Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Every Tuesday, DJ Lil Meow Meow brings you a curated all-vinyl listening experience while you enjoy the fantastic wine, cocktails and snacks from the bar at Bottle Riot. Keep an eye out for weekly food and drink specials and come ready to hear an eclectic mix of records you won’t hear just anywhere. Sit outside or on one of their beautiful vintage couches and take in the atmosphere.
Follow @djlilmeowmeow for more details!
No cover, free parking, outdoor seating, drink deals, dogs allowed, and good times.
You couldn’t get enough the first time, and you’ve been requesting it every year since! Million Dollar Quartet is the Tony Award-winning Broadway musical inspired by the true story of the famed recording session where Sam Phillips, the “Father of Rock ‘n’ Roll” brought together icons Johnny Cash, Carl Perkins, Jerry Lee Lewis, and Elvis Presley for one unforgettable night. Featuring over 20 rock ‘n’ roll hits including: “Blue Suede Shoes,” “Folsom Prison Blues,” “Down By the Riverside,” “Great Balls of Fire,” and many more. Don’t miss Nat Zegree returning as Jerry Lee Lewis! Tickets will fly away fast, so don’t miss your chance to see this exceptional musical feast.
This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)
Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony®, Grammy®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.
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50th LEAF Festival Tickets —————————————– Get early bird ticket access with membership! —————————————– June 1 – Membership tickets June 15 – General public tickets |
You couldn’t get enough the first time, and you’ve been requesting it every year since! Million Dollar Quartet is the Tony Award-winning Broadway musical inspired by the true story of the famed recording session where Sam Phillips, the “Father of Rock ‘n’ Roll” brought together icons Johnny Cash, Carl Perkins, Jerry Lee Lewis, and Elvis Presley for one unforgettable night. Featuring over 20 rock ‘n’ roll hits including: “Blue Suede Shoes,” “Folsom Prison Blues,” “Down By the Riverside,” “Great Balls of Fire,” and many more. Don’t miss Nat Zegree returning as Jerry Lee Lewis! Tickets will fly away fast, so don’t miss your chance to see this exceptional musical feast.
Jobi Riccio is a songwriter and performer originally from Denver, Colorado, now based in Nashville,TN. Inspired by artists ranging from George Jones to Joni Mitchell, and the bluegrass community she came of age in, she writes songs that meld classic country sounds with modern sensibilities, aiming to turn classic tropes of the genre on its head.
She has received acclaim for her writing, including being awarded the 2019 Lee Villiare Scholarship from her alma mater Berklee College of Music, winning the 2019 NewSong Music Competition and being named a finalist in the 2018 Rocky Mountain Folks Festival Songwriter’s Showcase. She is currently working on her debut full length album, “Whiplash”. Her 2019 EP, “Strawberry Wine”, is an ode to the women of country music she grew up singing along to in her bedroom, and is streaming everywhere now.
Sadie Gustafson-Zook is a versatile singer, intricate guitar player, and contagious songwriter. Her pure voice and hummable melodies balance with witty lyrics to create charmingly honest and relatable music. Indiana-grown, Boston-nurtured, and Nashville-based, Sadie has brought her lovable stories and songs to audiences in intimate homes, renowned listening rooms, and festivals across the country. A two-time Kerrville New Folk finalist and 2022 NewSong + LEAF Singer-Songwriter competition finalist, Sadie been featured on the Folk Alley and the Basic Folk podcast. On her 2022 album “Sin of Certainty,” Sadie explores the process of questioning all that she had taken for granted, through finding a new community in the roots scene of Boston, studying jazz, and coming out as queer.
Join us for a weekly mountain music JAM with players in a round, where the session is focused on regional fiddle tunes and songs! You are welcome to come and listen or to learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program. Free but donations are accepted. Weekly event takes place at Oklawaha Brewing Company.
RAIN OR SHINE
On The War On Drugs’ 2017 album A Deeper Understanding, Adam Granduciel sang about wanting to “find what can’t be found.” In a way, the history of this band has been a chronicle of their frontman’s ongoing search for greater meaning. Along the way, they’ve grown with each record. In the aftermath of A Deeper Understanding, they won a Grammy for Best Rock Album. The New Yorker called them “the best American ‘rock’ band of this decade.” Even The Rolling Stones recognized Granduciel’s talents, inviting him to remix their long lost collaboration with Jimmy Page, “Scarlet,” which was previously an unreleased gem from Goats Head Soup.
By any metric, The War On Drugs have made it. They are now firmly embedded in the classic rock lineage. And yet the quest for that ineffable something continues. In practical terms, Granduciel was facing a familiar quandary as work began on the new War On Drugs album, I Don’t Live Here Anymore, in early 2018: What next?
Looking ahead, he was staring down his 40th birthday. He was on the verge of starting a family. And then there was the extended brotherhood of The War On Drugs, who had just spent many months on the road gelling into an excellent live act, as documented on 2020’s Live Drugs. In the 2010s, they had put out three classic studio albums in a row. But now it was time for a new statement for a new decade.
When he reflects on the making of I Don’t Live Here Anymore, Granduciel is quick to talk about the contributions of his bandmates as well as his trusted co-producer and engineer, Shawn Everett. That doesn’t exactly square with how we normally talk about this band. Granduciel typically is portrayed as the loner studio genius diligently pursuing the creation of heartland rock masterpieces. Think back to the cover of their 2014 breakthrough Lost In The Dream, in which we see the band’s leader standing in profile, looking pensive but determined.
But the moments that stand out most from the creation of I Don’t Live Here Anymore aren’t the solitary ones. For Granduciel, the new songs brought him back to the very community he had forged with his band.
“It just reminded me of all the things I love about making music,” he says, “collaborating with my friends, and letting everybody shine.”
As Granduciel sings in “Harmonia’s Dream” — one of the most anthemic tracks from an album positively bursting with them — “sometimes forwards is the only way back.” For The War On Drugs, the path forward started with paring back to the core of Granduciel, bassist Dave Hartley, and multi-instrumentalist Anthony LaMarca. As winter turned to spring in March of 2018, the trio retreated to upstate New York to jam, demo new songs, and deepen their bond.
“Sometimes you have to just get away from the predetermined roles that each member plays in the live setting,” Granduciel explains. These sessions proved highly productive, turning out early versions of some of the catchiest and most immediate songs on I Don’t Live Here Anymore, including the jangly “Change” and the pop-banger-in-waiting “I Don’t Wanna Wait.”
It was the start of an odyssey that lasted about three years. I Don’t Live Here Anymore was made in New York City and Los Angeles from 2018 through the early part of 2021, and included stopovers at iconic studios like Electric Lady in Greenwich Village and Electro-Vox in
Hollywood. (Granduciel, as always, is a loyal patron of some of rock’s greatest sonic workshops.)
One of the most memorable sessions occurred in May 2019 at Electro-Vox, in which the band’s entire line-up — rounded out by keyboardist Robbie Bennett, drummer Charlie Hall, and saxophonist Jon Natchez — convened to record the affecting lead-off track and first single from I Don’t Live Here Anymore, “Living Proof.” Typically, Granduciel assembles War On Drugs records from reams of overdubs, like a kind of rock ‘n’ roll jigsaw puzzle. But for “Living Proof,” the track came together in real time, as the musicians drew on their chemistry as a live unit to summon some extemporaneous magic. The immediacy of the performance was appropriate for one of Granduciel’s most personal songs to date.
The songs on I Don’t Live Here Anymore were not written specifically about the pandemic. But at a time when we’re all starting to finally reunite with friends and family members, this record feels extra resonant. Who doesn’t feel right now like they’re entering a new phase of life? Who isn’t looking toward the horizon with a mix of fear and excitement?
The joy of this album is that The War On Drugs aren’t just exploring these themes lyrically. The sound of I Don’t Live Here Anymore also captures the exhilarating uncertainty of dusting yourself off and taking your first steps into a larger world. Musically, this is the most rousing and upbeat War On Drugs album yet. The kind of music you want to play with your friends, arm and arm, as you steel yourselves against whatever’s coming. It’s medicine.
Of course, there are also the sort of introspective ballads the band is known for, like the folkie “Rings Around My Fathers Eyes” and the gorgeous “Occasional Rain,” which Granduciel considers his personal favorite. But the bulk of I Don’t Live Here Anymore unfolds like a
collection of future greatest hits. “Victim” is an electro-pop killer that could put The War On Drugs in dance clubs. “Wasted” slams like a lost Born In The U.S.A. outtake. The title track, which is littered with Dylan references, sounds like it was designed in a lab to shake the rafters in an arena.
As always, Granduciel is a master of crafting singular moments that take your breath away. The guitar solo in “I Don’t Wanna Wait.” The mammoth synth hook in “Harmonia’s Dream.” The stunning piano coda from “Change.” The sultry backing vocals from special guest stars Lucius in “I Don’t Live Here Anymore.”
And then there’s “Old Skin.” I don’t want to spoil it for first time listeners, so I’ll just say this: Wait for when the drums come in. It’s the best and most uplifting moment on the record.
Or maybe it’s the final verse of “Old Skin” that deserves such a distinction. It’s where Granduciel seems to find that special something:
Well there’s a price for everything
That tries to pull us all apart
So take control of anything
That tries to kill you from the start
But I ain’t sure of nothin’ babe
Till I can feel it in my heart
“I keep coming back to it as a record of movement,” Granduciel concludes, “of pushing forward, of trying to realize that version of our most fulfilled life, in spite of forces at every turn pushing down and trying to break you.”
Sometimes you hear a record that makes you feel — if only for an hour or so — that nothing can break you. I Don’t Live Here Anymore is that kind of record.
— Steven Hyden, June 2021
You couldn’t get enough the first time, and you’ve been requesting it every year since! Million Dollar Quartet is the Tony Award-winning Broadway musical inspired by the true story of the famed recording session where Sam Phillips, the “Father of Rock ‘n’ Roll” brought together icons Johnny Cash, Carl Perkins, Jerry Lee Lewis, and Elvis Presley for one unforgettable night. Featuring over 20 rock ‘n’ roll hits including: “Blue Suede Shoes,” “Folsom Prison Blues,” “Down By the Riverside,” “Great Balls of Fire,” and many more. Don’t miss Nat Zegree returning as Jerry Lee Lewis! Tickets will fly away fast, so don’t miss your chance to see this exceptional musical feast.
This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)
Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony®, Grammy®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.
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50th LEAF Festival Tickets —————————————– Get early bird ticket access with membership! —————————————– June 1 – Membership tickets June 15 – General public tickets |
Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
Program Summary
Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.
Curriculum
The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.
Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?
Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.
The Faculty
A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant
Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)
The Performers
Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan
Enrollment Information
Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.
Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.
A R I Z O N A Green Room Experience includes:
- One GA Ticket
- Personalized Tour Credential
- Pre-Show Backstage Green Room Hang – Light Bites provided
- Opportunity to join the Pre-Show Roundup
- Intimate Meet & Hang with members of A R I Z O N A
- Individual Photo with members of A R I Z O N A
- One Exclusive VIP Merchandise Item
- One Autographed Commemorative VIP Laminate
- Early Entry
- First-Access Merchandise Shopping
A R I Z O N A Meet & Hang Experience includes:
- One GA Ticket
- Intimate Meet & Hang with members of A R I Z O N A
- Individual Photo with members of A R I Z O N A
- One Exclusive VIP Merchandise Item
- One Autographed Commemorative VIP Laminate
- Early Entry
- First-Access Merchandise Shopping
You couldn’t get enough the first time, and you’ve been requesting it every year since! Million Dollar Quartet is the Tony Award-winning Broadway musical inspired by the true story of the famed recording session where Sam Phillips, the “Father of Rock ‘n’ Roll” brought together icons Johnny Cash, Carl Perkins, Jerry Lee Lewis, and Elvis Presley for one unforgettable night. Featuring over 20 rock ‘n’ roll hits including: “Blue Suede Shoes,” “Folsom Prison Blues,” “Down By the Riverside,” “Great Balls of Fire,” and many more. Don’t miss Nat Zegree returning as Jerry Lee Lewis! Tickets will fly away fast, so don’t miss your chance to see this exceptional musical feast.
The Neverwhere Trio is a collaboration of original music with Carrie Morrison, Andrew Thelston, and JamieLeigh Bennett. Combining heartfelt harmonic vocals, piano, cello, and acoustic guitar, Neverwhere is a unique class act with symphonic leanings and solid, inventive songwriting.
Carrie Morrison’s music will break your heart – in the best way. Melodic and memorable, her songs make connections. The singer/songwriter/pianist, a native of Louisville, Ky., has been playing piano since age seven. She moved to WNC in 2004, and has been a popular act in the area for more than 15 years. Morrison is known for melodically strong songs with personal, pithy, lyrics, ranging from the deeply emotional to the slightly silly. Her EP “Carolina Blonde” was released in 2013 and produced by the late Terry Wetton. Album “Miles and Miles” was produced by Chris Rosser, of award-winning ensemble Free Planet Radio, released in 2017. Her latest project, EP “The Neverwhere Sisters,” produced by Andrew Thelston and Daniel Nisbet, featuring cellist JamieLeighBennett, was released summer 2021. Morrison has had airplay on WTZQ and WNCW, and enjoys collaborations with several local artists onstage and in studio. Morrison is a teacher of Exceptional Children at Brevard High School. She is married to Mike, the love of her life, her champion, and best roadie.
Andrew Thelston is known for his unique blend of guitar-heavy rock, big grooves, soaring vocals, and passionate live performances. For the past two years, his power trio has been mesmerizing crowds throughout the Southeast with his brand of high energy rock-n-roll. In 2019, Andrew’s music was featured on the hit Netflix show “Lucifer.” In addition to songwriter and performer, Andrew is a producer for Ginger Bird Studios. His songs and videos are streaming worldwide.
Jamie Leigh Bennett is a cellist and flutist living in Hendersonville, NC. A native of NJ, Jamie Leigh has also lived in CT, WV, GA, UT, NV, and moved to WNC in July of 2014. She received her Bachelor’s in Music Therapy from the University of Georgia and her Master’s in Flute Performance from the University of Nevada, Las Vegas. Upon moving to WNC, Jamie Leigh began performing with Hope Griffin and can be heard on cello and flute on Griffin’s albums, “Where the Soil and the Stars Meet” and “And the Lights Will Shine.” She has also recorded with other artists in the area, including Andrew Thelston and Debbie Jackson.
Jamie Leigh performs with Carrie Morrison in the duo The Neverwhere Sisters. The unique combination of piano, cello, flute, and vocals really captures an audience. Jamie Leigh enjoys traveling locally and around the country in pursuit of her music career. She also teaches flute, oboe, clarinet, saxophone and cello at the WNC Music Academy and out of a private studio at her house. She will be starting a MusicTogether program for children ages 8 weeks-5 years at the Academy in June 2021 and will be heading up a new instrument rental program through NEMC. Jamie Leigh lives in Hendersonville with her husband Rob, sons Kyllian and Ronen, two dogs and two cats.
The Neverwhere Trio is a collaboration of original music with Carrie Morrison, Andrew Thelston, and JamieLeigh Bennett. Combining heartfelt harmonic vocals, piano, cello, and acoustic guitar, Neverwhere is a unique class act with symphonic leanings and solid, inventive songwriting.
Carrie Morrison’s music will break your heart – in the best way. Melodic and memorable, her songs make connections. The singer/songwriter/pianist, a native of Louisville, Ky., has been playing piano since age seven. She moved to WNC in 2004, and has been a popular act in the area for more than 15 years. Morrison is known for melodically strong songs with personal, pithy, lyrics, ranging from the deeply emotional to the slightly silly. Her EP “Carolina Blonde” was released in 2013 and produced by the late Terry Wetton. Album “Miles and Miles” was produced by Chris Rosser, of award-winning ensemble Free Planet Radio, released in 2017. Her latest project, EP “The Neverwhere Sisters,” produced by Andrew Thelston and Daniel Nisbet, featuring cellist JamieLeighBennett, was released summer 2021. Morrison has had airplay on WTZQ and WNCW, and enjoys collaborations with several local artists onstage and in studio. Morrison is a teacher of Exceptional Children at Brevard High School. She is married to Mike, the love of her life, her champion, and best roadie.
Andrew Thelston is known for his unique blend of guitar-heavy rock, big grooves, soaring vocals, and passionate live performances. For the past two years, his power trio has been mesmerizing crowds throughout the Southeast with his brand of high energy rock-n-roll. In 2019, Andrew’s music was featured on the hit Netflix show “Lucifer.” In addition to songwriter and performer, Andrew is a producer for Ginger Bird Studios. His songs and videos are streaming worldwide.
Jamie Leigh Bennett is a cellist and flutist living in Hendersonville, NC. A native of NJ, Jamie Leigh has also lived in CT, WV, GA, UT, NV, and moved to WNC in July of 2014. She received her Bachelor’s in Music Therapy from the University of Georgia and her Master’s in Flute Performance from the University of Nevada, Las Vegas. Upon moving to WNC, Jamie Leigh began performing with Hope Griffin and can be heard on cello and flute on Griffin’s albums, “Where the Soil and the Stars Meet” and “And the Lights Will Shine.” She has also recorded with other artists in the area, including Andrew Thelston and Debbie Jackson.
Jamie Leigh performs with Carrie Morrison in the duo The Neverwhere Sisters. The unique combination of piano, cello, flute, and vocals really captures an audience. Jamie Leigh enjoys traveling locally and around the country in pursuit of her music career. She also teaches flute, oboe, clarinet, saxophone and cello at the WNC Music Academy and out of a private studio at her house. She will be starting a MusicTogether program for children ages 8 weeks-5 years at the Academy in June 2021 and will be heading up a new instrument rental program through NEMC. Jamie Leigh lives in Hendersonville with her husband Rob, sons Kyllian and Ronen, two dogs and two cats.
Beginning in May and running through September, these free outdoor shows will ramp up downtown fun on the third Thursday of each month, complete with craft beverages, food trucks and kids’ activities. Each concert will take place at the south end of Main Street, closing off the blocks between Allen and Caswell streets.
As the premier live music event of Hendersonville, Rhythm & Brews brings in a variety of established acts as well as up-and-coming artists from around the nation. Whether you love soul, rock, bluegrass or the funky stuff, Rhythm & Brews will put a smile on your face and broaden your musical horizons.
2022 Rhythm & Brews Concert Series Lineup:
June 16: Erin & The Wildfire [[indie-pop soul]] with Hustle Souls [[soul/rock]]
July 21: Melt [[soulful indie/jam]] with Pink Beds [[danceable indie-pop]]
August 18: Alexa Rose [[americana/folk]] with Aaron Burdett [[singer-songwriter]]
September 15: The Wooks [[upbeat bluegrass]] with The Greybirds [[classic-style rock]]
Opening acts will kick off each evening at 5:30 p.m. followed by the headliner performance from 7:30-9:30 p.m. Doors open at 5:15 p.m.
For the youngest in the family, the Hands On! Kid Zone will provide kid-friendly activities. Meanwhile, adults can enjoy downtown Hendersonville’s first fully integrated beer and wine garden featuring locally crafted drinks from Sierra Nevada Brewing Co., Guidon Brewing Co., Oklawaha Brewing Co., Dry Falls Brewery, Saint Paul Mountain Vineyards, Flat Rock Cider Company and Bold Rock Hard Cider.
All net proceeds from adult beverage sales will benefit the Friends of Downtown Hendersonville 501c3 nonprofit, whose mission is to identify, preserve and enhance the key factors that contribute to the authentic small town urban character of historic downtown Hendersonville. In the past year, the Friends of Downtown Hendersonville has supported downtown businesses with over $35,000 in direct business support through the façade and pivot grant programs.
New in 2021, R&B Super Fan Tent provides an enhanced experience with a shaded viewing area including beer, wine and light refreshments from Moe’s BBQ. Individuals can become R&B Super Fans by purchasing a season package sponsorship for $200. The package includes two sponsor tent tickets to each show and two R&B season t-shirts. Becoming a R&B Super Fan sponsor support will not only help sustain R&B, but other Downtown Program events including Hendersonville Farmers Market, the Bearfootin’ Art Walk, and more. Visit the event website for more information on how to become a Super Fan. The Super Fan Tent is supported by B Squared Realty.
Looking for a fun volunteer opportunity? Lending your time at Rhythm & Brews is a great way to meet new people and get involved in a community event. Fill out the Volunteer Interest Form to get started.
Rhythm & Brews Concert Series was started in 2013 by Friends of Downtown Hendersonville, a 501c3 nonprofit operated by the Downtown Division of the City of Hendersonville Community Development Department. For more information, visit downtownhendersonville.org.
Join us on Thursday evenings throughout the spring and summer for our free jazz hour. Host and composer, Michael Jefry Stevens will be joined by musician friends once a month for a live performance at the Enka Candler Library.
Program will be held in our community room. Masks are optional at this time, we ask you do what makes you feel comfortable. No registration required. This program is sponsored by the Friends of Enka-Candler Library.
We are a group of women who love to sing a cappella harmony in a variety of styles. We are seeking Leads but welcome other parts too—Baritone, Bass, Tenor.
Because we care about quality, we require user -friendly auditions.
We meet weekly.
Check us out!
All proceeds from Reproductive Freedom Jam 2022 directly fund the NC ACTION PAC. This PAC supports the advocacy and voter contact work by endorsing NC candidates who advocate for accessible reproductive healthcare, protect access to abortion, support LGBTQ+ rights, and work for equity of people and their families.
Hosted by Barbie Angell, the event will feature performances from Ken Kahn, Melissa Hyman and Dulci Ellenberger, Daniel Shearin (of River Whyless), Lo Wolf, Life Like Water, Kendra Penland and Friends, Greg Cartwright (of Reigning Sound), The Smoky Mountain Sirens, and more!
You couldn’t get enough the first time, and you’ve been requesting it every year since! Million Dollar Quartet is the Tony Award-winning Broadway musical inspired by the true story of the famed recording session where Sam Phillips, the “Father of Rock ‘n’ Roll” brought together icons Johnny Cash, Carl Perkins, Jerry Lee Lewis, and Elvis Presley for one unforgettable night. Featuring over 20 rock ‘n’ roll hits including: “Blue Suede Shoes,” “Folsom Prison Blues,” “Down By the Riverside,” “Great Balls of Fire,” and many more. Don’t miss Nat Zegree returning as Jerry Lee Lewis! Tickets will fly away fast, so don’t miss your chance to see this exceptional musical feast.
This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)
Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony®, Grammy®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.
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50th LEAF Festival Tickets —————————————– Get early bird ticket access with membership! —————————————– June 1 – Membership tickets June 15 – General public tickets |
Our youth camp runs the full week, from 8:30 to 12:00 each day, with an incredible diversity of activities that immerse youth in folk music and culture. Students will experience group lessons, jams, music theory, & traditional art, songs, and stories, with an impressive lineup of regular and guest artists.
Sign up for the “standard” instrument offerings of beginners, intermediate, or advanced fiddle, mandolin, guitar, clawhammer & 3-finger banjo, or try the “washboard & rhythm” tracks for youth aged 6 & 7, as well as youth aged 8-11!
Instrument options:
Age ranges are suggestions. Please email Julie if your child is outside the age range for the class they wish to take.
Option 1: Beginning ukulele, ages 6-8
Option 2: Washboard rhythm and movement for ages 6-7
Option 3: Beginner Mandolin for ages 8-12
Option 4: Beginner Fiddle ages 8-12
Option 5: Beginner Guitar ages 8-12
Option 6: Beginner Clawhammer banjo for ages 8-12
Option 7: Washboard rhythm and movement for ages 8-12
Option 8 :Intermediate/advanced Mandolin for ages 9-16
Option 9 :Intermediate/advanced Fiddle for ages 9-16
Option 10: Intermediate/advanced Guitar for ages 9-16
Option 11: Intermediate/advanced Clawhammer banjo for ages 9-16
Option 12: Intermediate/advanced Three finger banjo for ages 9-16
Muddy Boots
Clover Pickers
*Please be sure to select the student’s 1st and
Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
Program Summary
Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.
Curriculum
The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.
Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?
Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.
The Faculty
A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant
Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)
The Performers
Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan
Enrollment Information
Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.
Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.