Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Wednesday, May
10, 2023
Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Food Scraps Drop Off: West Asheville Library
Italian Renaissance Alive
LAZOOM: CITY COMEDY TOUR
‘Sparkle Time’ Holistic Exercise
The Swannanoa Valley Museum’s Walk Through History series
Art Exhibit: RAUSCHENBERG: A Gift in Your Pocket
Burton Street Community Center’s Mother’s Day Lunch
Create Your Marketing Materials Using Canva
Flower Power – Asheville Gallery of Art
Luzene Hill: Revelate
Pulp Potential: Works in Handmade Paper
Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
The Vanderbilts at Home and Abroad
Too Much Is Just Right: The Legacy of Pattern and Decoration
River Arts District Farmers Market
Weaverville Tailgate Market
Afterschool Pottery with Ona
Read to Puptart!
Indigo Shibori Workshop
Young Professionals Social
LGBTQ+ documentary: “You Belong Here”
Adults Only Trivia Night Asheville Pizza and Brewing Company
Improv Level One: Communicate. Collaborate. Play
Witty Wednesday Trivia
FILM SCREENING: Nam June Paik: Moon is the Oldest TV
LAZOOM Tours: GHOST COMEDY BUS TOUR
Trivia Night
The Revolutionists (produced by Immediate Theatre Project)
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in
two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
Library open hours
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
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- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
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- Dawn – Dusk
Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
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Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
- Guided comedy tour bus of historical Asheville
- 90-Minutes – tours run daily
- 15-minute break at Green Man Brewing
- $39 per person (ages 13+ only)
Mondays and Wednesdays, . Aerobic, strengthening, balancing, flexibility. $5 community service price. Led by 40-year Holistic Health instructor.
The Swannanoa Valley Museum & History Center’s Walk Through History series is an opportunity for WNC residents to get to know the rich history of the Swannanoa Valley by walking its historic estates, sidewalks and cemeteries with knowledgeable guides. Running from April thru September one Wednesday morning a month (with a break in July), each tour is conducted by local experts who intimately know the history of the individuals and communities who once traversed the valley. Come enjoy a morning stroll through WNC history!
Take a guided walking tour of the early 20th century Grovemont-On-Swannanoa planned community developed by E.W. Grove in 1924 and Lake June. Grovemont-On-Swannanoa was billed as America’s first planned community with 500 acres for homes, churchs, lakes, and recreation area. Lake June, a man-made lake that was once part of the Grovemont-On-Swannanoa planned community is a once popular recreation spot, by mid century the lake had drained away and gradually the land had become overgrown with invasive species like kudzu, english ivy and multiflora rose. The tour unearths the ruins of a lakehouse and stone pillars that were once part of the development surrounding the lake, as well as a more mysterious site that has been dubbed “The Spring House” and may be the last remnants of a homestead of unknown age. As the tour moves through the 2.35 acre site, the guides will point out the ways in which the land, the historical remnants and plants and animals tell a story of change and resilience and the hidden history that lies in our midst.
Robert Rauschenberg, Autobiography, 1968
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
All mother and mother figures – please join us for an early Mother’s Day meal celebrating how wonderful all of you are! Call 828-254-1942 for more information.
Free
Online: Zoom webinar
No cost due to sponsor support
Would you like to have sharp and cleverly designed marketing pieces for your business? Good news, you don’t need experience in graphic design or even an investment in expensive software to do so. This session will show you how to use Canva, a free, web-based resource that will allow you to go from being a beginner to a master at graphics overnight! Learn how to create and publish professional and creative marketing designs that include brochures, flyers, social media graphics, logos, labels and more that would normally cost you a fortune. Turn your imagination into finished designs in minutes!
Speaker(s): TenBiz
Co-Sponsor(s): Henderson County Chamber of Commerce, Brevard/Transylvania Chamber of Commerce
Webinar info will be emailed after registration.
Asheville Gallery of Art’s May show, “Flower Power,” introduces three new Gallery members: Nick Colquitt, Jean-Pierre Dubreuil, and Yvonne McCabe. This delightful exhibition takes its audience on a journey through the mountains of North Carolina, showcasing the mysterious beauty they display within their natural terrain. The show runs May 1-31 during Gallery hours, 11am-6pm daily.
An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.
Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.
Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
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Included with admission
Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:
- An opportunity to view rarely-seen treasures from the Biltmore collection
- A first-hand look at the Vanderbilts’ lifestyle
- Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels
Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.
In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
Located in the River Arts District, and surrounded by art galleries and breweries, come find out about Asheville’s favourite mid-week market!
Proudly serving the Weaverville community since 2009
What are your kiddos doing after school this Spring? Are they wild, unhinged muddy monsters once they get home? Are they glued to a tablet when they hit the carpool lane?
Sounds like Firefly Valley’s Pottery Class here on the farm by artist Ona is what they need- let’s play in the mud, be outside AND get centered! This class is recommended for ages 3-12, parents can attend too. If parents ALSO want to make pottery, just purchase a 2nd admission.
For 5 weeks, attendees will work on a new creation together with Ona’s guidance. If something comes up and your little one misses a class, Ona can furnish you with some raw materials to craft at home, and she will fire it before the class is over for the season.
This is primarily a hand building pottery class (pinch, coil, slab and sculpture techniques will be taught) but participants will have two classes with individual lessons on a pottery wheel as well with a special guest instructor.
Date: Every Wednesday for 5 weeks, April 12th through May 10th
*Interested in drop-in classes? Contact [email protected] to inquire.
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Puptart is a tail wagging robot dog who sits and stays, pants when listening, and responds to someone talking to and petting it. It will not jump up or run away, plus it’s fur free, so no sneezes and runny noses coming your way! Every Wednesday afternoon, Puptart will be available for reading practice in the children’s picture book room. Help establish a joy of reading and develop early literacy skills. Sign up at the front desk, pick a book and practice reading for up to 15 minutes. |
Cowork member Kristin Arzt will be facilitating an indigo shibori workshop in our Assembly Hall on Wednesday, May 10th from 5-7pm! We hope to see you there! Learn the beautiful and ancient Japanese resist-dyeing technique known as shibori, in tandem with natural indigo dyeing! In this workshop, you will create unique patterns on fabric using folding, tying, and binding resist techniques to dye fabric. Participants are welcome to bring their own small fabric or items (limited to the size of a t-shirt) from home to dye. Any natural fiber items will take the indigo dye—cotton, linen, hemp, silk, wool, etc. Learn more about Kristin here!
The YP’s Monthly Social offers a chance for those professionals under 40 to meet through a laid-back networking opportunity. Months will rotate with guest speakers and professional development opportunities as well. Join us each month on the 2nd Wednesday from 5:00 – 6:00 pm at Dry Falls Brewing Co.
A big thanks to AdventHealth Hendersonville & Spectrum Reach for presenting this program for the 2023 year!
Based on research done by The Trevor Project, “LGBTQ+ youth are more than four times as likely to attempt suicide than their peers.” The documentary will give viewers a diverse understanding of LGBTQ+ experiences in the South while also recognizing the vital role that affirming allies play in promoting positive mental health and suicide prevention amongst individuals who identify within the LGBTQ+ community. The hope is to promote collective growth in our communal understanding of the unique stories, adversities, and resiliency of LGBTQ+ people in the South.
This documentary is presented by The Eastern Carolina Injury Prevention Program at ECU Health Medical Center in partnership with Mission Hospital and LA FLECHA FILM CO.
Funding for this project is provided by the NC DHHS Comprehensive Prevention Suicide Grant and Pitt County SADD.
EVERY WEDNESDAY AT 6:30 pm ~ FREE!
AGES 18+ ADULTS ONLY ~ NO KIDS ALLOWED
ON OUR HUGE SCREEN IN THEATER 2!
ENJOY DINNER & DRINKS (FULL BAR) WHILE PLAYING
There are 3 rounds with new winners each round so you can show up late, miss a round and still be a winner. Plus, we have mid-round prizes to create as many winners as possible.
The questions are presented by a hilarious host on our giant movie screen and includes fun videos in each round. You haven’t played a trivia night like this one!
Enrollment is now open for two adult improvisation acting classes offered by Hendersonville Theatre (HT). Classes will be taught by professional improvisation actor and comedian Emily Swindal. Both classes are open to anyone over the age of 18, regardless of experience level.
Improv Level One: Communicate. Collaborate. Play. meets on Wednesdays from April 5 to May 24. Tuition is $180. In the class, students will work at getting comfortable on stage while having fun doing it. Students will learn to have compassion for themselves and their classmates as performers as they learn the fundamentals of improvisation and develop support and spontaneity. Together, they will learn the importance of “yes-and-ing,” heightening the absurdity and raising the stakes. They will also cover the differences between short form and long form improv. This is a short form class similar to Whose Line Is It Anyway?
Beat the mid week grind with some fun trivia! Win a $25 gift card for our taproom along with a $25 gift card from our resident kitchen, Bears Smokehouse BBQ!
Members Only Film Screening at BMCM+AC
“The George Washington of Video Art” … “Cultural Terrorist” … “Citizen Zero of the Electronic Superhighway”… But who really was Nam June Paik, pillar of the American avant-garde in the 20th century and arguably the most famous Korean artist in modern history? Director Amanda Kim tells, for the first time, the story of Paik’s meteoric rise in the New York art scene and his Nostradamus-like visions of a future in which “everybody will have his own TV channel.” Thanks to social media, Paik’s future is now our present, and NAM JUNE PAIK: MOON IS THE OLDEST TV shows us how we got here.
NAM JUNE PAIK: MOON IS THE OLDEST TV (Amanda Kim, 2023, 109 minutes, English, Color, Not Rated). A Dogwoof production. Presented by Greenwich Entertainment, in association with American Masters Pictures/PBS. Produced by Jennifer Stockman, David Koh, Amanda Kim, Amy Hobby, and Jesse Wann.
Trailer:https://www.youtube.com/watch?v=nzhEUxmqGWs&t=1s
“A tantalizing portrait of a revolutionary Korean-born artist.” — Variety
“Essential viewing for anyone interested in the origins of video art, mass media and the internet.” — The Hollywood Reporter
GHOST COMEDY BUS TOUR
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
- Guided comedy bus tour of Haunted Asheville
- 60 minutes; tours run nightly after dark
- $33 per person (Ages 17+ only)
- Departs from 76 Biltmore Avenue
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
Every Wednesday
Trivia Night
By Lauren Gunderson
Produced by Immediate Theatre Project
Four badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. It’s a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold.
From the people who brought you Silent Sky comes this grand and dream-tweaked comedy about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world.
Discretionary Content: Adult themes and badass ladies