Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
– STANDING ROOM ONLY
SAM GRISMAN PROJECT PRESENTS THE MUSIC OF GARCIA/GRISMAN
A Note From Sam– The music that my father David Grisman and his close friend, Jerry Garcia, made in the early 90s (in the house that I grew up in) is not only some of the most timeless acoustic music ever recorded, it also triggers my oldest and fondest musical memories. What I find most inspiring about this material is the way their camaraderie and their love and joy for the music, simply oozes out of each recording. It is also impressive how deeply they get beneath their favorite songs—whether they are originals, covers or traditional/old time tunes—and how expertly that material was curated.
My goal in starting Sam Grisman Project is to build a platform for my friends and me to showcase our genuine passion and appreciation for the legacy of Dawg and Jerry’s music. By playing some of their beloved repertoire and sharing the original music that our own collective has to offer, we will also show the impact that this music has had on our own individual musical voices. Ultimately, there is nothing that makes me happier than playing great songs with my best friends and my hope is to share that happiness with audiences all over!”
JOHNNY CASH – THE OFFICIAL CONCERT EXPERIENCE brings songs and stories from the “Man in Black” to the stage in a way that audiences haven’t seen or heard before. With video of Johnny from episodes of The Johnny Cash TV Show projected on a screen above the stage, a live band and singers will accompany him in perfect sync. This concert experience will showcase iconic performances from the TV show and highlight the spirit of the legend by revisiting some of his memorable words and anecdotes. Cash will perform some of his biggest hits, including “Folsom Prison Blues,” “Ring of Fire,” and “I Walk the Line,” and share stories of people he met along the way whose causes he championed – the working man from all walks of life. Plus, onstage male and female singers will split vocal duties performing their own takes on Cash hits. The music never stops in this concert event!
Two 55-minute sets with a 20-minute intermission.
The Psycodelics
On his new album In Plain Sight, Neal Francis offers up a body of work both strangely enchanted and painfully self-aware, unfolding in songs sparked from Greek myths and frenzied dreams and late-night drives in the depths of summer delirium. True to its charmed complexity, the singer/songwriter/pianist’s second full-length came to life over the course of a tumultuous year spent living in a possibly haunted church in Chicago. The result: a portrait of profound upheaval and weary resilience, presented in a kaleidoscopic sound that’s endlessly absorbing.
The follow-up to Francis’s 2019 debut Changes—a New Orleans-R&B-leaning effort that landed on best-of-the-year lists from the likes of KCRW, KEXP, and The Current, and saw him hailed as “the reincarnation of Allen Toussaint” by BBC Radio 6—In Plain Sight was written and recorded almost entirely at the church, a now-defunct congregation called St. Peter’s UCC. Despite not identifying as religious, Francis took a music-ministry job at the church in 2017 at the suggestion of a friend. After breaking up with his longtime girlfriend while on tour in fall 2019, he returned to his hometown and found himself with no place to stay, then headed to St. Peter’s and asked to move into the parsonage. “I thought I’d only stay a few months but it turned into over a year, and I knew I had to do something to take advantage of this miraculous gift of a situation,” he says.
Mixed by Grammy Award-winner Dave Fridmann (HAIM, Spoon, The Flaming Lips, Tame Impala), In Plain Sight finds Francis again joining forces with Changes producer and analog obsessive Sergio Rios (a guitarist/engineer known for his work with CeeLo Green and Alicia Keys). Like its predecessor, the album spotlights Francis’s refined yet free-spirited performance on piano, an instrument he took up at the age of four. “From a very early age, I was playing late into the night in a very stream-of-consciousness kind of way,” he says, naming everything from ragtime to gospel soul to The Who among his formative influences. With a prodigy-like gift for piano, Francis sat in with a dozen different blues acts in Chicago clubs as a teenager, and helmed a widely beloved instrumental funk band called The Heard before going solo. Along with earning lavish acclaim (including a glowing review from Bob Lefsetz, who declared: “THIS IS THE FUTURE OF THE MUSIC BUSINESS!”), Changes led to such triumphs as performing live on KCRW’s “Morning Becomes Eclectic,” sharing the stage with members of The Meters at the New Orleans Jazz & Heritage Festival, and touring with such acts as Lee Fields & The Expressions and Black Pumas.
Recorded entirely on tape with his bandmates Kellen Boersma (guitar), Mike Starr (bass), and Collin O’Brien (drums), In Plain Sight bears a lush and dreamlike quality, thanks in large part to Francis’s restless experimentation with a stash of analog synths lent by his friends in his early days at the church. “My sleep schedule flipped and I’d stay up all night working on songs in this very feverish way,” he says. “I just needed so badly to get completely lost in something.” In a move partly inspired by Led Zeppelin’s Houses of the Holy, In Plain Sight takes its title from a track Francis ended up scrapping from the album. “It’s a song about my breakup and the circumstances that led to me living in the church, where I’m owning up to all my problems within my relationships and my sobriety,” says Francis, whose first full-length chronicles his struggles with addiction. “It felt like the right title for this record, since so much of it is about coming to the understanding that I continue to suffer because of those problems. It’s about acknowledging that and putting it out in the open in order to mitigate the suffering and try to work on it, instead of trying to hide everything.”
The opulent opening track to In Plain Sight, “Alameda Apartments” makes for a majestic introduction to the album’s unveiling of Francis’s inner demons. “I started writing that song maybe six years ago, before I got sober,” he says. “I was going through another breakup and getting kicked out of my place, and I had a nightmare about moving into an art-deco apartment that was haunted, where the walls were all shifting around.” A prime showcase for Francis’s piano work, “Alameda Apartments” simulates that dream state in its untethered melodies, luminous grooves, and lyrics that drift from despair to detached curiosity (e.g., “It remains to be seen if the ghosts are all right”). “The craziest thing is that I’d never encountered the name ‘Alameda’ in any time in my life prior to that dream,” says Francis. “It’s bizarre that I even remembered it, especially since you don’t dream very often when you’re getting fucked up.”
On “Problems,” In Plain Sight eases into a brighter and breezier mood, with Francis mining inspiration from early-’70s Sly & the Family Stone and the glistening soft rock of Mirage-era Fleetwood Mac. But in a stark contrast to the track’s radiant synth and rapturous harmonies, “Problems” centers on Francis’s exacting introspection. “It’s about being half-in and half-out of a relationship, and how untenable that is,” he says. “I wrote it at a time when I really couldn’t maintain a relationship, because I had too many issues with myself that needed to be addressed.”
Graced with a smoldering slide-guitar solo from the legendary Derek Trucks, “Can’t Stop the Rain” arrives as the first unabashedly hopeful moment on In Plain Sight. “I wrote that with my buddy David Shaw, who came up with the refrain and this idea that even though life’s going to throw all this shit at you, there’s still so many things to be grateful for,” says Francis. Propelled by the track’s cascading piano lines and wildly soaring vocals, that refrain takes on an unlikely anthemic power as Francis shares a bit of gently expressed encouragement: “You can’t stop the rain/It’s always coming down/It’s always gonna fall/But you’re not gonna drown.”
On the guitar-heavy and glorious “Prometheus,” Francis nods to the Greek myth of the Titan god who stole fire from Mount Olympus and gave it to the humans. As punishment, Prometheus spent eternity chained to a rock as an eagle visited each day to peck out his liver—which then grew back overnight, only to be eaten again the following day in a never ending cycle of torment. “That song came from the lowest ebb of quarantine, when Chicago was literally on fire,” Francis says. “It came to me while I was driving around all these abandoned streets in the middle of the night, and turned into a song about facing my problems with addiction and feeling like I’m chained to this set of compulsions.” Threaded with plain spoken confession (“It’s not in my nature to try to do better”), the track features a sprawling synth arrangement informed by the many hours Francis spent playing the St. Peter’s pipe organ. “I call that section of the song ‘The Pope,’” he says. “It’s this grand, powerful entry that’s sort of sinister, and then it just drops away.”
By the end of his surreal and sometimes eerie experience of living at the church—“I’m convinced that the stairway leading to the choir loft where I used to practice is haunted,” he notes—Francis had found his musicality undeniably elevated. “Because I was forced into this almost monastic existence and was alone so much of the time, I could play as often and as long as I wanted,” he says. “I ended up becoming such a better pianist, a better writer, a better reader of music.” Dedicated to a woman named Lil (the de facto leader of the St. Peter’s congregation), In Plain Sight ultimately reveals the possibility of redemption and transformation even as your world falls apart.
“When I started the process of writing these songs, I was so emotionally out-of-sorts and really kind of hopeless that I’d be able to come up with anything,” says Francis. “But then I sat down and started working, and embraced whatever inspiration came my way. Sometimes it felt like beating my head against a wall, but I tried to trust that it would lead somewhere. The whole thing was like a weird dream—this very strange time of terrible, wonderful isolation.”
In Plain Sight has received critical praise from KCRW (“an unapologetically joyful, electric feel”), Rolling Stone (“Neal Francis is making piano rock cool again”), SPIN (“one of the year’s best releases”), and more. Both radio singles from the album—“Can’t Stop The Rain” and “Problems”—charted on AAA and Americana radio, with “Can’t Stop The Rain” going as high as #3 on the Americana charts. Francis has toured relentlessly to support the album, playing to thousands with sold out headline dates at legendary venues in Chicago, San Francisco, Nashville, Denver, London, and many more.
In November 2022 Francis released the EP Sentimental Garbage (ATO Records) which includes a number of standout tracks recorded during the original album sessions at St. Peter’s. “Sentimental Garbage was the working title of our last LP,” Francis says, “which includes the track of the same name. We ended up calling that record In Plain Sight while removing the title track from the sequence. I knew this was my last chance to slap ‘Sentimental Garbage’ on a record jacket, the thought of which always brought me great joy. It also works because this record is compiled of bittersweet scraps.”
Half-Mile Farm is thrilled to welcome Rebecca Lang, author of Y’all Come Over and Judge on the Food Network’s Chopped Junior for a weekend of Southern Foodie fun.
Half-Mile Farm is thrilled to welcome Rebecca Lang, author of Y’all Come Over and Judge on the Food Network’s Chopped Junior for a weekend of Southern Foodie fun.
Rebecca has also cooked at the James Beard House and was featured in more than 50 nationally televised Southern Living food segments, and in The Wall Street Journal, Los Angeles Times, The Atlanta Journal-Constitution, The Washington Post, Glamour, and Fitness magazines.
Weekend Events in the Woodland View Room:
Social Hour Friday and Saturday Evenings from 5-6 pm in the Woodland View room hosted by Rebecca Lang with complimentary hors d’oeuvres featuring recipes from her latest book. Craft beverages are available from J. Henry Farmhouse Tavern and live music from 5-8 pm.
Saturday and Sunday Morning Breakfast from 8-10:30 am in the Woodland View room will also feature recipes from Rebecca’s books.
Saturday Presentation and Tasting from 4-5 pm in the Woodland View room where you will learn to celebrate the holidays in style with ease using tips, recipes, and tricks of the trade from ninth-generation Southerner Rebecca Lang. Rebecca’s latest book, Y’all Come Over will be available for purchase and dedication.
osted events are for Half-Mile Farm guests only.
To attend this complimentary event at Half-Mile Farm December 1-3 book your stay today.
Miracle on Main Street will take over Chimney Rock Smokehouse from November 24 to December 31st. Featuring craft cocktails, tons of decor, award winning bbq, and weekly events. This place will make even the Grinch smile.
Donation-based yoga
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
It is Christmas Eve and Clara and her brother, Fritz, are excited for the evening’s festivities to begin. Family and friends arrive in Greenville by train and admire the sights and sounds of beautiful Main Street. Clara’s magician Godfather, Herr Drosselmeyer, arrives and brings gifts for everyone. For Clara, he has a very special nutcracker. The celebration continues as all enjoy an evening of laughter and dancing. As one of the maids joins in on the dancing, she bonks Herr Drosselmeyer on the head in her excitement and he is knocked unconscious.
A magical star enters to guide Herr Drosselmeyer on a beautiful journey of Clara’s future. After all the guests have left, a lonely maid tidies up the room. She screams in fright as mice invade from every direction. The nutcracker doll, now life-sized, comes to save the day with an army of soldiers. A fierce battle between the mice and soldiers ensues. The Mouse King has The Nutcracker cornered, but Clara strikes the rodent and saves her Nutcracker who is transformed into a handsome prince. Herr Drosselmeyer’s journey continues with visions of beautiful angels and the well known Mice on Main in downtown Greenville. The city’s rich culture appears through Spanish, Arabian, Chinese, and Candy dancers as well.
Herr Dosselmeyer’s glimpse into Clara’s future happens upon her Debutante Ball complete with elegant waltzing dancers. The loving Godfather has watched his precious Clara’s coming of age and finds himself on her wedding day. The grown-up Clara is a beautiful bride and marries her dashing Nutcracker Cavalier. The magical wedding is one only dreams are made of. Or is it just a dream?
Music by Pyotr Ilyich Tchaikovsky(1840-1893)
The libretto is adapted from E.T.A Hoffmann’s story The Nutcracker and the Mouse King. Choreography by Hernan Justo is based on the original Marius Petipa and Lev Ivanov. Additional choreography by Anita Pacylowski Justo
Get ready to embrace the spirit of Christmas with Elf: The Musical, a heartwarming and hilarious adaptation of the beloved 2003 holiday film. This enchanting musical follows the journey of Buddy, a human raised by elves at the North Pole who embarks on a journey to New York City to find his real father. Through catchy, uplifting songs and zany comedic antics, Elf: The Musical serves a healthy dose of holiday cheer, laughter, and life lessons about identity, family, and the true meaning of Christmas. It’s a magical, festive spectacle guaranteed to light up the holiday season for all ages!
A talkback with the cast & crew of Elf: The Musical will be held following the performances on December 3rd and 10th.
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
Jack of the Wood
95 Patton ave
Asheville, NC 28801
(828) 252.5445
Christmas Program: Featuring Music Club Members and Friends
The Weaverville Music Study Club is now organized under the direction of a Board with a niece of the late Mrs. Clark, Harriet Holcombe Burnette serving as President. The Music Study Club along with area businesses and organizations sponsor music programs throughout the year. Offerings received at these programs provide scholarships for area high school students who wish to pursue music studies.
Jesse Sykes w/ Phil Wandscher
Sunn O)))) formed in March 1998 in Los Angeles. A synthesis of diverse: drone, ur, noise, metal, minimalism/maximalism; supported by a cast of collaborators, O))) has two core members: Stephen O’Malley and Greg Anderson. For twenty years, Sunn O))) have been challenging the way we think about music. From 1999’s The Grimmrobe Demos to 2015’s Kannon, core members Stephen O’Malley and Greg Anderson have forged connections between the worlds of Metal, Drone, Contemporary Composition, Jazz and Minimalism with startling results while remaining true to the eternal principles of volume, density and weight. Recently, Sunn O))) released their first full-length LP in six years, Kannon (2015), with its roots in recent collaborations with Norway’s Ulver (Terrestrials) and Scott Walker (Soused). The current live line-up, consisting of Stephen O’Malley, Greg Anderson, Attila Csihar, Stephen Moore and Tos Nieuwenhuizen continue live activities with dates across North America, Australia and Europe with remarkable performances at some of their favourite venues, as well as performing in new cultural spaces such as Italy’s impressive cultural complex Labrinto Della Masone, Germany’s Ruhrtriennale Festival of Arts, at The Barbican, London and Manchester International Festival being a few fine examples. All hail.
Miracle on Main Street will take over Chimney Rock Smokehouse from November 24 to December 31st. Featuring craft cocktails, tons of decor, award winning bbq, and weekly events. This place will make even the Grinch smile.
Come join us for an evening of Jigs, Reels, and Song. No need to travel to Ireland! It’s right here, every Monday night, along with fine brews at Trailside.
Sarah Brightman, the world’s best-selling Soprano and UNESCO Artist for Peace Ambassador, has amassed sales of more than 30 million, receiving awards in over 40 countries and garnering over 1 billion streams worldwide. She originated the role of Christine Daaé in the world-renowned The Phantom of the Opera on both West End and Broadway stages and has performed at such prestigious events as the Concert for Diana, The Kennedy Center Honors, and the Barcelona and Beijing Olympic Games.
Sarah’s albums Eden, La Luna, Harem, Symphony, and Dreamchaser were each chart-topping Billboard hits and were all accompanied by world tours. Her most recent full-length studio album HYMN was released in 2018 and debuted at #1 on the Classical and Classical Crossover Billboard charts. The HYMN World Tour began in South America in September 2018 and concluded in her hometown of London, England in November 2019.
Brightman has been recognized for her outstanding contribution to music and theatre with a ‘STAR’ on the world-renowned, majestic Hollywood Walk of Fame, in addition to receiving an Honorary Doctor of Arts (Hon DArt). In 2022, Sarah entertained her first exclusive 3-night Las Vegas engagement at The Venetian Resort® with “A Starlight Symphony…An Evening with Sarah Brightman” before taking her holiday tour A Christmas Symphony internationally to Japan and Southeast Asia. Now an annual tradition, Sarah’s 2023 A Christmas Symphony tour will come to Greenville, SC for an enchanting show this December.
Miracle on Main Street will take over Chimney Rock Smokehouse from November 24 to December 31st. Featuring craft cocktails, tons of decor, award winning bbq, and weekly events. This place will make even the Grinch smile.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
LEAF isn’t just for kids! Join us in the Mezzanine while you wait for your youth to finish their class or just to hang out!
From Heart To Table: MANNA Foodbank:
From now until December 10th, Cellarest Beer Project will donate $1 for every pour of Forbidden, a rice lager collaboration with Hi-Wire Brewing. Please visit their taproom at 395 Haywood Rd in West Asheville to enjoy a unique brew and help the community while you’re at it.
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Come down the Pack Memorial Library and play with LEGOs! Please leave your personal LEGOs at home, because we’ve got plenty.
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The Governor’s School Wind Ensemble and Sinfonia Chamber Orchestra will present their Fall concert!
Miracle on Main Street will take over Chimney Rock Smokehouse from November 24 to December 31st. Featuring craft cocktails, tons of decor, award winning bbq, and weekly events. This place will make even the Grinch smile.
Asheville Regional Airport (AVL) is pleased to welcome 4 regional school choral groups to the airport during the holidays. The choirs will perform holiday music for the enjoyment of passengers, visitors and employees. AVL is also pleased to have five local musicians and one local trio as part of the Music in the Airport program performing throughout the month.
“It is a joy to invite our community to participate in the Sounds of the Holidays program at AVL,” said Alexandra Ingle, brand and experience designer. “This program highlights the talent of our region and is a festive way to liven up the halls of the airport during this holiday season.”
Following is a schedule of choral performances:
Thursday, December 7 CANCELLED
11:30am North Henderson High School Advanced Choir
Wednesday, December 13
12:05pm Clyde A. Erwin Combined Choirs
Friday, December 14
11:40am Smoky Mountain High School Choir
Wednesday, December 20
11:30am Candler and Pisgah Elementary School Choruses
Following is a schedule of Music in the Airport performances:
Mike Andersen
Mondays in December at 11am (except 12/25)
Friday December 29 11am
Phil Okrend
Thursday, December 7 at 12pm
Thursday, December 14 at 12:15pm
Thursday, December 21 at 12pm
Thursday, December 28 at 12pm
Bill Cozzens-Bryant
Wednesday, December 6 at 10:30am
Wednesday, December 13 at 9:45am
Wednesday, December 20 at 9am
Wednesday, December 27 at 10:30am
Mari Hashimoto
Tuesday, December 12 at 11am
Tuesday, December 26 at 11am
Jack Victor
Thursday, December 14 at 9:30am
Industrial Coffee Pot
Sunday, December 10 at 10:00am
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
From Heart To Table: MANNA Foodbank:
From now until December 10th, Cellarest Beer Project will donate $1 for every pour of Forbidden, a rice lager collaboration with Hi-Wire Brewing. Please visit their taproom at 395 Haywood Rd in West Asheville to enjoy a unique brew and help the community while you’re at it.
Join us at Keynote Speechcrafters and
Discover the
Joy of
Public Speaking!
It’s natural to enjoy things you do well,
and you will get good at this.
Our members are committed to meeting each week because
steady progress
requires
steady practice.
Our motto:
When you show up
You speak
Every meeting
Every week
So come join us at the South Buncombe Library on Wednesday evenings and prepare to become a better you.
Please Click here to let us know you are coming.
Guests are always welcome. We look forward to speaking with you!
Paul McCartney and Wings’ Band on the Run
Featuring special guest Erik Mattox
The December 6 event is a listening party and discussion focusing on Band on the Run, the classic, Grammy-winning 1973 album from Paul McCartney and Wings.
The fraught circumstances under which the album was made stand in contrast to the power and accessibility of the music. McCartney endured the sudden departure of nearly half his band, armed robbery, accusations of cultural appropriation and – though he didn’t know it at the time – the potential of contracting cholera. But along with wife Linda and band mate Denny Laine, he rallied, creating what today is looked upon as a height – possibly the pinnacle – of his post-Beatles creative output. The album featured three hit singles: “Jet,” “Helen Wheels” and the title track, but the rest of the album is superb as well, showcasing the qualities that have made McCartney one of the most successful songwriters of all time.
On the occasion of the 50th anniversary of Paul McCartney and Wings’ iconic Band on the Run album, Bill Kopp’s Music to Your Ears takes an opportunity to explore this groundbreaking and massively successful album, one that helped get McCartney’s career back on track, setting him up for the globetrotting Wings Over the World Tour just a year and a half later.
Joined by special co-host (and fellow McCartney fanatic) Erik Mattox, Bill Kopp will play key tracks from Band on the Run along with other relevant recordings, helping to place the album in its historical and pop-cultural context. The evening is the latest installment of the popular Music to Your Ears discussion series, hosted by Asheville Guitar Bar and sponsored by AshevilleFM.
ABOUT THE DISCUSSION SERIES
Music to Your Ears is Bill Kopp’s monthly discussion series hosted by Asheville Guitar Bar and sponsored by AshevilleFM. On the first Wednesday of each month, music enthusiasts gather to discuss an important album, artist or musical movement. An interactive evening, Music to Your Ears isn’t a lecture; it’s a discussion led by experts and designed to enrich the listening experience. The character of each session is defined by the participants (that’s you). The conversation goes where the attendees take it: the person seated next to you might have attended Woodstock or seen The Beatles in concert. The insights of everyone in the room are what make each and every Music to Your Ears a unique experience.
ABOUT BILL KOPP
With over 500 bylines in Western North Carolina publications (Mountain Xpress, Bold Life, WNC Magazine and more), Asheville-based author and music journalist is an acknowledged expert on popular music. Author of two books – Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave – Bill Kopp writes for publications across the country and abroad. A contributing editor at Goldmine Magazine and contributing writer at GRAMMY.com, he has authored more than 30 album liner note essays and conducted more than 1000 interviews. He regularly hosts lecture/discussions on artists and albums of historical importance, and is a frequent guest on music-focused radio programs and podcasts.
Every Wednesday
Trivia Night
Trivia Night at Hickory Tavern