Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.
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| Groovin’ on Grovemont, Swannanoa’s popular outdoor summer concert series, is returning to Grovemont Park for its twenty-first year, with a full schedule of music and family fun on three Tuesday evenings, July 11, July 25 and August 8, beginning at 6 p.m. Bring a blanket or lawn chair, and come enjoy these free family-friendly evenings of great music and food! Grovemont Park is located adjacent to the Swannanoa Library, 101 West Charleston Avenue.
As always, a large selection of delicious foods will be available for concertgoers to enjoy, including vegan and gluten free options, as well as smaller portions for the little ones. One hundred percent of the proceeds go to the Swannanoa Community Council and Friends of the Swannanoa Library, for the benefit of all those who use and enjoy the library, and Grovemont Park and Playground.
Here’s the entertainment schedule:
Tues., 7/11/23 – Saddletramp: The ultimate 90’s Country Party Band! High-Energy interpretations of all your favorite country hits that will keep you dancing on the green all night long! Saddle up, and hold on tight! www.blakeellegemusic.com
Tues., 7/25/23 – Mama and the Ruckus: The Ruckus is led by “Mama”, aka Melissa McKinney. This intergenerational project is based out of Asheville, and features original music inspired by blues and soul. melissamckinneymusic.com/mama-and-the-ruckus
Tues., 8/8/23 – Queen Bee and the Honeylovers: This dance band performs classic swing, blues and Latin music. Vocal-driven with an infectious groove, the Honeylovers are guaranteed to put a grin on your face and a tap in your toes. www.queenbeeswing.com
Bonus feature during every concert: GIANT USED BOOK SALE from 5 – 8:30 p.m. in the basement of the Swannanoa Library. Come check out the newly-remodeled book sale space. Thousands of great books at unbelievably low prices!
Sponsorships, donations, and volunteers are always welcome and encouraged. If you’d like to support Groovin’ through a sponsorship or donation, or as a volunteer, please call (828) 250-6486 or visit www.GrovemontPark.org. Contributions can be made via PayPal or credit/debit card at |
We are honored to host the Asheville Community Hoop and Flow Arts Jam in Pritchard Park, located in the heart of our beloved city. This event began in 2008 and we are honored and thrilled to bring you this FREE event open to all ages and all levels of experience! Asheville Hoops provides jammin’ tunes, demo props for all to use and a positive event that promotes movement, creativity, dance and FUN!
APPLICATIONS OPEN NOW!
Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?
We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.
NOW CONSIDERING WORKS OF ALL KINDS
We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.
Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.
1. FRINGE SHOT
A piece that is
5-15 minutes long
May be paired with another performance, or be selected as a free Random Act of Fringe.
2. SHORT FORM
A piece that is
20-40 minutes long
May be paired with another show.
3. FULL-LENGTH
A piece that is
45-60 minutes long
Ticketed theater-style show.
4. INSTALLATION
A piece that is
Site-specific (any length)
May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.
5. FILM
A piece that is
Designed specifically for film.
May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023
3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.
We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.
Budget cuts, increased testing requirements, and narrowing of curricula have significantly impacted school districts’ ability to provide inclusive, high-quality visual and performing arts experiences. And, while some families are able to subsidize children’s exposure to performing, visual, and fine arts experiences, students living in poverty face numerous systemic barriers which make such access nearly, if not entirely, impossible.
The Arts for Schools grant helps nonprofit arts organizations and qualified teaching artists in Buncombe County provide arts focused performances, workshops, residencies, and field trips for students attending K-12 public schools in Buncombe County. Priority is given to proposals benefiting economically disadvantaged schools and/or underserved communities, ensuring that students from all demographics receive the benefits of these programs. Multicultural programs will also receive priority. Grants range from $500-$1,000.
Sponsored by
Interested in supporting these amazing programs? Click here to learn more.
Grovewood Gallery will present Inqwiry, an outdoor exhibition of wire animal sculptures by Bakersville, NC, artist Josh Coté. This event is open to the public and free to attend. Inqwiry will remain on view through August 13, 2023.
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LEARN MORE THIS YEAR |
|
Brush up on your wilderness medicine or learn new survival skills! SOLO Southeast & NOC are offering over 200 courses in 2023 and classes in locations across the southeast.
Find your next course with SOLO Southeast and be prepared for the unexpected! |
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Meet 10 AM Wednesday July 26 2023 Botanical Gardens at Asheville 151 Weaver St AV. 28804.Meet in the parking lot. Look for RFAR signs. The Botanical Gardens at Asheville is a 10-acre independent, non-profit botanical garden dedicated to the study and promotion of the native plants and habitats of the Southern Appalachians. Walk the grounds with Meg as our guest guide for about 2 miles. This is a nature type walk where we will be stopping to look at plants. Supposedly a ‘Moon Tree’ grown from the seed of a tree taken on the 1971 Apollo 14 mission.If we add in a little of the UNCA Perimeter Trail we can get about two good miles. There is also a patch of Oconee Bells – a rare wild flower that folks might like to see. It is not a strenuous hike but walking sticks would be a plus. It is a mix of shade and sun, some gravel, some wooded trail, no pavement walking. Free but please bring $$ for donations. (Thanks) . Bring picnic lunch to leave in your car. Bring a chair and we will find a picnic spot. Hope you can make it.

Laura Gaskin will be demonstrating how she “paints with stitches” to create her captivating images. She will be in the lobby of the Folk Art Center
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

Sandra Rowland will be demonstrating sun-printed fabric outside of the Folk Art Center’s entrance. In the event of rain or a really cloudy day Sandy will be inside.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |

Do you know our staff has a wild side? Join a Park naturalist to meet some of our live Animal Ambassadors and learn about the types of wildlife in the area and their jobs. Some of our best educators have feathers, fur, shells or scales!
Explore hands on activities and experiments while we learn about the Science of Bubbles or the Science of Sound. Every other week we will play and learn together using a variety of tools, instruments, and toys. AMOS has a plethora of science to intrigue the zeal of every learner!
Emmy, Grammy, and record-breaking six-time Tony Award winner Audra McDonald brings her lustrous voice and dramatic incisiveness to a program of beloved Broadway classics, popular standards, and lesser-known treasures. Ms. McDonald will be joined by Andy Einhorn and the Brevard Music Center Orchestra on the big stage at the Whittington-Pfohl Auditorium.
This performance is made possible by Legendary Artists Series Sponsors:
Drs. Joanne and Tom Parker
and The Robinson-Hill Humanitarian Fund
PERFORMANCE & ARTIST DETAILS
Audra McDonald
Brevard Music Center Orchestra
Andy Einhorn, conductor
Lead Sponsor: PLATT
APPLICATIONS OPEN NOW!
Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?
We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.
NOW CONSIDERING WORKS OF ALL KINDS
We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.
Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.
1. FRINGE SHOT
A piece that is
5-15 minutes long
May be paired with another performance, or be selected as a free Random Act of Fringe.
2. SHORT FORM
A piece that is
20-40 minutes long
May be paired with another show.
3. FULL-LENGTH
A piece that is
45-60 minutes long
Ticketed theater-style show.
4. INSTALLATION
A piece that is
Site-specific (any length)
May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.
5. FILM
A piece that is
Designed specifically for film.
May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023
3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.
We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.
Budget cuts, increased testing requirements, and narrowing of curricula have significantly impacted school districts’ ability to provide inclusive, high-quality visual and performing arts experiences. And, while some families are able to subsidize children’s exposure to performing, visual, and fine arts experiences, students living in poverty face numerous systemic barriers which make such access nearly, if not entirely, impossible.
The Arts for Schools grant helps nonprofit arts organizations and qualified teaching artists in Buncombe County provide arts focused performances, workshops, residencies, and field trips for students attending K-12 public schools in Buncombe County. Priority is given to proposals benefiting economically disadvantaged schools and/or underserved communities, ensuring that students from all demographics receive the benefits of these programs. Multicultural programs will also receive priority. Grants range from $500-$1,000.
Sponsored by
Interested in supporting these amazing programs? Click here to learn more.
Grovewood Gallery will present Inqwiry, an outdoor exhibition of wire animal sculptures by Bakersville, NC, artist Josh Coté. This event is open to the public and free to attend. Inqwiry will remain on view through August 13, 2023.
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|
LEARN MORE THIS YEAR |
|
Brush up on your wilderness medicine or learn new survival skills! SOLO Southeast & NOC are offering over 200 courses in 2023 and classes in locations across the southeast.
Find your next course with SOLO Southeast and be prepared for the unexpected! |





