Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Christmas at Biltmore Daytime Celebration*
Saturday, November 3, 2018 – Sunday, January 6, 2019 (daily)
*Included with estate admission.
*Does not include “Candlelight Christmas Evenings”
Experience the holidays wreathed with the wonder of Biltmore. Our celebration presents Christmas on a grand scale with more than 55 trees decorated by our talented staff, accented with miles of ribbon, garlands, and lights. Festive menus in our restaurants and holiday wine tastings make for a memorable visit.
Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas
https://www.facebook.com/events/148458802536575/?event_time_id=247333682649086
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
The South has always been home to a blend of cultures — from Native Americans here by 14,000 years ago to Europeans 500 years ago, followed by Africans forced to migrate. By 1500, cultures in the South included Creek, Cherokee, Catawba, Choctaw, Chitimacha, and Coushatta, from Europe English, Scottish, Irish, and German, and Africans from Senegal to Congo. Baskets were integral in daily life, as agricultural equipment for gathering, sifting, storing, and serving the finished product or as receptacles for tools, clothes, sacred objects, and even infants.
Initially each culture had its own preferred basket material and method of manufacture — twilled rivercane for Native Americans, plaited oak for Europeans, and coiled grasses for Africans. Interaction between groups spurred adaptations to changing circumstances, such as the use of white oak by the Cherokee in the 1800s, as rivercane stands were decimated by European settlements. Native Americans also adopted the European picnic, flower, egg, and market baskets to sell in the 20th-century art market. Native and European Americans wove honeysuckle into baskets after 1854, when introduced from Japan. By the 17th century African Americans discovered bulrush along the coasts, coiling it into large, round “fanners” to winnow rice. Later bulrush was one medium among sweetgrass, pine needles, and palmetto, giving rise to the name “sweetgrass baskets” along the coast.
Baskets were woven not only for use in the fields and homes or for sale in art galleries but also as a connection to ancestors and spirits, as designs were said to come from inside one’s head, from memories of one’s mother’s motifs, or from the Creator. Indeed, working with one’s hands in nature to gather materials and to form them into a basket was considered spiritually and physically healthy, becoming a part of the practice of occupational therapy around World War I.
Today, basketweavers in the South from all three traditions are teaching the next generation to continue this art. Artists from across the region work with old and new materials in old and new forms, innovating for their legacy, for art’s sake, and for political causes, as embodied in the varied vessels in this gallery and epitomized in the virtuosic miniature examples in the case at right.
The Haen Gallery, located in downtown Asheville, North Carolina, is proud to present their 12th Annual Lynn Boggess Exhibition. The exhibit will run through November.
Lynn Boggess is one of the most unique and noteworthy American landscape painters of the 21st Century. He resides in West Virginia, a state whose diverse mountains, forests, and rivers provide abundant inspiration for the artist’s plein air paintings. In place of brushes he uses palette knives and trowels to thickly layer the broad sweeping strokes and exquisite fine detail that capture all the colors of the seasons in rushing rivers, snow covered hillsides, and thick forest vegetation. Mr. Boggess’ work is recognized internationally for its incredible three-dimensional texture, rendered solely in oils. These remarkable paintings combine elements of Abstract Expressionism and Photorealism to create a style that is totally unique and original.
The Haen Gallery in Asheville is located at 52 Biltmore Avenue between City Bakery and Chestnut. There is a parking garage at the Aloft hotel across the street, another garage just up the hill, as well as street parking.
The gallery is open Monday through Saturday 11am-6pm & Sunday 12-5pm. For more information: 828-254-8577 or www.thehaengallery.com. Gallery contacts: Chris Foley, Director; Leslie Logemann, Gallery Manager.
With locations in Asheville and Brevard, The Haen Gallery offers the work of established artists whose distinctive and unique style sets it apart from ordinary and imitative efforts. Visit the website at thehaengallery.com.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
- Nearly one million twinkling lights
- Countless decorative images
- Holly Jolly Christmas Parade
- Animated Story Tree
- Animal Characters
- Nightly visits with Santa (start at 6:00PM through December 23)
- Warm memories and holiday cheer around the Jingle Bell Bonfire
- Hot cocoa, s’mores and other festive foods available for purchase
While you may spot a few night owls during Lights, most of our residents will be off-exhibit to catch some zzz’s.
Open 5:00 – 10:00 p.m. Advance Tickets Required. Enjoy the wonder of the park dazzlingly lit for the holidays, with a nighttime train and more.
Candlelight Christmas Evenings*
Saturday, November 3, 2018 – Saturday, January 5, 2019 (Select Dates)
*Check website for availability/dates
*By reservation only.
*Pricing varies by date.
Candlelight, firelight, and live music bring holiday warmth to the extravagant holiday décor of Biltmore House, creating an evening to remember. Evening guests can also take advantage of Antler Hill Village & Winery to enjoy free wine tastings. Advance reservations are required for evening visits.
Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas
https://www.facebook.com/events/2014125145534975/?event_time_id=2167409593539862
The Retrocade is hosting a benefit for Our VOICE, Buncombe County’s sexual assault prevention and crisis intervention center.
Come play classic arcade games, drink a beer, and support an amazing cause! Half of your entry wristband will be donated to Our VOICE. There will also be a raffle for two super cool paintings by local artists. We look forward to seeing you there!
*21 And up after 9*
All new! In 2017, we broke box office records with A Flat Rock Playhouse Christmas. In 2018, come join us for a brand new version of this holiday tradition.
Matinees: Wednesdays, Thursdays, Saturdays and Sundays at 2:00PM
Evenings: Wednesdays and Thursdays at 7:30PM. Fridays and Saturdays at 8:00PM
Flat Rock Playhouse Mainstage
2661 Greenville Highway Flat Rock, NC 28731
All Aboard THE POLAR EXPRESS! This memorable journey will take you on an incredible journey! Believe the magic this Holiday season!
Over 88,000 guests rode THE POLAR EXPRESS with the Great Smoky Mountains Railroad in 2017 and we hope to see you in 2018! The 1¼ hour round-trip excursion comes to life as the train departs the Bryson City depot for a journey through the quiet wilderness for a special visit at the North Pole. Set to the sounds of the motion picture soundtrack, guests on board will enjoy warm cocoa and a treat while listening and reading along with the magical story. Children’s faces show the magic of the season when the train arrives at the North Pole to find Santa Claus waiting. Santa will board THE POLAR EXPRESS, greeting each child and presenting them with a special gift as in the story, their own silver sleigh bell. Christmas carols will be sung as they return back to the Bryson City Depot.
THE POLAR EXPRESS begins November 9, 2018, and operates through December 31, 2018.
Christmas at Biltmore Daytime Celebration*
Saturday, November 3, 2018 – Sunday, January 6, 2019 (daily)
*Included with estate admission.
*Does not include “Candlelight Christmas Evenings”
Experience the holidays wreathed with the wonder of Biltmore. Our celebration presents Christmas on a grand scale with more than 55 trees decorated by our talented staff, accented with miles of ribbon, garlands, and lights. Festive menus in our restaurants and holiday wine tastings make for a memorable visit.
Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas
https://www.facebook.com/events/148458802536575/?event_time_id=247333685982419
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
The South has always been home to a blend of cultures — from Native Americans here by 14,000 years ago to Europeans 500 years ago, followed by Africans forced to migrate. By 1500, cultures in the South included Creek, Cherokee, Catawba, Choctaw, Chitimacha, and Coushatta, from Europe English, Scottish, Irish, and German, and Africans from Senegal to Congo. Baskets were integral in daily life, as agricultural equipment for gathering, sifting, storing, and serving the finished product or as receptacles for tools, clothes, sacred objects, and even infants.
Initially each culture had its own preferred basket material and method of manufacture — twilled rivercane for Native Americans, plaited oak for Europeans, and coiled grasses for Africans. Interaction between groups spurred adaptations to changing circumstances, such as the use of white oak by the Cherokee in the 1800s, as rivercane stands were decimated by European settlements. Native Americans also adopted the European picnic, flower, egg, and market baskets to sell in the 20th-century art market. Native and European Americans wove honeysuckle into baskets after 1854, when introduced from Japan. By the 17th century African Americans discovered bulrush along the coasts, coiling it into large, round “fanners” to winnow rice. Later bulrush was one medium among sweetgrass, pine needles, and palmetto, giving rise to the name “sweetgrass baskets” along the coast.
Baskets were woven not only for use in the fields and homes or for sale in art galleries but also as a connection to ancestors and spirits, as designs were said to come from inside one’s head, from memories of one’s mother’s motifs, or from the Creator. Indeed, working with one’s hands in nature to gather materials and to form them into a basket was considered spiritually and physically healthy, becoming a part of the practice of occupational therapy around World War I.
Today, basketweavers in the South from all three traditions are teaching the next generation to continue this art. Artists from across the region work with old and new materials in old and new forms, innovating for their legacy, for art’s sake, and for political causes, as embodied in the varied vessels in this gallery and epitomized in the virtuosic miniature examples in the case at right.
Thursdays 11am-1:30pm
October 18- December 13
No class November 22
Tile murals can beautifully enhance your kitchen, bathroom, or outside sidewalks and paths. Students will design their own ceramic tiles using the slab roller and press molds, then incorporate ideas and imagery through carving, sgraffito, Mishima, and ceramic decals. Underglazes, glazes, and firing will be covered. Finally, we will learn how to install these finished pieces indoor or outdoor.
Level: All Levels
Tuition: $310 + $50 Lab Fee
The Haen Gallery, located in downtown Asheville, North Carolina, is proud to present their 12th Annual Lynn Boggess Exhibition. The exhibit will run through November.
Lynn Boggess is one of the most unique and noteworthy American landscape painters of the 21st Century. He resides in West Virginia, a state whose diverse mountains, forests, and rivers provide abundant inspiration for the artist’s plein air paintings. In place of brushes he uses palette knives and trowels to thickly layer the broad sweeping strokes and exquisite fine detail that capture all the colors of the seasons in rushing rivers, snow covered hillsides, and thick forest vegetation. Mr. Boggess’ work is recognized internationally for its incredible three-dimensional texture, rendered solely in oils. These remarkable paintings combine elements of Abstract Expressionism and Photorealism to create a style that is totally unique and original.
The Haen Gallery in Asheville is located at 52 Biltmore Avenue between City Bakery and Chestnut. There is a parking garage at the Aloft hotel across the street, another garage just up the hill, as well as street parking.
The gallery is open Monday through Saturday 11am-6pm & Sunday 12-5pm. For more information: 828-254-8577 or www.thehaengallery.com. Gallery contacts: Chris Foley, Director; Leslie Logemann, Gallery Manager.
With locations in Asheville and Brevard, The Haen Gallery offers the work of established artists whose distinctive and unique style sets it apart from ordinary and imitative efforts. Visit the website at thehaengallery.com.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
- Nearly one million twinkling lights
- Countless decorative images
- Holly Jolly Christmas Parade
- Animated Story Tree
- Animal Characters
- Nightly visits with Santa (start at 6:00PM through December 23)
- Warm memories and holiday cheer around the Jingle Bell Bonfire
- Hot cocoa, s’mores and other festive foods available for purchase
While you may spot a few night owls during Lights, most of our residents will be off-exhibit to catch some zzz’s.
Open 5:00 – 10:00 p.m. Advance Tickets Required. Enjoy the wonder of the park dazzlingly lit for the holidays, with a nighttime train and more.
Candlelight Christmas Evenings*
Saturday, November 3, 2018 – Saturday, January 5, 2019 (Select Dates)
*Check website for availability/dates
*By reservation only.
*Pricing varies by date.
Candlelight, firelight, and live music bring holiday warmth to the extravagant holiday décor of Biltmore House, creating an evening to remember. Evening guests can also take advantage of Antler Hill Village & Winery to enjoy free wine tastings. Advance reservations are required for evening visits.
Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas
https://www.facebook.com/events/2014125145534975/?event_time_id=2167409576873197
**EVENT FILLED. FOLLOW LINK TO SIGN UP FOR NEXT YEAR!**
Experience the beauty of the Christmas season with the Annie Moses Band as the acclaimed classical crossover ensemble performs stunning arrangements of holiday favorites. Strings, harp, and soaring vocals take the stage to re-imagine classic melodies and to debut originals that are sure to become classic. From the electrifying rhythm of “Carol of the Bells” to the breath-taking beauty of “O Holy Night,” “Christmas with the Annie Moses Band” is a cinematic journey audiences are sure to love.
https://www.facebook.com/events/254777585289805/
The Barefoot Movement invites you to join them for their holiday celebration performance. Complete with all of your classic seasonal favorites, you’ll hear acoustic renditions of everything from Chuck Berry’s “Run Run Rudolph” to Perry Como’s “It’s Beginning to Look A Lot Like Christmas” and emotional takes on the more tender songs of the season like “Oh Holy Night” and “Hark The Herald Angels Sing.”
Main Stage Seated
Limited Tables Available with a Dinner Reservation :: All Other Seating is First Come First Serve General Admission :: Please Call Venue for Dinner (Table) Reservations
$15 Advance / $20 Day of Show
https://www.facebook.com/events/1791849544264845/
All new! In 2017, we broke box office records with A Flat Rock Playhouse Christmas. In 2018, come join us for a brand new version of this holiday tradition.
Matinees: Wednesdays, Thursdays, Saturdays and Sundays at 2:00PM
Evenings: Wednesdays and Thursdays at 7:30PM. Fridays and Saturdays at 8:00PM
Flat Rock Playhouse Mainstage
2661 Greenville Highway Flat Rock, NC 28731
All Aboard THE POLAR EXPRESS! This memorable journey will take you on an incredible journey! Believe the magic this Holiday season!
Over 88,000 guests rode THE POLAR EXPRESS with the Great Smoky Mountains Railroad in 2017 and we hope to see you in 2018! The 1¼ hour round-trip excursion comes to life as the train departs the Bryson City depot for a journey through the quiet wilderness for a special visit at the North Pole. Set to the sounds of the motion picture soundtrack, guests on board will enjoy warm cocoa and a treat while listening and reading along with the magical story. Children’s faces show the magic of the season when the train arrives at the North Pole to find Santa Claus waiting. Santa will board THE POLAR EXPRESS, greeting each child and presenting them with a special gift as in the story, their own silver sleigh bell. Christmas carols will be sung as they return back to the Bryson City Depot.
THE POLAR EXPRESS begins November 9, 2018, and operates through December 31, 2018.
Christmas at Biltmore Daytime Celebration*
Saturday, November 3, 2018 – Sunday, January 6, 2019 (daily)
*Included with estate admission.
*Does not include “Candlelight Christmas Evenings”
Experience the holidays wreathed with the wonder of Biltmore. Our celebration presents Christmas on a grand scale with more than 55 trees decorated by our talented staff, accented with miles of ribbon, garlands, and lights. Festive menus in our restaurants and holiday wine tastings make for a memorable visit.
Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas
https://www.facebook.com/events/148458802536575/
Christmas at Biltmore Daytime Celebration*
Saturday, November 3, 2018 – Sunday, January 6, 2019 (daily)
*Included with estate admission.
*Does not include “Candlelight Christmas Evenings”
Experience the holidays wreathed with the wonder of Biltmore. Our celebration presents Christmas on a grand scale with more than 55 trees decorated by our talented staff, accented with miles of ribbon, garlands, and lights. Festive menus in our restaurants and holiday wine tastings make for a memorable visit.
Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas
https://www.facebook.com/events/148458802536575/?event_time_id=247333689315752
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
The South has always been home to a blend of cultures — from Native Americans here by 14,000 years ago to Europeans 500 years ago, followed by Africans forced to migrate. By 1500, cultures in the South included Creek, Cherokee, Catawba, Choctaw, Chitimacha, and Coushatta, from Europe English, Scottish, Irish, and German, and Africans from Senegal to Congo. Baskets were integral in daily life, as agricultural equipment for gathering, sifting, storing, and serving the finished product or as receptacles for tools, clothes, sacred objects, and even infants.
Initially each culture had its own preferred basket material and method of manufacture — twilled rivercane for Native Americans, plaited oak for Europeans, and coiled grasses for Africans. Interaction between groups spurred adaptations to changing circumstances, such as the use of white oak by the Cherokee in the 1800s, as rivercane stands were decimated by European settlements. Native Americans also adopted the European picnic, flower, egg, and market baskets to sell in the 20th-century art market. Native and European Americans wove honeysuckle into baskets after 1854, when introduced from Japan. By the 17th century African Americans discovered bulrush along the coasts, coiling it into large, round “fanners” to winnow rice. Later bulrush was one medium among sweetgrass, pine needles, and palmetto, giving rise to the name “sweetgrass baskets” along the coast.
Baskets were woven not only for use in the fields and homes or for sale in art galleries but also as a connection to ancestors and spirits, as designs were said to come from inside one’s head, from memories of one’s mother’s motifs, or from the Creator. Indeed, working with one’s hands in nature to gather materials and to form them into a basket was considered spiritually and physically healthy, becoming a part of the practice of occupational therapy around World War I.
Today, basketweavers in the South from all three traditions are teaching the next generation to continue this art. Artists from across the region work with old and new materials in old and new forms, innovating for their legacy, for art’s sake, and for political causes, as embodied in the varied vessels in this gallery and epitomized in the virtuosic miniature examples in the case at right.
The Haen Gallery, located in downtown Asheville, North Carolina, is proud to present their 12th Annual Lynn Boggess Exhibition. The exhibit will run through November.
Lynn Boggess is one of the most unique and noteworthy American landscape painters of the 21st Century. He resides in West Virginia, a state whose diverse mountains, forests, and rivers provide abundant inspiration for the artist’s plein air paintings. In place of brushes he uses palette knives and trowels to thickly layer the broad sweeping strokes and exquisite fine detail that capture all the colors of the seasons in rushing rivers, snow covered hillsides, and thick forest vegetation. Mr. Boggess’ work is recognized internationally for its incredible three-dimensional texture, rendered solely in oils. These remarkable paintings combine elements of Abstract Expressionism and Photorealism to create a style that is totally unique and original.
The Haen Gallery in Asheville is located at 52 Biltmore Avenue between City Bakery and Chestnut. There is a parking garage at the Aloft hotel across the street, another garage just up the hill, as well as street parking.
The gallery is open Monday through Saturday 11am-6pm & Sunday 12-5pm. For more information: 828-254-8577 or www.thehaengallery.com. Gallery contacts: Chris Foley, Director; Leslie Logemann, Gallery Manager.
With locations in Asheville and Brevard, The Haen Gallery offers the work of established artists whose distinctive and unique style sets it apart from ordinary and imitative efforts. Visit the website at thehaengallery.com.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.