Need to unwind after a long, stressful work week? Then join us in the Museum’s atrium on Saturday mornings for Yoga for All Bodies | Yoga for Mental Health, followed by social time with free coffee, tea, and a fresh-baked pastry at the rooftop Perspective Café.

This class features gentle stretching and strengthening aimed to restore the body and mind—focusing on breathing, body awareness, and mindset care. All levels are welcome. Please bring your own mat. Reserve your spot soon; there’s only capacity for 20 per class.

Saturdays, March 4–April 8 (six sessions)
9–10am Yoga for All Bodies | Yoga for Mental Health

10–10:30am Social time in the rooftop Perspective Café

Purchase a six session package and receive a 10 percent discount.

Registration is required.

The beginning of the year is a great time for Ashevillians of all ages to explore, connect, and discover. Asheville Parks & Recreation  (APR)’s new winter-spring program guide is filled with registration dates, information, and listings for hundreds of fitness and active living offerings, sports and clubs, arts and culture programs, out-of-school time activities, outdoor recreation, special events, parks and facilities’ hours of operation, and more.

The free guide is available at all APR community centers and online as a PDF or enhanced digital flipbook. Community members may also download the APR app for iPhone or search programs on avlREC.com.

Winter-Spring 2023 Guide Highlights

• Exercise at fitness centers with a free membership (through June 30, 2023).

• Walk, roll, or run your way to 50 miles in February and March during the Fit 50 Challenge for a free T-shirt.

• Celebrate Black Legacy Month with food, art, and festivals throughout the city in February.

• Meet neighbors over cards, board games, bingo, trivia contests, and community meals.

• Get an up-close look at big trucks, small trucks, transit buses, construction rigs, rescue vehicles, and public works equipment during Truck City AVL on April 15.

• Experience the fun, fellowship, fitness, arts, and competition of Asheville-Buncombe Senior Games and Silver Arts Classic for local adults over 50..

• Flex creativity at art, painting, writing, scrapbooking, and crafting classes.

• Connect with neighbors over sports such as basketball, flag football, volleyball, pickleball, tennis, and archery for kids, teens, and adults.

• Enjoy the honor of dirty hands with community garden workdays and Green Thumbs Garden Club at Grove Street Community Center’s greenhouse.

• Witness the power of gravity at the Montford Pinewood Derby in May.

• Refine square, tap, line, and West African dance skills at multiple locations.

• And so much more!

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

Library open hours

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander

• • • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Healing Dolls Exhibition

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Italian Renaissance Alive at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

Annual Organizing meeting: Nomination and election of Precinct Officers for 2023.

All interested and active Leicester area Democrats are welcome to attend.

IN-PERSON DEMONSTRATION

Presenters: Alan Wagner and Ralph Coffey- Extension Master GardenerSM Volunteers

Pruning in the landscape is different from pruning tomatoes or doing bonsai pruning. However, it still requires the use of time-tested techniques, high quality, sharpened tools, and knowledge of the right time to prune a particular plant. And it requires practice.

Join Alan Wagner and Ralph Coffey as they demonstrate the techniques of pruning shrubs and small trees.

Wear comfortable shoes and dress appropriately as part of this presentation will be held outside, weather permitting.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Asheville Gallery of Art’s March show, “Awakenings” features work by three new Gallery members: Jon Sebastian, Sara Bell, Andrea Stutesman. The show runs daily March 1 through March 31st, 2023 during gallery hours, 11am-6pm. An opening reception will be held March 3, 5-8pm; everyone is welcome.

The three artists will showcase their passion through three mediums, respectively. Not unlike the delicate and elusive trillium of the North Carolina mountain beds, these artists spring forward in the presentation of “Awakenings.” As featured artists of the month, Andrea Stutesman, Sara Bell, and Jon Sebastian join forces in presenting this amazing show by rendering their art using pastels, watercolors, and oil paints. Mesmerizing spring colors will grace the windows and walls of the gallery, rendering imagery of flowers, exotic and endangered animals, and vibrant landscapes. “Awakenings” is the second of three group shows featuring new artists to the gallery.

Andrea Stutesman
Andrea’s early art explorations began with pastels under the guidance of her mother, an accomplished painter. Her work is from the heart, inspired by her interactions with people and places or by the stories brought to her with requests for commissions. She strives to transform a sense of calm and connection that she experiences when painting that will invite viewers to slow down and enjoy the beauty of life.

Jon Sebastian
Art and painting in particular is, for artist Jon Sebastian, the selective recreation of reality according to his own principles and what he deems interesting and just in this world we share. Jon cannot remember a time when he did not paint. At Asheville Gallery of Art, Jon is now moving forward with confidence that others will find his works a compelling addition to their own collections. Jon paints immersive works filled with color, light and shadow. His subjects are of nature and of the peace and spirituality in which they envelope us.

Sara Bell
Sara Bell has always loved drawing. It’s a form of meditation for her and has now become a way for her to find peace and sanity when her world gets too overwhelming, which, as a single mom with a neuro-divergent teen, happens quite often. When it does, Sara follows John Muir’s quote, “Off into the woods I go to lose my mind and find my soul.” The results of these adventures are delightful sketches and photography of the forests. Sara then works from her photos to create her watercolors and intaglio prints.
Come visit this engaging and thoughtful exhibition at 82 Patton Avenue in downtown Asheville. For further information about this show, contact the Asheville Gallery of Art at (828) 251-5796, visit the Gallery’s website at ashevillegallery-of-art.com, or go to the Gallery’s Facebook page.

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

There not only will be bargains on ceramic functional and artistic pieces, but live music, snacks and drinks.  All are welcome!

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

Join us for a relaxing ride through quiet countryside on your way to small town life in western North Carolina on the Tuckasegee River Excursion. Departing from Bryson City, this 4 hour excursion travels 32 miles round-trip to Dillsboro and back to the Bryson City Depot. Pass by the famous movie set of The Fugitive starring Harrison Ford!

• About This Trip
• Things To Do
• Itinerary
• Classes of Service and Pricing
• Class Comparison
• How to Purchase
• Schedule
• The Tuckasegee (tuck-uh-SEE-jee) River Excursion includes an 1 hour and 20 minute layover in the historic town of Dillsboro, where you’ll find more than 50 shops, restaurants, a brewery, and country inns. There is time to shop, snack, and visit the many unique shops before returning to Bryson City.

DYSTOPIA WORKSHOP
Presented by Ripley Improv
Learn how to improvise narrative through the lens of genre! Ripley Improv will pull back the curtain and reveal the tropes, themes, and characters that make an improvised play a YA Dystopia. You’ll monologue, you’ll fight, you’ll fall in love, and, in the end, you’ll know how to construct a complete show. After you attend the workshop, be sure to get a ticket to the show. Ripley will be drawing an attendee’s name from a hat. The winner will be one of the tributes to perform in Saturday’s DYSTOPIA show.

About Ripley Improv:

Ripley is an all-female and nonbinary, genderqueer improv collective that creates stories about people who save the day, save the world, and save each other.

Their mission: To awaken bravery, embrace weird, and cultivate play.

March 11, 2023
Saturday at 11am

The Wine and Chocolate Festival is coming to the Harrah’s Cherokee Center – Asheville on Saturday, March 11th. The festival features numerous regional wine and chocolate vendors, as well as other local businesses offering clothing, jewelry, and more. The festival will be split into two sessions: an early session from 1-4 p.m., and a later session from 5-8 p.m.

Festivalgoers will be able to sip and sample their way through the event.  Early bird wine lover tickets are on sale now through December 31 st for only $30. Starting January 1st , advanced sale wine lover tickets will be $40. All wine lover tickets include an etched wine glass and unlimited samples during the session.  Designated driver tickets are $20 in advance and include a water at entry and a wine glass at exit. All attendees also receive a pass to our Chocolate Bar, filled with tasty nibbles and sweet treats. Tickets can be purchased at the box office or online at WineAndChocolateFestivals.com.

ExploreAsheville.com Arena

DOORS

Session 1: 1pm & Session 2: 5pm

SHOW

Session 1: 1pm-4pm & Session 2: 5pm-8pm

KNOW BEFORE YOU GO
Designated driver and youth tickets available. Must be 21+ to consume alcohol at this event.

Workshop meets for 3 hours on 2 consecutive Saturdays:  March 11 & 18, 1:30 – 4:30 pm

$145, all supplies and materials included

A hands-on workshop dedicated to the ‘art of building art’ out of the images, materials and objects that we fancy, collect & cannot part with.

In this workshop, we will discuss a bit of the history of collage/assemblage in contemporary art, how to approach composition and incorporate visual art principles, use of adhesives and hardware to combine varying materials, and more.

Learn how to build an assemblage or collage with intention – and make it successful. Numerous material options/ideas and substrates will be supplied, but please bring found or collected items of your own, objects or materials that inspire you – this is the first, integral step for this process!

Email [email protected] for more extensive details and registration. All attendees will receive a printed summary of the class – including materials/techniques/topics covered.

Flatfooting is a low, close-to-the floor style of dance that focuses on making rhythms that go along with the music, usually an old-time dance tune. It’s really all about the sound, and most flatfooters don’t do anything fancy with their arms. Participants will learn how to do basic flatfoot moves in this workshop while learning the history of one of Appalachia’s deepest rooted dance forms and hearing personal anecdotes about other traditional Appalachian dancers that Rodney has had the pleasure of encountering throughout his journey.

About Rodney Sutton: Rodney Clay Sutton is a dance performer and teacher of Appalachian step dance – both flatfoot and clogging. He calls square dances and contra dances, and is a storyteller and ballad singer. Rodney offers workshops, lectures, and demonstrations catered for a range of age groups, including youth, seniors, and corporate gatherings. He is also a concert and festival producer, emcee, and stage manager. In 2019, Rodney was one of 9 folks selected to receive a first ever Folk & Traditional Arts Master Artist Fellowship from South Arts. He was able to use the monies to go to Ireland for a month in September of 2019 to study Sean Nos` dance – the Irish step-dance equivalent to flat-footing.