Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
For this year’s Pritchard Park Songwriter Series, the Asheville Association is teaming up with Paloma Madre who are best known for bringing Asheville the wildly successful, international concept, Open Folk. Each week will feature two world class songwriters from our community playing introspective and honest tunes about life in the 21st century. Pritchard Park will once again be filled with the sweet sounding songs of heartbreak, true love, heavy loss, and lots and lots of goofin. It’s a guaranteed good time that won’t cost you a dime!!
Erick Baker is an Emmy Award-winning writer, TV show host, and singer-songwriter. For over a decade, he’s been making a life as a touring musician, performing alongside artists like John Legend, Brandi Carlile, Heart, Gavin Degraw, Edwin McCain, and the Goo Goo Dolls. Known for his aching intensity, passion, and unguarded emotional energy, Erick’s live performances are a powerful example of what can be accomplished through song. His music blends a divergent set of American roots influences – Country, Rock, Folk, Soul, and Blues – into one seamless sound, delivering a heartfelt dose of music medicine.
Our jazz trio with Thommy Knoles on keys, Felix Pastorius on bass, and Paul Gladstone on drums will perform an opening set from about 7-8:15 pm.
An open jam session follows. Drop-ins are welcome and encouraged for a suggested donation of $10.
Jazz Jam will feature a diverse array of music from jazz’s rich history, ranging from 1940s bebop up to 1970s jazz fusion, as well as material from prominent present-day composers. Bring your instruments and jam with us, or just come and enjoy!
– STANDING ROOM ONLY
– RAIN OR SHINE
Chloe Kimes
Nashville based singer-songwriter Chloe Kimes is actively defining the next generation of folk-singing troubadours with an old-soul sensibility for storytelling in a spirited alt-country outfit. Born and raised on the lakeshores of northern Michigan, Kimes remains unbound by genre and consistently navigates a delicate balance between poignance and charm with vocals wrung out and steadfast as any before her. Named one of NPR’s 2022 Slingshot Artists to Watch, her debut album is ambitious and strikingly live. Reviewed as “reminiscent of contemporary roots heroes like Lucinda Williams,” Kimes’ self-titled debut is a raw reflection of the artist, and with music as homegrown as its penman, Kimes and her band are not to be missed.
Jackson Grimm
and his band marry folk pop melodies with the lonesome sound of traditional Appalachian music. In a region with a strong music culture, it is no surprise that Grimm’s songwriting is representative of his musical birthplace: Asheville, NC. A modern string band leader, songwriter, and multi-instrumentalist, Grimm is a talent on the rise.
What will it take to get two dozen powerfully passionate, exceedingly complicated, and all-too-human individuals to settle their differences, while they hold the very future of a nation in their hands? This Tony Award-winning Best Musical is tuneful, witty, and constantly surprising, especially in this revolutionary new production from directors Jeffrey L. Page (Violet) and Diane Paulus (Waitress) with a cast that reflects multiple representations of race, gender, and ethnicity. You may never think about our country—who we are and why—the same way again.
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Based on a concept by Sherman Edwards
Choreography by Jeffrey L. Page
Direction by Jeffrey L. Page and Diane Paulus
Classical guitarist Adam Holzman takes center stage alongside the lyrical playing and remarkable technique of Bruce Holzman, Martha Masters, and Celil Refik Kaya, three of the finest guitar players of their generation.
PERFORMANCE & ARTIST DETAILS
Adam Holzman, classical guitar
Bruce Holzman, classical guitar
Martha Masters, classical guitar
Celil Refik Kaya, classical guitar
All seating is general admission.
A fresh take on a timeless classic, perfect for the whole family. With great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. Inspired by the acclaimed teleplay starring Whitney Houston and Brandy, this version of the magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance.
In 2004 The Goddamn Gallows began their rough and tumble voyage and haven’t looked in the review mirror since. Leaving six studio albums in their path, they have been reinventing their music with every record. Spit from the heart of America’s Rust Belt, arising from a night of flophouse violence. Drifting across the states, they cemented their sound in Portland, OR and later in Los Angeles, CA, where they lived in abandoned buildings, squatter camps, storage units and shoebox apartments. In 2007, they left everything behind and spent the next four years living out of whatever vehicle would get them to the next town. Building upon their original sound of twanged-out, punk rock “gutterbilly” (Life of Sin 2004 and Gutterbillyblues 2007), they began picking up stray musicians along the way and adding to their sound; washboard, accordion, mandolin and banjo (Ghost of th’ Rails 2009 and 7 Devils 2011) creating a sound referred to as “hobocore”, “gypsy-punk” or “americana-punk”, while never being stuck in any one sound. Enter 2018 and The Goddamn Gallows have reinvented themselves once again with The Trial. From rockabilly, psychobilly and punk rock, to bluegrass and metal, The Trial infuses disparate sounds into a new strange recipe of seamless genre bending profundities. Chock full of impromptu antics of the shocking variety and hauntingly eclectic instrumentation, The Goddamn Gallows have made legions of fans with their legendary, live shows. The Goddamn Gallows, takes their progression of mixing punk rock, bluegrass, psychobilly, and metal to a whole new level! The Goddamn Gallows have now partnered with Sailor’s Grave Records to help deliver the next chapter of their legacy to the world. The Trial begins now.
“Patience is a virtue.” Those words are tattooed across Coleman Williams’ right arm, forever reminding the alternative-country singer/songwriter of the benefits of taking one’s time.
The lesson wasn’t always so clear. As the great-grandson of Hank Williams Sr., grandson of Hank Williams Jr., and only son of Hank 3, Coleman spent years waging an internal battle with the expectations thrust upon him by his own lineage. He represented the fourth generation of country music’s most legendary family — hence his nickname, “IV” — and the pressure to launch his own career was enormous. Although Coleman would eventually make his mark with Southern Circus — the genre-bending debut from his band, IV and the Strange Band, combining southern storytelling and country textures with 100-watt guitar amps and DIY attitude — he needed to break free first and discover his own musical approach along the way.
“Before I even knew who I was, people were already expecting things of me,” he says. “It felt like there was zero freedom of expression for someone with the last name ‘Williams.’ Singing about a bloodline didn’t appeal to me, though. I wasn’t interested in fitting into a shadow that already existed. What did appeal to me was the underground scene in Nashville.”
Coleman became a fierce champion of Nashville’s house-show circuit as a teenager, drawn in by the scene’s supportive spirit and DIY ethics. This was a community that valued principles over pedigrees. A community that offered artists of all stripes a place to express themselves. From punk shows to heavy metal gigs to electronic experiments, Coleman loved it all… and for the first time in his life, he felt like he belonged somewhere.
3.1 WEB – WebTrac Activity Search (vermontsystems.com)
Social Seniors
Grove Street Card Sharks
Senior Dining
Billiards
Exercise
Be Active Live Longer
A Cappella Alive
Square Dancing
Groove at the Grove
Pen to Paper Writing Group
Asheville Parks & Recreation (APR) recently renovated fitness centers at Linwood Crump Shiloh and Stephens-Lee community centers – and community members can enjoy use of cardio equipment, exercise machines, free weights, open gym time, and more through June 30, 2023. During this time, APR will waive membership and daily pass fees so more people can access the necessities for a regular fitness routine. Locals can sign up online or at either community center to receive a fitness center key fob that can be scanned at either location.
“Our team is committed to creating spaces in which everyone feels welcome,” according to D. Tyrell McGirt, APR Director. “We are in the community building business. The gyms and fitness rooms at these two locations are filled with everything you’d expect from other top-notch fitness facilities and dedicated to body positivity and accessible wellness. By waiving the cost to use them for the first six months of the year, we hope more friends and neighbors will be able to connect with each other and maintain healthy lifestyles.”
Asheville Parks & Recreation (APR) recently renovated fitness centers at Linwood Crump Shiloh and Stephens-Lee community centers – and community members can enjoy use of cardio equipment, exercise machines, free weights, open gym time, and more through June 30, 2023. During this time, APR will waive membership and daily pass fees so more people can access the necessities for a regular fitness routine. Locals can sign up online or at either community center to receive a fitness center key fob that can be scanned at either location.
“Our team is committed to creating spaces in which everyone feels welcome,” according to D. Tyrell McGirt, APR Director. “We are in the community building business. The gyms and fitness rooms at these two locations are filled with everything you’d expect from other top-notch fitness facilities and dedicated to body positivity and accessible wellness. By waiving the cost to use them for the first six months of the year, we hope more friends and neighbors will be able to connect with each other and maintain healthy lifestyles.”
- July 21: The Rumble featuring Chief Joseph Boudreaux with Funk’N Around
- August 18: Asheville All-Stars with Asheville Rock Academy
- September 15: The Sensational Barnes Brothers with Alex Krug Combo
From the local favorites to new regional acts, all live from the river banks of the Nantahala. Raft, dine, then jam with us with Live Music every Friday and Saturday from 5pm-8pm between Memorial Day and Labor Day!
May 27th 5pm-8pm – Mama and the Ruckus
May 28th 5pm-8pm – The Lefties
June 2nd 5pm-8pm – Christina Chandler Trio
June 3rd 5pm-8pm – Laura Thurston
June 9th 5pm-8pm – Eddie Clayton
June 10th 1pm-4pm – Jacobs Well
June 10th 5pm-8pm – Natti Love Joys
June 16th 5pm-8pm – Rae and the Ragdolls
June 17th 5pm-8pm – Beer and Loathing
June 23rd 5pm-8pm – TBA
June 24th 5pm-8pm – Terry Haughton Trio
June 30th 5pm-8pm – Blue
July 1st 5pm-8pm – Brown Mountain Lightning Bugs
July 7th 5pm-8pm – Bayou Diesel
July 8th 5pm-8pm – Pioneer Chicken Stand
July 14th 5pm-8pm – Wyatt Espalin
July 15th 5pm-8pm – Christina Chandler Duo
July 21st 5pm-8pm – Terry Haughton
July 22nd 5pm-8pm – TG and the Stoned Rangers
July 28th 5pm-8pm – Blue
July 29th 5pm-8pm – Somebody’s Child
August 4th 5pm-8pm – Trial by Fire
August 5th 5pm-8pm – Andy Johnson
August 11th 5pm-8pm – Eddie Clayton Solo
August 12th 5pm-8pm – Eddie Clayton Band
August 18th 5pm-8pm – Big Deal Band
August 19th 1pm-4pm – Mckinney
August 19th 5pm-8pm – Funk N’ Around
August 25th 5pm-8pm – Wyatt Espalin
August 26th 5pm-8pm – Somebody’s Child
September 1st 5pm-8pm – TBA
September 2nd 5pm-8pm – Regatta 69
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
The beats of the Friday Night Drum Circle have been rocking Pritchard Park for decades and the circle has become so popular that it is featured in magazines and TV commercials.
The Friday Night Music series will present the familiar 50’s and 60’s
classic rock and beach music from a host of different bands. Food vendors like Babbles Ice
Cream, Blue Ridge Hospitality and Eggs Up Grill will provide a some spice. The Carolina
Mountain Car Club will participate as in years past.
Friday Night Concerts
Super 60’s June 9
Gotcha Groove June 16
It’s 5 O’Clock Somewhere June 23
Marsha Morgan June 30
Shades of Gray July 7
Thomas Brown July 14
Emporium July 21
Johnnie Blackwell Band July 28
Rock and Roll Reunion August 4
208 Army Band August 11
Night Moves Band August 18
– STANDING ROOM ONLY
– RAIN OR SHINE
The 40,20,10s
are an Americana band out of Asheville, NC. The members consist of Galen Holland, Springs Wade, Donny Brazil, and Didier Rubio and they’ve been hittin the scene 3 years strong now. They bring a mix of country, blues and rock into a spooky western sound that would fit perfectly into your favorite road trip out west. Their latest release, POLVO, is out on all the streaming platforms, along with ESCENAS, their first EP.
Julia Sanders and Kevin Fuller
Americana artist Julia Sanders’ new album Morning Star—produced by John James Tourville of New West Records band The Deslondes—unfolds a meticulously arranged musical landscape anchored by transfixing vocals and a compact but thoughtful narrative style that calls to mind forebearers like Gillian Welch and Emmylou Harris. On Morning Star, Sanders explores the complexities of transitions: from woman to mother, partners to parents, and freewheelin’ musician to an adult with roots and responsibilities. The album is a poetic, often dark, yet silver-lined portrait of transformation and growth. With each track, Sanders explores a different facet—a career, a partner, a child—and the range of emotions they carry with them, from joy and pleasure to struggle, loneliness and self-doubt. Unafraid to address the complexities that walk hand in hand with the bliss of having children—such as the loss of autonomy and the fracturing of identity—Morning Star provides a much-needed soundtrack to the experience of matrescence—the physical, emotional and social transition to motherhood
Join us for a very fun concert featuring trios for oboe, bassoon, and piano. This unique combination of instruments is not often heard, but is truly special to listen to, especially in our intimate settings. Those wonderful reed instruments are so plaintive and expressive while also allowing for humor and great energy. On this program, we welcome back oboist Margaret Herlehy and bassoonist Janet Polk, two good friends of mine from New Hampshire. We will be performing works by Ludwig Milde, Ludwig van Beethoven, Geoffrey Bush, Madeleine Dring, and Paul Carr. In fact, I could have entitled this program “Ludwigs and the Brits!” Hope you can join us for this really cool program!
Join us once again at one of the finest places to hear a concert anywhere in the country! Dan and Jerry have a fabulous house in the Hendersonville area with panoramic views of mountains, an amazing acoustical space, an incredible interior setting, and two fantastic grand pianos! Jerry also always provides some delicious food and they have plenty of wine as well. Seating will be limited so please sign up as soon as you can. Light food, desserts, and wine are included in the $35 price. Experience chamber music the way it was meant to be heard—in a true chamber. Enjoy the intimate setting and the Salon atmosphere.
Jazz legend Branford Marsalis joins BMC’s all-star faculty and students in a swinging night of beloved tunes and timeless standards.
What will it take to get two dozen powerfully passionate, exceedingly complicated, and all-too-human individuals to settle their differences, while they hold the very future of a nation in their hands? This Tony Award-winning Best Musical is tuneful, witty, and constantly surprising, especially in this revolutionary new production from directors Jeffrey L. Page (Violet) and Diane Paulus (Waitress) with a cast that reflects multiple representations of race, gender, and ethnicity. You may never think about our country—who we are and why—the same way again.
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Based on a concept by Sherman Edwards
Choreography by Jeffrey L. Page
Direction by Jeffrey L. Page and Diane Paulus
A fresh take on a timeless classic, perfect for the whole family. With great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. Inspired by the acclaimed teleplay starring Whitney Houston and Brandy, this version of the magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance.
Ages 18+
The Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades they have played with spirit and adventure, made their own rules and done so with a bold sense of creativity and intent. Avoiding easy categorization, The Bad Plus has won critical acclaim and a legion of fans worldwide with their unique sound and flair for live performance.Now in their 21st year, The Bad Plus continues to push boundaries as founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band with Ben Monder (guitar) and Chris Speed (tenor saxophone) – instigating a new wave of excitement and anticipation within the band that is re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques while exploring the infinite possibilities of exceptional musicians working in perfect sync.
The Bad Plus is set to release their 15th studio recording and debut self-titled album as a dynamic new quartet via Edition Records on Friday, September 30th. “Evolution is necessary for life and creativity,” say Dave King and Reid Anderson. “We’ve evolved, but we’re still The Bad Plus.”
MARC RIBOT’S CERAMIC DOG
“I got a right to say FUCK YOU!!!” is how the new album from veteran guitarist Marc Ribot’s trio Ceramic Dog starts off, with Ribot howling in anger at corruption, tyranny, life in general, and nothing in particular. Ribot certainly isn’t the only one piling-on, but if you’ve got a serious case of outrage fatigue, Ceramic Dog’s explosive cocktail of balls-to-the-wall abandon, chameleonic disregard for style constraints, political commentary, and absurdist humor is just the shot in the ass you might need. In fact, Ceramic Dog’s new album — titled YRU Still Here?— directed in equal parts at themselves, the commander in chief, and the listening public — arrives just in time to remind us that now is a moment when anger is not only necessary, and unavoidable, but also good for house plants . Thanks in no small part to the fire, brimstone, and dextrous facility summoned by kindred spirits Shahzad Ismaily (Secret Chiefs 3, Will Oldham, Ben Frost) on bass and drummer Ches Smith (Xiu Xiu, Secret Chiefs 3, Trevor Dunn’s Trio Convulsant), YRU Still Here? comes to the table armed with more than just sloganeering rhetoric. By way of stylistic explanation, Ribot comments: “Yes, we too are subject to the post-modern condition, but we see it as a kind of psoriasis.” Alongside his monumental career forging his peerless guitar style with the likes of Tom Waits, John Zorn, the Lounge Lizards, etc, Ribot has also worked for decades as a tenant union and artist rights activist, where he master ed the agit-prop skills used to such dazzling effect on hits such as “Fuck La Migra” and “Muslim/Jewish Resistance”. As much as it is a rallying cry, though, YRU Still Here? also further consecrates Ribot’s bond with Ismaily and Smith, referring to them as his “musical conscience” and to the band as a “family…although not always in a good way”. “After all the playing I’ve done,” Ribot explains, “there’s just something about this group that still manages to shock me.”
3.1 WEB – WebTrac Activity Search (vermontsystems.com)
Social Seniors
Grove Street Card Sharks
Senior Dining
Billiards
Exercise
Be Active Live Longer
A Cappella Alive
Square Dancing
Groove at the Grove
Pen to Paper Writing Group
Asheville Parks & Recreation (APR) recently renovated fitness centers at Linwood Crump Shiloh and Stephens-Lee community centers – and community members can enjoy use of cardio equipment, exercise machines, free weights, open gym time, and more through June 30, 2023. During this time, APR will waive membership and daily pass fees so more people can access the necessities for a regular fitness routine. Locals can sign up online or at either community center to receive a fitness center key fob that can be scanned at either location.
“Our team is committed to creating spaces in which everyone feels welcome,” according to D. Tyrell McGirt, APR Director. “We are in the community building business. The gyms and fitness rooms at these two locations are filled with everything you’d expect from other top-notch fitness facilities and dedicated to body positivity and accessible wellness. By waiving the cost to use them for the first six months of the year, we hope more friends and neighbors will be able to connect with each other and maintain healthy lifestyles.”
Asheville Parks & Recreation (APR) recently renovated fitness centers at Linwood Crump Shiloh and Stephens-Lee community centers – and community members can enjoy use of cardio equipment, exercise machines, free weights, open gym time, and more through June 30, 2023. During this time, APR will waive membership and daily pass fees so more people can access the necessities for a regular fitness routine. Locals can sign up online or at either community center to receive a fitness center key fob that can be scanned at either location.
“Our team is committed to creating spaces in which everyone feels welcome,” according to D. Tyrell McGirt, APR Director. “We are in the community building business. The gyms and fitness rooms at these two locations are filled with everything you’d expect from other top-notch fitness facilities and dedicated to body positivity and accessible wellness. By waiving the cost to use them for the first six months of the year, we hope more friends and neighbors will be able to connect with each other and maintain healthy lifestyles.”
Ooh La La Curiosity Market is an artist’s market that takes place in Pritchard Park, located in the center of beautiful downtown Asheville and will showcase the work of more than a dozen local artists. Taking place on Saturdays throughout Summer and every Saturday in October. Ooh La La will feature works by local painters, leather smiths, jewelry makers, potters, up-cycled crafters, and other curious delights, all beneath the colored canopies of large market umbrellas. In addition to the artists, the market will also feature live local music with three musical acts performing each Saturday and will include everything from a solo saxophonist to folk, blues, acoustic and jazz acts.
“REED ‘EM and WEEP”
FUN TRIOS FOR OBOE BASSOON, AND PIANO
Join us for a very fun concert featuring trios for oboe, bassoon, and piano. This unique combination of instruments is not often heard, but is truly special to listen to, especially in our intimate settings. Those wonderful reed instruments are so plaintive and expressive while also allowing for humor and great energy. On this program, we welcome back oboist Margaret Herlehy and bassoonist Janet Polk, two good friends of mine from New Hampshire. We will be performing works by Ludwig Milde, Ludwig van Beethoven, Geoffrey Bush, Margaret Dring, and Paul Carr. In fact, I could have entitled this program “Ludwigs and the Brits!” Hope you can join us for this really cool program!
What will it take to get two dozen powerfully passionate, exceedingly complicated, and all-too-human individuals to settle their differences, while they hold the very future of a nation in their hands? This Tony Award-winning Best Musical is tuneful, witty, and constantly surprising, especially in this revolutionary new production from directors Jeffrey L. Page (Violet) and Diane Paulus (Waitress) with a cast that reflects multiple representations of race, gender, and ethnicity. You may never think about our country—who we are and why—the same way again.
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Based on a concept by Sherman Edwards
Choreography by Jeffrey L. Page
Direction by Jeffrey L. Page and Diane Paulus
A fresh take on a timeless classic, perfect for the whole family. With great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. Inspired by the acclaimed teleplay starring Whitney Houston and Brandy, this version of the magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance.