapped into the small punk scene in Rapid City, South Dakota, where she grew up, but found an even deeper community in Music City. At 20, she taught herself to play fiddle, shedding as much of her classical violin training as she could. When she met Benjamin Tod at a punk show, introduced by a mutual friend, they bonded immediately.

At 17, they left Nashville together for a life of street performance, hopping trains, and scraping by on less than $300 a month. After four years of terrible gigs and almost no traction, Benjamin Tod decided in 2016 to abandon the band. “I’d been a hardly functioning drug addict and alcoholic for over a decade. I was sick of the lifestyle and it seemed like it was going nowhere,” he admits.

An invitation from the band Devil Makes Three came out of the blue in 2016. Benjamin Tod found out about it in a train-yard, about to hop a train from Asheville, North Carolina, to Knoxville, Tennessee. “Without that, Lost Dog never would have moved forward from that point,” he says.

Lost Dog Street Band gained traction through that tour, but when Benjamin Tod and Ashley Mae separated for a year and a half, the momentum evaporated. Instead of going back on the road, they filmed performance videos of songs from Benjamin Tod’s solo album, I Will Rise, and posted them to YouTube without much expectation other than promotional use. However, that decision proved to be the turning point, as curious listeners discovered the band and their ticket sales skyrocketed.

Those early fans especially will embrace the spare but spirited sound of Glory, applied to tracks like “Cost of the High,” which directly addresses the fallout of addiction, as well as “Hayden’s Lament,” where the choice is given between “getting dead or getting tough.” Right after the plaintive country ballad, “Losing Again,” Benjamin Tod brings out the banjo for “I Believe (Glory II),” which basks in the emotion of finally finding that glory.

Without touring in 2020, Benjamin Tod and Ashley Mae settled on a parcel of land in rural Kentucky that they bulldozed themselves, building a cabin with well water and solar panels. Every week, even now, Benjamin Tod says he takes account of his situation as a recovering addict.

“In society as a whole, there’s a real lack in examples of actual recovery,” he says. “There’s not a brutally honest take on how painful the process is, but how rewarding it is at the same time. Every step that you make helps encourage you to meet the next milestone. It’s like a punch in the face and the kiss on the cheek every day. It’s very personal for me, the concept of digging out of hell, because I had to do that in order to gain my own dignity back. Everything follows after that. You have to earn your own respect of yourself before you earn it from anybody else.”

Movies in the Park returns with free family favorite films projected on a massive outdoor screen in Pack Square Park just after dusk on the second Friday of the month! Community members are invited to bring blankets and lawn chairs to the beloved summer tradition produced by Asheville Parks & Recreation (APR) and sponsored by Au Pair in America.

The APR Rec n Roll Play Zone opens about an hour before showtime with games, music, and other activities for kids and teens, as well as themed giveaways while supplies last.

.:. Movies in the Park 2024 Lineup .:.
🎩 May 10, begins around 8:25pm – Wonka – Kids receive free bottles of bubbles
🕶 June 14, begins around 8:45pm – Barbie – Kids snag free pink and black sunglasses with UV400 lenses providing 100% UVA and UVB protection
🦝 July 12, begins around 8:45pm – Guardians of the Galaxy – Kids get free Recycling Raccoon coloring books
🤠 August 9, begins around 8:25pm – Toy Story – Kids receive unique rubber duck toys that change color in water
.:. Make a Plan .:.

🌜 All movies begin after dusk in Pack Square Park on 80 Court Plaza in downtown Asheville. Approximate showtimes listed above, but plan to arrive at least 15 minutes prior.
🥰 Bring blankets and folding chairs for comfort.
🎨 APR Rec n Roll Play Zone activities start approximately an hour before showtime.
👛 Bring money for treats from local vendors Kona Ice of Asheville and Kernel Mike’s World Famous Kettle Corn.
🌮 Food truck and food tent spaces available for vendors who sell more substantial food like pizza, sandwiches, and other entrees. Please contact Calvin Owens at [email protected] or (828) 747-1347 for more info.
🚲 Parking is free in marked spaces on city streets and in city-owned lots on Marjorie and Valley streets after 6pm, so there’s no need to feed the meter.
🚫 Pets, smoking, and alcohol prohibited.
🥳 Have fun! Dress up as your favorite characters, invite friends, and celebrate cool summer nights. Be sure to tag APR on Instagram and Facebook.
⛈ Outdoor events may be impacted by summer weather. Follow APR on Instagram and Facebook for cancellation announcements.

Everyone’s favorite Scottish nanny is headed to Greenville! Rob McClure will reprise his Tony-nominated Broadway performance on tour alongside co-star (and real wife!) Maggie Lakis in this internationally acclaimed hit musical critics call “wonderful, heart-warming, and laugh-out-loud funny” (Manchester Evening News) and “a feel-good, family-friendly comedy that delivers” (The Hollywood Reporter). Based on the beloved film and directed by four-time Tony Award^® winner Jerry Zaks, MRS. DOUBTFIRE tells the hysterical and heartfelt story of an out-of-work actor who will do anything for his kids. It’s “the lovable, big-hearted musical comedy we need right now,” raves the Chicago Tribune – one that proves we’re better together.

Official Website

Doors Open: 7:00 PM

ALL AGES
– STANDING ROOM ONLY
– Limited Number of Polaroid Lovers Tour VIP Experiences available, including: 

• One (1) general admission ticket
• Pre-show soundcheck performance
• Q&A with Sarah
• Group photo with Sarah (Sarah stays on stage)
• Exclusive poster signed by the artist
• Early entry into the venue

  SARAH JAROSZ

Four-time GRAMMY winner Sarah Jarosz has announced her new album, Polaroid Lovers. The record is set for release on January 26th, 2024 via Rounder Records. To mark the occasion she has shared the album opener, “Jealous Moon,” and its companion video. WATCH HERE. The song finds Jarosz backed by a decidedly more electric band, with her Texas lilt as clear and evocative as ever. Polaroid Lovers is available for pre-order today digitally and on vinyl with gray, lavender, orange and green splatter variants. Indie retailers will also have a special blue and green splatter vinyl. For more information visit https://store.sarahjarosz.com/

LE REN
Leftovers, the debut album from Montreal’s Le Ren, stitches together a patchwork of personal songs about different relationships: those we share with mothers, lovers, and friends. Lauren Spear, the artist behind Le Ren, created a physical quilt to mirror the assemblage of stories that comprise her album: a coming-of-age collage that collects over four years of past experiences and finds their present meaning. “When I think of leftovers, I think of things that have been cast aside,” she says. “When they’re picked back up or remembered, they can be repurposed… Leftovers came to mean a collection of feelings and moments of the past that still remain relevant to my present.”

Leftovers was originally scheduled to be recorded in LA in early 2020, but the pandemic forced Le Ren to reconsider the kind of album she wanted to make, and how she wanted to make it. Taking the time to revamp old songs and bring the past to bear upon new ones, she distilled years of material into ten tightly executed tracks united by the swooning pluck of her guitar and the crystal clear timbre of her voice. In April 2021, she met with producer Chris Cohen in a rented house in Portland, Oregon, where they had to wait for a neighborhood boy to stop making noise outside before they could record. The album came together much like the patchwork of her quilt, with collaborators Kori Miyanishi, Cedric Noel, Saltwater Hank (Jeremy Pahl), Eliza Niemi, Kaïa Kater, Aaron Goldstein, Buck Meek, and Tenci (Jess Showman) recording their parts separately from across North America. The result is a timeless assemblage of love, heartache, celebration, and lessons hard-learned, written and performed by a musician who has honed the subtleties of her craft.

Spear studied bluegrass as a teenager on Bowen Island/Nex̱wlélex̱m, a small municipality on the Canadian west coast. In adulthood she dove headfirst into Montreal’s (/Tiohtià:ke’s) music scene, expanding her artistry into contemporary folk, rock, and country. With the release of her EP Morning & Melancholia in 2020, Le Ren earned comparison to the deft musicianship and sparse, eloquent lyrics of John Prine and Neil Young.

Originating from Gainesville, FL, Sister Hazel is comprised of five gifted, seasoned musicians whose well-spring of natural talent has been called “one of the Top 100 Most Influential Independent Performers of the last 15 years” by Performing Songwriter Magazine. Song “All for You,” topped the adult alternative charts during the summer of 1997 and the success propelled their album to platinum status.  Since then, the band has become firmly established not only in rock and alternative music, but now in country with four back-to-back Billboard Top Country ​A​lbum ​C​hart entries. Living up to their fan-centered reputation, the band was a pioneer in the themed cruise industry by co-founding “The Rock Boat” and annually hosts events like the “Hazelnut Hang,” and “Camp Hazelnut” that focuses on creating unique experiences and interacting with the fans. Sister Hazel has been equally attentive to connecting with their audience through social media having amassed over a million social followers. In addition to the events and touring, the band also gives back with “Lyrics For Life.” Founded by singer Ken Block, the charity unites musicians and celebrities for concerts and auctions to benefit cancer research and patient-care charities.10

Stunning audiences last season with imaginative and impassioned performances, Wortham’s resident dance company returns to share their latest creation, which draws on themes of passion, intimacy and playfulness. With an exciting collection of contemporary choreography that’s as “sensual” (Washington Post) as it is “humorous, elegant and wild” (Seattle Dances), this award-winning company, founded by a husband-and-wife duo, crafts intricate movements that offer a glimpse into the depths of the human spirit.

In his 1942 essay The Myth of Sisyphus, Camus wrote that “All great deeds and all great thoughts have a ridiculous beginning. Great works are often born on a street corner or in a restaurant’s revolving door.”15 years laterRichard Wayne Penniman wrote “Wop bop a loo bop a wop bam boom”, an undeniably powerful vocalization that on any given Wednesday in any given situation, civilized or otherwise, is still fully capable of setting somebody’s stuff aflame. Over ten years and seven long players into their career, White Denim are still in the relentless pursuit of a thread – in other words, a wick.

The Austin,Texas band have carefully and continuously studied the greatest records ever made, but they write songs just dumb enough to drink, dance, and fight to. Theirs is a music that aims for the whole body, while equally satisfying the mind. While it has morphed, expanded, and even burst apart, White Denim’s sincere and human drive andability to spark true rock & roll exhilaration have been unerring constants of the band’s 10-year existence.“White Denim are one of the best live bands you will ever see if you live to be a million.That’s not excitable hyperbole, merely a bald statement of undeniable fact…”— TimeOut“The last great rock & roll band!”— The Guardian

DAY OF SHOW INFORMATION:

PARKING: DO NOT park along the railroad tracks, bike lanes, or at other businesses along Riverside Drive! YOU WILL BE TOWED! FREE ON-SITE parking is available for this event.

AGE LIMIT: 18+ only (no exceptions!)

Call for Artists for a New Art Deco Masterpiece –
Part of the Urban Trail

Issue Date: Tuesday, April 16, 2024
Deadline: Monday, May 13, 2024 by 5:00 p.m. 

Call Summary:

• The City of Asheville and Public Art and Culture Commission (PACC) seek a qualified artist(s) or designer(s) to submit their qualifications for a piece of public artwork that reimagines and replaces Station #7, the Art Deco Masterpiece, part of Asheville’s Urban Trail.
• Responses to this Call for Artists (CFA) will be reviewed by an Artist Selection Panel and up to three semi-finalists will be asked to submit proposals. Semi-finalists will be paid a $500 honorarium.
• Artwork will be integrated into the existing Outdoor Dining Area in front of the historic S&W Building, located at 56 Patton Avenue, Asheville, NC.
• The budget is $80,000 to engage with community stakeholders, design, fabricate and install the piece.

To Apply:

• More information and the Call for Artists can be found on the City of Asheville’s Bid page at ashevillenc.gov/bids under “Other”.
  • Project Number: 298-CFA-ArtDecoRedesign-24