Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

Shipwrecks! Betrayals! Romance! Mistaken identities and switcheroos! Magic! A tipsy sea monster! This Shakespearean comedy has everything!

Rehearsals for “The Tempest” will be from 11am-4pm Mondays, Wednesdays and Fridays starting June 13, and performances will be July 1-3 and July 8 & 9.

Asheville Area Arts Council funding helps support Moppets after-school program

Taught by Artistic Director Ashleigh Goff and veteran Moppet Eli Hamilton, the class is our first-ever partnership with the City of Asheville. Students in the after-school program are learning basic theater skills and building their self-confidence in a fun and welcoming environment. The program will culminate in a showcase performance for the students’ peers and families.

“One of our overarching goals is to introduce more kids to classical theater, wherever they are,” Moppets Executive Director Rachel Cort said. “This funding helps us to take a big step toward that goal. We are incredibly grateful to the Asheville Area Arts Council for supporting the Moppets and aspiring young actors in our community.”

Join us at Eliada Home’s campus for a small group guided walking Farm Tour. Tours last approximately 1 hour. Participants will learn about outdoor and greenhouse growing practices, aquaponics, hydroponics, market gardening, corn maze production, and learn about our Animal Therapy program.

We will be meeting at the PARC building and walking to the different greenhouses, garden site, and a visit with our animals. Reservations required, tickets are $10 each visitor (to be collected at the time of the tour).

We recommend bringing the following: comfortable shoes for walking on pavement and grass, hat, sunglasses, and sunscreen.  This tour is not handicap accessible and will require participants to climb stairs and walk on uneven ground.

We will begin out tour promptly at the starting time, so please arrive 5-10 min early to allow for parking and check-in. If you are running late or cannot make your tour, please email [email protected] or call #828-348-2287.

All proceeds from ticket sales from your farm tour go directly back to helping the Campus Farm Program grow more food for the children of Eliada!

Click above photo to sign up for a time slot and number of people in your group. Payment for tour will be collected when you arrive. Cards accepted.

This tour is best suited for school age children ages 10+ and adults.

Hananiah Harari, Carnival, 1939​, screenprint on paper​, 7 × 9 inches. Museum purchase with funds provided by 2012 Collectors’ Circle member Susan Holden, 2012.42.64​. © Estate of Hanaiah Harari​.

Week 1 | June 13–June 17 | Grades K–2 | Afternoon Waiting List

Get Creative: Students will have an opportunity to explore creativity using unusual and found materials to create sculpture, prints and mixed-media works of art.

Please note:

• Summer Art Camp is held primarily indoors in the Museum’s John & Robyn Horn Education Center.
• Space is limited to small groups of students; face coverings, social distancing, and frequent hand-washing/sanitization are required.
• Students can register for morning only, afternoon only, or all-day sessions. All-day camp includes a 1-hour supervised lunch break.

Not Enough O Negative Blood Available to Sustain Local Hospitals, Program to Help Victims of Uvalde Shooting Also Announced

The Blood Connection’s O negative blood supply has now reached a critical level. Because The Blood Connection (TBC) is the primary blood provider for hospitals in this region, the need for O negative blood donations is dire. The combination of already low supply, the approaching summer season, and sustained low donor turnout could result in an O negative blood shortage soon, which could disrupt patient care.

Last week, TBC was activated through the Blood Emergency Readiness Corps (BERC), to send O negative blood to South Texas after the devastating school shooting. The need for O negative blood has since been highlighted by that tragedy but has unfortunately not resulted in an increase in O negative donations. Adding to the issue, the summer months are usually the hardest season to collect enough, exacerbated by an increase in travel and traumas. It is estimated that summer travel will increase by 16% and 75% of Americans are expected to take a summer vacation, indicating this travel season is set to be the busiest since the pandemic – a sign that people are returning to normal. As that happens, the fear is that patients like Kristen Odom will continue to be overlooked.

“During my labor, unbeknownst to anyone…I was bleeding internally but no one knew it and it was not discovered until immediately after our daughter was born,” says Odom. “I will never forget one anesthesiologist yelling over the team, referring to blood, ‘I don’t care where you get it, but I need it, and I need it now.’ After I came out of ICU, my husband and I realized how much blood I needed, and the fact that donated blood was the key factor that turned everything around.”

O negative blood is the most transfused blood type for traumas and emergencies, so the demand never wavers. O negative blood donors are often referred to as the “universal donor” since everyone, no matter their blood type, can receive O negative blood. TBC aims to have a 5-7 day supply of O negative blood but has recently had a one day supply. In some instances, one trauma case alone can use up that supply.

TBC has also announced a program that uses blood donations to help victims of the Uvalde shooting. TBC blood donors now have the option to convert their reward points into a monetary donation to the Robb School Memorial Fund (One Star Foundation) through the TBC online store. These funds will be used locally to support the families and community affected in Uvalde, Texas.

We recently wrapped up our 21-Day Stand Against Racism Challenge in April. The conversation moves forward with continuing the challenge because the work is far from over! As we became aware of the leaked Supreme Court draft opinion to overturn Roe v. Wade, it is again evident that the systems in place that already harm young women of color the most can be regressed even more by those with power today. In these crucial moments and always, knowledge is a way to take back power.
WE CHALLENGE YOU TO…

2 mins
Watch Our Own Voice: National Black Women’s Reproductive Justice shares The History of Reproductive Justice (RJ), a powerful video clearly communicating the definition of RJ, watch here.

10 mins
Check out Planned Parenthood’s article, Roe v. Wade at Risk: Nationwide Legal Abortion May Be a Thing of the Past. Access the article here.

13 mins
Consider this from NPR, which featured an article titled, Roe’s Legal Fate is Unclear. But Studies already Show Who’d Likely Be Hit the Hardest, read here.

42 mins
Listen. Parenting and Politics host Monica Simpson, a North Carolina Native and Executive Director of Sister Song. Sister Song is a Southern-based, national membership organization; our purpose is to build an effective network of individuals and organizations to improve institutional policies and systems that impact the reproductive lives of marginalized communities. Listen to the podcast here.

For more Continuing the Challenge resources click below:

What is the Stand Against Racism Challenge?

Many people are becoming newly aware of how systemic racism and violence are impacting people of color. Even if you are new to the conversation, that is OK. Our STand against racism challenge, formerly the  21 Day Challenge is designed to create dedicated time and space to build more effective social justice habits, particularly those dealing with issues of race, power, privilege, and leadership. Participants who sign up for the Challenge will receive daily tasks via email to help foster their understanding and awareness, with activities such as reading an article, listening to a podcast, or reflecting on personal experience. If you’ve already completed this challenge with us in the past please know that our challenge is designed to be taken multiple times by selecting different daily challenges in order to expand what you have previously learned. Follow this link for the resources.

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

Join us for a buzzing day, where you will taste honey like an expert, enjoy a light lunch, and get hands-on in the bee yard.

Honey Tastings and Apiary Tours are a unique, engaging, and fun way to learn about all things bees and honey.

Conduct a sensory evaluation (aka, learn to taste the deep, subtle flavors) of several honeys with a honey sommelier.

Participate in an engaging and eye-opening discussion of honey, bees, and the industry.

Enjoy a light charcuterie lunch.

Get suited up in a beekeeper’s outfit.

Take a guided tour of the apiary with a seasoned beekeeper — we will open a hive and dive in!

Menu:

Five hand-selected honey samples from Sandy Bee Mine, featuring selections from the Apiary on property at Tryon Resort.

Paired with:

Five Select Wines from our specially curated collection

Locally sourced and produced cheeses from Looking Glass Creamery

Assortment of cured meats from

American Butcher Company

Traditional accompaniments such as seasonal fresh fruit and nuts

Followed by a personalized interactive tour of Tryon Resort’s functional outdoor apiary!

Tickets are $150 and limited.

Leave any parcel of land in the Blue Ridge undisturbed for long enough and a forest will spontaneously generate. Learn the stages of forest succession following a path of natural transition from field to forest at the Arboretum.

The hardest part about planting for pollinators is…getting started.

In this back-to-basics presentation, experts Tanya LaCorte and Ruth Gonzalez will help you start your garden or patio pots from scratch. They will cover the basic needs of any pollinator garden, highlight some important native plants to consider, and give you their best practices for an effective pollinator habitat. They’ll also touch on certifying your Pollinator Habitat through GreenWorks. This is a great workshop for anyone who wants a shortcut to start protecting pollinators on their own back deck or in their backyard.

Although the exquisitely detailed patterns of Shibori, a form of tie dye, look complicated, they can actually be quite easy to make—especially if you learn from a pro. In just a few hours, veteran textile artist Camille Duanno will teach you everything you need to know to get started with this ancient Japanese art.

Camille will begin by presenting an overview of Shibori, including its history, materials, and tips and tricks for success. Then, she’ll demonstrate four basic Shibori techniques using wooden blocks, popsicle sticks, tied bundles, and a small pole wrap. You’ll be invited to follow along, creating your own samples.

You’ll take home two beautiful scarves (an 8”x54” silk scarf and an 11”x60” chiffon scarf), as well as a couple of smaller pieces of Shibori that will be suitable for hanging.

No dyeing experience necessary!

Not Enough O Negative Blood Available to Sustain Local Hospitals, Program to Help Victims of Uvalde Shooting Also Announced

The Blood Connection’s O negative blood supply has now reached a critical level. Because The Blood Connection (TBC) is the primary blood provider for hospitals in this region, the need for O negative blood donations is dire. The combination of already low supply, the approaching summer season, and sustained low donor turnout could result in an O negative blood shortage soon, which could disrupt patient care.

Last week, TBC was activated through the Blood Emergency Readiness Corps (BERC), to send O negative blood to South Texas after the devastating school shooting. The need for O negative blood has since been highlighted by that tragedy but has unfortunately not resulted in an increase in O negative donations. Adding to the issue, the summer months are usually the hardest season to collect enough, exacerbated by an increase in travel and traumas. It is estimated that summer travel will increase by 16% and 75% of Americans are expected to take a summer vacation, indicating this travel season is set to be the busiest since the pandemic – a sign that people are returning to normal. As that happens, the fear is that patients like Kristen Odom will continue to be overlooked.

“During my labor, unbeknownst to anyone…I was bleeding internally but no one knew it and it was not discovered until immediately after our daughter was born,” says Odom. “I will never forget one anesthesiologist yelling over the team, referring to blood, ‘I don’t care where you get it, but I need it, and I need it now.’ After I came out of ICU, my husband and I realized how much blood I needed, and the fact that donated blood was the key factor that turned everything around.”

O negative blood is the most transfused blood type for traumas and emergencies, so the demand never wavers. O negative blood donors are often referred to as the “universal donor” since everyone, no matter their blood type, can receive O negative blood. TBC aims to have a 5-7 day supply of O negative blood but has recently had a one day supply. In some instances, one trauma case alone can use up that supply.

TBC has also announced a program that uses blood donations to help victims of the Uvalde shooting. TBC blood donors now have the option to convert their reward points into a monetary donation to the Robb School Memorial Fund (One Star Foundation) through the TBC online store. These funds will be used locally to support the families and community affected in Uvalde, Texas.

Not Enough O Negative Blood Available to Sustain Local Hospitals, Program to Help Victims of Uvalde Shooting Also Announced

The Blood Connection’s O negative blood supply has now reached a critical level. Because The Blood Connection (TBC) is the primary blood provider for hospitals in this region, the need for O negative blood donations is dire. The combination of already low supply, the approaching summer season, and sustained low donor turnout could result in an O negative blood shortage soon, which could disrupt patient care.

Last week, TBC was activated through the Blood Emergency Readiness Corps (BERC), to send O negative blood to South Texas after the devastating school shooting. The need for O negative blood has since been highlighted by that tragedy but has unfortunately not resulted in an increase in O negative donations. Adding to the issue, the summer months are usually the hardest season to collect enough, exacerbated by an increase in travel and traumas. It is estimated that summer travel will increase by 16% and 75% of Americans are expected to take a summer vacation, indicating this travel season is set to be the busiest since the pandemic – a sign that people are returning to normal. As that happens, the fear is that patients like Kristen Odom will continue to be overlooked.

“During my labor, unbeknownst to anyone…I was bleeding internally but no one knew it and it was not discovered until immediately after our daughter was born,” says Odom. “I will never forget one anesthesiologist yelling over the team, referring to blood, ‘I don’t care where you get it, but I need it, and I need it now.’ After I came out of ICU, my husband and I realized how much blood I needed, and the fact that donated blood was the key factor that turned everything around.”

O negative blood is the most transfused blood type for traumas and emergencies, so the demand never wavers. O negative blood donors are often referred to as the “universal donor” since everyone, no matter their blood type, can receive O negative blood. TBC aims to have a 5-7 day supply of O negative blood but has recently had a one day supply. In some instances, one trauma case alone can use up that supply.

TBC has also announced a program that uses blood donations to help victims of the Uvalde shooting. TBC blood donors now have the option to convert their reward points into a monetary donation to the Robb School Memorial Fund (One Star Foundation) through the TBC online store. These funds will be used locally to support the families and community affected in Uvalde, Texas.

Core classes include acting, dance and movement, music, costume design, improv, and physical comedy. Additional classes, daily activities, and instructors vary by session, so join us for one week or several! There will not be a final showcase for Youth Camp. Masks are currently optional for all students, regardless of vaccination status. Campers should plan to bring their own lunch, water bottle, and snacks from home.

CLICK HERE TO APPLY FOR A SCHOLARSHIP

Please do not purchase registration prior to applying for a scholarship. Applications must be received at least two weeks before the first day of the camp session for consideration.

Core classes include acting, dance and movement, music, costume design, improv, and physical comedy. Additional classes, daily activities, and instructors vary by session, so join us for one week or several! There will not be a final showcase for Youth Camp. Masks are currently optional for all students, regardless of vaccination status. Campers should plan to bring their own lunch, water bottle, and snacks from home.

CLICK HERE TO APPLY FOR A SCHOLARSHIP

Please do not purchase registration prior to applying for a scholarship. Applications must be received at least two weeks before the first day of the camp session for consideration.

The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder, in addition to a host of fun new songs, Willy Wonka is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth.