Calendar of Events

Romance Book Club is a space to celebrate love in literature. Whether it’s set in early 1800s London, a distant planet years into the future, a fantasy world of magic, or our own contemporary universe, we are here for the stories that end with a happily-ever-after (or at least a happily-for-now).

Meetings will take place at 7:00 PM ET on the last Tuesday of each month via Zoom. Please visit the Romance Bookclub page for the monthly selection, and email Samantha at [email protected] for the link to join.

GRAMMY® Award-winners, Billboard chart toppers, and local favorite, the Rangers return to the stage at Brevard Music Center for another not-to-be-missed North Carolina summer tradition.

Auditorium seating is reserved.  Lawn seating is general admission.

Co-produced with Mountain Song Productions.

This unique project began in 2017 with a handful of concerts celebrating the 50th Anniversary of ‘The Cream’ in Australia and New Zealand.

Such was the response, the show was thereafter seen hundreds of times, by tens of thousands of fans, across North America and the U.K, many selling out! For 2022 and beyond, The Music Of Cream hit the road with a new show honouring the original band’s landmark recording of Disraeli Gears. Concerts will feature the album performed in its entirety during the first set, followed by a second with the hits and rarities from Eric Clapton, Blind Faith and Cream. The Music Of Cream continues to feature family members Kofi Baker (son of Ginger) on drums and Will Johns (Clapton’s nephew and son of Zeppelin/ Stones engineer Andy) on guitar and vocals.

Along with the legendary music, the show features storytelling, photographs and integrated videos, many of which have not been seen before, so that even the most diehard fans are guaranteed a night to remember.

KOFI BAKER – GINGER’S SON (Drums & Vocals)

Son of legendary drummer Ginger Baker, Kofi Baker is a name synonymous with drumming excellence; he not only continues, but extends the family legacy. The DNA is unmistakable!

Kofi’s first live performance was with his father on the cult UK tv music show “The Old Grey Whistle Test” – at just six years of age he proved he had inherited more than just his father’s name.

It’s no wonder he has forged his own long and distinguished career working with legends like Eric Clapton, Steve Winwood, Roger Waters, Nile Rogers, Tom Jones, Jack Bruce, Steve Marriott, Uli Jon Roth, Rick Derringer, Glenn Hughes, Robben Ford and many more.

His own albums include Lost City and Abstract Logic, with Jonas Hellborg and Shawn Lane.

More info at: www.kofibaker.com

WILL JOHNS – ERIC’S NEPHEW (Guitar & Vocals)

Eric Clapton encouraged his nephew to play the guitar from an early age. This provided an auspicious start for Will, who is also the son of legendary recording engineer & producer Andy Johns (The Rolling Stones, Led Zeppelin, Jimi Hendrix), and nephew of fellow producer Glyn Johns, (The Who, Eric Clapton, The Eagles).

Will can also count Mick Fleetwood and the late, great, George Harrison, as uncles. He has performed onstage with Eric Clapton, Jack Bruce, Steve Winwood, Nile Rogers, Ronnie Wood, Mick Taylor and Bill Wyman, to name but a few!

The outstanding blues guitarist has released four solo albums. His latest release, 2021’s “BLUESDADDY”, shot to the top of numerous high ranking blues charts, worldwide.

More info at: www.willjohns.com

Come and see how far YOU’LL GO!

This thrilling and heartwarming coming-of-age story follows the strong-willed Moana as she sets sail across the Pacific to save her village and discover the truth about her heritage. Moana and the legendary demigod Maui embark on an epic journey of self-discovery and camaraderie as both learn to harness the power that lies within. With empowering messages of bravery and selflessness, Moana JR. is sure to bring out the hero within each of us.

Camp features: acting and improv classes, music and choreography, prop building, theatre games and more!

The Mountain Chamber Quartet presents,  “La France en Amerique”  featuring piano solo works of Maurice Ravel, Gabriel Faure and Camille Saint-Saens performed by Christopher Tavernier. Following intermission, the The Mountain Chamber Quartet will perform Claude Bolling’s, “Suite No. 2 for Flute & Jazz Piano Trio”. The concert venue is the Thomas Auditorium at the Blue Ridge Community College, 180 West Campus Dr., Flat Rock, NC on Saturday, July 23rd at 2pm. The concert is free and open to the public.

Join us for a weekly mountain music JAM with players in a round, where the session is focused on regional fiddle tunes and songs! You are welcome to come and listen or to learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program. Free but donations are accepted. Weekly event takes place at Oklawaha Brewing Company.

Celebrate Pride with us at this concert featuring The Alex Krug Combo, Tina & Her Pony, Liz and Elizabeth, and special guests. Register to vote and connect with the Jasmine for Congress campaign as we organize across WNC this summer.

Pride month is a time to celebrate, remember, and mobilize the LGBTQ+ community. Join Team Jasmine for this Pride Concert and help elect North Carolina’s first out US Representative: Jasmine Beach-Ferrara! All are welcome for this all ages show!

One of Beethoven’s best-known chamber works, the Piano Trio No. 7 in B-flat Major, Op. 97 for piano, violin, and cello was dedicated to Beethoven’s benefactor, student, and friend–Archduke Rudolf of Austria. Not only was this the last piano trio written by Beethoven, due to his progressive loss of hearing, the premier of the “Archduke” Trio was also one of Beethoven’s final concert performances.

PERFORMANCE & ARTIST DETAILS

BOCCHERINI Quintet for Guitar and Strings No. 4 in D Major
Adam Holzman, guitar
Corinne Stillwell, violin I
Wendy Rawls, violin II
Erika Eckert, viola
Brian Snow, cello

PROKOFIEV Quintet in G major
Emily Brebach, oboe
Benjamin Adler, clarinet
Caroline Chin, violin
Derek Reeves, viola
George Speed, double bass

BEETHOVEN Piano Trio Op. 97 “Archduke”
Doug Weeks, piano
Benjamin Sung, violin
Benjamin Karp, cello

Auditorium seating is reserved.

Come and see how far YOU’LL GO!

This thrilling and heartwarming coming-of-age story follows the strong-willed Moana as she sets sail across the Pacific to save her village and discover the truth about her heritage. Moana and the legendary demigod Maui embark on an epic journey of self-discovery and camaraderie as both learn to harness the power that lies within. With empowering messages of bravery and selflessness, Moana JR. is sure to bring out the hero within each of us.

Camp features: acting and improv classes, music and choreography, prop building, theatre games and more!

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

We are shamelessly drumming up attention for our exciting new program at Lake Julian Park. Starting Thursday, March 31, Buncombe County Recreation Services is hosting a drum circle on the last Thursday of every month from 5:30-7:30 p.m. The only thing you need to bring is yourself and a drum, and then just let the rhythm and beautiful scenery do the work as you enjoy the beat and comradery of fellow percussionists.

All experience levels are welcome, and registration is not required. If you have any questions, please contact Park Ranger Zach Hickok at (828) 684-0376.

: Every Last Thursday until -Sept. 29 from 5:30-7:30 p.m.

Park shelter number 2, Lake Julian Park, 26 Lake Julian R

Malaprop’s is pleased to partner with UNC Press to present this event with Rebecca Sharpless. Kirk Brown will moderate.

If you decide to attend and to purchase books, we ask that you purchase from Malaprop’s. When you do this you make it possible for us to continue hosting author events and you keep more dollars in our community. You may also support our work by purchasing a gift card or making a donation of any amount below. Thank you!

While a luscious layer cake may exemplify the towering glory of southern baking, like everything about the American South, baking is far more complicated than it seems. Rebecca Sharpless here weaves a brilliant chronicle, vast in perspective and entertaining in detail, revealing how three global food traditions—Indigenous American, European, and African—collided with and merged in the economies, cultures, and foodways of the South to create what we know as the southern baking tradition.

Recognizing that sentiments around southern baking run deep, Sharpless takes delight in deflating stereotypes as she delves into the surprising realities underlying the creation and consumption of baked goods. People who controlled the food supply in the South used baking to reinforce their power and make social distinctions. Who used white cornmeal and who used yellow, who put sugar in their cornbread and who did not had traditional meanings for southerners, as did the proportions of flour, fat, and liquid in biscuits. By the twentieth century, however, the popularity of convenience foods and mixes exploded in the region, as it did nationwide. Still, while some regional distinctions have waned, baking in the South continues to be a remarkable, and remarkably tasty, source of identity and entrepreneurship.

Rebecca Sharpless is professor of history at Texas Christian University. Her most recent book is Cooking in Other Women’s Kitchens: Domestic Workers in the South, 1865–1960.

The Rev. David C. (Kirk) Brown is the recently retired chaplain of Christ School. Kirk received his A.B. from Davidson College, his M.A. from the University of Virginia (Germanic Studies), and his M.Div. from Virginia Theological Seminary.  Kirk is a member of the UNC Press Advancement Council and lives with his wife, Shelley, on a farm in Fletcher.

We are a group of women who love to sing a cappella harmony in a variety of styles. We are seeking Leads but welcome other parts too—Baritone, Bass, Tenor.
Because we care about quality, we require user -friendly auditions.

We meet weekly.

Check us out!

Bizet’s smoldering drama Carmen is one of the most popular operas of all time. With some of opera’s most iconic melodies, this tale of seduction and obsession promises to thrill both the seasoned opera lover and the opera-curious!

PERFORMANCE & ARTIST DETAILS
Janiec Opera Company of the Brevard Music Center
Brevard Festival Orchestra
Conductor, Joseph Mechavich

GEORGES BIZET Carmen

Sung in French with English supertitles

Auditorium seating is reserved.

To celebrate America’s Independence Day, the Chorale will join the Furman Lakeside Band for an uplifting, entertaining evening of music.

Fresh off of her leading role in “Hedwig and the Angry Inch” at Warehouse Theatre, Delighted Tobehere is bringing her show “Hello, Daddy!” to the Proud Mary stage. Part musical theatre tribute and part heartfelt memoir, “Hello, Daddy!” celebrates 20 years of delighting drag audiences (including competing on America’s Got Talent!).!

Rich Nelson is a rock musician originally from Detroit. He has been making music and art in the mountains of North Carolina since 2004. After playing in many bands for many years, Rich Nelson recorded his first solo album in 2018, his second in 2019, and the third in 2020-21.

The fourth album ‘Lucky Bounce’ will be released in June 2022, with an accompanying film documenting its recording.

Check out the recent ‘Fret And Wail’, the second record ‘Twenty Twenty Hearing’, and the first one ‘Ever Since Now’ at RichNelsonBand.com, at Dark Corner Records, or on iTunes, Spotify, etc. There’s also some fun stuff on YouTube.

The band features Rob Driscoll on drums and Jeff Manson on bass, and the band is excited about their new music and getting back out to play!

Hip Hop Dance Camp Week 2 – June 27 to July 1. Hip Hop Dance Camp is for rising 1st through 6th graders. This camp will be led by LEAF Master Resident Teaching Artist Otto Vazquez and will introduce students to the stylings, history, and culture of hip hop dance. Mr. Otto is sure to teach your kiddo some smooth moves!

Camps runs from 9 am to 5 pm at LEAF Global Arts Experience Downtown Asheville. Morning drop-off is between 8:30 am and 9 am and pick-up is from 5 pm-5:30 pm. Snacks will be provided, and students should bring a bagged lunch and a water bottle to camp every day.

Come and see how far YOU’LL GO!

This thrilling and heartwarming coming-of-age story follows the strong-willed Moana as she sets sail across the Pacific to save her village and discover the truth about her heritage. Moana and the legendary demigod Maui embark on an epic journey of self-discovery and camaraderie as both learn to harness the power that lies within. With empowering messages of bravery and selflessness, Moana JR. is sure to bring out the hero within each of us.

Camp features: acting and improv classes, music and choreography, prop building, theatre games and more!

Our Summer Arts Camp is a one-week encounter with music, visual as well as performing arts. Our campers will be given the flexibility to choose their own art experience. They may want to dabble in the performing arts or take part in the visual arts or perhaps do a bit of both.

• Origami: Susie Walker will teach you all the ins and outs of the folding world of Origami. In this hands-on class, you will not only learn the methods but you will learn all the practical applications of this ancient old world art. Time: 9:00 PM.

• Drawing: Sharpen your skills with artist Ben Sellers. He will show us the how’s and why’s of pen and ink. Giving you the tools you need to be a better artist. Time: 9:00 AM.

• Theater Camp: Lights, Camera, Action!!                                If acting is your thing or something you would like to explore theater camp will give you an opportunity to act live on stage. We will learn all the mechanics of the live stage.  On the first day, we will assign parts and begin practicing for our play that will be performed on Friday. Every child will have a speaking part, learn about blocking, and all the other aspects of stage performance. Teacher: Clara Rogers – Time: 9:00 AM-12:00  PM.

• Selfies, portraits, and collage: For a total emersion into all the elements of the facial features and then sign up for this class. Teacher, Kendal Stoney’s expert know-how will make it easy to create wonderful portrait artwork. Time: 10:45 AM.

• Mural Painting: Ben Sellers, our hometown professional artist, will lead our young artist in a group effort to create a mural. This colorful experience will be a wonderful creative adventure. Time: 10:45 AM

• Music Camp: Our favorite musical teacher and entertainer, Woody Cowan, will be ready and willing to give you a fun-filled singing experience that will have you toe-tapping and hand-clapping all week long. On Friday afternoon you will join all the other performing artists to show what you know.Time: 1:00 PM.

• Wild & Wonderful Abstract Art: Abstract artist Tina Durbin will impart her love and knowledge of abstract art through her favorite abstract artist- Kandinsky, Piet Mondrian, and Jackson Pollack to name a few. Just have fun and let the world of color and line help you create your masterpiece!Time: 1:00 PM.

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

Visiting Asheville soon and looking for a fun way to fill your Friday night? The Asheville Drum Circle is a tradition unique to the area. While locals usually begin the beating of drums, tourists are welcome to join, dance, or simply take in the incredible atmosphere at any point.

If you’re looking for things to do in the area during your stay, this is a must! Here’s everything you should know about the Drum Circle.

The Asheville Drum Circle is a free event that’s open to all.