Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.

Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Sunday, August 27, 2023
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Aug 27 @ 8:30 am
Biltmore Estate

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Carolina Shine Moonshine Experience
Aug 27 @ 10:30 am – 3:00 pm
Great Smoky Mountain Railroad

“Shine and Dine” on the railway! We cordially invite you to hop on board The Carolina Shine, GSMR’s All-Adult First Class Moonshine Car! We will be proudly serving hand crafted, triple-distilled, craft moonshine. Some of the smoothest tasting moonshine in the Carolinas! Offered on the Nantahala Gorge excursion, this shine and dine experience begins in a renovated First Class train fleet car, The Carolina Shine. The interior features copper lined walls filled with the history of moonshining in North Carolina. Learn about the proud tradition that the Appalachians established when bootlegging was an acceptable way of life and local home brews were the best in town. Read about Swain County’s very own Major Redmond, the most famous mountain moonshine outlaw of the 19th century. Once your appetite for knowledge is satisfied, enjoy sample tastings of flavors like Apple Pie, Blackberry, Blueberry, Cherry, Peach, and Strawberry moonshine. If the samples are not enough, there will be plenty of Moonshine infused cocktails like Copper Cola or Moonshiner’s Mimosa available for purchase. GSMR is excited to feature multiple craft NC based distilleries to serve our guests only the best! Each jar is handcrafted and authentically infused with real fruit, the way moonshine was meant to be made. Passengers will also enjoy a full service All-Adult First Class ride with an attendant and our popular Cajun seasoned Pulled Pork BBQ with Sweet Baby Ray’s sauce cooked in our special spices and slow roasted to perfection! During the month of October, 9am departures will feature the option of a delicious Cheesy Shrimp & Grits or Cheesy Ham Hash Brown Casserole while 2pm departures will be served the popular BBQ meal.

Nantahala Gorge Excursion
Aug 27 @ 10:30 am – 3:00 pm
Great Smoky Mountain Railroad

TAKE A TRAIN RIDE ALONG SIDE THE BEAUTIFUL NANTAHALA RIVER ON OUR NANTAHALA GORGE EXCURSION! DEPARTING FROM BRYSON CITY, THIS 4½ HOUR ROUNDTRIP EXCURSION CARRIES YOU 44 MILES TO THE NANTAHALA GORGE AND BACK AGAIN ARRIVING AT OUR BRYSON CITY DEPOT.

Enjoy the sights and sounds of the Great Smoky Mountains while traveling along the Tennessee and Nantahala (nan-tuh-HAY-luh) River. The historic trellis bridge Fontana Trestle takes you across Fontana Lake and into the beautiful Nantahala Gorge. Onboard dining is available in First Class Seating and selecting from our  First Class Dinning menu options OR you can pre-purchase a box lunch option to make this an amazing unique moving dining experience. Arrive at our layover destination in the heart of the Nantahala Gorge for a one-hour layover where you can relax by the river or enjoy sightseeing!

Itinerary

30m before departure Boarding begins at Bryson City Depot
See schedule for departure time Depart Bryson City, NC
1h 45m Reach top of the line
2h 00m Begin return
2h 30m—3h 30m Layover
3h 30m Depart Layover
4h 30m Arrive at Bryson City Depot
Time from Departure Activity
YOGA TACO MOSA
Aug 27 @ 10:30 am
The Grey Eagle
-ALL AGES
-FREE / DONATION-BASED
Come join us while we honor one another in practice lead by the ever so lovely, Clare Desmelik. Bring your mat, a water bottle and an open heart.
After Class: The Taqueria will be open for tacos and the bar will be open for drinks. 😉
Hike and Sip Tour at Souther Williams Vineyard
Aug 27 @ 11:00 am – 12:15 pm
Souther Williams Vineyard

Every Friday from April through November (weather permitting),
check out the Hike and Sip Tour at Souther Williams Vineyard, a unique opportunity to hike our scenic rolling vineyards and enjoy
five different wines along the way, led by a private tour guide who will share the history of the farm and while you hike through the
vines, This educational experience will delight as you live the life of grape throughout its annual pilgrimage to the glass, This 1
hour tour requires moderate walking through hillside vineyards and appropriate farm/field attire, and can accommodate up to 12
people and reservations are required 2 days in advance, $50 per person, Souther Williams Vineyard, Hendersonville,

Romare Bearden: Ways of Working Exhibition
Aug 27 @ 11:00 am – 6:00 pm
Asheville Art Museum

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

 

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

 

Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

 

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

 

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Aug 27 @ 11:00 am – 6:00 pm
Asheville Art Museum

The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.

The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.

Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.

Western North Carolina Glass: Selections from the Collection
Aug 27 @ 11:00 am – 6:00 pm
Asheville Art Museum

Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home.

Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection.

2nd Annual Sunday Supper with Chef David Bancroft + Chef Rob McDaniel
Aug 27 @ 6:00 pm – 9:00 pm
The Farm at Old Edwards

Please join Old Edwards Inn and Spa for an Alabama takeover with David Bancroft of Acre in Auburn, AL, and Rob McDaniel of Helen in Birmingham. This dynamic duo will present a multi-course menu full of summer’s most delicious flavors alongside pairings from the Old Edwards sommeliers and live music in the beautiful setting of The Farm at Old Edwards.

About David Bancroft
Born in Alabama and raised in San Antonio, TX, David Bancroft’s passion for food began at an early age. Bancroft grew up eating some of the best cuisines the South has to offer, including Alabama’s famous white sauce BBQ and bacon collard greens, along with Texas’ crave-worthy beef brisket and breakfast tacos. Bancroft parlayed his love of food into a passion for cooking, inspired by his family’s approach to home-style dining. Bancroft spent time on the Alabama family farm hunting and fishing with his grandfather and learning how to smoke brisket and barbecue while developing a deep appreciation and care for the meat and its procurement process. After finishing high school, Bancroft returned to his Alabama roots to attend Auburn University, where Bancroft served as the kitchen steward for his fraternity and later went on to serve as the head chef at Amsterdam Café in Auburn during his senior year. Feeling confident in his experiences and looking for a way to utilize his self-taught skills as a farmer, forager, and chef, Bancroft opened Acre restaurant with his wife, Christin in August 2013.

About Rob McDaniel
Chef Rob McDaniel and his wife, Emily, own and operate Helen, a contemporary Southern grill in downtown Birmingham. McDaniel’s passion and respect for traditional Southern cuisine were first inspired by the foods his grandmothers prepared while he was growing up in Haleyville, Alabama. When McDaniel isn’t in the kitchen, he can be found spending time outdoors, whether it’s on a boat with his wife and twin daughters or out in the woods hunting, fishing, or foraging.

Jim Quick + Coastline at Point Lookout Vineyards
Aug 27 @ 6:00 pm
Point Lookout Vineyards

Join us for an evening of “swamp soul” on the mountain with Jim Quick and Coastline at Point Lookout Vineyards!
For more information on the band, visit: https://jimquick.com/

Monday, August 28, 2023
Applications open: 2024 Asheville Fringe Arts Festival
Aug 28 all-day
online w/ Asheville Fringe Arts

APPLICATIONS OPEN NOW!

Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?

We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.


NOW CONSIDERING WORKS OF ALL KINDS

We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.

Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.

1. FRINGE SHOT

A piece that is
5-15 minutes long

May be paired with another performance, or be selected as a free Random Act of Fringe.

2. SHORT FORM

A piece that is
20-40 minutes long

May be paired with another show.

3. FULL-LENGTH

A piece that is
45-60 minutes long

Ticketed theater-style show.

4. INSTALLATION

A piece that is
Site-specific (any length)

May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.

5. FILM

A piece that is
Designed specifically for film.

May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023

3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.

We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.

Artist Support Grant
Aug 28 all-day
online

Closed | Opening August 7

The North Carolina Arts Council Artist Support Grant is a regional grant program to support individual artists in all phases of their career. The program funds professional and artistic development for emerging or established artists to create work, improve their business operations, or bring their work to new audiences. This grant is intended to support a broad range of talented artists in the genres of visual arts, performing arts, literary arts, music composition, choreography, and interdisciplinary arts. Grants range from $500 to $3,000

The ASG program is funded by the N.C. Arts Council to provide the opportunity for regional consortia of local arts councils to award project grants to artists in their regions. Region 17 is led by Haywood County Arts Council and support artists in Buncombe, Haywood, Henderson, Polk, Rutherford, and Transylvania counties.

The deadline to apply is September 5, 2023 at 11:59 pm.

ReStore ReUse Contest
Aug 28 all-day
online

The local ReStore ReUse Contest is officially open for
submissions. Now through September 30, residents can show off their creativity and talent for
a chance to win in the 12 th annual contest. Fabulous furniture make-overs, remarkable
renovations, or unique yard art…if you recently took on a DIY project using predominantly
reused building materials, the Asheville Habitat ReStore wants to know. There are five
categories this year plus Best in Show, and all entries must be submitted electronically. For
guidelines and entry form, visit ashevillehabitat.org/restore .

The creativity of this community never ceases to amaze. Past projects have included a fence
fashioned from doors, a potting bench built from pallets, a wine bar made from a vintage
console radio, a chair constructed from an oil drum, and so much more. To see photos from
2022, click here.
A panel of five judges will select winners in the following categories: Furniture, Homesteading,
Live/Work Space, Home Décor, Art + Best in Show. Winners will be announced in mid-
October.

Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Aug 28 @ 8:30 am
Biltmore Estate

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Exhibition: NEO MINERALIA
Aug 28 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Sae Honda. Courtesy of the Artist.

NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.

NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.

The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.

Exhibition: Something earned, Something left behind
Aug 28 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

J Diamond, “Pony II,” 2022. Courtesy of the Artist

Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.

Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.

Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.

Exhibition: Crafting Denim
Aug 28 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Photograph by Bowery Blue Makers

Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.

A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.

Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.

Carolina Shine Moonshine Experience
Aug 28 @ 10:30 am – 3:00 pm
Great Smoky Mountain Railroad

“Shine and Dine” on the railway! We cordially invite you to hop on board The Carolina Shine, GSMR’s All-Adult First Class Moonshine Car! We will be proudly serving hand crafted, triple-distilled, craft moonshine. Some of the smoothest tasting moonshine in the Carolinas! Offered on the Nantahala Gorge excursion, this shine and dine experience begins in a renovated First Class train fleet car, The Carolina Shine. The interior features copper lined walls filled with the history of moonshining in North Carolina. Learn about the proud tradition that the Appalachians established when bootlegging was an acceptable way of life and local home brews were the best in town. Read about Swain County’s very own Major Redmond, the most famous mountain moonshine outlaw of the 19th century. Once your appetite for knowledge is satisfied, enjoy sample tastings of flavors like Apple Pie, Blackberry, Blueberry, Cherry, Peach, and Strawberry moonshine. If the samples are not enough, there will be plenty of Moonshine infused cocktails like Copper Cola or Moonshiner’s Mimosa available for purchase. GSMR is excited to feature multiple craft NC based distilleries to serve our guests only the best! Each jar is handcrafted and authentically infused with real fruit, the way moonshine was meant to be made. Passengers will also enjoy a full service All-Adult First Class ride with an attendant and our popular Cajun seasoned Pulled Pork BBQ with Sweet Baby Ray’s sauce cooked in our special spices and slow roasted to perfection! During the month of October, 9am departures will feature the option of a delicious Cheesy Shrimp & Grits or Cheesy Ham Hash Brown Casserole while 2pm departures will be served the popular BBQ meal.

Nantahala Gorge Excursion
Aug 28 @ 10:30 am – 3:00 pm
Great Smoky Mountain Railroad

TAKE A TRAIN RIDE ALONG SIDE THE BEAUTIFUL NANTAHALA RIVER ON OUR NANTAHALA GORGE EXCURSION! DEPARTING FROM BRYSON CITY, THIS 4½ HOUR ROUNDTRIP EXCURSION CARRIES YOU 44 MILES TO THE NANTAHALA GORGE AND BACK AGAIN ARRIVING AT OUR BRYSON CITY DEPOT.

Enjoy the sights and sounds of the Great Smoky Mountains while traveling along the Tennessee and Nantahala (nan-tuh-HAY-luh) River. The historic trellis bridge Fontana Trestle takes you across Fontana Lake and into the beautiful Nantahala Gorge. Onboard dining is available in First Class Seating and selecting from our  First Class Dinning menu options OR you can pre-purchase a box lunch option to make this an amazing unique moving dining experience. Arrive at our layover destination in the heart of the Nantahala Gorge for a one-hour layover where you can relax by the river or enjoy sightseeing!

Itinerary

30m before departure Boarding begins at Bryson City Depot
See schedule for departure time Depart Bryson City, NC
1h 45m Reach top of the line
2h 00m Begin return
2h 30m—3h 30m Layover
3h 30m Depart Layover
4h 30m Arrive at Bryson City Depot
Time from Departure Activity
Black Mountain College and Mexico (BMC/MX): Exhibition
Aug 28 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center

Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming

Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.

The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.

Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.

The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.

BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.

About the Curators

BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.

Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.

Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.

Romare Bearden: Ways of Working Exhibition
Aug 28 @ 11:00 am – 6:00 pm
Asheville Art Museum

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

 

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

 

Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

 

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

 

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Aug 28 @ 11:00 am – 6:00 pm
Asheville Art Museum

The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.

The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.

Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.

Western North Carolina Glass: Selections from the Collection
Aug 28 @ 11:00 am – 6:00 pm
Asheville Art Museum

Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home.

Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection.

Apple Country Woodcrafters
Aug 28 @ 6:00 pm – 8:00 pm
Grace Lutheran Church in Hendersonville
Meetings are held monthly on the fourth Monday with a social at 6:00 p.m. and the meeting following at 6:30 p.m. Most end around 8:00 p.m. Meetings are held at the Grace Lutheran Church in Hendersonville at 1245 6th Avenue. Most meetings include a Show & Tell segment with members sharing their work, and a Feature Presentation with a guest speaker covering a wide variety of woodworking topics.
 
Additionally, the club periodically schedules field trips, visiting operations of interest to its members. Past field trips have included saw mills, chair makers and woodcraft suppliers.
 
The public is welcome to attend our monthly meetings or to stop by our shop. New members of any skill level are always welcome.

Tuesday, August 29, 2023
Applications open: 2024 Asheville Fringe Arts Festival
Aug 29 all-day
online w/ Asheville Fringe Arts

APPLICATIONS OPEN NOW!

Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?

We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.


NOW CONSIDERING WORKS OF ALL KINDS

We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.

Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.

1. FRINGE SHOT

A piece that is
5-15 minutes long

May be paired with another performance, or be selected as a free Random Act of Fringe.

2. SHORT FORM

A piece that is
20-40 minutes long

May be paired with another show.

3. FULL-LENGTH

A piece that is
45-60 minutes long

Ticketed theater-style show.

4. INSTALLATION

A piece that is
Site-specific (any length)

May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.

5. FILM

A piece that is
Designed specifically for film.

May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023

3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.

We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.

Artist Support Grant
Aug 29 all-day
online

Closed | Opening August 7

The North Carolina Arts Council Artist Support Grant is a regional grant program to support individual artists in all phases of their career. The program funds professional and artistic development for emerging or established artists to create work, improve their business operations, or bring their work to new audiences. This grant is intended to support a broad range of talented artists in the genres of visual arts, performing arts, literary arts, music composition, choreography, and interdisciplinary arts. Grants range from $500 to $3,000

The ASG program is funded by the N.C. Arts Council to provide the opportunity for regional consortia of local arts councils to award project grants to artists in their regions. Region 17 is led by Haywood County Arts Council and support artists in Buncombe, Haywood, Henderson, Polk, Rutherford, and Transylvania counties.

The deadline to apply is September 5, 2023 at 11:59 pm.

ReStore ReUse Contest
Aug 29 all-day
online

The local ReStore ReUse Contest is officially open for
submissions. Now through September 30, residents can show off their creativity and talent for
a chance to win in the 12 th annual contest. Fabulous furniture make-overs, remarkable
renovations, or unique yard art…if you recently took on a DIY project using predominantly
reused building materials, the Asheville Habitat ReStore wants to know. There are five
categories this year plus Best in Show, and all entries must be submitted electronically. For
guidelines and entry form, visit ashevillehabitat.org/restore .

The creativity of this community never ceases to amaze. Past projects have included a fence
fashioned from doors, a potting bench built from pallets, a wine bar made from a vintage
console radio, a chair constructed from an oil drum, and so much more. To see photos from
2022, click here.
A panel of five judges will select winners in the following categories: Furniture, Homesteading,
Live/Work Space, Home Décor, Art + Best in Show. Winners will be announced in mid-
October.

Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Aug 29 @ 8:30 am
Biltmore Estate

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Exhibition: NEO MINERALIA
Aug 29 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Sae Honda. Courtesy of the Artist.

NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.

NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.

The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.

Exhibition: Something earned, Something left behind
Aug 29 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

J Diamond, “Pony II,” 2022. Courtesy of the Artist

Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.

Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.

Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.