Join ᎺᎵ ᏔᎻᏏᏂ, Mary Thompson, The Basket consulting artist and prolific EBCI basketmaker, and Marilyn Zapf, Curator at the Center for Craft, for an engaging and informative conversation about the future parklet, Cherokee basketmaking, and Thomspon’s artistic practice.‍ About The Basket, The Center for Craft is working in collaboration with members of the Eastern Band of Cherokee Indians (EBCI) to create a public art parklet to preserve and advance the important craft legacy of western North Carolina. Located on the ancestral lands of the Anikituwahgi (now known as the Cherokee people) the design references Cherokee basketry in its form and function. Named “The Basket,” this unique space in downtown Asheville promises to educate passers-by about Cherokee syllabary, traditions, and culture that still thrive today. The parklet will be installed directly in front of the Center’s 67 Broadway location in downtown Asheville, NC.

Join the Center for Craft and UNC Asheville for a virtual tour of the exhibition “FABRICated,” with curator and artist Virginia Derryberry. This event is part of UNC Asheville’s Art For Our Times series.

“FABRICated” presents an intergenerational look at new boundaries in art and craft through works that merge fiber-based processes with other media, like painting, sculpture, and blacksmithing. Recent works by established artists Virginia Derryberry (Asheville, NC) and Marcia Goldenstein (Knoxville, TN) are shown alongside five emerging artists, each exploring ideas of the body, identity, and their unique, personal stories by using a medium with a rich history of craft.

This exhibition was curated by Virginia Derryberry and Marcia Goldenstein, organized by UNC Asheville and on view at the Center for Craft’s John Cram Partner Gallery.

This event is hosted on Zoom. You will receive the link to the Zoom webinar event in a follow-up email. We recommend adding this event and link to your calendar.

Soft pastel is the purest medium for painting with vibrant colors, ability to blend or layer, and a variety of strokes and techniques. In this four-part virtual class, explore color, texture, and design to create beautiful finished paintings. Review the pastel medium and tools, color theory, and design; focus on individual expression; and use creative interpretations for paintings. This program takes place via Zoom; space is limited. More info and register at ashevilleart.org/events.

Included with admission

A unique-to-Biltmore, large-scale outdoor sculpture will be crafted and installed in Antler Hill Village this spring by Patrick Dougherty. Over the last three decades, this internationally-acclaimed artist has combined his carpentry skills and love of nature to build over 300 of these wondrous works, captivating the hearts and imaginations of viewers worldwide.

Image: Close Ties (2006) Scottish Basketmakers Circle, Dingwall, Scotland. Photo: Fin Macrae
NOTE: This is an example of Patrick Dougherty’s work; the artist will create Biltmore’s unique structure in Antler Hill Village this spring.

April is National Poetry Month and we invite all poets, would be poets and poetry fans to celebrate with Buncombe County Public Libraries.  We’ll be hosting the following free events at libraries all over the county.  For more information on any of these programs, contact your friendly neighborhood library.

Black Out Poetry Kits Available at the Library
All Month Long
Every Library

Come to any library and pick up a free kit to create a black out poetry masterpiece. Black out poetry doesn’t start with a blank page, it starts with a page of words taken from an old book. Poets will eliminate words to create a poem composed of the words left on the page. Visit any branch of Buncombe County Public Libraries in April to pick up your very own black out poetry kit featuring markers, inspiration and pages of print to begin your creation. When you’re finished, photograph your creation and upload it to facebook or instagram. Tag your library’s account and we’ll feature it as a post! You can also drop your poem by the library and we’ll post it for you. Kits are available while supplies last.

“Take a Woolworth Walk on the Wild Side” – Participating local
artists will donate a percentage of sales of art depicting native wildlife in
a variety of mediums.

Woolworth Walk and participating local artists join to support
Appalachian Wild’s mission to help save injured and orphaned wildlife.
Appalachian Wild provides care for approximately 2,000 animals
annually.

The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.

2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.

This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).

“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”

This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.

This exhibition features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera. This exhibition is organized by the Asheville Art Museum and curated by lydia see, fall 2020 curatorial fellow, with support from a Digitizing Hidden Collections grant through the Council on Library and Information Resources.

Desire Paths looks at makers within the discourse of craft and those existing on the periphery of the craftscape who focus on the movement of the body towards something desirable. These desires of the body are in relationship to nature, technology, self, and society. Using architectural theory and queer curatorial strategies, Desire Paths examines the possibilities and futures of bodies, revealing connections between the corporeal and craft.

“Desire paths,” a term taken from urban planning, are lines trodden in the landscape when constructed walkways do not provide a direct or desired route. Through action, repetition, and intentionality, desire paths are crafted modifications to the landscape that allow for a body to move towards a horizon. The format of the works include traditional craft media, performance, video, and interactive web-based work. Through this variety of media and performative tactics the makers in Desire Paths consider how we view, value, and ascribe meaning to a body/the body/the others body. They show us the power and agency held in body and present us with crafted visions of the body that confront and expand expectations

The works in this exhibition reclaim the concept of craft from its historical associations with the decorative, frivolous, feminine, indigenous, and the other. The makers use the medium of craft, and the action of crafting, to produce powerful representations and counter narratives to dominant culture.

Two Ways to View

Virtual Tour

Online visitors can register to attend a virtual tour of this exhibition. This is a free event. A $5-10 donation at time of registration is recommended.

In-Person

The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.

Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.

The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.

North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.

Spend your afternoons creating in the bright and spacious studio at the Museum! Explore a range of artistic processes using artwork on view from the Museum’s Collection and special exhibitions for inspiration. Space is limited to small groups of up to eight students; face coverings and social distancing are required. Generous support for this program is provided by Walnut Cove Member Association. More info and register by March 10

Jamie Baldridge, The Hindenburg Signal Ballet, 2009–2011, archival pigment print on paper, 22 3/4 × 22 3/4 inches. Museum purchase with funds provided by the Nat C. Myers Photography Fund, 2016.21.01. © Jamie Baldridge.

APRIL 1, 8, 15 & 22—Thursdays, 6–8pm
Registration deadline: March 30

In this four-part virtual class, explore the visual concept of mise-en-scène, the overall look and feel of an image. Through a series of weekly assignments, practice techniques for creating mise-en-scène using lighting, color, composition/angle, object placement/arrangement, “actors,” and more. Use images from the Museum’s Collection and other sources for inspiration. Class time includes instruction, journaling, group shares, and discussions; individual preparation between classes includes responding to weekly photo prompts and short readings.

This virtual class is designed with beginners, hobbyists, and those with some photography experience in mind. Previous knowledge of digital photography is not needed to participate in and/or benefit from the class. Learning how to use a digital camera is not a focus; however, the instructor can answer specific questions about digital camera functions and use as requested.

Image courtesy the National Nordic Museum.