Calendar of Events

Every Wednesday Kids Storytime at Barnes and Noble, 11:00 a.m.

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

Join us after toddler storytime on the first Wednesday of each month for family fitness time with the Ferguson Family YMCA! They’ll be joining us in our community room for dance & yoga classes fit for families, so this is an all-ages event. This program will work best for ages kindergarten through seniors, so come one come all, that’s your grandparents, aunties, and uncles. No registration is required. Please wear comfortable clothing. We’ll see you there!

UNC Asheville is proud to host a screening of the documentary Black in Asheville with Filmmaker Todd Gragg, co-sponsored by Africana Studies, the Center for Teaching and Learning, the Department of Health and Wellness, the Humanities Program, the Office of Multicultural Affairs, the Sara and Joseph Breman Professorship & the Roy Carroll Distinguished Professorship:

• “Black In Asheville is a documentary that brings together Asheville residents and historians to recount Asheville’s Black history. A story that has to be preserved for generations yet to come. This film takes us back to the Antebellum Period and demonstrates in accurate fashion what life was like for slaves in Asheville. Further the film will explore the deplorable conditions of slaves during the Civil War and their transition to the Postbellum Period of Reconstruction, Jim Crow and Black Code Laws. As slaves transitioned to freedmen after the Civil War, they continued to live a segregated existence filled with the violent threats designed to control free people assuring that they were kept controlled. This film shows how the establishment of churches and schools was vital to the progression of Black life. It is important to tell these stories that history intentionally omitted, so that future generations are made aware of the many important contributions. This film raises the question, ‘How much better off are Blacks today in a supposedly non-segregated Asheville and seeks to define where do we go from here?’” (Source: blackinasheville.com)

This event is open to the entire campus community of students, faculty, and staff, as well as the general public. Popcorn, sweets, and beverages will be served.

The screening will begin at 6pm in the Mullen & James Humanities Hall on UNC Asheville campus, and will be followed by a Talkback with the Filmmaker, Todd Gragg.

Broadway Peace Talks give audiences a deeper dive into the history, inspiration and people who bring our shows to life on stage.  Join Dr. Kristin Pressley (Dr. Broadway) and other Broadway lovers every month at the Peace Center for these presentations.

EVERY WEDNESDAY AT 6:30 pm ~ FREE!

AGES 18+ ADULTS ONLY ~ NO KIDS ALLOWED

ON OUR HUGE SCREEN IN THEATER 2!

ENJOY DINNER & DRINKS (FULL BAR) WHILE PLAYING

There are 3 rounds with new winners each round so you can show up late, miss a round and still be a winner. Plus, we have mid-round prizes to create as many winners as possible.

The questions are presented by a hilarious host on our giant movie screen and includes fun videos in each round.  You haven’t played a trivia night like this one!

Enrollment is now open for two adult improvisation acting classes offered by Hendersonville Theatre (HT). Classes will be taught by professional improvisation actor and comedian Emily Swindal. Both classes are open to anyone over the age of 18, regardless of experience level.

Improv Level One: Communicate. Collaborate. Play. meets on Wednesdays from April 5 to May 24. Tuition is $180. In the class, students will work at getting comfortable on stage while having fun doing it. Students will learn to have compassion for themselves and their classmates as performers as they learn the fundamentals of improvisation and develop support and spontaneity. Together, they will learn the importance of “yes-and-ing,” heightening the absurdity and raising the stakes. They will also cover the differences between short form and long form improv. This is a short form class similar to Whose Line Is It Anyway?

Class cost: $180
Min students: 7 Max students: 14
Class Dates: Wednesdays, April 5-May 24 (8 weeks)
Time: 6:30 to 8:30
Location: Whitmire Activity Center, ​​310 Lily Pond Dr, Hendersonville, NC 28739
The last class will include a showcase of student’s work which will be open to the publicMust be 18+ to attend
The last day to receive a full refund is March 5, 2023. After March 5, 2023, no refund will be issued.
More than 2 missed classes will result in automatic withdrawal, with no credit issued.

Class Description:
Emily’s teaching motto is “growth only happens when you are willing to step outside your comfort zone.” In this class, we are working at getting comfortable onstage and stepping into bravery while having fun doing it. We will be learning to have compassion for ourselves and our classmates as performers as we learn the fundamentals of improvisation and develop support and spontaneity. Together, we will learn the importance of “yes and-ing,” heightening the absurdity, and raising the stakes. We will also cover the differences between short form and long form improv. This is a short form class. (Think: “Whose Line Is It Anyway?”)

About the Teacher
Emily Swindal lived in New York City for 8 years as an actor and improv comedian and relocated to Hendersonville during the pandemic. Emily has studied and performed improv and sketch comedy writing at NYC’s Magnet Theater and Upright Citizens Brigade Theatre NY. Emily has performed with an assortment of improv teams. Some of her past instructors include Elana Fishbein, Peter McNerney, Ross Taylor, Michael Lutton, and Nicole Drespel. She has a BFA in Musical Theatre from Shenandoah Conservatory. Emily can’t wait to meet you.

Beat the mid week grind with some fun trivia! Win a $25 gift card for our taproom along with a $25 gift card from our resident kitchen, Bears Smokehouse BBQ!

The Malaprop’s Book Club, hosted by Jay Jacoby, explores a diverse selection of fiction and nonfiction books determined by member suggestion. Click here to see a full schedule of what the club is reading. Club attendees get 10% off the book at Malaprop’s!

The club meets the first Wednesday of every month at 7:00 PM. The club will meet virtually until further notice. To join the club, please email [email protected]

Every Wednesday Trivia Night

“ANDREW LLOYD WEBBER’S MEGAHIT. THIS IS THE CATS YOU KNOW AND LOVE!” – The New York Times

CATS, the record-breaking musical spectacular by Andrew Lloyd Webber that has captivated audiences in over 30 countries and 15 languages, is now on tour across North America! Audiences and critics alike are rediscovering this beloved musical with breathtaking music, including one of the most treasured songs in musical theater—”Memory.” Winner of seven Tony Awards®, including BEST MUSICAL, CATS tells the story of one magical night when an extraordinary tribe of cats gathers for its annual ball to rejoice and decide which cat will be reborn.

The original score by Andrew Lloyd Webber (The Phantom of the Opera, School of Rock, Sunset Boulevard), original scenic and costume design by John Napier (Les Misérables), all-new lighting design by Natasha Katz (Aladdin), all-new sound design by Mick Potter, new choreography by Andy Blankenbuehler (Hamilton) based on the original choreography by Gillian Lynne (Phantom) and direction by Trevor Nunn (Les Misérables) make this production a new CATS for a new generation!

By Christopher Durang

Winner of the 2013 Tony Award for Best Play.

Middle-aged siblings Vanya and Sonia share a home in Bucks County, PA, where they bicker and complain about the circumstances of their lives. Suddenly, their movie-star sister, Masha, swoops in with her new boy toy, Spike. Old resentments flare up, eventually leading to threats to sell the house. Also on the scene are sassy maid Cassandra, who can predict the future, and a lovely young aspiring actress named Nina, whose prettiness somewhat worries the imperious Masha.

Discretionary Content: Adult themes and Language

– ALL AGES
– STANDING ROOM ONLY

MICHIGAN RATTLERS

Michigan Rattlers are a folk-rock band composed of Graham Young (guitar), Adam Reed (bass), Christian Wilder (piano), and Tony Audia (drums). Meeting as childhood friends, they began writing music and performing together in their hometown of Petoskey, Michigan.

Their self-titled Michigan Rattlers EP attracted reviews from No Depression, Bluegrass Situation, B3 Science, and Rolling Stone, who named the band one of their “Ten New Country Artists You Need To Know” in 2016. They’ve continued to evolve beyond the “country” label ever since.

In 2018, following a summer tour that included stops at Bonnaroo, Firefly and Electric Forest; the band released their debut full length album, ‘Evergreen’. “This is a band with solid songwriting chops and instrumental skills,” says No Depression. “‘Evergreen’ shows this four-piece from Petoskey, Michigan making a stand, making their way.”

Growing into a more expansive sound, the band’s second full length album, ‘That Kind of Life’, was released in 2021 to positive reviews.

With live shows being at the core of the band’s identity, the Rattlers continue to tour relentlessly, bringing their honest songwriting and high energy rock n roll to stages across the U.S and Canada.

OLD SAP
Poet from Chicago, rambled out to Montana, cut a banjo from a tamarack, strings across the country, foot like a freight train, voice rushing down over lush Appalachia, sings a thrush tune through the rush hour and into your long-forgotten prairie dreams.

Folk. Folk Rock. Americana.

PART 1: PLAY A GAME!
Hosted by Bruce, LAST FAN STANDING is not your father’s trivia contest. As the only interactive game show created exclusively for fans of pop culture, LAST FAN STANDING tests your knowledge about the things that really matter: Fantasy, Horror, Sci-Fi, Superheroes, Gaming.

Everyone in the audience gets to play. Fans answering the most questions correct in the fastest amount of time will come up on stage with Bruce for the FINAL FACE-OFF and one player will be crowned Last Fan Standing!

PART 2: WATCH A GROOVY BRUCE MOVIE!
Bruce will introduce a cult favorite he’s been in and take questions before the screening. It’s a lively half hour of anecdotes, insults and random cash giveaways.

Let the good times roll at BRUCE-O-RAMA!

Bon Secours Wellness Arena will play host to The Price is Right Live™ stage show on April 5, 2023.

The Price Is Right Live™ is the hit interactive stage show that gives eligible individuals the chance to “Come On Down” and play classic games from television’s most popular game show.  Contestants can win cash, appliances, vacations and possibly even a new car by playing favorites like Plinko™, Cliffhangers™, The Big Wheel™, and the fabulous Showcase!

Showing to near sold out audiences for more than ten years, The Price Is Right Live™ has given away over 12 million dollars in cash and prizes to lucky audience members all across North America.

The Price is Right™ is the longest running game show in television history and loved by generations of viewers. This on-stage travelling version gives fans the chance to experience the same thrilling excitement of winning big, up close and in-person.

The Price Is Right is produced by Fremantle and licensed by Fremantle.

Hosted by The Heart of the Healer Foundation (THOTH)
Join us on the THOTH Facebook Page and contribute to a concentrated global intention for the healing of Pachamama as well as the collective psyche. This is a wonderful opportunity to energetically connect in soul presence with the circle of Pachakuti Mesa Practitioners worldwide, strengthening the Great Work of our shamanic planetary tribe. The power that is being harnessed and transmitted is deep and sentient nourishment for the Earth.
Learn more about the Pachakuti Mesa Tradition Link-Up HERE.
NOTE: If you cannot attend this ceremony live, the video recording will be posted on THOTH’s Facebook and Instagram pages.

FB Livestream link to join: www.facebook.com/theheartofthehealer
Ceremonialist: PMT Sanctioned Teachers