Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Black Is Beautiful is a collaborative effort in partnership with our friends at @weatheredsoulsbrewing whose shared mission is to bring awareness to the injustices that many People of Color face daily. Additional proceeds from select retailers will be donated to the Know Your Rights Campaign.
Taught by Chris Martin
Come join the amazing Chris Martin on a fun filled improv journey through all of our favorite improv games and some new surprises. Don’t miss the chance for some hilarious and silly rounds of Waiter, Waiter!, Talk Show, Styles, and so much more! The class includes fun warm-ups, “Yes And” exercises, and a showcase during the last class.
7 Week Session: January 11-February 22, 2021
Mondays at 5:00-5:45 PM Eastern
Student Ages: 12-15 (or with prior approval from teacher or Amanda Klinikowski)
Since 1977, the North Carolina Arts Council’s Grassroots Arts Program has provided North Carolina citizens access to quality arts experiences. Using a per capita based formula, the program provides funding for the arts in all 100 counties of the state through partnerships with local arts councils.
Funding for the 2020-2021 grant cycle will focus on operating expenses for nonprofit arts organizations. Multicultural organizations will receive priority. To be considered an organization of color, the majority of their board and executive leadership must be people of color. No funding match will be required.
The Grassroots Grant Program is made possible by individual and private contributions to the Asheville Area Arts Council’s—and by the Grassroots Arts Program of North Carolina Arts Council, a division of the Department of Natural & Cultural Resources.
What could be better than picking up a monthly box of mouthwatering grassfed beef and pasture raised pork from Hickory Nut Gap Farm? Having it delivered directly to your front door, of course. Contactless, COVID-safe home delivery will be coordinated in partnership with Leading Green Distribution.
Available ONLY as a three month prepaid subscription. Offered in Large (about 15lbs per month) and Small (about 10lbs per month) sizes to fit the needs of just about any household on a convenient monthly schedule.
- A selection of 100% Grassfed Beef, Pasture-Raised Pork and Pasture-Raised Chicken
- Monthly boxes contain (for example): steaks, roasts, sausages, ground meats, whole chicken, chicken breast, pork chops, bacon
- DISCOUNTED 10% OFF RETAIL
- Delivered right to your front door within the city limits of Asheville.
- 3 Month pre-paid subscription – also includes 10% off other Farm Store meat purchases
ANNOUNCING PABST BLUE RIBBON’S 2020 TOP 5 ART CAN CONTEST FINALISTS
Pick your favorite once a day between now and 12AM PST on 2/24!
All 5 will be commissioned by PBR over the next year, 3rd and 2nd place will receive cash prizes, and our grand prize winner will take home $10,000 and see their art on MILLIONS of cans nationwide this Fall!
Check back in on Friday, February 26th when we announce 3rd, 2nd, and 1st place!
OUR TOP 5 FINALISTS Holden Mesk Local Artist
Holden Mesk
@holdenmesk
A Pabst-tastic Day
@joe_tallman_
PBR 2099
@justfanni
For The Love Of Women
@dreyfus.art
There is No Place Like Home
@emmajacquelynnart
Desert Nightcap
Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.
Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.
Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.
Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.
Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.
Ikebana Cultural Program on ZOOM
COVID-19 is continuing to make its mark on the world and challenging us to establish new ways of gathering and sharing our art and interests.
Ikebana International of Asheville is continuing its creative program of friendship through flowers. We invite you to join us for a ZOOM presentation of our cultural program on “Using Japanese Things in Western Homes,” presented by Laura Felt and Dede Walton on February 23 at 10:00 a.m. Everyone is invited to attend. If you would like to join us on the ZOOM presentation, please contact Lynn Forbes at the number or email above to obtain the necessary information.
Both Laura Felt and Dede Walton are in the Ikenobo School of Ikebana. Laura lived in Japan in the eighties and has gone back to visit nearly every year since she returned to the US. She has collected many Japanese items, including furniture, textiles, and pottery since leaving Japan and on her numerous return trips. Dede has accompanied Laura on several trips. During these trips Laura and Dede have spent many hours at shrine markets in Kyoto and Tokyo. This program will highlight how they have adapted Japanese items into their homes here in the US.
Come join us! This presentation is one that will introduce you to uniquely Japanese articles and how they can be used in a Western home
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Desire Paths looks at makers within the discourse of craft and those existing on the periphery of the craftscape who focus on the movement of the body towards something desirable. These desires of the body are in relationship to nature, technology, self, and society. Using architectural theory and queer curatorial strategies, Desire Paths examines the possibilities and futures of bodies, revealing connections between the corporeal and craft.
“Desire paths,” a term taken from urban planning, are lines trodden in the landscape when constructed walkways do not provide a direct or desired route. Through action, repetition, and intentionality, desire paths are crafted modifications to the landscape that allow for a body to move towards a horizon. The format of the works include traditional craft media, performance, video, and interactive web-based work. Through this variety of media and performative tactics the makers in Desire Paths consider how we view, value, and ascribe meaning to a body/the body/the others body. They show us the power and agency held in body and present us with crafted visions of the body that confront and expand expectations
The works in this exhibition reclaim the concept of craft from its historical associations with the decorative, frivolous, feminine, indigenous, and the other. The makers use the medium of craft, and the action of crafting, to produce powerful representations and counter narratives to dominant culture.
Two Ways to View
Virtual Tour
Online visitors can register to attend a virtual tour of this exhibition. This is a free event. A $5-10 donation at time of registration is recommended.
In-Person
The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.
Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.
Black Is Beautiful is a collaborative effort in partnership with our friends at @weatheredsoulsbrewing whose shared mission is to bring awareness to the injustices that many People of Color face daily. Additional proceeds from select retailers will be donated to the Know Your Rights Campaign.
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Tuesdays, 4 – 6pm
January 19th – February 23rd
Get ready to get muddy and have fun in the studio! In this after-school class, students will get a chance to learn wheel throwing, handbuilding AND animal sculpting! Everyone will have individual & group projects as well as the opportunity to discover their own creativity through self-directed work. This class is perfect for all students, no matter the skill level or experience!
Tuition: $235
$25 discount for siblings enrolled in the same class. Discount code “claycamp25” on one ticket.
Since 1977, the North Carolina Arts Council’s Grassroots Arts Program has provided North Carolina citizens access to quality arts experiences. Using a per capita based formula, the program provides funding for the arts in all 100 counties of the state through partnerships with local arts councils.
Funding for the 2020-2021 grant cycle will focus on operating expenses for nonprofit arts organizations. Multicultural organizations will receive priority. To be considered an organization of color, the majority of their board and executive leadership must be people of color. No funding match will be required.
The Grassroots Grant Program is made possible by individual and private contributions to the Asheville Area Arts Council’s—and by the Grassroots Arts Program of North Carolina Arts Council, a division of the Department of Natural & Cultural Resources.
What could be better than picking up a monthly box of mouthwatering grassfed beef and pasture raised pork from Hickory Nut Gap Farm? Having it delivered directly to your front door, of course. Contactless, COVID-safe home delivery will be coordinated in partnership with Leading Green Distribution.
Available ONLY as a three month prepaid subscription. Offered in Large (about 15lbs per month) and Small (about 10lbs per month) sizes to fit the needs of just about any household on a convenient monthly schedule.
- A selection of 100% Grassfed Beef, Pasture-Raised Pork and Pasture-Raised Chicken
- Monthly boxes contain (for example): steaks, roasts, sausages, ground meats, whole chicken, chicken breast, pork chops, bacon
- DISCOUNTED 10% OFF RETAIL
- Delivered right to your front door within the city limits of Asheville.
- 3 Month pre-paid subscription – also includes 10% off other Farm Store meat purchases
ANNOUNCING PABST BLUE RIBBON’S 2020 TOP 5 ART CAN CONTEST FINALISTS
Pick your favorite once a day between now and 12AM PST on 2/24!
All 5 will be commissioned by PBR over the next year, 3rd and 2nd place will receive cash prizes, and our grand prize winner will take home $10,000 and see their art on MILLIONS of cans nationwide this Fall!
Check back in on Friday, February 26th when we announce 3rd, 2nd, and 1st place!
OUR TOP 5 FINALISTS Holden Mesk Local Artist
Holden Mesk
@holdenmesk
A Pabst-tastic Day
@joe_tallman_
PBR 2099
@justfanni
For The Love Of Women
@dreyfus.art
There is No Place Like Home
@emmajacquelynnart
Desert Nightcap
Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.
Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.
Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.
Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.
Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.
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2021 WNC Regional Scholastic Art Awards
The Museum, with the assistance of its volunteer docents and support from the Asheville Area Section of the American Institute of Architects, is proud to sponsor the WNC Regional Scholastic Art Awards. Students in grades 7–12 from all across our region are invited to submit work for this special juried competition. The Museum works with the Alliance for Young Artists & Writers to facilitate regional judging of student artwork and recognition of our community’s burgeoning artistic talent.
In early spring each year, award winners are featured in an exhibition, and are honored at a ceremony. Regional Gold Key recipients’ work is sent to the National Scholastic Art competition hosted by the Alliance for Young Artists & Writers.
Across the Atlantic
Across the Atlantic
American Impressionism Through the French Lens
This extraordinary exhibition, drawn from the collection of the Reading Public Museum, explores the path to Impressionism through the 19th century in France. The show examines the sometimes complex relationship between French Impressionism of the 1870s and 1880s and the American interpretation of the style in the decades that followed. More than 65 paintings and works on paper help tell the story of the “new style” of painting which developed at the end of the 19th century—one that emphasized light and atmospheric conditions, rapid or loose brushstrokes, and a focus on brightly colored scenes from everyday life, including both urban and rural settings when artists preferred to paint outdoors and capture changing effects of light during different times of day and seasons of the year.
Across the Atlantic: American Impressionism through the French Lens is organized by the Reading Public Museum, Reading, Pennsylvania.
Generous support for this project provided by Art Bridges and The Maurer Family Foundation.
The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.
2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.
This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).
“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”
This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.
This exhibition features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera. This exhibition is organized by the Asheville Art Museum and curated by lydia see, fall 2020 curatorial fellow, with support from a Digitizing Hidden Collections grant through the Council on Library and Information Resources.
Desire Paths looks at makers within the discourse of craft and those existing on the periphery of the craftscape who focus on the movement of the body towards something desirable. These desires of the body are in relationship to nature, technology, self, and society. Using architectural theory and queer curatorial strategies, Desire Paths examines the possibilities and futures of bodies, revealing connections between the corporeal and craft.
“Desire paths,” a term taken from urban planning, are lines trodden in the landscape when constructed walkways do not provide a direct or desired route. Through action, repetition, and intentionality, desire paths are crafted modifications to the landscape that allow for a body to move towards a horizon. The format of the works include traditional craft media, performance, video, and interactive web-based work. Through this variety of media and performative tactics the makers in Desire Paths consider how we view, value, and ascribe meaning to a body/the body/the others body. They show us the power and agency held in body and present us with crafted visions of the body that confront and expand expectations
The works in this exhibition reclaim the concept of craft from its historical associations with the decorative, frivolous, feminine, indigenous, and the other. The makers use the medium of craft, and the action of crafting, to produce powerful representations and counter narratives to dominant culture.
Two Ways to View
Virtual Tour
Online visitors can register to attend a virtual tour of this exhibition. This is a free event. A $5-10 donation at time of registration is recommended.
In-Person
The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.
Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.
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The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
Into the Light by Cynthia Wilson; one of the many works in this exhibit.
The Gallery at Flat Rock Offers Virtual and In-Person Exhibit
On January 21, The Gallery at Flat Rock opened their latest exhibit, Transcendence: An Artistic Celebration of the U.N. International Year of Peace and Trust. The in-person and virtual exhibit features, “over two dozen Gallery at Flat Rocks artists, who will each provide one artwork for the show that they believe evokes themes of peace and mutual trust among members of humanity.”
Winter Hours:
Wed – Sat 11am – 4pm
Sun 11am – 3pm
Open by appointment
or by chance
Black Is Beautiful is a collaborative effort in partnership with our friends at @weatheredsoulsbrewing whose shared mission is to bring awareness to the injustices that many People of Color face daily. Additional proceeds from select retailers will be donated to the Know Your Rights Campaign.
Gregory Crewdson, Untitled, 2001–2002, chromogenic print mounted on aluminum, 47 ⅝ × 59 ½ inches. Whitney Museum of American Art, New York, promised gift of the Fisher Landau Center for Art, P.2010.300. © Gregory Crewdson, image courtesy Whitney Museum of American Art.
Drawing inspiration from Vantage Points, students are challenged to use photography to explore people, places, and storytelling.
Please note:
- Youth Studio is held indoors in the Museum’s Education Center.
- Space is limited to small groups of up to eight students; face coverings and social distancing are required.
Presented in conjunction with Vantage Points: Contemporary Photography from the Whitney Museum of American Art. Generous support for exhibition programming provided by Art Bridges.
YOUTH STUDIO
Youth Studio is the Museum’s new studio program for children and teens! Students experiment and explore a variety of media and techniques through classes and workshops led by visiting artists and Museum educators. Classes meet 2–4 weeks and are designed for a deeper exploration of a specific media; workshops meet 3–5 hours and introduce a new medium or process. All materials are provided by the Museum.
The Museum is committed to making our programs accessible to everyone, regardless of economic means. With support from the Walnut Cove Members Association, we are able to provide a limited amount of financial aid to help students who could not otherwise afford to enroll in our programs. Email Sharon McRorie, education programs manager, or call 828.253.3227 x124 to inquire.
Join us EVERY Wednesday night for Kid’s Night! Children receive a free four-count kid’s meal with the purchase of an adult meal. See you on Wednesdays!
Taught by Tom Chalmers and Kim Mako
This online course is offered as a primer in the craft of scripted performance, exploring the steps to submitting audition tapes, sustaining connected scene work through a screen, and creating three-dimensional characters on a two-dimensional medium. Learn how people see you and what you convey when you are on stage, and now on screen. Armed with that awareness, learn how to best choose and deliver the monologue to land you the parts that are perfect for you. If given material to audition with, learn how to break down the sides, how to discover the beats of the scene, and how to offer varied options. And when you land the part, learn how to attack the script, build the arc of your character, and establish the thoughts behind the lines. This course will culminate with a streamed showcase of the best work created in the class.
A limited number of scholarships are available for this class. CLICK HERE TO APPLY. Please do not purchase registration prior to applying. Applications must be received by 2:00 pm on Monday, January 11, 2021 for consideration. Please contact Amanda at [email protected] with questions.
6 Week Session: January 20 – February 24, 2021
Wednesdays, 6:30-7:45 pm