Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Friday, June
16, 2023
Bark + Bolt 5k, One Mile + 100m Paw Pursuit
Pritchard Park Summer Series: Drum Circle
Montford Park Players: Wendy + Peter – A Peter Pan Story
Cinderella: Enchanted
Ready, Set…WOOF! Experience the inaugural event of the summer and join us at Patton Park for a truly unique experience on Friday, June 16th for the Inaugural Bark and Bolt presented by Hunter Subaru in Hendersonville, NC!
This family and pup-friendly event will feature the Bark and Bolt 5k, One Mile, and 100 meter Paw Pursuit. The race will be followed by a Top Dog Contest and a Bark in the Park Dog Fair with local pet friendly vendors.
We invite participants of all fitness levels to join us: whether you’re an avid runner looking to have your pup tag along with you or someone just looking for an enjoyable walk, our event is sure to provide something for everyone. Not only will it give you the chance to explore Hendersonville’s beautiful parks and greenways with your pet but also be part of a cause that helps rescue pups find loving homes.
Join us to help make this inaugural event an unforgettable success! Sign up today and get ready to bark and bolt your way through this summer event!
All human finishers will receive a finisher ‘dog tag’ at the finish line and pups will receive a Bark and Bolt custom/commemorative bandana!
The beats of the Friday Night Drum Circle have been rocking Pritchard Park for decades and the circle has become so popular that it is featured in magazines and TV commercials.
All shows will be at the Hazel Robinson Amphitheater in the Montford District of Asheville, and all will be presented absolutely FREE of charge!
Written and Directed by Skyler Goff
This World Premiere was penned by local playwright Skyler Goff and tells of the continuing adventures of our favorite Lost Boy. A fantastical way to kick off our season!
All shows will run Fridays through Sundays and all will be presented at 7:30pm and prime seats can be reserved.
Montford Park Players has been bringing some of theater’s greatest works to Western North Carolina for over 50 years. Montford Park Players continues its mission of bring free theater to the community. The summer season allows everyone to come spend an evening under the stars, seeing some of the best live performances presented in Asheville.
Montford Park Players allows patrons to bring their favorite food and beverages to their shows and sells beer, wine and concessions at the shows. If you’ve never been to the Hazel Robinson Amphitheatre for a Montford show, there’s no better season than this one. If you have been, you know why you should come back and catch everything we have to offer!
A fresh take on a timeless classic, perfect for the whole family. With great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. Inspired by the acclaimed teleplay starring Whitney Houston and Brandy, this version of the magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance.
Saturday, June
17, 2023
17th Annual Art in Bloom
Asheville Art Museum 75th Anniversary Spring Annual Fund
Asheville Regional Airport: art exhibit highlighting local artists
Inqwiry: Outdoor Wire Sculptures by Josh Coté
Tryon Fine Arts Center Summer Art Camps Registration Open
Wild West Adventure Trips w/ Nantahala Outdoor Center
Pollinator Day at North Asheville Tailgate Market
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Pollinator Exploration Kit (Available for Loan)
Eidolon art exhibition
Exhibition: NEO MINERALIA
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Italian Renaissance Alive
Ooh La La Curiosity Market
Rootabaga Express! Summer Plays
Gatherings of Artists + Writers Coffee
Nantahala Gorge Excursion
Black Mountain College and Mexico (BMC/MX): Exhibition
LAZOOM Tours: Kids’ Comedy Tour
Pulp Potential: Works in Handmade Paper
The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Outdoor County Pools Open
Pop-up Camper Demo Day
Black Mountain College and Mexico (BMC/MX): Bizarre Sábado
The Great Wagon Road Game (Family Edition)
This year marks the 17th Annual Art in Bloom, our most anticipated fundraiser of the year. This multifaceted event, celebrating nature and art, combines two gallery exhibits, live floral arrangements, and a local garden tour featuring working artists. Whether you join us for one event or all of them, you are playing an important role in supporting the arts in our community.
Schedule of Events
May 26 – June 14 • 10am-5pm, Monday-Friday • Regional Artists Gallery Exhibit
In the weeks leading up to Art in Bloom, our gallery will feature selected pieces from regional artists. The works featured will be inspiration for the arrangements created by our floral designers.
June 15 • 5-7pm • Art in Bloom Preview Party
We know how to throw a party! Be among the first to see the floral interpretations at their freshest and meet the floral designers. We’ll kick off Art in Bloom with drinks, hors d’oeuvres, and live music. This is a night you won’t want to miss.
June 16 & 17 • 10am-4pm • Tour the Gallery & Floral Arrangements
Visit the gallery to experience the stunning creativity of our Ikebana and Western floral designers who have created arrangements inspired by the artworks in the show. The flowers will only be on display for 2 days, so don’t miss your chance to see nature imitating art!
June 16 & 17 • 10am-2pm • Local Garden Tour & Plein Air Artists
Our self-guided tour features a diverse array of inspiring local gardens. Look for plein air artists creating in each garden! Your Garden Tour Ticket includes a map and directions to each garden and access to our main gallery for the Art in Bloom exhibit.
June 23 • 5-6:30pm • Art from the Garden Opening Reception
Return to BMCA after Art in Bloom to view the works created during the Garden Tour by the plein air artists. Enjoy complimentary refreshments and mingle with the artists during the last leg of Art in Bloom’s festivities.
June 26 – July 14 • 10am-5pm, Monday-Friday • Art from the Garden Exhibit
Can’t make it to the opening? Stop by during this time to visit the Art from the Garden. This beautiful show is free and open to the public.
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Art in Bloom is a unique exhibition that also serves as a fundraiser for the Black Mountain Center for the Arts. Every ticket you purchase supports local artists, programming, and creative opportunities in Western North Carolina.
Art in Bloom Gallery Exhibit – $5
Garden Tour & Gallery Exhibit -$30
Preview Party (includes Gallery Exhibit, drinks and hor’d’oeuvres) – $45
Art in Bloom Everything Pass (includes Preview party, Garden Tour, and Exhibit) – $65
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Celebrate with us by contributing to the future of the arts in Western North Carolina.
Make your 75th Anniversary Spring Annual Fund donation today! |
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! The Diamond Anniversary is a time to honor our rich heritage and—more importantly—envision our future as the premier visual arts organization in this vibrant, creative region.
Founded in 1948 by a group of local artists to showcase the scope and depth of creativity in Western North Carolina (WNC), the Museum brings art of international significance to the region and encourages lively, diverse dialogue.
The Museum’s original home was a modest, unheated, three-room building on Charlotte Street in the former sales office of Dr. E.W. Grove. The building was designed by Richard Sharp Smith and provided to the Museum by the City of Asheville. Exhibitions by local painters and sculptors could only be staged in warmer weather, and Sunday afternoon receptions gave the community an opportunity to view original art and to listen to artists talk about their work. By the 1950s, the Museum had become an invaluable part of Asheville’s cultural life. It also began acquiring artworks for its Collection.
Three quarters of a century later, the Museum has evolved into the preeminent cultural and educational hub for WNC—welcoming tens of thousands of visitors annually, hosting several major exhibitions each year, holding scores of special programs, and housing its Collection of more than 7,500 works in its state-of-the-art Pack Square location. From its humble beginnings on Charlotte Street to its breathtaking permanent home in the heart of downtown Asheville, the Museum has remained dedicated to Its mission to engage, enlighten, and inspire individuals and enrich the community through dynamic experiences in American art of the 20th and 21st centuries.
The Asheville Art Museum was built, cherished, and supported by the community throughout the past 75 years. Our anniversary celebration will give back through community partnerships and special programs, and by creating new reasons to visit or become a Member. We hope you’ll join us at one (or all) of our Diamond Anniversary special events: the 2023 Gala on June 17th, the 75th Anniversary Community Day Celebration in August, and the 75th Anniversary Dance Party in November!
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Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
Grovewood Gallery will present Inqwiry, an outdoor exhibition of wire animal sculptures by Bakersville, NC, artist Josh Coté. This event is open to the public and free to attend. Inqwiry will remain on view through August 13, 2023.
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Asheville GreenWorks is hosting a Pollinator Day booth for its Bee City USA program at the North Asheville Tailgate Market. Pollenteers will paint bees & flowers on children’s knuckles and outfit them with bee or butterfly antennae for a scavenger hunt of the market to find the foods that benefit from the help of a pollinator and win a prize. Don’t miss the caterpillar zoo!
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Presented by Bee City USA- Hendersonville and Bullington Gardens
For educators: teachers, camp counselors, home-school parents, childcare professionals, summer program leaders, and more, the Pollinator Exploration Kit provides excellent tools. Bee City USA – Hendersonville is eager to help you share the wonder of pollinators with children you teach. The kit includes sets of 12 sturdy child-size insect nets, special bug capture bubbles, bug boxes with magnifying lids, and magnifying glasses. Two pop-up insect habitats and two sets of laminated fold-out field guides (NC Trees & Wildflowers, NC Butterflies & Moths, Bees & Other Pollinators) are also included. The kit can be loaned for up to a week (as available) and may be picked up and returned weekdays 9am-4pm.
Pick-up location:
Bullington Gardens, 95 Upper Red Oak Trail, Hendersonville.
Cost: no charge
Reservation needed: contact [email protected] to check availability and reserve the dates to borrow the Pollinator Exploration Kit.
Exhibition dates: June 9 – July 23
Hours: Tuesday-Saturdays from 10-5 pm, Sundays 11-4 pm
Eidolon is an ancient term from Greek -oeidēs “form”. Early meanings included “mental image”, “appearance”, and “reflection” (as in a mirror or pool), and later, “apparition” or “imaginary entity”, among other things. Expanding beyond the definition pointing to a phantasm or specter, eidolon also sounds like some kind of astral or idyllic place in a novel or poem about an imaginary world. Eidolon features the work of Jacqueline Shatz and Margaret Thompson.
Jacqueline Shatz’s small sculptures of ambiguous and hybridized figures float, entwine, swim, commune with animals and collapse into abstract arabesques and gestures, hinting at mythology, in-between states, and the permeable nature of existence. Margaret Thompson’s paintings are inspired by elements of the symbolist movement and magical realism; she channels dreams and the associative powers of the imagination into her practice, painting subjects that live between our physical realm and spaces beyond the categories of known experience: they are unrestrained, undefined, and free.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Ooh La La Curiosity Market is an artist’s market that takes place in Pritchard Park, located in the center of beautiful downtown Asheville and will showcase the work of more than a dozen local artists. Taking place on Saturdays throughout Summer and every Saturday in October. Ooh La La will feature works by local painters, leather smiths, jewelry makers, potters, up-cycled crafters, and other curious delights, all beneath the colored canopies of large market umbrellas. In addition to the artists, the market will also feature live local music with three musical acts performing each Saturday and will include everything from a solo saxophonist to folk, blues, acoustic and jazz acts.
Carl Sandburg created his own version of American fairy tales when he published Rootabaga Stories (1922) and Rootabaga Pigeons (1923). He replaced the European fairy tale cast of princes, princesses, castles and kingdoms with icons American children would recognize — taxi-drivers, movie actors, skyscrapers, prairies and automobiles. Rootabaga Express! brings the stories of the Five Rusty Rats, Bimbo the Snip and more to life.You’ll meet new characters and journey farther into the Village of Liver and Onions and Sandburg’s imagination than ever before.
The 30-minute shows are appropriate for all ages and held rain or shine.These shows are supported by the Flat Rock Playhouse and the Park Store, operated by America’s National Parks.
For young visitors who attend the plays, there is a Rootabaga Junior Ranger program available. Activity sheets will be available at the amphitheater after the play and can be turned in at the Sandburg Home for a limited edition “Rootabaga Ranger” badge.
Apprentice actors from the Flat Rock Playhouse have performed adaptations of Sandburg’s works for park visitors since 1974. Using Sandburg’s own words from his collections of children’s stories, poetry, collected music, biography of Abraham Lincoln and his own autobiography, the performances provide visitors with a sense of the scope of his work and imagination. Sandburg was an expert storyteller, and easily wove important messages of fairness, empathy and social justice into his writings. Whatever play you are able to attend you will walk away with a smile on your face and a better understanding of the legacy of Carl Sandburg.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
Kids’ Comedy Tour: Wildly funny, this educational and entertaining tour features the perfect blend of Asheville’s history and kid-centric comedy. Geared specifically toward the 5–12 year old crowd, you’ll explore the town with our famously outlandish tour guides leading the way.
- Perfect for birthday parties
- Makes for memorable school field trips
- Tickets are $27 per person
- Beverages available for purchase at the LaZoom Room
- Departs from 76 Biltmore Avenue
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
Gather bathing suits and sunscreen, Buncombe County’s outdoor pools are getting ready to open. The County’s five outdoor pools will open for the 2023 season on May 27. This includes the pools at Cane Creek, Erwin, Hominy Valley, North Buncombe, and Owen.
Outdoor pools will be open on weekends only until area schools are out for the summer. Starting on June 10, Pools will be open seven days a week.
Pool hours are Monday through Friday from 11:30 a.m. to 5 p.m., Saturday from 11 a.m. to 6 p.m., and Sunday from 1 p.m. to 6 p.m. Cost for pool entry is $3 per person.
Private lessons at the outdoor pools are available for different age groups from 3-year-olds and up. For more information on lessons or to register for a class, click here.
The pools can also be booked for private parties 14 days in advance and must have a minimum of 50 patrons. Pool bookings are available Monday through Friday from 5:30 p.m. to 7:30 p.m. and Saturday and Sunday from 6:15 p.m. to 8:15 p.m. Click here for more information on booking pools.
Buncombe County Pool Locations:
- Cane Creek Pool – 590 Lower Brush Creek Road, Fletcher
- Erwin Pool – 58 Lees Creek Road, Asheville
- Hominy Valley Pool – 25 Twin Lakes Road, Candler
- North Buncombe Pool – 734 Clarks Chapel Road, Weaverville
- Owen Pool – 117 Stone Drive, Swannanoa
In addition, lap swimming is available year-round at the Buncombe County Schools Aquatics Center, a 10-lane pool managed by the YMCA of Western North Carolina and Buncombe County Schools.
For more information on outdoor pools, visit the County’s pool website or call (828) 348-4770.
Come and check out the coolest camper ever at Hunter Subaru this Saturday. SylvanSport’s GO camper is made in Brevard and is currently being offered at 0% financing. Snacks and giveaways will be offered to attendees and this event is family-friendly.
Bizarre Sábado
During the course of the exhibition, BMCM+AC will host a series of experiential art events. These “Bizarre Sábado” happenings are inspired by Mexico City’s Bazaar Sábado, the innovative gathering place and crafts market first organized in 1960 by BMC alum Cynthia Sargent and her husband Wendell Riggs. The Bazaar Sábado continues to this day.
Bizarre Sábado 3: Saturday, June 17, 2023 – 1–5pm
Bizarre Sábado 4: Saturday, July 1, 2023 – 1–5pm
Bizarre Sábado 5: Saturday, July 15, 2023 – 1–5pm
Bizarre Sábado 6: Saturday, July 29, 2023 – 1–5pm
A series of performative and experiential actions featuring local artists @ Black Mountain College Museum + Arts Center Library {120 College Street, Asheville, NC}
Bizarre Sábado 7
Black Night/Noche Negra: Photographs of Mexico—Slideshow with BMC/MX Project Director Eric Baden
Wednesday, August 16, 2023 – 8pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
Bizarre Sábado 8
Zine Release Celebration and Presentation of selected works from the Abraham Cruzvillegas Call for Art
Saturday, September 2, 2023 – 1–8pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
and Lamplight AVL {821 Haywood Rd. Asheville, NC}
As part of the BMC/MX project, students and artists have been invited to engage creatively with visual prompts offered by Mexican artist Abraham Cruzvillegas. Images of the resulting artworks will be compiled into a zine (available at BMCM+AC in September 2023), and selected works will be on display at Lamplight AVL on September 2.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
The Great Wagon Road Game is an interactive role-playing version of the “Oregon Trail” game of Mom and Dad’s youth. The Cradle of Forestry has brought the game to life along our Biltmore Campus Trail (1 mile). This interactive walking game takes you around the trail to learn more about the trials and tribulations the first European settlers faced as they traveled the Great Wagon Road and settled our beautiful mountains. This is a great game for families to work together and have fun! Families will travel in “wagon groups”, “purchase” supplies (no real money involved in the game) for the journey and stop to roll the dice of destiny that will choose their cards of fate.
This is open to all ages and will have a family-friendly atmosphere. Children under 4 are free to come along as long as they don’t distract the other players from having fun. Please dress appropriately for the outdoors, as we will be walking our 1-mile paved, Biltmore Campus Trail.
General Admission – $8
Youth – $5 (Ages 4-12)
America The Beautiful Passholders- General Admission Ages 13 and older-$4
America The Beautiful Passholders- Youth Ages 4-12- $2.50
Cradle of Forestry Annual Passholders- General Admission Ages 13 and older-$4
Cradle of Forestry Annual Passholders- Youth Ages 4-12- $2.50
*Passholders must present pass in-person during check-in