Raw, soulful, and with plenty of swagger, Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances, whether in a packed club or at a sold-out festival. The hearty base of Town Mountain’s music is the first and second generation of bluegrass spiced with country, old school rock ‘n’ roll, and boogie-woogie. It’s what else goes into the mix that brings it all to life both on stage and on record and reflects the group’s wide-ranging influences – from the Grateful Dead’s Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon, and Merle. The Bend Bulletin’s Brian McElhiney says Town Mountain, “has serious country and rock ’n’ roll DNA.” Town Mountain features guitarist and vocalist Robert Greer, banjoist Jesse Langlais, mandolinist Phil Barker, fiddler Bobby Britt, and Zach Smith on bass.

Town Mountain’s latest album New Freedom Blues (October 2018) is their second consecutive album to debut in the top 10 on the Billboard Bluegrass Chart, and receive multiple worthy mentions by Rolling Stone, No Depression, and more. Full of new material and featuring several guest artists including Tyler Childers and Miles Miller (Sturgill Simpson, drummer), they prove they have staying power by regularly cranking out authentic hit albums. The impression the band has made on fans is clear through their engagement, top tier festival appearances, and those sweet, sweet Spotify streams (6+ million). And if you still can’t get enough of this hard working group, you can look forward to new music in 2020.

LISTEN TO TOWN MOUNTAIN:

Celebrate the brilliant music of legendary film composer John Williams, as Richard Kaufman and the BMC Orchestra play some of the most familiar and haunting melodies forever immortalized on the silver screen.

PERFORMANCE & ARTIST DETAILS
Brevard Music Center Orchestra
Richard Kaufman, conductor

Lead Sponsors: Ingles Markets and UBS Financial Services

Please note: Auditorium seating is reserved.  Lawn seating is general admission.

This event was originally scheduled as two events on July 30 and July 31, but it has been combined to one event and moved to Saturday, July 31.

Jack’s Bluegrass Brunch is every Sunday! Our menu kicks off at 12Noon with live tunes by Supper Break from 1-3pm. Try our $6 Bloody Mary or Mimosa, or grab a $15 Bottles of Champagne & OJ! Try one of our tasty brunch specials or order from our artisanal sandwich menu. Sláinte Y’all!

Mountain Makers Craft Market is a monthly indie art fair designed to cultivate community in Western NC. Located in Downtown Waynesville, we bring together 20+ artisans selling handmade and vintage goods that’ll make you smile! Join us on the first Sunday of each month from 12p-4p at 308 N. Haywood Street, and visit MountainMakersMarket.com

In conjunction with Sunday Sessions Live (and virtual) music: Food Truck Sundays will bring a new or rotating “staff favorite” cuisine each week to the Beechams Curve offerings.
Gan Shan West, our main culinary provider 6 days a week, is closed on Sundays. Enjoy the convenience, delicious variety and the music – all in one Sunday Funday stop!

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

The Episcopal Church of St. John in the Wilderness and Friends of Music will present tenor Alexander Harrelson in the third in a series of concerts entitled “Accent on Youth” on Sunday, August 1, at 3:30 p.m. in the Parish Hall.

The Tryon native will sing a varied program of music from Scarlatti, Samuel Barber, Beethoven, Lehar, as well as songs from musical theater.  He will be accompanied by Music Director Dewitt Tipton.

Harrelson is a graduate of Davidson College and studied at the Musica Lirica in Novafeltria, Italy and at the International Vocal Artists Academy in Payerback, Austria. He competed at the national level of the Classical Singers Convention and has won prizes in the YoungArts competition.

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Alex Harrelson has performed with the Hendersonville Youth Symphony Orchestra (in Mozart’s Bastien und Bastienne), attended the North Carolina Governor’s School for Choral Music, and attended Cannon Music Camp after receiving a generous scholarship from Laurel Lake Music Society.

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The concert is free and open to the public.  The Parish Hall is located at 1905 Greenville Highway across Rutledge Drive from the church.  Donations will be accepted, all of which will go to the concert artist.

Grammy Award-winning musician Aoife O’Donovan has become one of the most sought-after singers and songwriters of her generation.

She’s garnered international recognition both as a solo artist and as a collaborator. Aoife is the lead vocalist for alt-bluegrass band Crooked Still, a string quartet with a fresh perspective on traditional folk tunes. Since then, she’s also co-founded the band I’m With Her with Sarah Jarosz and Sara Watkins. Together, the trio was nominated for two Grammy Awards; Best American Roots Performance and Best American Roots Song, winning the latter. In addition to the bands she is part of, Aoife collaborated with Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile on The Goat Rodeo Sessions, which won two Grammy Awards: Best Folk Album and Best Engineered Album, Non-Classical.

The folk-country artist has released three critically-acclaimed solo albums that showcase her esteemed songwriting skills. Her trademark is weaving Gaelic tales into her songs that reflect her Irish-American roots and upbringing.

Official Website

A lot of artists defy categorization. Some do so because they are tirelessly searching for the place they fit, while others are constantly chasing trends. Some, though, are genuinely exploring and expressing their myriad influences. Amy Ray belongs in the latter group. Pulling from every direction — Patty Griffin to Patti Smith, Big Star to Bon Iver — Ray’s music might best be described as folk-rock, though even that would be a tough sell, depending on the song.

Ray’s musical beginnings trace back to her high school days in Atlanta, Georgia, when she and Emily Saliers formed the duo that would become the Indigo Girls. Their story started in 1981 with a basement tape called “Tuesday’s Children” and went on to include a deal with Epic Records in 1988, a Grammy in 1990, and nearly 20 albums over more than 30 years.

Rooted in shared passions for harmony and justice, the Indigo Girls have forged a career that combines artistry and activism to push against every boundary and box anyone tries to put them in. As activists, they have supported as many great causes as they can, from LGBTQ+ rights to voter registration, going so far as to co-found an environmental justice organization, Honor the Earth, with Winona LaDuke in 1993. As artists, they have dipped their toes into a similar multitude of waters — folk, rock, country, pop, and more — but the resulting releases are always pure Indigo.

Ray’s six solo sets — and three live albums — have charted even wider seas, from the political punk of 2001’s Stag to the feminist Americana of 2018’s Holler. Each effort seems to lean into her influences in different ways, whether it’s the Allman Brothers or the Carter Family. One album finds the Butchies on full blast, another features Alison Brown on bluegrass banjo.

Both Stag and its follow-up, Prom (2005),found Ray addressing societal woes, ranging from the dangers of homophobia to the machismo of rock & roll, all while channeling her inner Replacements into a Southern punk sound that she has called “subversiveness with a smile.” Ray softened her sonic stance a bit for her next two efforts, 2008’s Didn’t It Feel Kinder and 2012’s Lung of Love, both of which felt closer in tone to her work with Indigo Girls, confronting cultural issues alongside personal ones.

In retrospect, it’s easy to see how songs like Lung of Love’s “Bird in the Hand” and “The Rock Is My Foundation” served as signposts of what was to come next for Ray. With Goodnight Tender in 2014, she recorded in Asheville, North Carolina, and stepped squarely into the country music that has been a part of everything she’s done. But it’s not the kind of country heard on the radio; it’s the country music culled from folk, bluegrass, gospel, and Southern rock, going so far as to title a tune after Duane Allman.

For 2018’s Holler, Ray recorded, once again, with her Carolina country kin, adding horns and strings to all but split the musical distance between Kinder and Tender to create a soulful, country-tinged, gospel-infused Americana sound. More cohesively than her prior releases, Holler encompasses and imparts all the disparate aspects of Ray’s influences in a singular offering.

Ray’s vast artistic inspirations are matched only by the deep peer admiration that is reflected in her albums’ guest appearances, which have included Vince Gill, Brandi Carlile, Justin Vernon, Jim James, Derek Trucks, Susan Tedeschi, Phil Cook, and others. That kind of good will is something only built from a lifetime of good deeds and great music.

While she partnered with Compass Records to issue Holler, Ray’s home base is Daemon Records, the not-for-profit label she founded in 1990 to support grassroots artists, including Kristen Hall, Rose Polenzani, Danielle Howle, John Trudell, Gerard McHugh, the Rock-A-Teens, and others. With Daemon, as with everything, Ray aimed to give something back to the community from which she has gotten so much.

When 2020 found the world immersed in a pandemic, Amy and her band turned to the digital world and started producing and recording singles from their own makeshift studios. “Tear it Down” released along with a video in November, 2020 wrestled with Amy’s upbringing in the cradle of the confederacy and pays tribute to activists working to dismantle racism.

In February, 2021, Amy Ray Band released another video and song, “Muscadine”,  to sing of dogs and what they teach us of unconditional love. Another song, “Chuck Will’s Widow” is due for release this summer 2021.

Solo or duo, with a band or an orchestra, together and apart, both Ray and Saliers pour themselves into every performance, and their audiences still soak up every ounce of that generosity, spilling their own hearts and souls out as they sing along to every song. Theirs isn’t a fanbase; it’s a family.

Come enjoy an evening of live music, food and drinks on the Isis Music Hall Lawn. Reservations are highly recommended.

Bruce Hornsby is on a roll. After taking the music world by surprise with his wide-ranging, critically acclaimed 2019 album Absolute Zero, the singer, songwriter, composer and bandleader returns with a follow-up that picks up where its predecessor left off. Non-Secure Connection features 10 new songs exploring a broad range of themes, from civil rights to computer hackers, mall salesmen to the Darwinian aspects of AAU basketball.

Hornsby plays piano, of course, but the songs on Non-Secure Connection also feature Hornsby’s electric sitar and Chamberlin, along with guitars, horns, strings and subtle samples from sources as varied as minimalist composer John Cage and Scottish rockers Franz Ferdinand. Like Absolute Zero, Non-Secure Connection also features a wealth of collaborators: singer James Mercer of The Shins and Broken Bells, singer and poet Jamila Woods, Living Colour guitarist Vernon Reid, Bon Iver leader Justin Vernon and the late Leon Russell, who appears thanks to a demo that he and Hornsby recorded together more than 25 years ago.

“I must be the only person around that has a record with James Mercer, Jamila Woods, Leon Russell and Vernon Reid,” Hornsby says with a laugh. “It’s a great, disparate crowd.”

It’s the kind of unexpected roster that listeners have come to expect from Hornsby, who has built a distinctly unique career since his debut with The Range on their multi-platinum 1986 album The Way It Is. From there, Hornsby has steered his way through a stint on keyboards for the Grateful Dead, writing music for Spike Lee’s films, and albums exploring jazz, bluegrass and contemporary classical music.

“I’m often looking to make a sound that I haven’t heard before, and find a place in what I guess is the context of popular song for some new information,” he says.

Please note: Auditorium seating is reserved. Lawn seating is general admission.

Join us for Animoday! Every Monday all day. Listen to anime music, play anime games, watch anime, and talk anime!

Filled with “gorgeous lyrical melodies, muscular vitality, mystical expressiveness, and a typical emphatic dynamism,” Brahms’s B Major Piano Trio is a youthful, Romantic tour de force that signaled the arrival of a musical genius whose talents were about to be revealed to the world.

PERFORMANCE DETAILS
BRAHMS B Major Piano Trio
Other works TBA

OUTDOOR SHOW

Join us on Tuesday nights for Magnetic’s signature variety show. There will be an exciting mix of comedy, music, theatre, dance, magic and more! Smoky Park Supper Club is offering us their beautiful outdoor venue, and will be selling food and drinks. The event is BYOC (bring your own chair), and we will, of course, be following strict Covid safety protocols. We can’t wait to see you there!