Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
2021 WNC Regional Scholastic Art Awards
The Museum, with the assistance of its volunteer docents and support from the Asheville Area Section of the American Institute of Architects, is proud to sponsor the WNC Regional Scholastic Art Awards. Students in grades 7–12 from all across our region are invited to submit work for this special juried competition. The Museum works with the Alliance for Young Artists & Writers to facilitate regional judging of student artwork and recognition of our community’s burgeoning artistic talent.
In early spring each year, award winners are featured in an exhibition, and are honored at a ceremony. Regional Gold Key recipients’ work is sent to the National Scholastic Art competition hosted by the Alliance for Young Artists & Writers.
Across the Atlantic
Across the Atlantic
American Impressionism Through the French Lens
This extraordinary exhibition, drawn from the collection of the Reading Public Museum, explores the path to Impressionism through the 19th century in France. The show examines the sometimes complex relationship between French Impressionism of the 1870s and 1880s and the American interpretation of the style in the decades that followed. More than 65 paintings and works on paper help tell the story of the “new style” of painting which developed at the end of the 19th century—one that emphasized light and atmospheric conditions, rapid or loose brushstrokes, and a focus on brightly colored scenes from everyday life, including both urban and rural settings when artists preferred to paint outdoors and capture changing effects of light during different times of day and seasons of the year.
Across the Atlantic: American Impressionism through the French Lens is organized by the Reading Public Museum, Reading, Pennsylvania.
Generous support for this project provided by Art Bridges and The Maurer Family Foundation.
The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.
2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.
This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).
“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”
This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.
This exhibition features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera. This exhibition is organized by the Asheville Art Museum and curated by lydia see, fall 2020 curatorial fellow, with support from a Digitizing Hidden Collections grant through the Council on Library and Information Resources.
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The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
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Since 1977, the North Carolina Arts Council’s Grassroots Arts Program has provided North Carolina citizens access to quality arts experiences. Using a per capita based formula, the program provides funding for the arts in all 100 counties of the state through partnerships with local arts councils.
Funding for the 2020-2021 grant cycle will focus on operating expenses for nonprofit arts organizations. Multicultural organizations will receive priority. To be considered an organization of color, the majority of their board and executive leadership must be people of color. No funding match will be required.
The Grassroots Grant Program is made possible by individual and private contributions to the Asheville Area Arts Council’s—and by the Grassroots Arts Program of North Carolina Arts Council, a division of the Department of Natural & Cultural Resources.
No matter how thorough and fair a reappraisal may be, there are still instances when only the property owner has all the information necessary for an accurate appraisal. Informal appeals for the tax year 2021 can be filed anytime between Jan. 1-April 28, 2021. Additionally, anyone receiving a change of value notice after April 1, 2021 has thirty days from that notice date to file an appeal.
Land Conservation
Take a tour of our French Broad River Greenways! Running from Hominy Creek Park in West Asheville all the way up to the planned extension through the Town of Woodfin, the Asheville greenway system provides many opportunities for recreation and connection. Special thanks to Connect Buncombe for creating this wonderful video highlighting our growing greenway system.
Asheville’s economic and building boom of the 1920s created a rarified atmosphere unique within Western North Carolina. Douglas Ellington is known as the architect who changed Asheville into an Art Deco showplace. With his ability to combine architectural styles he produced a series of one of a kind buildings—buildings which changed the face of Asheville—the City Building, Asheville High School, First Baptist Church and S&W Cafeteria. Douglas Ellington: Asheville’s Boomtown Architect presents a look at his iconic Asheville creations along with other buildings he completed throughout his career in other cities.
WINNER of a 2014 Griffin Award for Excellence in Education from the Preservation Society of Asheville and Buncombe County
Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.
Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.
Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.
Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.
Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.
2021 WNC Regional Scholastic Art Awards
The Museum, with the assistance of its volunteer docents and support from the Asheville Area Section of the American Institute of Architects, is proud to sponsor the WNC Regional Scholastic Art Awards. Students in grades 7–12 from all across our region are invited to submit work for this special juried competition. The Museum works with the Alliance for Young Artists & Writers to facilitate regional judging of student artwork and recognition of our community’s burgeoning artistic talent.
In early spring each year, award winners are featured in an exhibition, and are honored at a ceremony. Regional Gold Key recipients’ work is sent to the National Scholastic Art competition hosted by the Alliance for Young Artists & Writers.
Across the Atlantic
Across the Atlantic
American Impressionism Through the French Lens
This extraordinary exhibition, drawn from the collection of the Reading Public Museum, explores the path to Impressionism through the 19th century in France. The show examines the sometimes complex relationship between French Impressionism of the 1870s and 1880s and the American interpretation of the style in the decades that followed. More than 65 paintings and works on paper help tell the story of the “new style” of painting which developed at the end of the 19th century—one that emphasized light and atmospheric conditions, rapid or loose brushstrokes, and a focus on brightly colored scenes from everyday life, including both urban and rural settings when artists preferred to paint outdoors and capture changing effects of light during different times of day and seasons of the year.
Across the Atlantic: American Impressionism through the French Lens is organized by the Reading Public Museum, Reading, Pennsylvania.
Generous support for this project provided by Art Bridges and The Maurer Family Foundation.
The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.
2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.
This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).
“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”
This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.
This exhibition features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera. This exhibition is organized by the Asheville Art Museum and curated by lydia see, fall 2020 curatorial fellow, with support from a Digitizing Hidden Collections grant through the Council on Library and Information Resources.
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The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
Spend an hour hiking one of our six different trails with a naturalist. This is educational excursion will give you a better understanding of the flora and fauna that can be found in the Park. You may even learn some of the Park’s history as well.
Virtual Platform: Zoom
Instructor: Tania Battista
January 25 – March 22
A play from away! Explore improvisation, characterization, voice and speech, costume design, and more as you create an original virtual play! With an emphasis on creativity and personal expression, students will meet in weekly live online classes to develop, memorize, and film their role in the play. At the end of the semester, each actor’s part will be edited together to create a virtual performance!
Mondays from 5:30 – 6:15 PM EST
Grades: 3rd – 5th
Virtual Platform: Zoom
Instructor: Tania Battista
Tuition: $150*
REGISTRATION OPENS DEC. 10
10% off before Jan. 1
Lights… Camera… Acting! Explore the fundamentals of on-camera acting in a nine week course led by professional actor and producer Marlane Barnes. Best known for her work on Sons of Anarchy and Mad Men, Marlane will coach actors through scenes from real-world TV and film scripts. Learn on-camera tips and technique, scale your performances from stage to screen, explore your type, and hone your on-camera and self-tape skills. No experience required.
We are offering you and your friends the opportunity to join us and refresh your musical and associated skills.
We are asking everyone who joins us to contribute $50 to pay for expenses and help raise funds in order to resume auditions and rehearsals in September. Please send a check for $50 to Carolina Concert Choir, P.O. Box 962, Hendersonville, NC 28793 or use the PayPal link below.
Spring Agenda:
March 1: Intro to Stephen Paulus’ “Prayers and Remembrances” for the 9/11 Concert**
with Dr. Michael Lancaster
March 8: “The Vocal Mechanism and How to Care for It”
with Dr. Neuenschwander, ENT
March 15: “Lyrics Methodology – Ken Burns Civil War Theme put to Psalm”
with Aloha Smith
March 22: “The World History of Music in 30 Minutes”
with Virginia Erwin
March 22: “The Sacred Harp and the American Shaped Note Tradition”
Alan Bowen
April 5: Intro to René Clausen’s “Memorial” for the 9/11 Concert**
Dr. Michael Lancaster
April 12: “Breathing and Vocal Stretching Exercises”
with Katie Cilluffo
April 19: “Creating Artistic Videos on your Smart Phone”
with Diane Dean, Pres. Henderson Arts League Member
April 26: “Your Instrument as Your Voice”
with the Hendersonville Symphony
May 3: “The Role of Your Arts Council in Promoting the Arts”
with Hannah Duncan, ED Arts Council
**It is very helpful to purchase the CDs to learn and read the lyrics for the “Prayers and Remembrances” concert classes.
CD for René Clausen – “Memorial” – Concordia Recordings
CD for Stephen Paulus – “Far in the Heavens” – True Concord Voices & Orchestra with Eric Holtan, Conductor
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March 13-21, 2021 – Online
Kick-off Live Event
March 13, 2021
Track Workshops
March 14-19, 2021
View 3 pre-recorded hour long workshops in each of 11 Themed Tracks:
Live Panel Discussion SessionsMarch 20-21, 2021Join a live Panel Discussion with each speaker from the Track workshops. Interact directly with panelists during the live Q & A portion!
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No matter how thorough and fair a reappraisal may be, there are still instances when only the property owner has all the information necessary for an accurate appraisal. Informal appeals for the tax year 2021 can be filed anytime between Jan. 1-April 28, 2021. Additionally, anyone receiving a change of value notice after April 1, 2021 has thirty days from that notice date to file an appeal.
Land Conservation
Take a tour of our French Broad River Greenways! Running from Hominy Creek Park in West Asheville all the way up to the planned extension through the Town of Woodfin, the Asheville greenway system provides many opportunities for recreation and connection. Special thanks to Connect Buncombe for creating this wonderful video highlighting our growing greenway system.
Desire Paths looks at makers within the discourse of craft and those existing on the periphery of the craftscape who focus on the movement of the body towards something desirable. These desires of the body are in relationship to nature, technology, self, and society. Using architectural theory and queer curatorial strategies, Desire Paths examines the possibilities and futures of bodies, revealing connections between the corporeal and craft.
“Desire paths,” a term taken from urban planning, are lines trodden in the landscape when constructed walkways do not provide a direct or desired route. Through action, repetition, and intentionality, desire paths are crafted modifications to the landscape that allow for a body to move towards a horizon. The format of the works include traditional craft media, performance, video, and interactive web-based work. Through this variety of media and performative tactics the makers in Desire Paths consider how we view, value, and ascribe meaning to a body/the body/the others body. They show us the power and agency held in body and present us with crafted visions of the body that confront and expand expectations
The works in this exhibition reclaim the concept of craft from its historical associations with the decorative, frivolous, feminine, indigenous, and the other. The makers use the medium of craft, and the action of crafting, to produce powerful representations and counter narratives to dominant culture.
Two Ways to View
Virtual Tour
Online visitors can register to attend a virtual tour of this exhibition. This is a free event. A $5-10 donation at time of registration is recommended.
In-Person
The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.
Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.
Part 1: Defining a Crisis
Part 2: Battling Distractions During a Crisis
Part 3: Character in a Crisis
Part 4: Real Leadership in Crisis
Based on the teaching of John C. Maxwell participants will learn via a series of videos and discussion. Each lesson is designed to prompt questions from the reading, draw out key values and encourage discussion. John Maxwell is a leadership expert, speaker and author. His books have sold millions of copies, with some on the New York Times Best Seller List. For more information: https://www.johnmaxwell.com/
Participants will learn:
1. Learn practical ways to maneuver through times of difficulty and adversity
2. Adopt successful thinking habits to think your way through any crisis
3. Effectively battle distractions during times of crisis and stress
Timothy Polis, owner of You Lead Unlimited will facilitate the seminar series. Tim is a Certified John Maxwell Speaker, Coach, and Trainer. As a leadership and personal growth teacher and keynote speaker, Timothy works with individuals and organizations that understand the value of personal growth, who want to sharpen their current leadership skills and want to develop a larger pool of emerging leaders in their organization.
For more information on the John Maxwell Masterminding program please visit Timothy’s website:
https://youleadunlimited.com/
Participants will have access to a 17 page Participant Guide that will be emailed prior to the event and each participant who completes the course will be mailed a Certificate of Completion.
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