BURIAL x SAINT VITUS – BURNPILE PREPARTY

Featuring CHOIR BOY + KONTRAVOID

Friday, October 13th at Wicked Weed’s Funkatorium – 147 Coxe Ave, Asheville

We’ve teamed up with the legendary crew at Brooklyn’s Saint Vitus to throw one hell of a Burnpile Preparty. Join us Friday, October 13th at Wicked Weed’s Funkatorium, for live performances by CHOIR BOY and KONTRAVOID. In addition to the show, a featured Burial x Saint Vitus collaboration beer will be available on draft. Let the hellacious festivities begin.

CHOIR BOY

“Choir Boy” was what the kids called singer/songwriter Adam Klopp in his early teens when he fronted punk cover bands in Cleveland, Ohio. An intended insult, the label seemed fair and fitting in a way, given Klopp’s religious upbringing and angelic voice. After high school, Adam left Ohio for college in Utah. While his career as a student would prove short-lived, he integrated into Provo and SLC’s underground music and art scene, left religion behind, and called his new band “Choir Boy”.

“It seemed funny to me as sort of a comical reclamation of the mocking title I received from “punk” peers as a teen. While serving as a weird reflection of my childhood and musical heritage.”

Since Choir Boy’s gorgeous debut LP on Team Love records in 2016, the dream-pop outfit has gained a cult following online and in underground circles. Adam’s stunning vocal range, layered compositions, and heartbreaking melodies are backed by musical partner Chaz Costello on bass (Fossil Arms, Sculpture Club, Human Leather) – and along with a rotating cast of players, create the perfect blend of nostalgia-laced romantic pop music we’ve been waiting years to hear.

KONTRAVOID

Kontravoid’s masked mystique has remained for over a decade. Ever since the release of his self-titled LP in 2012, the Canadian-born, Los Angeles-based Cameron Findlay has perfected dark pop with his oeuvre that teeters between the EBM, electro and goth genres. His productions, such as 2019’s “Too Deep” and 2021’s “Faceless,” dive to the most derelict corners of foggy, strobe-lit clubs: there is no choice but to dance. But there is an uncanny softness and obvious songwriting ability to compose heart-wrenching songs that are both captivating and drenched in melancholy—2018’s “Undone” has been a fan favorite since it came out on Berlin’s Fleisch Records. Onstage, Kontravoid demands the audience’s attention with his powerful performance that balances his specific concoction of harsh beats with his signature bass line rhythmic patterns. He’s toured alongside Boy Harsher, ADULT., Drab Majesty and Hide, and has remixed the likes of Schwefelgelb and Kris Baha. Truly a man of the shadows, Kontravoid is an unparalleled fixture in the dark electronic arena.

This is an 18+ event.

Freaky Friday Funktion with Niles and fellow Atlanta producers Dopamine and Ace Taylor, and Asheville’s very own Wij.

Mark your calendars for the Freaky Friday Funktion with Niles at One World Brewing in West Asheville on Friday, October 13th! Joining Niles are fellow Atlanta producers Dopamine and Ace Taylor, along with Asheville’s very own Wij. Prepare for high-energy bass and house music, Funktion One sound from Dosobis, live painting by Art of Kiki, local artist vendors, exceptional craft beer and cocktails, and spooky vibes!

With a diverse catalog of hundreds of songs, the musical juggernaut Neighbor has become one of the most exciting and unpredictable live bands on the music scene today. Grown in large part by the passion and devotion of the fans called Neighbors, their symbiotic relationship inspires and touches every performance. The creation of childhood neighbors Richard James (vocals, keys) and Lyle Brewer (guitar), Neighbor combines ambitious composition, soulful balladry, and a fearless approach to their lengthy improvisations. The quartet is rounded out by Dan Kelly (bass) and Dean Johnston (drums) who fuel the groove and lay a solid foundation for Neighbor’s “down home” sound. Come see what’s good in the neighborhood.

Ooh La La Curiosity Market is an artist’s market that takes place in Pritchard Park, located in the center of beautiful downtown Asheville and will showcase the work of more than a dozen local artists. Taking place on Saturdays throughout Summer and every Saturday in October. Ooh La La will feature works by local painters, leather smiths, jewelry makers, potters, up-cycled crafters, and other curious delights, all beneath the colored canopies of large market umbrellas. In addition to the artists, the market will also feature live local music with three musical acts performing each Saturday and will include everything from a solo saxophonist to folk, blues, acoustic and jazz acts.

Burnpile is Burial Beer Co.’s premier Beer and Music Festival. Hosted at Burial’s Forestry Camp facility near Asheville’s Biltmore Village, attendees enjoy a full-day concert by Deer Tick, S.G. Goodman, and MJ Lenderman alongside a tasting experience from a diverse lineup of 50+ of the best breweries in the country, and much more.

Join us for an outdoor Campus Centennial Concert Celebration, with music presented by Shane & Shane, with special guest speakers, Willie and Korie Robertson. Dinner will be available for purchase. Rain or Shine event.

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

GRAMMY-nominated rock band NEEDTOBREATHE is set to bring their “high-energy, infectious” (Music Row) live show to arenas across the country this fall with “The CAVES World Tour.” The first leg of the tour is set to kick off October 13 in Savanah, GA and will feature alternative rock band Judah & The Lion as special guests. Tickets will be available starting Monday, June 5 with an Insider’s presale. Additional presales will run throughout the week ahead of the general onsale beginning Friday, June 9 at NEEDTOBREATHE.com.

NEEDTOBREATHE has built a “massive live following” (Rolling Stone) and developed a reputation for their energetic “southern groove” (New York Times) and “some of the best vocal performances, instrumentation and stage presence” (Toronto Star).

The tour will support NEEDTOBREATHE’S ninth studio album CAVES, which is set to release this fall. The collection will feature a new batch of songs “that will be brimming with anthemic arena-worthy sounds” (American Songwriter).

“CAVES is the most ambitious album we’ve made so far, and it really feels like a new chapter for us as a band,” said NEEDTOBREATHE frontman Bear Rinehart. “We can’t wait to take this new energy to our fans on the road and perform these songs live. It’s going to be special.”

Illiterate Light thrives on subverting expectations. Though just a duo, the Harrisonburg, Virginia-based singer-guitarist Jeff Gorman along with Nashville, Tennessee-based drummer Jake Cochran make surprisingly pummeling and thoughtful alternative rock. Since the band’s 2015 inception, they’ve intently focused on their unorthodox live show with Cochran standing behind his kit and Gorman playing synth bass with his foot as he sings and strums his guitar. Fiercely egalitarian and independent, the two not only split up songwriting duties and arrangement ideas, they even built bike-powered stages: bringing the fans into the live experience and envisioning a greener future for shows.

With their latest album Sunburned, out January 27 via Thirty Tigers, Gorman and Cochran have turned their attention inward to their songwriting and studio craft. It’s their most fully-realized and ambitious LP yet, one that’s full of immediate songs that update and revolutionize the band’s approach to making music. There are rich keyboard and programmed percussion textures now populating their songs, as well as soaringly anthemic choruses, and hefty doses of fuzz. “On our first record, we were very live-focused and wanted to make sure whatever we were writing was translated in person,” says Gorman. “Without that crutch, we could be more adventurous and take more risks. We definitely weren’t timid in the studio.”

A BIG THANKS TO 98.1 THE RIVER FOR SUPPORTING LIVE MUSIC IN ASHEVILLE, NC

Kristian Matsson has never remained in one place for very long. Having spent much of the last decade touring around the world as The Tallest Man on Earth, Matsson has captivated audiences using, as The New York Times describes, “every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away…Mr. Matsson is a guitar-slinger rooted in folk, and his songs are troubadour ballads at heart.”

Then came 2020, when Matsson left New York City and returned to his farm in Sweden. There, during that quiet, dreary time of isolation, he drowned out his thoughts by manically growing vegetables in his garden. When he tried writing again, during those many months of collective forced solitude, “I just found myself commenting on the darkness,” Matsson says. “I lost my imagination.” Playing live, music and inspiration returned near the end of 2021, and his produce became less of a priority. “When I’m in motion, I can focus on my instinct, have my daydreams again. When I was finally able to tour again, I started writing like a madman.” He eventually had twenty songs he wanted to record in ten days.

Now, Matsson returns as The Tallest Man on Earth with Henry St., his sixth studio album following 2012’s There’s No Leaving Now, full of “vivid imagery, clever turns-of-phrase, and devastating, world-weary observations” (Under The Radar) and 2015’s Dark Bird Is A Home, his “most personal record… surreal and dreamlike” (Pitchfork). Henry St. notably marks the first time he recorded an album in a band setting. “My entire career I’ve been a DIY person––mostly fueled by the feeling that I didn’t know what I was doing, so I’d just do everything myself.” But now, longing for the energy that’s only released when creating together with others, Matsson invited his friends to come and play.

Nick Sanborn (of Sylvan Esso) produced Henry St., which includes contributions from Ryan Gustafson (of The Dead Tongues) on guitar, lap steel and ukulele, TJ Maiani on drums, CJ Camerieri (of Bon Iver) on trumpet and French horn, Phil Cook on piano and organ, Rob Moose (of Bon Iver, yMusic) on strings and Adam Schatz on saxophone. “They opened everything up, and understood what the songs that I’d written needed: sounds that I couldn’t ever have thought of or created myself. We recorded so many of the songs live in the studio, playing, having fun and being really open with each other.”

An overarching theme of Henry St., he says, is “how to be a person in this world.” The title track is about the deception that, “as individuals, we’re told that we should strive for success. But when we have it, it doesn’t solve anything. The song is about stepping away and thinking: why am I actually doing this?” While writing the song back in Sweden, he knew it would be the centerpiece of the album. “It’s the low point and the turnaround: the other songs are a reminder that I will always be a stubborn optimist, even at the darkest of times.” He was about to record the track as a solo piece, until Phil Cook came in on his first day in the studio. “I had Phil basically hanging over my shoulders at the piano while we were playing, and then he recorded it. He improvised that beautiful outro. When he did, our jaws dropped––I was in tears.”

“Looking for Love” is one of those songs about Matsson’s stubborn optimism, and a shining example of Sanborn’s influence on the album. “The first day in the studio, Nick created this hissing noise while I was feedbacking electric guitar. We had so much fun jamming like that. Then Nick put down some piano to overdub my guitar, and we knew we had the song.” The tone for their collaboration was set. “Nick is so emotionally intelligent, and we share an almost childlike joy in things that can happen with music. He makes the songs come truly alive by keeping the performances and the humanity in––the kind of stuff that just happens during the session.”

The song “Every Little Heart,” he says, came from a feeling of fearlessness, a confidence in making music after two years of relative silence. “But of course I still have little demons inside of me. I wrote some key changes in the song that came natural to me, but I worried they might sound unnatural to others. When TJ Maiani heard it, he straightaway went into this drumbeat that shocked me a little at first, but came completely natural to him. It fit the song perfectly.”

Matsson’s longing for social interchange, after months spent with only his crops, led to the collaboration that delivered the warm, unique and sprawling sound of Henry St. “It’s the most playful, most me album yet, because it covers so many of the different noises in my head. When you overthink things, you get further away from your original ideas. And God knows I overthink things when I’m by myself.” The time in isolation also brought him some newfound peace of mind. “Having been away from it taught me that making music and performing is what I’m doing for the rest of my life, and I’m so grateful for it. It has given me new confidence and playfulness. This is what I do. It’s unconditional.”

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Join us for Black Mountain’s original Sunday Jam! Hosted by Spiro and Friends, this jam features original jams and favorite covers. Bring your instrument! Sign-ups at the stage starting at 6 PM!

Pisgah Beer, Gluten Free and N/A options available. Family and dog friendly venue.

The taproom is open from 2:00 to 9:00 PM with music beginning at 6:30 PM.

If you’re wondering what Australian singer, songwriter and one-of-a-kind guitar virtuoso Daniel Champagne did after his 44-city US tour over the summer of 2022, he proceeded immediately to Canada for 30 mostly sold-out shows and then to New Zealand for another 30 mostly sold-out shows. There’s a Christmas break, and then a monumental tour of Australia. Obvi-ously the best word to describe Daniel is “relentless”.

Daniel will brings his tour back to America starting in mid-July 2023 and continuing through October for an even more ambitious 50 shows! He’ll return to many venues he performed in 2022, and will be adding new shows in places he hasn’t performed in many years.

One reviewer recently wrote “Daniel Champagne exudes a natural ease on stage, as he sings poignant lyrics and beautifully crafted melodies that invariably whisk the heart up with grand romanticism. Coupled with an exhilarating guitar talent that transcends mere acoustic playing to replicate a whole band, Champagne must be seen to be believed’

The story goes that Daniel first picked up his instrument of choice as a 5-year-old following in the footsteps of a musical father. He began writing songs at 12, training classically throughout his teens and performing wherever he could, honing his craft and developing the dynamic live show that he is renowned for today. At 18 he left school, turned professional and hit the road without looking back.

The following decade saw him release 5 studio albums, tour relentlessly around the globe with upwards of 300 shows per year, play some of the biggest festivals under the sun and share stages with the likes of Tommy Emmanuel, INXS, John Butler, Lucinda Williams, Ani DiFranco, Judy Collins and Rodrigo y Gabriela.

In early 2020 as the COVID pandemic ground all touring to a halt, Daniel returned to Australia writing music and further honing his craft and returned to international audiences with a swag of new songs and a complete new live show.

His current release, “Shimmer Through The Windscreen” is making waves on the streaming services and promises great critical acclaim once it is circulated to the media.

For fans of guitar, songs or just artistic expression at its finest, this show is a must see!

WHAT THE PRESS SAY..

“The word Prodigy seems to entirely fall short of this soft-spoken young man’s skills, he coax-es sounds and melodies out of his instrument that literally drop jaws.” The Calgary Herald, CANADA

“Today I saw the future of Folk – Festival goers flocking in the thousands towards the main stage to witness a young musical phenomenon from Australia dish out an absolute show-stopper.” The Firefly Column, USA

“Daniel Champagne is a crossroads. Fusing the strong traditions of Blues, Folk and other roots art with pop showmanship and admirable lyrical ability. I firmly believe that he will become an ambassador for roots music in a time where it desperately needs representation.” The Indie Blender, CANADA

“reinventing roots guitar” Rhythms Magazine, AUSTRALIA

“Watching Daniel Champagne perform is a once in a lifetime experience. He is a true prodigy that plays like no one else could possibly play unless they spent at least two lifetimes studying the art.” BW Review, NEW ZEALAND

Here Come the Mummies is a nine-piece funk-rock band of 5000 year-old Egyptian Mummies with a one-track mind. Their “Terrifying Funk from Beyond the Grave” is sure to get you into them (and possibly vice versa).

Since their discovery HCTM has been direct support for P-Funk, Al Green, Mavis Staples, KC and the Sunshine Band, and Cheap Trick; rocked Super Bowl Village; become a regular on The Bob and Tom Show; played massive festivals like Summer Fest, Summer Camp, Common Ground, Musikfest, and Suwannee Hulaween; and sold tickets by the thousands across large swaths of North America.

Maybe that’s why the ladies (and some dudes) can’t stop losing their minds over these mayhem-inducing mavens of mirth.
Some say they were cursed after deflowering a great Pharaoh’s daughter. Others claim they are reincarnated Grammy-Winning studio musicians. Regardless, HCTM’s mysterious personas, cunning song-craft, and unrelenting live show will bend your brain, and melt your face. Get ready, for Here Come The Mummies.

LEAF isn’t just for kids! Join us in the Mezzanine while you wait for your youth to finish their class or just to hang out!

Created between the dry freeways of Palm Springs, California and lush coastlines and Hilo, Hawai’i, V is the definitive Unknown Mortal Orchestra record. Led by Hawaiian-New Zealand artist Ruban Nielson, V draws from the rich traditions of West Coast AOR, classic hits, weirdo pop and Hawaiian Hapa-haole music. With his sharpest-ever ear for “making it UMO”, Ruban evokes blue skies, beachside cocktail bars and hotel pools without ever turning a blind eye to the darkness that lurks below perfect, pristine surfaces.

The road to V began in April 2019 when UMO headed to Indio, California, to perform at Coachella. For that fortnight, Ruban booked an Airbnb in nearby Palm Springs and brought his family along. Between performances, he realized the desert resort city’s palm tree-lined streets reminded him of a childhood spent playing by white hotel swimming pools with his siblings while their entertainer parents performed in showbands across the Pacific and East Asia.

A year later, Ruban started thinking about Palm Springs again as the COVID-19 pandemic loomed on the horizon. After contemplating spending lockdown at home in Portland, he purchased a house in Palm Springs. Having spent a decade touring, Ruban knew he had health issues and burnout to address. As America went into lockdown, he settled in for enforced downtime. Under the palm trees, he had the space to reflect. He felt a sense of gratitude for the lifestyle music had afforded him. The warm, dry weather cleared up his lifelong asthma issues, he found himself singing better than ever before, and new songs began to flow out of him in his home studio.

When he recorded his third album Multi-Love, Ruban incorporated disco elements into the lo-fi funk-rock dreamscapes of his first two records. Coming from a punk background where the slogan “disco sucks” had been casually thrown around, he found a subversive glee in flipping the script. On V, you can hear a continuation of this impulse in the arid disco-funk of ‘Meshuggah’. “There are two kinds of musical taste, constructed and instinctual,” Ruban said. “Taste as clout is dangerous to art, in my opinion. Then, there’s music that will send a shiver down your spine. You didn’t ask for that shiver. It just happens.”

During the pandemic’s early days, Ruban’s brother Kody had flown from New Zealand to Palm Springs to help him with his recordings. When they talked about records that moved them in that spine-shivering manner, Ruban started thinking about the ubiquitous 70s AM radio rock and 80s pop songs he remembered hearing as a child while their parents were working as entertainers. He wanted to write his version of those records, leading to the two glorious uptempo singles UMO released in 2021, ‘Weekend Run’ and ‘That Life’.

However, the golden good times never last forever. As health issues began to plague one of his Hawaiian uncles, Ruban realized he was coming face to face with a sharper, more acute sense of mortality looming. Putting his recordings aside, he helped his mother and another of her brothers move home from New Zealand and Portland to Hawai’i to be with him. As they settled in, Ruban began dividing his time between Palm Springs and Hilo on the northeastern side of the big island.

He knew that part of his connection with Palm Springs came from how it evoked aspects of his childhood. For Ruban, Hawai’i had a similar association, but it also brought back faded memories of the darker side of his parents’ lifestyle. On those trips, he heard those classic AM radio rock records he’d talked about with Kody everywhere. They were inextricably intertwined with the palm trees, swimming pools, and glamorized hedonism he’d internalized since childhood.

There’s a type of music in Hawai’i called Hapa-haole (Half white). You can hear it expressed in signature UMO style through the humid guitar-led atmosphere of V‘s penultimate song, ‘I Killed Captain Cook’. Although the songs are presented in a traditional Hawaiian manner, they’re mostly sung in English. Having been influenced by Hawaiian music since UMO’s first album, Ruban saw a space for himself within the tradition. When he reflected on his success, he realized he had the responsibility and platform to represent Hapa-haole music on the global stage.

After reuniting with Kody at a cousin’s wedding in Hawai’i, the brothers traveled to Palm Springs. There, with assistance from their father, Chris Nielson (saxophone/flute) and longstanding UMO member Jake Portrait, they brought everything Ruban had been mulling over about together through the fourteen singalong anthems, cinematic instrumentals and mischievous pop songs that make up V.

“In Hawaii, everything shifted off of me and my music,” Ruban said. “Suddenly, I was spending more time figuring out what others need and what my role is within my family. I also learned that things I thought were true of myself are bigger than I thought. My way of making mischief – that’s not just me – that’s my whole Polynesian side. I thought I was walking away from music to focus on family, but the two ended up connecting.”

The first double album in the UMO discography, V, makes a strong case for itself as Ruban’s sunbleached masterpiece while simultaneously recontextualizing and enriching the journey that led him to this moment. Alongside Sonic Youth’s Daydream Nation, Pulp’s Different Class, and Prince’s 1999, it’s a breakthrough work from a mid-career artist in full control of his creative powers. Most of all, V is about having fun while making music and art that transcends clout and currency. In the process, Ruban effortlessly reclaims taste as a personal part of selfhood; in that reclamation, he propels UMO to breathtaking new creative heights.

The 2023 Grammy-nominated British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. Touring globally, the group performs an extensive repertory both in its a cappella concerts and in collaborations with leading musicians, orchestras, conductors and soloists. Versatility and a celebration of diverse musical expression are central to the ensemble’s performance and education ethos which is shared both online and in person. VOCES8 is passionate about music education and is the flagship ensemble of the VOCES8 Foundation which actively promotes ‘Music Education For All’, reaching up to 40,000 people a year.

VOCES8 has performed at many notable venues since its inception in 2005 including Wigmore Hall, Elbphilharmonie Hamburg, Cité de la Musique Paris, Vienna Konzerthaus, Tokyo Opera City, NCPA Beijing, Sydney Opera House, Mariinsky Theatre Concert Hall, Victoria Concert Hall Singapore, Palacio de Bellas Artes Mexico City amongst many others. This season they perform over 100 concerts in the UK and across Europe and visit the USA for 3 major tours.

The ensemble is a Decca Classics artist and also releases projects on its own label, VOCES8 Records. The latest Decca Classics album is the Grammy Nominated “The Lost Birds” featuring music by Christopher Tin. New album projects for 2023 include albums with Eric Whitacre, Paul Simon, and Christmas arrangements for VOCES8 and orchestra by Taylor Scott Davis.

Join us for this educational and fun guided drum session. This class is super fun and no drumming experience is needed. In this hour long session we will establish the foundations of rhythm and experiment with various concepts from there.

Registration is required to use one of the provided djembes. Registration will be limited to 12 people to ensure we have enough drums for everyone. Feel free to bring your own drum or percussion instrument. If you are bringing your own drum you do not need to register.

This class is best suited for adults and kids older than 12.

Join us at Keynote Speechcrafters and

Discover the
Joy of
Public Speaking!

It’s natural to enjoy things you do well,
and you will get good at this.

Our members are committed to meeting each week because

steady progress
requires
steady practice.

Our motto:

When you show up
You speak
Every meeting
Every week

So come join us at the South Buncombe Library on Wednesday evenings and prepare to become a better you.

Please Click here to let us know you are coming.

Guests are always welcome. We look forward to speaking with you!

Support:
Daily Bread
Dreamers Delight

Ages 18+

Nicolas Reyes has been the leader and co-founder of the Gipsy Kings for well over 30 years. In the past three decades, they have dominated the World Music charts and sold more than 14 million albums worldwide. Their platinum compilation, The Best of the Gipsy Kings, was charting for over a year upon its release, and their ninth studio album, Savor Flamenco, was awarded the Grammy^® for Best World Music Album in 2013.

This iconic legacy began when Nicolas’ father, Jose Reyes, formed a celebrated flamenco duo with Manitas de Plata (which boasted fans as famed as Miles Davis and Pablo Picasso). When the pair parted ways, the elder Reyes became even more popular upon starting his own band, backed by his son, called Los Reyes. In later years, Nicolas headed out on his own and began playing in the town of Arles in the south of France. He traveled throughout the country, busking on the streets of Saint-Tropez, playing wherever he could. Having adopted the perpetual motion of the gypsy lifestyle, his band eventually translated “Los Reyes” and became the Gipsy Kings.

The band’s music went on to fuse with popular culture. In addition to the accolades above, the traveling Gipsy Kings have played some of the world’s greatest stages, from the Hollywood Bowl to Royal Albert Hall as well as hitting the big screen. Their rendition of “Hotel California” was included in the film The Big Lebowski and the HBO series Entourage. The 2010 film Toy Story 3 featured a Gipsy Kings version of the movie’s popular, Randy Newman-penned theme, “You’ve Got a Friend in Me”. The Gipsy Kings recently featured in a Big Lebowski spinoff The Jesus Rolls with Reyes appearing in person with the director and star, John Turturro, for some of the promotion.

As active as this remarkable collective remains, they are also confident in the future of their legacy. “Even though it’s been 30 years, we want to keep on making new music because it’s our life. It’s who we are,” says Nicolas Reyes. “But I think there will be a time when we pass down the Gipsy Kings to our sons”.

30 years is an eternity in pop music but the story of the Gipsy Kings featuring Nicolas Reyes has the depth to endure. Theirs is a music that extends through generations, to the sounds of their ancestors—Spanish Romani people who fled the Catalonia region during the Spanish Civil War—and reflects the vibrantly eclectic and peripatetic history of the gitanos.

FREE Virtual Event

Presenter: Cynthia Gillooly, Verde’ Design, Co-Owner

Orchids are not hard to grow, yet many gardeners become frustrated when they won’t flower again. Is it the type of orchid or is it the fertilizer, potting mix, the amount of water or light that is to blame? Cynthia Gillooly will share her vast experience growing orchids to help dispel your confusion so you, too, can grow outstanding orchids at home.

Registration: The talk is free but registration is required. Please click on the link below to register. If you encounter problems registering or if you have questions, call 828-255-5522.

Zoom seminar access: After registration, you will receive an email with instructions and a link to join this online live broadcast via Zoom. The ability to access Zoom through a computer, tablet or smartphone with a reliable internet connection is necessary to attend.

Students will receive a solid foundation in beginner Ukulele skills for vocalists. Chords, Rhythm patterns, and basic theory will be introduced through songs with an uplifting message. Students will also learn to play the song that the Songwriting Class will be writing and get to record it in the One Mic Studio.