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Phuncle Sam is back for a Saturday night summer series!
Outdoor taproom is opens at 2PM. Music from 6-9PM.
Since their formation in October 2004, Asheville North Caroline based, Phuncle Sam has been firmly rooted in musical exploration. Phuncle Sam is Asheville’s own improv/Americana, Dead/Centric jam band. Over five years of intense jamming and rehearsing finds Phuncle Sam with an ever-expanding body of original music. The band will also serve up quintessential interpretations of Jerry Garcia, Grateful Dead, and many others.
Shindig on the Green
Aug 26 @ 7:00 pm
Pack Square Park
The 57th season of Shindig on the Green, a free event in the heart of downtown Asheville with a stage show and informal jam sessions, takes place on Saturday evenings July 1 through August 26, 2023.
Locals and visitors alike come together at downtown’s Pack Square Park “along about sundown,” or at 7:00 pm for those who wear a watch, and continues until 10:00 pm. Concessions are available! The remaining Shindig on the Green events will be held on July 1, 8, 15, 22 and August 12, 19, 26, 2023.
The stage show takes place on the Bascom Lamar Lunsford stage, named for the founder of the Mountain Dance and Folk Festival. Since the outdoor event’s inception in 1967, hundreds of thousands of individuals from across the region and throughout the world have shared and enjoyed the rich traditional music and dance heritage of the Southern Appalachian Mountains in this outdoor setting.
Shindig on the Green remains a free event due in part to net proceeds from ticket sales to the nation’s longest continually running festival, the granddaddy of all festivals, the Mountain Dance and Folk Festival.
The BrokenHearts were created by former Tom Petty and Mudcrutch band mate; musician/songwriter/author/bassist Charlie Souza along with singer/songwriter Shawn Scheller (Save The Radio!) as a tribute to his passing in October of 2017. Originally only intended only as a temporary project, the group of musicians including keyboardist Robin Swenson (Air Supply, Frankie Valli & Four Seasons, Chuck Negron’s 3 Dog Night), guitarist Joe Sanders, drummer Scott Lockhart, Souza and Scheller became continuously requested to return to events in Tom’s honor.
In 2018, the decision was made to become an official touring tribute project paying respect and honor to the life and music of Thomas Earl Petty (October 20, 1950 – October 2, 2017). The current touring band consists of Mateo Olivo as Mike Campbell on lead guitar, Julian Simonelli as Howie Epstein on bass guitar, Aidan Cain as Benmont Tench on Piano, Organ and keyboards, Scott Lockhart as Stan Lynch on drums and Shawn Scheller as Tom Petty on vocals and guitar.
Bluegrass Night feat. Buncombe Turnpike + Holler Choir
Aug 26 @ 7:30 pm
Hendersonville Theatre
Hendersonville Theatre proudly presents Asheville bluegrass favorites Buncombe Turnpike and Holler Choir as August’s intimate Hometown Sound concert. Come and celebrate a new downhome tradition as an established local bluegrass band takes to the stage with the newcomers who are carrying the genre’s rich musical traditions into the future.
Maiden Voyage is a North Carolina-based, six-piece Iron Maiden tribute band, performing material spanning Iron Maiden’s extensive catalog. We bring the look, sound, feeling, and overall authentic experience every fan expects from a true Maiden show.
Nova Omega hails from the Blue Ridge Town Of Asheville, North Carolina. Forged by a fusion of influences such as Rush, Iron Maiden, Judas Priest, All that Remains, and Nevermore; Chris Townley (Lead Guitar) and JJ Townley (Rhythm Guitar) create a heavy yet melodic experience with blistering fast and technical leads. After a few line up changes, in late 2020, Adam Lunsford (Drummer) was added to the mix, bringing with him fast and technical drums influenced by the likes of Pantera. Kyle then joined (Singer, Producer), introducing a more modern rock and pop influence into the mix, being inspired by the likes of Red, Breaking Benjamin, and Flyleaf. Finally, to round out the lineup, Puck (Bassist) joined the band, bringing a creative and dynamic songwriting mindset with him.
With this foundation, Nova Omega was born… Merging different backgrounds, similar passions, and determination; the band set out to create a musical experience that is unique and of their own. With melodic guitar rhythms and technical leads played by JJ and Chris, mixed with the soothing yet strikingly gritty vocal style of Kyle, Adam’s powerful but jazz like drums, and Puck’s creativity, the band has forged a dynamic and powerful sound that is unique in the Alternative Metal genre.
THE ASHEVILLE JAZZ ORCHESTRA
Aug 26 @ 8:00 pm
White Horse Black Mountain
A very special evening featuring The Asheville Jazz Orchestra playing a variety of Big Band, Swing, and Jazz favorites !!!!
The mission of the Asheville Jazz Orchestra is to preserve and advance the big band jazz tradition, through jazz education, performance, and composition.
The Asheville Jazz Orchestra was founded in 2006 and was headed by Dr. David Wilken (trombonist, educator, composer, and arranger) who served as the band’s musical and artistic director for 18 years. In 2023 Dr. Wilken stepped back from his position and a new staff was installed to continue the band’s mission. Although no longer serving as musical/artistic director Dr. Wilken continues to play with the band and continues to arrange and compose exciting original music for the orchestra. Long-time jazz drummer, Rick Dilling has taken the helm as new musical director.
The AJO is a proud partner of the Asheville Jazz Council, a 501c3, and through their work with the Council, the AJO has performed at many educational music festivals, including the City of the Arts Jazz Festival, Patton High School Jazz Festival, Western Carolina University Trumpet Festival, the NC NCMEA Conference, and the Our World Festival.
The AJO can be heard throughout western North Carolina performing swing dances, on stage at clubs, and in formal concert settings. The AJO’s repertoire ranges from the dance classics of the Swing Era through original charts by area composers.
Applications open: 2024 Asheville Fringe Arts Festival
Aug 27 all-day
online w/ Asheville Fringe Arts
APPLICATIONS OPEN NOW!
Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?
We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.
NOW CONSIDERING WORKS OF ALL KINDS
We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.
Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.
1. FRINGE SHOT
A piece that is
5-15 minutes long
May be paired with another performance, or be selected as a free Random Act of Fringe.
2. SHORT FORM
A piece that is 20-40 minutes long
May be paired with another show.
3. FULL-LENGTH
A piece that is 45-60 minutes long
Ticketed theater-style show.
4. INSTALLATION
A piece that is Site-specific (any length)
May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.
5. FILM
A piece that is Designed specifically for film.
May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023
3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.
We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.
Artist Support Grant
Aug 27 all-day
online
Closed | Opening August 7
The North Carolina Arts Council Artist Support Grant is a regional grant program to support individual artists in all phases of their career. The program funds professional and artistic development for emerging or established artists to create work, improve their business operations, or bring their work to new audiences. This grant is intended to support a broad range of talented artists in the genres of visual arts, performing arts, literary arts, music composition, choreography, and interdisciplinary arts. Grants range from $500 to $3,000
The ASG program is funded by the N.C. Arts Council to provide the opportunity for regional consortia of local arts councils to award project grants to artists in their regions. Region 17 is led by Haywood County Arts Council and support artists in Buncombe, Haywood, Henderson, Polk, Rutherford, and Transylvania counties.
The deadline to apply is September 5, 2023 at 11:59 pm.
RAHZEL OF THE ROOTS AT LEAF FESTIVAL
Aug 27 all-day
online
What!!! Rahzel from the original Roots is coming to LEAF! The Human Beatbox aka the Grammy-winning Rapper/MC from the original, world-renowned Roots lineup, has been added to the Saturday night lineup of the October Festival.
Famous for his jaw-dropping vocal percussion and beatboxing prowess, Rahzel is not just a performer, he’s an experience. Dive deep into the pulse and rhythm of hip-hop (on the 50th anniversary of the genre) with this masterful artist who blurs the line between voice and instrument. It’s more than a show: it’s musical genius live onstage.
Aaaand … there will be a Beatbox Play-Shop for all ages. Don’t miss it!
Rahzel is one of the biggest names in beatboxing today, and continues to redefine the limits of the human voice. Known as “The Godfather of Noyze,” he was growing up in Queens when hip-hop blew up. LEAF is thrilled to welcome Rahzel to the fall Festival on the 50th anniversary of hip-hop.
Rahzel’s cousin Rahiem was an original member of the Furious Five, and Rahzel recalls sneaking into their shows, “watching Grand Master Flash before I could even see over the gate.” Rahzel embraced the philosophy that “not having’ was never an excuse for ‘not doing. … To me, [beatboxing] saves lives and I’m a prime example of it. It inspires kids to be creative and motivated.”
Through both his solo work and his stint with the live-music hip-hop group The Roots, Rahzel is credited with bringing beatboxing back to the fore of hip-hop in the 1990s. Rahzel can sing a chorus and beatbox the back-up simultaneously, a skill showcased on his signature song, “If Your Mother Only Knew,” from his groundbreaking first album, Make the Music 2000. Rahzel has worked with artists from Björk to Branford Marsalis.
LEAF Global Arts is on a mission CONNECTING CULTURES and CREATING COMMUNITY through world music, arts education, preservation and experiences. The closest distance between two people is a story, a song, or a dance.
Join us at LEAF Festival October 19-22, 2023 at Lake Eden
ReStore ReUse Contest
Aug 27 all-day
online
The local ReStore ReUse Contest is officially open for
submissions. Now through September 30, residents can show off their creativity and talent for
a chance to win in the 12 th annual contest. Fabulous furniture make-overs, remarkable
renovations, or unique yard art…if you recently took on a DIY project using predominantly
reused building materials, the Asheville Habitat ReStore wants to know. There are five
categories this year plus Best in Show, and all entries must be submitted electronically. For
guidelines and entry form, visit ashevillehabitat.org/restore .
The creativity of this community never ceases to amaze. Past projects have included a fence
fashioned from doors, a potting bench built from pallets, a wine bar made from a vintage
console radio, a chair constructed from an oil drum, and so much more. To see photos from
2022, click here.
A panel of five judges will select winners in the following categories: Furniture, Homesteading,
Live/Work Space, Home Décor, Art + Best in Show. Winners will be announced in mid-
October.
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Aug 27 @ 8:30 am
Biltmore Estate
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Romare Bearden: Ways of Working Exhibition
Aug 27 @ 11:00 am – 6:00 pm
Asheville Art Museum
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Aug 27 @ 11:00 am – 6:00 pm
Asheville Art Museum
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
Western North Carolina Glass: Selections from the Collection
Aug 27 @ 11:00 am – 6:00 pm
Asheville Art Museum
Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home.
Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection.
HarvestFest
Aug 27 @ 3:00 pm – 6:00 pm
Olivette Riverside Park
Join us at Olivette’s Riverside Park on Sunday, August 27th for our second annual HarvestFest, presented by Olivette Community and Chatt Hills Music. Join us in celebrating farmers, community, and music while raising funds for ASAP’s Double SNAP for Fruits & Vegetables. Doors open at 3pm with family games and activities. BareFoot Movement will kick off the bluegrass beats at 4pm. Tickets are $25 (kids are free).
In honor of our local farmers and all they do to sustain our community, all farmers and their families will have free entry to the event. There will also be a VIF section (Very Important Farmers) that will pamper our farmers during the busy harvest season.
All ticket proceeds go towards the ASAP Double SNAP for Fruits and Vegetables program. Thanks to the generous support of Wicked Weed and Vidl Wine, all proceeds from the beer and wine sales will also benefit Double SNAP.
Jack of the Wood : Sunday-Irish Session
Aug 27 @ 3:00 pm
Jack of the Wood
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
– ALL AGES
– STANDING ROOM ONLY
– RAIN OR SHINE
– FREE SHOW
Phuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
Jim Quick + Coastline at Point Lookout Vineyards
Aug 27 @ 6:00 pm
Point Lookout Vineyards
Join us for an evening of “swamp soul” on the mountain with Jim Quick and Coastline at Point Lookout Vineyards!
For more information on the band, visit: https://jimquick.com/
Pisgah Sunday Jam – Hosted by Spiro + Friends
Aug 27 @ 6:30 pm – 9:00 pm
Pisgah Brewing Company
Join us for Black Mountain’s original Sunday Jam! Hosted by Spiro and Friends, this jam features original jams and favorite covers. Bring your instrument! Sign-ups at the stage starting at 6 PM!
Pisgah Beer, Gluten Free and N/A options available. Family and dog friendly venue.
The taproom is open from 2:00 to 9:00 PM with music beginning at 6:30 PM.
Symphony in the Park
Aug 27 @ 7:00 pm
Pack Square Park
Join us for our third annual Symphony in the Park pops concert featuring selections from classic movie scores by Ennio Morricone, Nino Rota, Hans Zimmer, John Williams, James Horner and more — FREE GENERAL ADMISSION —
A Night of Grief and Mystery
Aug 27 @ 7:30 pm
Wortham Center for the Performing Arts
Jenkinson & Hoskins Craft a New Genre of Performance.
An improbable, ceremonial night of words, wonder and spirit work. A Night of Grief & Mystery combines stories and observations by author/culture activist Stephen Jenkinson, drawn from his decades of work in palliative care, with original songs/sonics by recording artist Gregory Hoskins. Concerts for Turbulent Times they surely are. Not poets, maybe, but the evenings are poetic. The Nights are musical and grave and raucous and stilling, which probably means they are theatrical. Love letters to life are written and read aloud. There’s some boldness in them. They have that tone. These nights have the mark of our time upon them, and they’re timely, urgent, alert, steeped in mortal mystery. They’re quixotic. They have swagger.
Something Wicked this Way Comes-Dark Carnival Variety Show
Aug 27 @ 7:30 pm
Fleetwood's
Come to Fleetwood’s to be bewitched and bewildered on a night of dark and wicked Cabaret!
See amazing feats and performances from your favorite local dark artists!
Featuring:
Deviled Eggs
Toybox Theatre
Serpent Haus
Skippy Spiral
North Carolina musician Chris McGinnis writes songs that exist somewhere in between a hiccup and a heartache. His last EP, 2019’s Songs For You, touches on the absurdity of your hometown morphing beyond recognition. It tells a story of two Baby Boomers drifting together from across the US into the Golden Gate City, then drifting apart, and then together again. It is about connection and disconnection alike. With his debut full-length album, Mamaw’s Angel, Chris veers deeper into these familiar themes.
“I think this album is largely about manic loneliness. These songs are ultimately about people who are afraid of losing their relationships. They refuse to accept that they may have already lost these relationships, and they refuse to accept that they are to blame.”
The manic aspect of the “manic loneliness” manifests itself in the album’s refusal to rest in one genre. “What If We Went to the Moon?” is what Chris describes as “a cosmic country song with a countrypolitan foundation.” Heartland rocker “Home Away From Home” has all the stomp and 12-string firepower to park a Wilbury. Other tracks like “Mailman’s Son” and “Old Chestnut” teeter between lo-fi indie folk and roots freak out. Tying all of these styles together are the lyrics and the characters at the center of them.
Overbearing grandparents and stubborn grandchildren, washed-up fraternity brothers yearning for the New Year’s Eve parties of yesteryear, a missing Winnebago, a tree that just won’t quit, and other wild personalities run throughout the ten tracks found on Mamaw’s Angel. More than just a few are inspired by people and stories Chris had met and heard back towards his home in Western NC’s Linville Gorge Wilderness area. Mamaw’s Angel is a collection of sensationally-delivered tales about characters struggling on the sidelines of their own realities.
“The characters in these songs are all incredibly flawed. I wanted to write songs that expressed truly ugly emotions. Loneliness, anger, denial, regret. The characters are all being eaten away by these feelings, and it motivates their words and actions. But I also think that that is how some of the absurdity is palatable.”
Mamaw’s Angel was recorded at Clubmen Studio in Blairsville, GA, and produced by Atlanta-based artist Jacob Davis Martin. Among the musicians heard throughout the album are Asheville, NC’s Carly Taich, members of Asheville’s Jack Marion & the Pearl Snap Prophets, Atlanta-based strings trio Me Me Me, and Will Easter of Boone, NC.
BOAT COMMAND
Boat command consists of four main components: bass, keys, guitar, and drums. Occasionally accompanied by horns and/or vocals. Described by some as ‘post-lofi yacht hop’ the sound is founded in jazz and fusion roots yet sustained by the methodologies of more modern genres such as hip hop and electronic music. The philosophy is expressiveness through low volume and allowing space to be a fundamental piece of our delivery. The message is to embrace what boating can do for you.
Applications open: 2024 Asheville Fringe Arts Festival
Aug 28 all-day
online w/ Asheville Fringe Arts
APPLICATIONS OPEN NOW!
Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?
We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.
NOW CONSIDERING WORKS OF ALL KINDS
We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.
Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.
1. FRINGE SHOT
A piece that is
5-15 minutes long
May be paired with another performance, or be selected as a free Random Act of Fringe.
2. SHORT FORM
A piece that is 20-40 minutes long
May be paired with another show.
3. FULL-LENGTH
A piece that is 45-60 minutes long
Ticketed theater-style show.
4. INSTALLATION
A piece that is Site-specific (any length)
May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.
5. FILM
A piece that is Designed specifically for film.
May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023
3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.
We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.
Artist Support Grant
Aug 28 all-day
online
Closed | Opening August 7
The North Carolina Arts Council Artist Support Grant is a regional grant program to support individual artists in all phases of their career. The program funds professional and artistic development for emerging or established artists to create work, improve their business operations, or bring their work to new audiences. This grant is intended to support a broad range of talented artists in the genres of visual arts, performing arts, literary arts, music composition, choreography, and interdisciplinary arts. Grants range from $500 to $3,000
The ASG program is funded by the N.C. Arts Council to provide the opportunity for regional consortia of local arts councils to award project grants to artists in their regions. Region 17 is led by Haywood County Arts Council and support artists in Buncombe, Haywood, Henderson, Polk, Rutherford, and Transylvania counties.
The deadline to apply is September 5, 2023 at 11:59 pm.
ReStore ReUse Contest
Aug 28 all-day
online
The local ReStore ReUse Contest is officially open for
submissions. Now through September 30, residents can show off their creativity and talent for
a chance to win in the 12 th annual contest. Fabulous furniture make-overs, remarkable
renovations, or unique yard art…if you recently took on a DIY project using predominantly
reused building materials, the Asheville Habitat ReStore wants to know. There are five
categories this year plus Best in Show, and all entries must be submitted electronically. For
guidelines and entry form, visit ashevillehabitat.org/restore .
The creativity of this community never ceases to amaze. Past projects have included a fence
fashioned from doors, a potting bench built from pallets, a wine bar made from a vintage
console radio, a chair constructed from an oil drum, and so much more. To see photos from
2022, click here.
A panel of five judges will select winners in the following categories: Furniture, Homesteading,
Live/Work Space, Home Décor, Art + Best in Show. Winners will be announced in mid-
October.
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Aug 28 @ 8:30 am
Biltmore Estate
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Exhibition: NEO MINERALIA
Aug 28 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Exhibition: Something earned, Something left behind
Aug 28 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Shindig on the Green
The Broken Hearts: Ultimate Tom Petty Tribute
Bluegrass Night feat. Buncombe Turnpike + Holler Choir
Maiden Voyage (Iron Maiden Tribute)
THE ASHEVILLE JAZZ ORCHESTRA
SILENT DISCO: VIDEO DJ/MASHUP NIGHT
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Exhibition: Something earned, Something left behind
