Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
NEW YEAR’S EVE GLOW NIGHT: Greenville Swamp Rabbits vs. Atlanta Gladiators
Fine dining, music from The Super 60’s, and good times
From now until January 2, more than 40 beautiful Christmas trees will be on display at shops and businesses throughout the Swannanoa Valley, as part of the Swannanoa Valley Christian Ministry (SVCM) ‘Deck the Trees’ fundraiser. The largest display will be at the Monte Vista Hotel, 308 West State Street, in Black Mountain. The trees have been creatively decorated by individuals, organizations and businesses in the community, around this year’s theme, “Rockin’ Around the Christmas Tree.” Each tree has a collection box beside it, and you can “vote” for your favorite trees by placing money or a check in the box.
All proceeds from Deck the Trees benefit the SVCM Fuel Fund. With the rising cost of electricity, oil, natural gas, propane and wood, many of our neighbors can’t afford to heat their homes during the cold winter months, and the Fuel Fund is there to help. Since its inception in 2011, Deck the Trees has raised more than $250,000 for the fuel fund. Participating in this annual fundraiser is a way to give back to the community, while enjoying a beautiful holiday display.
To visit the trees in person, look for a Deck the Trees logo in the windows of participating stores and businesses. You can also download a list of tree locations, or see photos of the trees and vote online, at svcmblackmountain.org/deckthetrees.
Immerse Yourself in the Magic
Experience Christmas at Biltmore, when America’s Largest Home®, Antler Hill Village, and the entire estate are beautifully bedecked for the holidays.
NEW THIS YEAR: all Biltmore House tickets include FREE next-day grounds access. Because more time to explore means more memories made. Select ticket types also include Italian Renaissance Alive.
Antler Hill Village Illumination
Included with admission—Bask in the glow of a glittering cascade of lights illuminating trees, buildings, and the pathways that connect the unique shops, restaurants, and Winery in Antler Hill Village. Experience this must-see part of the Christmas at Biltmore tradition, which includes festive displays adorning Ciao! From Italy and our relaxing Winery, where complimentary tastings await.
Christmas Daytime Celebration
November 3, 2023–January 7, 2024
A daytime visit to Biltmore is a feast for the senses, featuring fragrant wreaths, glittering garland, and the sparkle of thousands of ornaments from Biltmore House to Antler Hill Village! Wrap yourself in the magic of this most beloved of holiday traditions: Christmas at Biltmore.
NEW THIS YEAR:
All Biltmore House tickets include FREE next-day grounds access!
Select ticket options also include Italian Renaissance Alive.
Plan now for Christmas at Biltmore 2024! View Ticket Options.
Candlelight Christmas Evenings
An Unforgettable Holiday Evening
November 3, 2023–January 6, 2024
A majestic Norway spruce and pathway luminaries welcome you to America’s Largest Home®. Inside, thousands of ornaments reflect the soft glow of candles, fireplaces, and twinkle lights. The magic continues in Antler Hill Village, which is festooned with glittering lights, ornaments, and displays.
NEW THIS YEAR:
All Biltmore House tickets include FREE next-day grounds access!
Select ticket options also include Italian Renaissance Alive.
Plan now for Candlelight Christmas Evenings 2024! View Ticket Options.
NOW until January 1, 2024- NOT REAL ART Grant for Artists is a $12,000 bi-annual award
designed to empower the practice of 6 contemporary artists, each of whom receive $2,000 plus
thousands of dollars in FREE marketing exposure worldwide. ArtsvilleUSA’s West Coast affiliate
Not Real Art encourages WNC visual artists, 2-D and 3-D, to apply by January 1, 2024. Learn more
and apply at https://notrealart.com/grant/
About Our Grant
Founded in 2019 and powered by Arterial, the NOT REAL ART Grant for Artists is a $12,000 annual award designed to empower the practice of 6 contemporary artists, each of whom receive $2,000. But, NOT REAL ART Grant winners get more than money. Each recipient gets to share their story and promote with exclusive, in-depth featured interviews on the NOT REAL ART podcast and blog. And, whether or not you receive our grant, every applicant automatically qualifies to be included in future blog stories, newsletters and our artist marketing database!
Daily | November 17-January 1
Load up your vehicle with friends and family and take a cruise through the fan-favorite Shadrack’s Christmas Wonderland Drive-Thru Light Show! Featuring hundreds of thousands of dazzling lights dancing to the tune of holiday classics on your car radio, this immersive experience has become a holiday tradition for many. Tickets are per carload, available online or at the gate.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Join us on a journey into the world of butterflies and plants, and see the complex relationship between monarchs and milkweed. “Monarchs and Milkweed” explores how very survival of these majestic creatures has been shaped over time by one another, traveling through the seasons of a calendar year and revealing how both insect and plant grow and interact, culminating in a massive migration that crosses a continent.
Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.
Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.
Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words, “at fighting erasure by making objects that engage with these long-suppressed stories.”
Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Our FEAST cooking and gardening program offers public school students the opportunity to learn food security skills that will last a lifetime. Not only that, we tailor our classes to grade level standard course of study and incorporate science, math, reading and history. Students get to taste and have hands on experience and we could use some supplies to help! Please let us know if you have any of the following you’d like to contribute:
Metal spoons and forks for tasting
Small one ounce Dixie cups – paper or reusable plastic
Mini Silicone Pinch Bowls
Soil for raised garden beds
Compost Now – donate your compost to us HERE
Kid friendly can opener
Cans of Black Eyed Peas
Honey
Tamari
Extra Virgin Olive Oil
Please reach out to [email protected] for more information or if you’d like to drop things off. Amazon items can be ordered directly with the links above.
The 10th Annual New Year’s Resolution Run 5k & 10k is January 1, 2024 at 10am!
What better way to celebrate a decade of running than in the heart of downtown Asheville? The race course takes you through the bustling streets of downtown and charming neighborhoods, including the Grove Park area on the 10k route. And, of course, we’ve saved the best for last! The course will take you up North Market Street, the only remaining block of unique, historic, cobblestone brick pavers in Asheville for an exhilarating finish.
We welcome families and participants of all ages to come walk or run their way to completing their first resolution! Bring warm layers of clothes, lace up your shoes, and make 2024 a year of intention, inner strength and power!
Preservers, Innovators, and Rescuers of Culture in Chiapas features eleven textiles by acclaimed Indigenous artisanas (artists) from Chiapas, Mexico commissioned by US-based fiber artists and activist Aram Han Sifuentes. As part of their 2022 Craft Research Fund Artist Fellowship, Han Sifuentes traveled to Chiapas to understand the function of garments and textiles within the social and cultural context of the area and to learn the traditional practice of backstrap weaving. Through the works on view, combined with a series of interviews Han Sifuentes conducted during her research, visitors learn about the artisanas and their role as preservers, rescuers, and innovators of culture and as protectors of Mayan ancestral knowledge. Together, these works present an approach to connecting and learning about culture through craft practices.
Han Sifuentes is interested in backstrap weaving because it is one of the oldest forms used across cultures. The vibrant hues and elaborate designs of each textile express the artisanas identities and medium to tell their stories. To understand how these values manifested in textiles made in Chiapas, Han Sifuentes invited the artisanas to create whatever weaving they desired over the course of three months. This is unique because most textiles in the area are created to meet tourist-driven and marketplace demands. Incorporating traditional backstrap weaving and natural dye techniques, some artisans created textiles to rescue or reintroduce weaving practices that are almost or completely lost in their communities, while others were created through material and conceptual experimentation. This range of approaches reflects how artistanas are constantly innovating while at the same time honoring and keeping to tradition.
Preservers, Innovators, and Rescuers of Culture in Chiapas is on view from November 17, 2023 to July 13, 2024.
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
The featured artisanas include: Juana Victoria Hernandez Gomez from San Juan Cancuc, Maria Josefina Gómez Sanchez and Maria de Jesus Gómez Sanchez from Oxchujk (Oxchuc), Marcela Gómez Diaz and Cecilia Gómez Diaz from San Andrés Larráinzar, Rosa Margarita Enríquez Bolóm from Huixtán, Cristina García Pérez from Chalchihuitán, Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez from Zinacantán, Angelica Leticia Gómez Santiz from Pantelhó, and Susana Guadalupe Méndez Santiz from Aldama
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Join us for a morning of crafting and conversation. Participants bring their own project and enjoy the company of others. This is not an instructional group, but newcomers are most welcome. Pre-registration is not required. Come ready to meet fun people! |
A lively language enrichment story time designed for children ages 4 to 18 months.
| School Age – (grades K-5), Teen – (grades 6-12), Family – (children of all ages), Adult | |
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From the work songs of the fields of people who were enduring the bonds of slavery, to Ragtime, Jazz, R&B, and the inspired spirituals of the Civil Rights movement, this play follows the compelling story of the role that music played in the history of Black Americans. Meet incredible Americans like Scott Joplin, Billie Holiday, Little Richard and more in a tale that is sure to intrigue audiences of all ages! Space is limited. Registration is required. All ages are welcome but this program is ideal for Grade 4 – Adult. Please stop by the Weaverville Library or call 250-6482 to reserve your space! |
Come join us at the library for a winter fairy house crafting event. Supplies will be provided, but you are encouraged to take a walk to gather extra materials that you might want to use to create your fairy home. Just remember to use only bits of the wilderness that have already fallen down. The fairies don’t like it when their neighborhoods are tampered with. This program is designed for children ages 5 and up.
Registration is required. Please stop by the Weaverville library or call
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| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
Throughout the history of painting from the mid-19th century forward, artists have used an
endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.
Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,
bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.
This multigenerational survey demonstrates how the 35-mm camera, and later technological
advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.
“Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”
Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.
This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.
This exhibition is sponsored in part by Jim and Julia Calkins Peterson.
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Mondays need not be winter blue days! Explore colors on recurring Mondays until December 18th–just in time for the holidays. Drop in from 1:30 to 3:30 (last start time); $30 for an hour and $45 for up to 90 minutes in this beautifully light filled gallery. Carefully curated collage and mixed media supplies: watercolors, acrylics, alcohol inks…. provided to create some cheer and spark your imagination. Laughter, music and cherished memories are always included*
The official 2023 Gingerbread display begins on Monday, November 27, 2023 and will continue through Tuesday, January 2, 2024. Explore an array of exquisite gingerbread houses meticulously crafted by talented competitors from across the nation in the grandest gingerbread house competition of all.
Guests not staying at the Resort are invited to view the display after 4:00 p.m. on Sundays or anytime Monday through Thursday, based on parking availability and excluding holidays and the following dates: December 23, 24, 25, 30, 31 and January 1. All Fridays and Saturdays are reserved for registered resort guests and those that have confirmed dining reservations. Display access is subject to hotel capacity, including pedestrian traffic. Please note that only Registered Resort Pets will be permitted. No outside pets will be allowed. Before travelling to the property, visit our Facebook page to verify display access is open for public viewing. CLICK FOR LIVE PROPERTY UPDATES
HOLIDAY PARKING PROGRAM
Since the inception of the Holiday Parking Partner program in 2013, we have been honored to contribute over $923,000 to not-for-profit partners in Buncombe County, North Carolina. During the Fall & Holiday season, there is no complimentary parking on property. From October 1, 2023 – January 2, 2024, parking rates are as follows:
- Valet Parking: $35 for day parking & overnight guests
- Self-Parking: $25 for day parking & overnight guests
HOW IT ALL BEGAN
It all began with a small group of gingerbread houses built by community members in 1992 as another way to celebrate the holiday season with no plans to continue the following year. There was no possible way to know that more than two decades later The Omni Grove Park Inn National Gingerbread House Competition™ would be one of the nation’s most celebrated and competitive holiday events.
As the event grew, so did the caliber of judges and competitors. Our panel of judges represents nationally renowned food and media professionals and the level of competition has attracted the highest quality of design, artistry and pastry expertise. The competition has merited broadcast coverage by NBC’s TODAY Show, ABC’s Good Morning America, the Travel Channel, and the Food Network.
The Gingerbread Display has grown in more than just entries; it has become a true family holiday tradition. From the very young to the very young at heart, the reaction to this magical experience is the same – one of wonder, awe and delight.
From now until January 2, more than 40 beautiful Christmas trees will be on display at shops and businesses throughout the Swannanoa Valley, as part of the Swannanoa Valley Christian Ministry (SVCM) ‘Deck the Trees’ fundraiser. The largest display will be at the Monte Vista Hotel, 308 West State Street, in Black Mountain. The trees have been creatively decorated by individuals, organizations and businesses in the community, around this year’s theme, “Rockin’ Around the Christmas Tree.” Each tree has a collection box beside it, and you can “vote” for your favorite trees by placing money or a check in the box.
All proceeds from Deck the Trees benefit the SVCM Fuel Fund. With the rising cost of electricity, oil, natural gas, propane and wood, many of our neighbors can’t afford to heat their homes during the cold winter months, and the Fuel Fund is there to help. Since its inception in 2011, Deck the Trees has raised more than $250,000 for the fuel fund. Participating in this annual fundraiser is a way to give back to the community, while enjoying a beautiful holiday display.
To visit the trees in person, look for a Deck the Trees logo in the windows of participating stores and businesses. You can also download a list of tree locations, or see photos of the trees and vote online, at svcmblackmountain.org/deckthetrees.
Immerse Yourself in the Magic
Experience Christmas at Biltmore, when America’s Largest Home®, Antler Hill Village, and the entire estate are beautifully bedecked for the holidays.
NEW THIS YEAR: all Biltmore House tickets include FREE next-day grounds access. Because more time to explore means more memories made. Select ticket types also include Italian Renaissance Alive.
Antler Hill Village Illumination
Included with admission—Bask in the glow of a glittering cascade of lights illuminating trees, buildings, and the pathways that connect the unique shops, restaurants, and Winery in Antler Hill Village. Experience this must-see part of the Christmas at Biltmore tradition, which includes festive displays adorning Ciao! From Italy and our relaxing Winery, where complimentary tastings await.
Christmas Daytime Celebration
November 3, 2023–January 7, 2024
A daytime visit to Biltmore is a feast for the senses, featuring fragrant wreaths, glittering garland, and the sparkle of thousands of ornaments from Biltmore House to Antler Hill Village! Wrap yourself in the magic of this most beloved of holiday traditions: Christmas at Biltmore.
NEW THIS YEAR:
All Biltmore House tickets include FREE next-day grounds access!
Select ticket options also include Italian Renaissance Alive.
Plan now for Christmas at Biltmore 2024! View Ticket Options.
Candlelight Christmas Evenings
An Unforgettable Holiday Evening
November 3, 2023–January 6, 2024
A majestic Norway spruce and pathway luminaries welcome you to America’s Largest Home®. Inside, thousands of ornaments reflect the soft glow of candles, fireplaces, and twinkle lights. The magic continues in Antler Hill Village, which is festooned with glittering lights, ornaments, and displays.
NEW THIS YEAR:
All Biltmore House tickets include FREE next-day grounds access!
Select ticket options also include Italian Renaissance Alive.
Plan now for Candlelight Christmas Evenings 2024! View Ticket Options.
Your child is welcome between 8-4 pm, they will need to bring their own lunch. The cost is $70 per day – only 18 spots are available – registration is open on our website!
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Join us on a journey into the world of butterflies and plants, and see the complex relationship between monarchs and milkweed. “Monarchs and Milkweed” explores how very survival of these majestic creatures has been shaped over time by one another, traveling through the seasons of a calendar year and revealing how both insect and plant grow and interact, culminating in a massive migration that crosses a continent.
Enrich your kids’ holiday break by having them learn music, dance, art and theatre traditions from around the world! Open to students in grades 1-6.
Showcase for a family audience 2pm-3pm on Fridays.
Student drop-off time: 8:30-9am; pick up time is promptly at 3pm.
What to bring: A peanut-free packed lunch, water bottle, and willingness to participate. Snack provided!
What to wear: Clothes and shoes that are good for dance, art, and movement.
Cost is $60 for World Changers Day Camp, with scholarships available for students who qualify for free or reduced lunch and two or more siblings attending the same week of camp.
To inquire about scholarships, email [email protected].
Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.
Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.
Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words, “at fighting erasure by making objects that engage with these long-suppressed stories.”
Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Our FEAST cooking and gardening program offers public school students the opportunity to learn food security skills that will last a lifetime. Not only that, we tailor our classes to grade level standard course of study and incorporate science, math, reading and history. Students get to taste and have hands on experience and we could use some supplies to help! Please let us know if you have any of the following you’d like to contribute:
Metal spoons and forks for tasting
Small one ounce Dixie cups – paper or reusable plastic
Mini Silicone Pinch Bowls
Soil for raised garden beds
Compost Now – donate your compost to us HERE
Kid friendly can opener
Cans of Black Eyed Peas
Honey
Tamari
Extra Virgin Olive Oil
Please reach out to [email protected] for more information or if you’d like to drop things off. Amazon items can be ordered directly with the links above.