Calendar of Events

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Already play bridge? Want to up your game? Come learn Duplicate Bridge – the smarter, more social way to play! Join us for a two-week introduction designed for bridge players who want to level up their game by learning Duplicate Bridge.

Head on out to the ballgame at Fluor Field. Greenville is taking on Asheville Tourist. Game starts at 6:45pm.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

For millennia, humans and flowers have enjoyed a rich and intertwined history spanning time and cultures. Fossilized flowers have been found at early human burial sites and flora is used in medicines and remedies. Flowers have also evolved into symbols of love, purity, and rebirth, alongside their enduring role as objects of beauty and ornamentation. Flora Symbolica: The Art of Flowers explores the meanings and messages of flowers in American art of the 20th and 21st centuries, highlighting the timeless connections among art, nature, and human experience.

This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.

The works in Identitas examine culture & heritage through personal narratives, reflecting each included artist’s distinctly unique perspective on self and experience. Paradoxically, the word “identity” comes from the Latin “identitas” meaning “sameness,” a profound reminder that at our core we are more similar than divergent.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Step into summer with the Asheville Symphony as we herald the return of the Asheville Amadeus Festival! We’re launching this year’s festival at Appalachian Mountain Brewery’s lively Mills River taproom, where we’re unveiling our festival-exclusive brew — Fables & Folklore Hazy IPA. This enchanting creation weaves together bright pineapple and orange notes in a tropical profile that’s as enticing as a tale passed down through generations — perfect easy drinking for an early- summer festival.

We will be joined by Amadeus Festival co-headliners Time for Three, Ranaan Meyer, Nick Kendall and Charles Yang. Don’t miss this chance to meet the artists and toast the start of 11 glorious days of Amadeus festivities with a pour of our specially crafted beer, delicious fare from Appalachian Mountain Brewery’s kitchen, and live music!

WEDNESDAY, APRIL 30, 2025
6:00 p.m. – 8:30 p.m., with 1756 Society entry beginning at 5:00 p.m.

APPALACHIAN MOUNTAIN BREWING
46 N Mills River Road, Mills River

Head on out to the ballgame at Fluor Field. Greenville is taking on Asheville Tourist. Game starts at 6:45pm.

“King” LeBron James’s years playing in Cleveland bring promise to a city in desperate need. His tenure also unites Shawn and Matt in an unlikely bond forged by fandom. Over twelve years the men navigate their turbulent friendship through their shared love of basketball—and the endless amiable arguments that erupt from that love.

Performances of King James will be held on the days and times listed below. The lobby and concessions area will open one hour prior to showtime. Concessions may be taken into the theatre during the performance.

April 24 – May 18, 2025

Wednesdays, Thursdays and Saturdays at 7:30

Sundays at 2pm

Friday 4/25 and 5/2 at 7:30pm

Friday 5/9 and 5/16 at 2pm

Come visit The Blood Connection for a blood drive on Thursday, May 1, from 10 am to 3 pm. Look for The Blood Connection mobile unit in front of the hospital at 100 Hospital Drive. Look for The Blood Connection Mobile Donor Unit near the Valet parking lot.
All donors will receive a standard $20 e-gift card, and an additional $20 e-gift card – $40
in rewards! To make an appointment, visit thebloodconnection.org and search for the Sponsor Code
23AC.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

For millennia, humans and flowers have enjoyed a rich and intertwined history spanning time and cultures. Fossilized flowers have been found at early human burial sites and flora is used in medicines and remedies. Flowers have also evolved into symbols of love, purity, and rebirth, alongside their enduring role as objects of beauty and ornamentation. Flora Symbolica: The Art of Flowers explores the meanings and messages of flowers in American art of the 20th and 21st centuries, highlighting the timeless connections among art, nature, and human experience.

This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.