Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Acoustic guitarist, JAY BROWN hosts our bi-weekly Local Live series featuring a variety of talented local musicians. Jay grew up playing folk guitar with his parents and has continued to pursue a career in music as a singer-songwriter and roots musician.
Come catch The Veldt along with label mates Deadleaf Echo, Knives and Daggers (and more!) on their maiden Pop Up Shoegaze Psych out. The mini get together will be a showcase that will be traveling to Raleigh for the final night of the Noir bizarre festival Sept 8th and 9th.
The Veldt hailing from Raleigh N.C. is a band that reached our audience in 2017 with the single I like the Way You Talk as a letter of introduction, becoming regulars in this space in the following years, with songs like Black and Blue or the Oak City Session of 2019, returning in this 2023 with a promo that is not so new if we consider that it is part of Illuminated 1989, an album produced by Robin Guthrie of Cocteau Twins, which must have been his debut album, plus Capital Records decided to can this material to record the Marigolds Produced by Lincoln Fong of the band Moose, plus time and experience gained from working with the likes of TV On The Radio, Mos Def, Lady Miss Kier (Deee-Lite), ARKane and toured or played with Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, Phantogram, Modern English, The Jesus and Mary Chain, Oasis, Chuck D, Living Color and Schooly D, allow twins Daniel Chavis and Danny Chavis to reclaim this material, which will be available next fall in vinyl, CD, cassette and digital formats, while this first excerpt is already circulating on digital platforms such as Apple Music , Spotify and Bandcamp , as well as on 12” vinyl.
DEAD LEAF ECHO
KNIVES AND DAGGERS
LEISURE McCORKLE
ANDRE LASALLE FREQUENCIES
LEAF isn’t just for kids! Join us in the Mezzanine while you wait for your youth to finish their class or just to hang out!
We view our Open Mic as a service to the community, providing performance opportunities for musicians who rarely get to play on a nice stage. We like to provide opportunities for community members to come enjoy live music for FREE at least once a week, and sometimes more than once a week.
You’ll hear a variety of wonderfully talented folks on their way up. You never know what you’ll hear… original songs, covers, guitar, piano….. and often something quite surprising.
Each performer gets 15 minutes or three songs.
Our Open Mic has been so popular that we typically have more folks wanting to perform than we’ve had room for. After consulting with some of our regular attendees and participants we want to make sure that everyone has a fair chance to perform on stage.
So we are trying out a new process and it seems to be very popular.
We’ve expanded the number of available performance slots to 10 per night.
- Note: There are actually 12 spots on the list each night. . The host of Open Mic is spot 1, and the owner of White Horse (Bob Hinkle) is spot 3. That leaves 10 available spots to be drawn from the hat.
In place having folks lineup in advance for the signup list, we now pull names out of a hat.
We suggest that those desiring to perform on stage arrive prior to 6:30pm.
When you arrive, check in with the bartender and they will give you a piece of paper where you will write your name and drop it into “the hat”
Sometime between 6:30 and 6:45, the bartender will announce that the names are being drawn. You must be present when the names are drawn to confirm your participation. Participants will be added to the nights performer list in the order in which they are drawn.
Any names left in the hat that do not make the performer list for the night , are automatically put first on the list for the following week. PLUS…. they get a free bottle of beer or soft drink “on the house” as a thank you for their patience and support of fellow musicians.
– STANDING ROOM ONLYJALEN NGONDA
Jalen Ngonda is one of the most captivating performers on today’s soul scene. His voice, equal parts raw feeling and elegance, exudes confidence and charm. At 28, his resume reads more like that of a seasoned veteran: He has performed at New York City’s Summer Stage Festival, Picktathon, Newport Folk Festival, opened for Laura Mvula and Lauryn Hill at the Montreal Jazz Festival and sold-out houses on his own in Germany, the UK and Switzerland. Most recently, Jalen thrilled audiences and garnered rave reviews with his powerful solo performance in support of Thee Sacred Souls’ US tour. Now with a pair of widely revered singles under his belt at his new home, Daptone Records, Jalen prepares for the release of his debut LP, Come Around and Love Me.
Jalen Ngonda grew up in a music loving family on the outskirts of Washington D.C. He began musical studies in grade school, where he dabbled in violin, ultimately moving on to the guitar and piano. His inspiration came from listening to his father’s collection of Motown CDs (The Temptations, Mary Wells, and Smokey Robinson and the Miracles), which opened his eyes to the vastness of American music, guiding him along a path of constant study and discovery–from early blues, to gospel to jazz to rock & soul.
Some years later, after a serendipitous, last minute opening slot for Jools Holland–attended by Daptone Co-Founder, Neal Sugarman–the pair hit it off and plans for an album on Daptone were struck. Unfortunately, this happened to be a month before the COVID 19 pandemic shut down the world. Notwithstanding, Jalen eventually made it to Hive Mind Studios in Brooklyn, NY where he began writing and recording with the help of producer/arrangers Mike Buckley and Vincent Chiarito (both members of Charles Bradley’s Extraordinaires) and a crack team of a-list musicians from the Daptone family. The team skillfully blends heavy arrangements and introspective lyrics with motown sophistication, leaving the listener in a blissful wash of wonderment–culminating in quite possibly one of the finest soul albums of the decade.
SOUNDING ARROW
Sounding Arrow is the musical project by recording artist Scott Kinnebrew. The debut record Loving Is Breathing, released in September 2017, is a call to life, love and the spirit of compassion. While sitting comfortably in the contemporary Indie Folk genre, there is a patina to Sounding Arrow’s sound that’s indicative of earlier musical influences. Though a widely celebrated recording, these songs have rarely been performed live. It’s just since moving back to Asheville, NC from LA in 2020 that Kinnebrew began playing them again, having found a group of musicians that shared the right chemistry.
Scott Kinnebrew is a veteran recording artist and performer. His band Truth & Salvage Co. released two records under the Megaforce Records banner and toured Nationally for years, headlining shows and supporting heavy hitters like The Black Crowes, The Avett Brothers, Levon Helm, Lynryd Skynrd, and Gov’t Mule. Before moving to Los Angeles in 2005 he led the long time local Asheville band Scrappy Hamilton.
Hosted by the Asheville Guitar Bar, a discussion series
provides deeper understanding and greater enjoyment of classic albums and recording
artists. Led by Asheville speaker, author and music journalist Bill Kopp, Music to Your Ears
is an interactive experience that shines a light on important music and people. Music to
Your Ears is a 90-minute conversation, held at the Guitar Bar, a music magnet in
Asheville’s historic River Arts District. The September 6 event is a listening party and
discussion focusing on Tapestry, the landmark 1971 album from Carole King.
Carole King was already a remarkably successful artist when she recorded her second solo
album, 1971’s landmark Tapestry. On her own and as part of a songwriting partnership with
Gerry Goffin, King was responsible for some of the most enduring pop music of the early sixties: her extensive credits include
writing or co-writing “Will You Love Me Tomorrow,” “The Loco-Motion,” “Up on the Roof” and scores of other classics.
King’s Tapestry was an exemplar of the burgeoning singer-songwriter movement, featuring remakes of two of her classics
(originally cut by other artists) and a batch of top-flight new songs like “It’s too Late” and “You’ve Got a Friend.” Close friend,
musical associate and like-minded artist James Taylor contributed to the album as well. Tapestry was met with universal critical
acclaim and massive sales worldwide, reaching the #1 spot in the U.S., Canada, Australia, Japan, Spain and elsewhere. Tapestry’s
influence and sustained impact are staggering: worldwide sales of the album have exceeded 30 million copies.
Announcing an opportunity to enjoy and appreciate Tapestry with fellow music lovers. The latest
in the popular Music to Your Ears discussion series will explore Carole King’s second solo album, as
well as its context and enduring importance. Bill Kopp will be joined by singer-songwriter Dulci
Ellenberger for an evening of listening and conversation about Carole King’s Tapestry. Dulci may
even sing and play a song or two. The evening is the latest installment of the popular “Music to Your Ears’ discussion series,
hosted by Asheville Guitar Bar and sponsored by AshevilleFM.
Join host and music journalist Bill Kopp for an evening in discussion with Dulci
Ellenberger about Carole King. We’ll listen to key tracks and encourage questions
from the audience.
ABOUT THE DISCUSSION SERIES
Music to Your Ears is Bill Kopp’s monthly discussion series hosted by Asheville Guitar Bar and co-sponsored by AshevilleFM.
On the first Wednesday of each month, music enthusiasts gather to discuss an important album, artist or musical movement. An
interactive evening, MTYE isn’t a lecture; it’s a discussion led by experts and designed to enrich the listening experience.
ABOUT DULCI ELLENBERGER (dulcisings.com)
Asheville-based singer-songwriter Dulci Ellenberger has recorded and performed with a wide variety of acts in many styles.
Formally trained and possessing deep experience as a musician, songwriter and performer, she settled in Asheville after years
touring internationally. Her work with Holy Ghost Tent Revival, Cowboy Judy and Fwuit! are among her highest-profile local
credits. A multi-instrumentalist and powerful yet nuanced and smooth vocalist, her concert calendar is a busy one, with dates
throughout the region. While she has her own inimitable style, Dulci proudly names Carole King as a major inspiration.
ABOUT BILL KOPP (blog.musoscribe.com)
With over 500 bylines in regional publications (Mountain Xpress, Bold Life, WNC Magazine and more), Asheville-based speaker,
author and music journalist is an acknowledged expert on popular music. Author of two books – Reinventing Pink Floyd: From
Syd Barrett to The Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave – Bill Kopp writes
for publications across the country and abroad. A contributing editor at Goldmine Magazine, he has authored more than 30 album
liner note essays and conducted more than 1000 interviews. He regularly hosts discussions on artists and albums of historical
importance, and is a frequent guest on music-focused radio programs and podcasts.
FULLY SEATED SHOW
Reggie Watts is an internationally renowned Musician/Comedian/Writer/Actor who currently stars as the bandleader on CBS’s The Late Late Show with James Corden. Using his formidable voice, looping pedals, and his vast imagination, Watts blends and blurs the lines between music and comedy, wowing audiences with performances that are 100% improvised.
He was recently the DJ at the 2021 Emmy Awards, which saw a 15% ratings boost from 2020.
Watts’ first Netflix special Spatial released to massive critical acclaim, with the New York Times calling it “a giddy rush of escapist nonsense” and dubbing Watts “the most influential absurdist in comedy today.” The A.V. Club described Spatial as “signature Watts, meaning it’s alternately exhilarating, silly, exhausting and transcendent,” and Exclaim! Magazine called his performance “engaging, absurd, thoughtful and, most importantly, wholly unpredictable.”
As a solo performer, Watts brand of musical/comedy fusion has led to sold out headlining tours in the U.S. and Europe, including festivals such as Bonnaroo, SXSW, Bumbershoot, Just For Laughs, Pemberton and more.
In 2020, Watts released his own content app called, WattsApp, a techno-savvy look into his life, work, and techno junk drawer. WattsApp has all original content including a show called, Droneversations where he interviews guests while it’s filmed by drones along with other fun content.
In 2010, Watts released his debut comedy special, Why Shit So Crazy? on Comedy Central Records, and is now available to stream on Netflix. Why Shit So Crazy?featured Watts in live performances at New York venues such as Galapagos, The Bellhouse, and Le Poisson Rouge, bookended with brief sketches and music videos. Later that year, at the invitation of Jack White, Watts recorded Reggie Watts: Live at Third Man Records which was released in limited edition vinyl. In 2012, Watts recorded his second comedy special, Reggie Watts: A Live At Central Park, which was released by Comedy Central.
Reggie’s memoir, Great Falls, MT will be published on October 17 th 2023 by Penguin’s highly curated Tiny Reparations imprint.
Watts was born in Germany, raised in Montana, and currently resides in Los Angeles.
What!!! Rahzel from the original Roots is coming to LEAF! The Human Beatbox aka the Grammy-winning Rapper/MC from the original, world-renowned Roots lineup, has been added to the Saturday night lineup of the October Festival.
Famous for his jaw-dropping vocal percussion and beatboxing prowess, Rahzel is not just a performer, he’s an experience. Dive deep into the pulse and rhythm of hip-hop (on the 50th anniversary of the genre) with this masterful artist who blurs the line between voice and instrument. It’s more than a show: it’s musical genius live onstage.
Aaaand … there will be a Beatbox Play-Shop for all ages. Don’t miss it!
Rahzel is one of the biggest names in beatboxing today, and continues to redefine the limits of the human voice. Known as “The Godfather of Noyze,” he was growing up in Queens when hip-hop blew up. LEAF is thrilled to welcome Rahzel to the fall Festival on the 50th anniversary of hip-hop.
Rahzel’s cousin Rahiem was an original member of the Furious Five, and Rahzel recalls sneaking into their shows, “watching Grand Master Flash before I could even see over the gate.” Rahzel embraced the philosophy that “not having’ was never an excuse for ‘not doing. … To me, [beatboxing] saves lives and I’m a prime example of it. It inspires kids to be creative and motivated.”
Through both his solo work and his stint with the live-music hip-hop group The Roots, Rahzel is credited with bringing beatboxing back to the fore of hip-hop in the 1990s. Rahzel can sing a chorus and beatbox the back-up simultaneously, a skill showcased on his signature song, “If Your Mother Only Knew,” from his groundbreaking first album, Make the Music 2000. Rahzel has worked with artists from Björk to Branford Marsalis.
LEAF Global Arts is on a mission CONNECTING CULTURES and CREATING COMMUNITY through world music, arts education, preservation and experiences. The closest distance between two people is a story, a song, or a dance.
Join us at LEAF Festival October 19-22, 2023 at Lake Eden
Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.
We do not see ourselves as an academic festival, thou
Telling Our Own Story: Cherokee Self-Representation in Contemporary Media
Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.
Annette Saunooke Clapsaddle (Eastern Band Cherokee)
Award-winning Author of Even as We Breathe
Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.
Shana Bushyhead Condill (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Executive Director
Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.
Nola Pina (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Lead Cultural Specialist
Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)
Visual artist
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.
Sheyahshe Littledave (Eastern Band Cherokee)
Writer/podcaster
Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality. Nor are we a book fair in which the primary objective is to sell books.
One of our goals is to raise awareness of works of literary significance from smaller presses. We do focus on regional writers, though not exclusively. But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.
Another goal is to make sure our authors are having good time. In the best scenario, authors leave the festival feeling renewed and rededicated to their work. So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society. But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people. It’s not just signing a book, it’s making a human connection.
We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.
Our Pecularities
No outside vendors have booths at our festival. In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas. Some authors spend a full two days attending others’ readings. As festival planners, we thoroughly enjoy this contribution. However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues. Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously. As many as five different events may be occurring at any one time. (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own. (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group. No individual authors will have their own signings. Author presentations are limited to two consecutive years. Exceptions may be made if an author has a new, significant work. At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.
FOR WORKSHOPS: 2023 Schedule – cmlitfest.org
Students will receive a solid foundation in beginner Ukulele skills for vocalists. Chords, Rhythm patterns, and basic theory will be introduced through songs with an uplifting message. Students will also learn to play the song that the Songwriting Class will be writing and get to record it in the One Mic Studio.
Queer Music Exploration – Students will explore guitar, bass, drums, singing and piano with a focus on learning music by artists from the LGBTQ+ community. Students will have the chance to interact with their peers and share their experiences through music.
Join us on select Thursdays from April through September for live Americana music from the Waverly front porch along with great southern fare and cold beverages. Bring a lawn chair and/or blanket from 6-8pm for a great evening in Hendersonville.
May 4: Jess Jocoy, Waverly Front Porch Series
June 1: Letters to Abigail, Waverly Front Porch Series
June 29: The Gathering Dark, Waverly Front Porch Series
July 27: The Last Full Measure, Waverly Front Porch Series
September 7: Angela Easterling, Waverly Front Porch Series
October 5: David Childers, Waverly Front Porch Series
2023 Waverly Live
Join us on select Thursdays from April through September for live Americana music from the Waverly front porch along with great southern fare and cold beverages. Bring a lawn chair and/or blanket from 6-8pm for a great evening in Hendersonville.
June 29: The Gathering Dark, Waverly Front Porch Series
July 27: The Last Full Measure, Waverly Front Porch Series
September 7: Angela Easterling, Waverly Front Porch Series
October 5: David Childers, Waverly Front Porch Series
Our jazz trio with Thommy Knoles on keys, Felix Pastorius on bass, and Paul Gladstone on drums will perform an opening set from about 7-8:15 pm.
An open jam session follows. Drop-ins are welcome and encouraged for a suggested donation of $10.
Jazz Jam will feature a diverse array of music from jazz’s rich history, ranging from 1940s bebop up to 1970s jazz fusion, as well as material from prominent present-day composers. Bring your instruments and jam with us, or just come and enjoy!
Steve Simon & The Kings of Jazz are Brevard’s newest and most exciting and entertaining jazz band with a sound that combines the funkiness of George Benson, the soulfulness of Ray Charles and the smoothness of Diana Krall all wrapped together in big Count Basie style arrangements of American and Latin jazz classics. If you are looking for an amazing live jazz experience then check out the hottest jazz band in the coolest city in North Carolina performing every Thursday at The DFR Lounge from 7pm to 9pm
GRAMMY Award-winning artist Aoife O’Donovan operates in a thrilling musical world beyond genre.
Deemed “a vocalist of unerring instinct” by The New York Times, she has released three critically-acclaimed and boundary-blurring solo albums including her most recent record, 2022’s boldly orchestrated and literarily crafted Age Of Apathy. Written by O’Donovan and recorded with acclaimed producer Joe Henry, Age Of Apathy is “stunning” (Rolling Stone) and “taps into the propulsion of prime Joni Mitchell” (Pitchfork).
Age of Apathy received three nominations at the 2023 GRAMMY Awards including one for Best Folk Album. The song “B61” from the album was Folk Alliance International’s 2022 Song of the Year.
A savvy and generous collaborator, Aoife is one third of the group I’m With Her with bandmates Sara Watkins and Sarah Jarosz. The trio’s debut album, See You Around, was hailed as “willfully open-hearted” by NPR Music. I’m With Her earned an Americana Music Association Award in 2019 for Duo/Group of the Year, and a GRAMMY Award in 2020 for Best American Roots Song. O’Donovan spent the preceding decade as co-founder and front woman of the string band, Crooked Still and is the featured vocalist on The Goat Rodeo Sessions — the group with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile. She has appeared as a featured vocalist with over a dozen symphonies including the National Symphony Orchestra, written for Alison Krauss, performed with jazz trumpeter Dave Douglas, and spent a decade as a regular contributor to the radio variety shows “Live From Here” and “A Prairie Home Companion.”
Ben Krakauer, Julian Pinelli, and Kevin Kehrberg are virtuoso instrumentalists who play original and traditional music for banjo, fiddle, and bass. All three are rooted in bluegrass, jazz, old-time, and new acoustic music, and have recorded with string luminaries including David Grisman, Peter Rowan, Molly Tuttle, and Rayna Gellert.
Ben Krakauer is a banjo player, composer, and Chair of the Music Department at Warren Wilson College. His 2023 album Hidden Animals was released on Adhyâropa Records. Bluegrass Unlimited calls Hidden Animals “A sheer delight that explores that rarified territory where bluegrass, jazz and new acoustic music overlap.” He has toured with David Grisman, was a founding member of Old School Freight Train, and has recorded for Acoustic Disc, Adhyâropa Records, CMH Records, and the Fiddle Masters series.
Julian Pinelli is a free-spirited violinist who spins deep tone with modern ease. Awarded the 2016 Fresh Grass Fiddle Award and winner of the 2017 RockyGrass fiddle competition, Julian has toured extensively with cellist Ben Sollee, newgrass pioneer Peter Rowan, progressive bluegrass outfit Front Country, and guitar virtuoso Molly Tuttle. He is also a prolific tunewriter as evidenced by his debut solo album Bent Creek.
Kevin Kehrberg is an in-demand session bassist and Associate Professor of Music at Warren Wilson College. He has played with some of the top names in jazz, classical music, bluegrass, and old-time music. His most recent recording is Rhythm Twist, a swing/jazz album with string virtuosi Don Stiernberg, Evan Price, and Greg Ruby.
The quietest voices can be the most durable.
American Football’s original triumph, on their 1999 self-titled debut, was to reunite two shy siblings: emo and post-rock. It was a pioneering album where lyrical clarity was obscured and complicated by the stealth musical textures surrounding it.
Like Slint’s Spiderland, or Codeine’s The White Birch, even Talk Talk’s Laughing Stock, American Football asked far more questions than it cared to answer. But there wasn’t a band around anymore to explain it, anyway. The three young men who made the album — Mike Kinsella, Steve Holmes, and Steve Lamos — split up pretty much on its release.
Fifteen years later, American Football reunited (now as a four-piece, with the addition of Nate Kinsella). They played far larger shows than in their original incarnation and recorded their long-anticipated second album, 2016’s American Football (LP2). The release was widely praised, but the band members still felt like their best work was yet to come.
‘I feel like the second album was us figuring it out,’ says Nate. ‘For me, it wasn’t quite done. I knew there was still more.’
Enter American Football (LP3). ‘We put a lot of time and a lot of energy into it,’ says Mike. ‘We were all thoughtful about what we wanted to put out there. Last time, it was figuring out how to use all of our different arms. This time, we were like — Ok we have these arms, let’s use them.’ The band used the same producer, Jason Cupp, and recorded the album at the same studio (Arc Studios in Omaha, Nebraska) as its predecessor — yet they approached it in a markedly different way. There was a determination to let the songs breathe, to trust in ideas finding their own pace. The final result is a definite, and deliberate, stretching of the band.
As a result, LP3 is less obviously tethered to the band’s past than the second album. An immediate contrast between LP3 and its two predecessors is its cover. The two previous albums featured the exterior and interior of a residence in the band’s original hometown of Urbana, Illinois (now attracting fans for pilgrimages and photo opportunities), by the photographer Chris Strong. But American Football knew that LP3 was an outside record. Instead of the familiar house, this time the cover photo (again by Strong) features open, rolling fields on Urbana’s borders. It is a sign of the album’s magnitude in sound, and of the band’s boldness in breaking away from home comforts.
American Football also joked that LP3‘s genre was ‘post-house,’ because of this very conscious visual break. But, in a strange way, there are links in LP3 with an actual post-house genre: shoegaze. The more exploratory members of the original British shoegaze scene were inspired by the dreamtime and circularity of house music (ambient house in particular), cherishing its sonic possibilities. That spirit drips into LP3, most obviously on ‘I Can’t Feel You,’ a collaboration with Rachel Goswell of Slowdive.
The album also features Hayley Williams from Paramore on the album’s catchiest moment, ‘Uncomfortably Numb,’ and Elizabeth Powell, of the Québécoise act Land Of Talk. Mike wrote lyrics in French especially for her.
LP3 is contemplative, rich, expressive, yet with a queasy undercurrent. It is heavy with expectancy, revealing its ideas slowly, eliciting the hidden stories people carry around with them. ‘I feel like my lyric writing has changed a lot over the years,’ says Mike. ‘The goal is to be conversational, maybe to state something giant and heavy, but in a very plain way. But, definitely in this record, I keep things a little more vague.’ As on the first album, the lyrics on LP3 may seem confessional and concentrated, but the more you scrutinize them, the further their meaning slinks away. Or, as Mike tellingly sings on ‘I Can’t Feel You”: I’m fluent in subtlety.
‘Somewhere along the way we moved from being a reunion band to just being a band,’ says Steve Holmes. American Football is now a bona fide ongoing focus, and they are making some of the best music of their lives. American Football (LP3) stands with two other rare reunion successes — Slowdive and My Bloody Valentine’s mbv — as a fine example of how a band refinding one another can augment, rather than taint, their legacy.
‘I think that there are those albums, or the music that you heard when you were younger, and they imprint on you,’ says Nate. ‘And no matter where you go, or what you do they’re always there.’ He is talking of Steve Reich — an early and ongoing influence on American Football — but he might as well be reflecting what is said of his own band, and the ardent following they inspire. American Football stands as an enduring symbol of elusive emotional landscapes, where introspection can be as dramatic as confrontation.
What!!! Rahzel from the original Roots is coming to LEAF! The Human Beatbox aka the Grammy-winning Rapper/MC from the original, world-renowned Roots lineup, has been added to the Saturday night lineup of the October Festival.
Famous for his jaw-dropping vocal percussion and beatboxing prowess, Rahzel is not just a performer, he’s an experience. Dive deep into the pulse and rhythm of hip-hop (on the 50th anniversary of the genre) with this masterful artist who blurs the line between voice and instrument. It’s more than a show: it’s musical genius live onstage.
Aaaand … there will be a Beatbox Play-Shop for all ages. Don’t miss it!
Rahzel is one of the biggest names in beatboxing today, and continues to redefine the limits of the human voice. Known as “The Godfather of Noyze,” he was growing up in Queens when hip-hop blew up. LEAF is thrilled to welcome Rahzel to the fall Festival on the 50th anniversary of hip-hop.
Rahzel’s cousin Rahiem was an original member of the Furious Five, and Rahzel recalls sneaking into their shows, “watching Grand Master Flash before I could even see over the gate.” Rahzel embraced the philosophy that “not having’ was never an excuse for ‘not doing. … To me, [beatboxing] saves lives and I’m a prime example of it. It inspires kids to be creative and motivated.”
Through both his solo work and his stint with the live-music hip-hop group The Roots, Rahzel is credited with bringing beatboxing back to the fore of hip-hop in the 1990s. Rahzel can sing a chorus and beatbox the back-up simultaneously, a skill showcased on his signature song, “If Your Mother Only Knew,” from his groundbreaking first album, Make the Music 2000. Rahzel has worked with artists from Björk to Branford Marsalis.
LEAF Global Arts is on a mission CONNECTING CULTURES and CREATING COMMUNITY through world music, arts education, preservation and experiences. The closest distance between two people is a story, a song, or a dance.
Join us at LEAF Festival October 19-22, 2023 at Lake Eden
For 61 years enthusiasts have been gathering at
Roan Mountain during the first weekend after Labor
Day to celebrate the natural world during the Fall
Roan Mountain Naturalists Rally. This event and all
of the Friends of Roan Mountain events would not
be possible without our volunteer field trip leaders,
the support of Roan Mountain State Park and the
Friends of Roan membership.
Consider joining the Friends of Roan Mountain, if
you are not a member. Members get free admission
to all Naturalists Rally events and our newsletter
which is published twice a year.
Evening and lunch programs will take place in Roan
Mountain State Park’s Conference Center. Field
trips will leave from the field on the left beside the
entrance to the park cabins.
Gary Barrigar and Larry McDaniel- Co-Directors
FRIDAY EVENING PROGRAM: “Discovering the Wonders of Parks Through
Interpretation
”
Meg Guy has served Tennessee State Parks first as
Seasonal Interpretive Ranger, then Park Ranger then
Park Manager of Roan Mountain State Park. Now
she supports 19 parks across East Tennessee as the
Regional Interpretive Specialist. She holds a B.S. in
Plant & Soil Sciences from the University of
Tennessee and an M.A. in Appalachian
Studies from East Tennessee State University. Meg
also holds two professional certifications from the
National Association for Interpretation (NAI):
Certified Interpretive Guide and Certified
Interpretive Trainer.
Presentation Description:
The mission statement of Tennessee State Parks
reads:
“To preserve and protect, in perpetuity,
unique examples of natural, cultural, and scenic
areas and to provide a variety of safe, quality
outdoor experiences through a well
-planned and
professionally managed system of state parks.”
Visitors to parks are provided opportunities to
connect intellectually and emotionally with unique
resources through a communication process known
as interpretation. Guided hikes and tours, museum
exhibits, living history demonstrations, and
wayfinding signage are all examples of state park
resource interpretation efforts.
In this presentation, Tennessee State Parks’
Regional Interpretive Specialist Meg Guy will draw
upon her own experience working in parks to consider
the importance of interpretation to the
achievement of the agency mission… specifically, how
interpretation enhances a park visit and inspires park
visitors to become stewards of natural and cultural
resources.
SATURDAY AFTER LUNCH PROGRAM
:
“Insects & Traditional Medicine
”
ETSU undergraduate researcher Cade Campbell will
discuss his studies with the Whitaker Lab. He has been
working to document the interactions of native insects
and Appalachian medicinal plants compared to species
unused in the folk tradition.
SATURDAY EVENING PROGRAM
:
“Fall Migration: A Fascinating Annual Display of
Nature
”
Ron Hoff moved to Knoxville in October 1973. He
joined the Knoxville chapter of the Tennessee
Ornithological Society in January, 1978. He has
volunteered over the years in many positions for both
the local and state TOS organization, culminating as
TOS president in 2013
-2015. He continues as state TOS
bird count compiler, a position he has held for over 20
years.
Ron met his wife, Dollyann Myers, through the TOS
state bird meetings and eventually got married in 1995.
Ron’s first birding trip was to the Big Bend National
Park in Texas in June 1983. He and Dollyann found that
they shared a huge passion for international birding and
they both have now birded in just over 100 countries.
His life list now stands at 8698 species seen.
Ron has also been interested in photography for many
years and this carried over to birding. He has always
wanted to give programs about birds to audiences to
share the beauty and wonderment of birds, in the hopes
that it may, in some small way, help with bird
conservation. Preferring to use his own slides for his
presentations, he has slowly built up his library of bird
photos and has now photographed 5362 species of birds,
nearly half of all the birds in the world.
Presentation Description:
Fall migration is a vast and complicated annual event.
This program will present some grand statistics, minute
details, and current research that will help make sense of
this movement.
Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.
We do not see ourselves as an academic festival, thou
Telling Our Own Story: Cherokee Self-Representation in Contemporary Media
Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.
Annette Saunooke Clapsaddle (Eastern Band Cherokee)
Award-winning Author of Even as We Breathe
Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.
Shana Bushyhead Condill (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Executive Director
Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.
Nola Pina (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Lead Cultural Specialist
Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)
Visual artist
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.
Sheyahshe Littledave (Eastern Band Cherokee)
Writer/podcaster
Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality. Nor are we a book fair in which the primary objective is to sell books.
One of our goals is to raise awareness of works of literary significance from smaller presses. We do focus on regional writers, though not exclusively. But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.
Another goal is to make sure our authors are having good time. In the best scenario, authors leave the festival feeling renewed and rededicated to their work. So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society. But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people. It’s not just signing a book, it’s making a human connection.
We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.
Our Pecularities
No outside vendors have booths at our festival. In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas. Some authors spend a full two days attending others’ readings. As festival planners, we thoroughly enjoy this contribution. However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues. Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously. As many as five different events may be occurring at any one time. (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own. (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group. No individual authors will have their own signings. Author presentations are limited to two consecutive years. Exceptions may be made if an author has a new, significant work. At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.
FOR WORKSHOPS: 2023 Schedule – cmlitfest.org
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
– ALL AGES
– LIMITED PATIO SEATING IS FIRST COME, FIRST SERVED
WE HAVE IGNITION
We Have Ignition hails from Asheville. Playing high energy Surf/Punk originals. The band consists of:
Robert Lloyd Martin on guitar (Puddles Pity Party, Crooked Fingers)
Nick Harvey on drums (Marblehead)
Jeff Manson on bass (Rich Nelson band)
Enjoy a live performance with Holly Near accompanied by John Bucchino on piano.
Holly Near has been singing for a more equitable world for well over 40 creative years. She is an insightful storyteller through her music, committed to keeping the work rooted in contemporary activism.
Holly’s joy and passion continue to inspire people to join in her celebration of the human spirit. Equally compelling at her shows and through recordings, Holly’s music fully engages listeners in the world around them, speaking to anyone who believes in peace, justice, and feminism; a wonderful spectrum of humanity.
DOC AT 100 is a concert program celebrating the life and legacy of Doc Watson by artists who performed with Doc, were profoundly influenced by his music and called him a friend. This includes T. Michael Coleman and Jack Lawrence who performed, recorded, and toured with Doc.
Joining T. Michael and Jack are fellow guitarists Wayne Henderson and Jack Hinshelwood, both having been greatly impacted by Doc’s music and were also considered close friends.
Dinner starts before the show at 5:30 p.m.
The brilliant colors of traditional costumes and the songs and folkloric dance of Mexico by local, talented youth will fill The White Horse Black Mountain on Friday, September 8. Ballet Folklórico Raíces, a program of Raíces Emma-Erwin, a local Latine cultural arts organization, will share the stage with musician David LaMotte and the Indigenous Mä hñäkihu musical group.
Ballet Folklórico Raíces was organized just last fall by Latine teens, some of whom had been dancing with Raíces Emma Erwin programs for almost 10 years. They applied for and received grant funding to hire professional folklorico dancer, Daniel Vega Vazquez, as their instructor and creative director. He is the founder of Ballet Folklorico Asheville. Verner Learning Center in Emma provides space for their weekly and intensive rehearsals and they have performed six times in the last year including at the Hola Carolina festival in downtown Asheville.
“I think it’s something beautiful,” Yoltzin Alviter Hernandez, 16, says. She started folklorico dancing in the first grade and loves how it allows her to embrace her culture and share it with other people. “All the colors and each dance has a meaning behind it.”
David LaMotte is a big fan of Ballet Folklórico Raíces and traditional cultural art, dance and music. He proposed the event to create awareness about the youth dance group, to support their funding needs, and to have fun. He is contributing his talent to the evening–including a song in Spanish– and a portion of ticket proceeds will benefit the program. Mä hñäkihu, the namesake of a language and cultural preservation project based in Emma, is composed mostly of Hñähñu musicians who are Indigenous to the Mezquital Valley in Mexico.
“Nobody puts Baby in a corner.” Get ready for the time of your life with The Music of Dirty Dancing! This musical tribute to the film shot, in part, at Henderson County’s own Lake Lure is sure to feature all the hip-shaking guilty pleasure the world came to love in the 1987 blockbuster. The sizzling soundtrack comes to life on ‘The Rock’ with vocals and dancing that will dazzle you. Feel free to sing and dance along to tunes like “Be My Baby,” “Hungry Eyes,” “She’s Like the Wind,” the Academy Award winning “(I’ve Had) The Time of My Life,” and so many more!
Join us for a fun evening on the mountain as The Tams return to Point Lookout Vineyards!
For more information on The Tams, visit: https://thetams.com/
NO COOLERS
NO OUTSIDE ALCOHOL
SEATING IS AVAILABLE, BUT YOU MAY BRING YOUR OWN CHAIR. SPACE FOR PERSONAL CHAIRS IS FIRST COME FIRST SERVE.
GATES OPEN AT 6:00PM