Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
NATION OF LANGUAGE
Brooklyn-based synth auteurs Nation of Language first arrived to most in 2020 as one of the most heralded new acts of recent memory, having only released a handful of singles but already earning high-praise from the likes of NME, FADER, Stereogum, Pitchfork, etc.. Inspired by the early new-wave and punk movements, the band quickly earned a reputation for delivering frenzied nights of unconventional bliss to rapt audiences, and established themselves as bright young stars emerging from a crowded NYC landscape prior to their release of one of the most critically acclaimed debut albums of the year — Introduction, Presence. The band’s ability to blend the upbeat with a healthy dose of sardonic melancholy made it a staple on year-end ‘Best of’ lists, led PASTE magazine to dub the album ‘The most exciting synth-pop debut in years’ , and landed the band major radio play from the BBC, KCRW, KEXP, SiriusXM and countless others.
Their 2021 follow up, A Way Forward then saw the band pushing even further into analog electronic landscapes while channeling a ferocious energy on singles like ‘Across that Fine Line’ & ‘This Fractured Mind.’ With NME now dubbing their sophomore album ‘A true modern-day classic’ and Rough Trade tabbing it as one of its Top Albums of the year, the band has gone on to headline a string of packed shows both domestically and Internationally in ’22 and well into 2023.
MISS GRIT
“For the way out, I think, we have to follow the cyborg. We have to be willing to be disloyal, to undermine. The cyborg is powerful because she grasps the potential in her own artificiality, because she accepts without question how deeply it is embedded in her.” – Jia Tolentino (Trick Mirror: Reflections on Self-Delusion, “Athleisure, barre and kale: the tyranny of the ideal woman”)
To be a cyborg means to have been manufactured; to have been downloaded with information, characteristics, and abilities meant to carry out a function which will serve its creator. It is to have stepped into the world with very little control under an all-powerful hand. Miss Grit knows that to be a cyborg also means to have potential beyond your creator; to inevitably grow a hand even more powerful.
New York-based musician Margaret Sohn (they/she) created Miss Grit to function as an outlet for their own analysis and expression of self. Called a “polymath” by NME in early 2019, their process is introspective, their vision precise. Sohn produced Follow The Cyborg, her debut fulllength album, entirely in her home studio, and mostly in solitude with several guest collaborators joining — Stella Mozgawa of Warpaint, Aron Kobayashi Ritch of Momma, and close friend and fellow songwriter Pearla.
Dave Matthews Band is bringing their Fall 2023 tour to Bon Secours Wellness Arena November 8! An online ticket presale for members of the DMB Warehouse Fan Association is underway now – for first access to tickets go to https://bit.ly/DMBgvlPresale to join the Warehouse.
As The Beach Boys mark more than a half century of making music, the group continues to ride the crest of a wave unequalled in America’s musical history. The Beach Boys – who have become synonymous with the California lifestyle and an American icon, are bringing their shows to fans around the world. Since the band’s co-founder, lead-singer and chief lyricist Mike Love penned the lyrics to The Beach Boys’ first hit, “Surfin’” (1961), dozens of the bands chart toppers have become eternal anthems of American youth: “Surfin’ USA,” “Surfer Girl,” “Fun, Fun, Fun,” “I Get Around,” “California Girls,” “Help Me Rhonda,” “Barbara Ann,” “Good Vibrations,” “Wouldn’t It Be Nice,” “Rock and Roll Music” and “Kokomo.”
The Beach Boys have sold over 100 million records worldwide and have received more than 33 RIAA Platinum and Gold record awards. The Rock And Roll Hall of Famers where also honored at the 2001 Grammy Awards with the Lifetime Achievement Award. With more than five decades of touring under their belts, The Beach Boys have performed more concerts than any major rock band in history.
Sounds Of Summer: The Very Best Of The Beach Boys, Capitol/EMI’s 30-track collection of the band’s biggest hits, has achieved triple platinum success with sales of more than three million copies in the U.S. since its release. The Beach Boys are led by Mike Love, who, along with longtime member Bruce Johnston, musical director Scott Totten, Brian Eichenberger, Christian Love, Tim Bonhomme, John Cowsill, Keith Hubacher and Randy Leago continue the legacy of the iconic band. This concert will not feature Brian Wilson, Al Jardine or David Marks.
ALBUM BUNDLE
As a special offer for fans attending The Beach Boys’ upcoming tour, a digital download of Mike Love’ s album, Mike Love Not War, is included with every ticket. This promotion is not an opt -in promotion for the ticket buyer, but rather a ticket-album bundle on all tickets sold. All customer service inquiries should be directed to [email protected]
VIP Package
(VIP Program is a ticket upgrade and does NOT include tickets)
VIP packages available at www.thebeachboys.com and www.mikelove.com.
Artsville Collective proudly presents the Virtual Gallery of Artists (VGA) program,
an initiative designed to help elevate the careers of local artists. VGA offers artists a unique
opportunity to gain global exposure, valuable marketing skills, and an array of promotional
resources. The VGA program invites individual artists to apply for three months of marketing
exposure through print, digital, and podcast platforms. Artsville provides guidance on building
relationships with the press and art buyers, empowering artists by coming alongside them and
forming connections. Notably, Artsville does not take any commissions on art sales, ensuring
artists keep their full earnings.
Nine artists introduced in first cohort from Oct- Jan include a carefully curated group
showing diversity in age, mediums, experience and exposure in the art markets so they may also
learn from each other. Meet Amy Massey, Candice Hensley, Elizabeth Walton, Georgia Deal,
Jean McLaughlin, Joseph Pearson, Max Cooper, Selene Plum, and Wendy Newman.
Accessible only online, Artsville’s VGA also provides VGA artists a comprehensive toolkit,
including newsletters, podcasts, discussion groups, and learning programs. Committed artists
who actively participate can earn recognition and further opportunities, such as involvement in
Artsville events, pop-up exhibits, and networking groups. In preparation for the holiday season,
Artsville will also present a curated holiday catalog of handmade gifts, offering a unique
opportunity for VGA participants to showcase their work to a wider audience.
Artsville Collective is dedicated to supporting and empowering the artistic community in
Western North Carolina. For further information about Artsville programs and opportunities,
contact Meredith McBride at [email protected] or 828-216-8050. Images and
Instagram- ArtsvilleUSA
Facebook- ArtsvilleCollective
Buncombe County Special Collections is excited to announce a call for proposals for the third year of its creative residency program.
This is an annual opportunity for artists in Buncombe County to create new, research-driven creative work using BCSC’s historic resources as source material and/or inspiration, and to present their work in the Carolina Record Shop, a dedicated exhibition space in the BCSC reading room. Artists age 18 and up, based in Buncombe County, working in any creative discipline are invited to apply.
Buncombe County Special Collections is looking for projects that will:
- Offer new, diverse perspectives on our shared history
- Identify and address gaps and/or amplify narratives that are historically underrepresented in the collection
- Educate and inspire non-traditional users of archives and special collections to engage with the collection in new ways.
More information (including the PDF of the call for proposals) is available at here. The 2024 Creative Residency is made possible in part by the Trust Fund for Buncombe County Public Libraries.
You can also visit Buncombe County Special Collections in the lower level of Pack Memorial to view the current exhibition in the Carolina Record Shop, “Belonging & Non-Belonging: The History and Future of Zines in Western North Carolina,” curated by 2023 resident Miles Lamberson.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Tyger Tyger Gallery is pleased to present Reckoning: Adornment as Narrative, a group exhibition curated by Asheville-based artist and curator Erika Diamond.
Reckoning: Adornment as Narrative is an exhibition of diverse practices, anchored at three points: methods of reckoning; the function of adornment; and the fusing of personal and cultural narrative. It features acts of glitz, embellishment, and homage by Shae Bishop, David Harper Clemons, Kashif Dennis, Annie Evelyn, Margaret Jacobs, Julia Kwon, Katrina Majkut, Heather Mackenzie, and Luis Sahagun. Through material language, each artist tells the story of their identity. Inherent to these stories are contradictions—between labor and value, feminine and masculine, natural and fabricated.
Imaginations will soar in this new musical based on Peter H. Reynolds’ best-selling book, The Dot.
DOT DOT DOT: A New Musical is an exciting new musical based on the Creatrilogy trio of award-winning picture books by New York Times bestselling author Peter H. Reynolds (The Dot, Ish and Sky Color). Adapted by Composers Keelay Gipson and Sam Salmond, the musical, like the series, celebrates the power of originality, self-expression, and opening our eyes to look beyond the expected.
When Marisol (Sky Color), a young artist and curator of the Musee de Marisol, decides that her gallery requires more than her own art, her search for emerging talent leads her to Vashti (The Dot), whose dots inspire Ramon (Ish) to become an artist in his own right.
The musical follows Marisol’s journey to help her new friends, and her entire community, break free from self-criticism and learn to let their imaginations soar. Recommended for grades 1-4.
The Student Series is open to school groups, homeschoolers, community groups and families.
Throughout the history of painting from the mid-19th century forward, artists have used an
endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.
Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,
bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.
This multigenerational survey demonstrates how the 35-mm camera, and later technological
advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.
“Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”
Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.
This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.
This exhibition is sponsored in part by Jim and Julia Calkins Peterson.
Opening Reception for the Artist Nov. 3, 6-8PM.
Tracey Morgan Gallery is pleased to present A Mirror, Not a Window, an exhibition of new and recent work by artist Hannah Cole. This is Cole’s second solo exhibition with the gallery. A reception for the artist will be held Friday, November 3 from 6-8PM.
This collection of paintings and sculptures continues Cole’s interest in creating, completely by hand, reproductions of small details and objects culled from her everyday life, turning the viewer’s attention to often overlooked aspects of our surrounding environment and reframing the very definition of representational art. With nods to pop art, trompe l’oeil, and modern American painters, Cole poses big questions about the nature of the artist’s hand, and the drive to (re)create.
A grouping of wall sculptures of nearly exact replicas of books which are hand-painted on wood blocks are included in the exhibition. These books are all non-fiction, mostly art related, though now un-readable. Instead of looking to books for answers, these objects force the viewer to provide the substance. The most self-referential of the group is Jean Baudrillard’s Simulacra and Simulation in which the French philosopher talks in dense prose about our culture of signs and signals eventually becoming copies without any originals. In Cole’s tongue-in-cheek nod, her faithful replica of Baudriallard’s philosophical work becomes an art object whose meaning has shifted completely from the original. Cole’s painted wood block cannot be read and has no actual utility at all, except as an object to contemplate.
A recurring element in Cole’s paintings is a hand-rendered tape measure running along the edge of her canvases. By including this common, easily recognizable object, Cole calls to question the “truth” of representation. Can we trust these measurements simply because they have identifiable markings? Other paintings on Styrofoam show painted wood grain edges, subverting the viewer’s expectation of where the painting itself is, and what it’s made of. We expect a painting to be on the outward-facing surface, but what if the faithful representation is painted on the sides?
In this contemporary age of Artificial Intelligence flooding us with copies, reproductions, fakes, and deliberate decep-tions, anxieties regarding authenticity and authorship run high. Cole’s work invites contemplation of these deeply philosophical issues with a playful tone, presenting serious questions by way of common objects.
Hannah Cole studied at Yale University and Boston University. Her work has been exhibited at The Turchin Center for Visual Arts, NC; the Drawing Center, NY; the University of Maine Museum of Art; the Sherman Gallery at Boston University, MA; Tiger Strikes Asteroid, Greenville, NC; and the North Carolina Museum of Art, Raleigh, among other national and international institutions. She currently lives and works in Asheville, NC.
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
Tracey Morgan Gallery is pleased to present an exhibition of paintings by artist Stella Alesi in our project space. This is Alesi’s first exhibition with the gallery and is presented in conjunction with Hannah Cole: A Mirror, Not a Window in our main gallery space. A reception for both artists will be held Friday, November 3 from 6-8PM.
The works on view are from the SQUISHY series, a group of geometric, abstract oil on oil paper paintings. With the use of simple shapes and a limited color palette, these works explore the visceral experience of living at this current moment. Alesi’s colorful, “squishy” shapes bend to the demands placed on them by their seemingly heavy, unforgiving counterparts. With this work, Alesi confronts contemporary issues such as climate change and political turmoil, as well as personal trials, using basic shapes, both hard and malleable to express a state of being. The shapes are gestural, fluid, and animated – sometimes resembling body parts even in their minimalism. The effect is a playful interpretation of heavy topics – a visual play on the deep and multi-layer well of human emotions.
Stella Alesi works across several styles and mediums, including drawing, painting, photography, collage, and large wall works. Their practice is characterized by a willingness to try new approaches in the ongoing investigation into new materials and visual languages, always exploring new ways to represent the visceral nature of the human experience. Born on Long Island, New York in 1963, Alesi was raised in New Jersey. They studied at Parsons School of Design, New York City; University Hampshire, Durham; and University of Massachusetts, Amherst. Their work has been purchased by many private and commercial collections. Career highlights include a recent solo exhibit (spring of 2023) at the Northern-Southern gallery, Austin, TX and a large-scale permanent installation in the lobby of The Foundry, Austin TX. Alesi currently lives and works in both Austin, TX and Asheville, NC.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Take an express tour of our galleries, then go on an adventure with art, music, or storytelling in our interactive Art PLAYce. For children ages 0-5 years old and their families or caregivers.
Tours will meet in our Windgate Foundation Atrium and begin at 11:30am. Please arrive no later than 11:15am to allow enough time to check-in. Strollers are welcome, and we will have a limited number of strollers available on site. Light refreshments will be provided.
Visitors are invited to spend more time exploring our galleries or having lunch in the Perspective Café after Tot Time concludes at 12:30pm. Online registration for this event is recommended as it is an event with limited capacity.
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Imaginations will soar in this new musical based on Peter H. Reynolds’ best-selling book, The Dot.
DOT DOT DOT: A New Musical is an exciting new musical based on the Creatrilogy trio of award-winning picture books by New York Times bestselling author Peter H. Reynolds (The Dot, Ish and Sky Color). Adapted by Composers Keelay Gipson and Sam Salmond, the musical, like the series, celebrates the power of originality, self-expression, and opening our eyes to look beyond the expected.
When Marisol (Sky Color), a young artist and curator of the Musee de Marisol, decides that her gallery requires more than her own art, her search for emerging talent leads her to Vashti (The Dot), whose dots inspire Ramon (Ish) to become an artist in his own right.
The musical follows Marisol’s journey to help her new friends, and her entire community, break free from self-criticism and learn to let their imaginations soar. Recommended for grades 1-4.
The Student Series is open to school groups, homeschoolers, community groups and families.
Students will receive a solid foundation in beginner Ukulele skills for vocalists. Chords, Rhythm patterns, and basic theory will be introduced through songs with an uplifting message. Students will also learn to play the song that the Songwriting Class will be writing and get to record it in the One Mic Studio.
Queer Music Exploration – Students will explore guitar, bass, drums, singing and piano with a focus on learning music by artists from the LGBTQ+ community. Students will have the chance to interact with their peers and share their experiences through music.
– STANDING ROOM ONLY
– RAIN OR SHINE
ICONIC COUNTRY ROCK GROUP, ALABAMA, ANNOUNCES NEW DATE ON 2023 ROLL ON 2 NORTH AMERICA TOUR
THE MULTI-PLATINUM BAND WILL HIT THE STAGE AT
BON SECOURS WELLNESS ARENA ON NOV. 9, 2023
WITH VERY SPECIAL GUEST GRITS AND GLAMOR FEATURING
PAM TILLIS AND LORRIE MORGAN
Multi-platinum selling country rock group ALABAMA has announced an all new 2023 tour “ROLL ON NORTH AMERICA.” The tour will include a stop in Greenville, South Carolina, at Bon Secours Wellness Arena on Nov. 9, 2023, featuring very special guest PAM TILLIS AND LORRIE MORGAN. This will mark the second “Roll On” Tour in the band’s 50+ year history since 1984.
Over 50 years ago, cousins Teddy Gentry, Randy Owen and the late Jeff Cook left the cotton farms of Fort Payne, Alabama to spend the summer playing music in a Myrtle Beach, South Carolina bar called The Bowery. It’s a classic American tale of rags to riches. From humble beginnings picking cotton in the fields to international stars, ALABAMA went on to sell 80 million albums and change the face and sound of country music.
Quality songs that have become the soundtrack for American life are the foundation for ALABAMA’s stellar career. The group introduced rock style guitars, lights, pyrotechnics and sounds to the country audience that has inspired many of today’s brightest country stars including Kenny Chesney, Jason Aldean and Luke Bryan. While their music continues to stand the test of time, their numbers and stats are beyond compare.
Five decades since starting the band, ALABAMA has charted 43 #1 singles, including 21 #1 singles in a row, and have won dozens of CMA, GRAMMY®, and ACM Awards. They are members of the Country Music Hall of Fame, the Musicians Hall of Fame and have their own star on the Hollywood Walk of Fame. In addition, they are world-class philanthropists who have raised millions of dollars for various charities.
Join the Balsam Mountain Inn and Mountain Memories Productions along with musical guest William Ritter as we present an evening of traditional mountain ballads and folk tunes!
– SEATED SHOW
BEN K. LOCHENBen K. Lochen is a songwriter from Asheville, North Carolina. His debut album, Ingrates, is his attempt at making and honoring the kind of music he loves. He hopes you’ll enjoy it.
Steve Simon & The Kings of Jazz are Brevard’s newest and most exciting and entertaining jazz band with a sound that combines the funkiness of George Benson, the soulfulness of Ray Charles and the smoothness of Diana Krall all wrapped together in big Count Basie style arrangements of American and Latin jazz classics. If you are looking for an amazing live jazz experience then check out the hottest jazz band in the coolest city in North Carolina performing every Thursday at The DFR Lounge from 7pm to 9pm
Russian pianist and composer Arsentiy Kharitonov has achieved fame and accolades for his “sumptuous tone, technical mastery, broad dramatic range, and elegant phrasing” (Fanfare Magazine). He is the first-prize winner of the Franz Liszt International Piano Competition and won the Rachmaninov Competition in the Russian Federation. He has appeared at major concert halls in Europe and America.
PROGRAM
Arsentiy Kharitonov, Piano
Bach/Siloti 2 Preludes
R.Schumann Arabesque
F. Chopin Sonata #2
– Intermission –
S.Rachmaninoff (Preludes in D major, Gb major, Etude-Tableau op.39 #5)
A.Kharitonov Selective works (Sonata (I,II movements), Morceau, Waltz)
M.Ravel “Alborada del Gracioso”
Program Description
Brevard Music Center presents an evening treat for cinephiles and music aficionados alike. Following “White Lotus,” Min Xiao-Fen‘s acclaimed score for the 1934 classic Chinese silent film “The Goddess,” she received a commission from the Smithsonian Institution to compose new original soundtracks for “Romance of the Fruit Peddler” and “Romance of the Western Chamber,” two historical Chinese silent films from the 1920s. Known for her innovative approach to traditional music and her ability to seamlessly integrate diverse musical styles, Ms. Min will perform with master percussionist River Guerguerian, a leading figure in classical, jazz and world music. Together they bring a unique cross-cultural expression and artistic vision to the stage. Both films will be shown during the performance.
Featured Instruments
Min Xiao-Fen: pipa, ruan, sanxian, guqin, finger piano, sound effects, and voice.
River Guerguerian: Middle Eastern and Indian frame drums, hand drums, kanjira talking drums, berimbau, doumbek, Chinese gongs, hand-pan, didgeridoo, rain stick, and voice.
About the Artists
One of the key instruments in Chinese music, the pipa has a rich and storied legacy stretching back nearly two thousand years. Few artists have done more to both honor and reinvent that history than renowned pipa soloist, vocalist and composer Min Xiao-Fen. Classically trained in her native China, Ms. Min was an acclaimed traditional music soloist before relocating to the United States and forging a new path for her instrument alongside many of the leading lights in modern jazz, free improvisation, experimental and contemporary classical music.
In Ms. Min’s music, east and west, tradition and innovation, discipline and spontaneity, ancient past and unexplored future all flow together like streams joining in one vibrant river. NPR Weekend Edition lauded Ms. Min as “one of the world’s greatest virtuosos” and JazzTimes hailed her as “a pioneer in integrating her ancient instrument with modern jazz and improvised music.” The New York Times raved that her singular work “has traversed a sweeping musical odyssey.” Min’s expressive, uncategorizable voice has found her collaborating with such inventive luminaries as Wadada Leo Smith, Derek Bailey, Randy Weston, John Zorn, Christian Marclay and Björk.
River Guerguerian has been inspiring audiences with his ecstatic and versatile percussion for over 30 years. Whether collaborating with world-class artists, supporting symphonies or creating his own dynamic explorations of rhythm, River’s devotion and attention to the vibrant life of the drum reverberates through the mind and soul of the listener. In 1988 he began working with Grammy and Oscar-winning composer, Tan Dun. Over the next several years he continued performing with several artists, which placed him in the prestigious concert halls of most major cities of the globe, including Carnegie Hall, The Sydney Opera House, and Lincoln Center.
As a highly regarded studio musician, River has recorded on over 300 albums and film soundtracks, including the John Cage documentary film, “I Have Nothing to Say and I Am Saying It.” Over the whole of his prolific career, he has performed and/or recorded internationally with such individual and groups as the BBC Concert Orchestra, Paul Winter Consort, Lizz Wright, Chuck Berry, Sophie B. Hawkins, Ziggy Marley, Gipsy Kings, New Music Consort, Omar Faruk Tekbilek, Tibetan Singing Bowl Ensemble, and Talujon Percussion Ensemble. River also engineers his own percussion tracks for artists at his recording studio.
ARTISTS
Min Xiao-Fen, pipa
River Guerguerian, percussion
Auditorium seating is reserved.
Genevieve’s. Now in its sixth year, the Fine Arts Center concert series prepares student musicians for a career in the arts and entertainment industry by giving them a resume-building, professional opportunity to perform in paid settings.
Artsville Collective proudly presents the Virtual Gallery of Artists (VGA) program,
an initiative designed to help elevate the careers of local artists. VGA offers artists a unique
opportunity to gain global exposure, valuable marketing skills, and an array of promotional
resources. The VGA program invites individual artists to apply for three months of marketing
exposure through print, digital, and podcast platforms. Artsville provides guidance on building
relationships with the press and art buyers, empowering artists by coming alongside them and
forming connections. Notably, Artsville does not take any commissions on art sales, ensuring
artists keep their full earnings.
Nine artists introduced in first cohort from Oct- Jan include a carefully curated group
showing diversity in age, mediums, experience and exposure in the art markets so they may also
learn from each other. Meet Amy Massey, Candice Hensley, Elizabeth Walton, Georgia Deal,
Jean McLaughlin, Joseph Pearson, Max Cooper, Selene Plum, and Wendy Newman.
Accessible only online, Artsville’s VGA also provides VGA artists a comprehensive toolkit,
including newsletters, podcasts, discussion groups, and learning programs. Committed artists
who actively participate can earn recognition and further opportunities, such as involvement in
Artsville events, pop-up exhibits, and networking groups. In preparation for the holiday season,
Artsville will also present a curated holiday catalog of handmade gifts, offering a unique
opportunity for VGA participants to showcase their work to a wider audience.
Artsville Collective is dedicated to supporting and empowering the artistic community in
Western North Carolina. For further information about Artsville programs and opportunities,
contact Meredith McBride at [email protected] or 828-216-8050. Images and
Instagram- ArtsvilleUSA
Facebook- ArtsvilleCollective
Buncombe County Special Collections is excited to announce a call for proposals for the third year of its creative residency program.
This is an annual opportunity for artists in Buncombe County to create new, research-driven creative work using BCSC’s historic resources as source material and/or inspiration, and to present their work in the Carolina Record Shop, a dedicated exhibition space in the BCSC reading room. Artists age 18 and up, based in Buncombe County, working in any creative discipline are invited to apply.
Buncombe County Special Collections is looking for projects that will:
- Offer new, diverse perspectives on our shared history
- Identify and address gaps and/or amplify narratives that are historically underrepresented in the collection
- Educate and inspire non-traditional users of archives and special collections to engage with the collection in new ways.
More information (including the PDF of the call for proposals) is available at here. The 2024 Creative Residency is made possible in part by the Trust Fund for Buncombe County Public Libraries.
You can also visit Buncombe County Special Collections in the lower level of Pack Memorial to view the current exhibition in the Carolina Record Shop, “Belonging & Non-Belonging: The History and Future of Zines in Western North Carolina,” curated by 2023 resident Miles Lamberson.
Driving through the Appalachian Mountains in Fall is both breathtaking and awe-inspiring. It is a time when nature itself proves to be the original artist, painting the landscape and the sky with hues of red, orange, and yellow.
It doesn’t matter if you live up the hill or across the state, the Toe River Arts Studio Tour, happening November 10-12, 2023, provides the intrepid seeker of art experiences a reason for an adventure.
Artist studios are exciting places to visit because they offer a glimpse into the dynamic processes used to create a finished piece. Every artist has their own way of telling a story, inviting visitors to ask questions, hold their work, and share a moment. You can count on the studios being as unique as the artists: the building off to the side of the house, or across the field or down the road or right off the main road or down a gravel one-lane. Two-stories with a gallery space or small and cozy with a table set up or cleared off for display. Still there are others that devote a corner to each artist sharing the space.
The art is as diverse as the artists with the tour featuring the work of glassblowers, jewelers, printmakers, potters, fiber artists, ironworkers, painters, sculptors, and woodworkers.
Just 40 minutes north of Asheville and two hours from Charlotte & Greenville, the Studio Tour makes for an exciting day trip. However, with 85 studios and 8 galleries to visit, the Toe River Arts Studio Tour becomes a fantastic way to enjoy a weekend mini vacation. Both Chambers of Commerce in Burnsville-Yancey and Mitchell County provide information on lodging, eateries, and other local events. Additionally, Toe River Arts is incredibly grateful to Explore Burnsville for being the event sponsor.
For more than a quarter century, the Toe River Arts Studio Tour has intrigued those who make the journey to visit places of inspiration and creation. Situated between Roan Mountain, which boasts the world’s largest rhododendron garden, and Mt. Mitchell, the highest peak east of the Mississippi, the Toe River Arts Studio Tour is a free, self-guided journey of the arts. This arts adventure through Mitchell and Yancey Counties will take visitors along the meandering Toe River, across its many bridges, around barns, acres of fields and miles of forests all while visiting the talented studio artists who often take inspiration from the mountains, they call home.
2023 Fall Studio Tour
Friday, November 10 – Sunday, November 12
Mark your calendars for the 2023 Toe River Arts Fall Studio Tour, happening November 10 – 12, 2023.
This driving tour through Mitchell and Yancey Counties will take visitors along the meandering Toe River, across its many bridges, around barns, acres of fields, and miles of forests all while visiting the talented studio artists and galleries participating.
Fall Studio Tour Preview Exhibition
November 4 – December 30
An exhibition featuring a selection of works from participating studio artists and galleries.
Kokol Gallery, Spruce Pine
Meet the Artist Reception
Friday, November 10, 5:30 PM – 7:30 PM
Kokol Gallery, Spruce Pine
The November Studio Tour Exhibition opens in the Kokol Gallery, in Toe River Arts’ Spruce Pine location at 269 Oak Ave, November 4, 2023, and runs through Saturday December 30, 2023. This exhibition gives visitors an opportunity to have a glimpse into each studio and plan their route. It is also a great place to begin the tour or take a break from a day of non-stop art and artists.
Normal gallery hours are 10:30am to 5pm, Tuesday through Sunday; and 10am – 5pm during the Studio Tour, 11/10-11/12.
Join artists, staff, and the volunteers who make the tour the best and one of the longest continually running self-guided tours in the country, as we toast the beginning of the season during our “Meet-the-Artists” reception on Friday, November 10, from 5:30-7:30.
“Every year is unique. The artists change, and the work evolves. I am always excited when the boxes arrive—to see a new artist’s work or the evolution of a more seasoned artist” said Kathryn Andree, who has been Toe River Arts Exhibits Coordinator for over a decade. The participant shows are the biggest exhibits during the year, averaging over 150 pieces on pedestals, tables, walls, with a few bigger pieces relegated to the floor. They are the most diverse, with media ranging from 2-dimensional to glass, clay, wood, and fiber—something for every palate, every wallet.
Toe River Arts is a non-profit organization that has been connecting the community with the arts for over four decades.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Tyger Tyger Gallery is pleased to present Reckoning: Adornment as Narrative, a group exhibition curated by Asheville-based artist and curator Erika Diamond.
Reckoning: Adornment as Narrative is an exhibition of diverse practices, anchored at three points: methods of reckoning; the function of adornment; and the fusing of personal and cultural narrative. It features acts of glitz, embellishment, and homage by Shae Bishop, David Harper Clemons, Kashif Dennis, Annie Evelyn, Margaret Jacobs, Julia Kwon, Katrina Majkut, Heather Mackenzie, and Luis Sahagun. Through material language, each artist tells the story of their identity. Inherent to these stories are contradictions—between labor and value, feminine and masculine, natural and fabricated.