Calendar of Events

The Journeyperson Program is designed for farmers who have been independently farming for three or more years and are serious about operating farm businesses in the Southern Appalachian region. This program will give you the space and time to work on your business’s scale, viability, and long-term direction while making connections that deepen peer-to-peer support.

Limited spots are available for the full program, and those who want to be eligible for our Savings Incentive Program and the professional development funds must commit to participating in all aspects of the program.

Participants can use this program as a tangible step toward achieving their farm goals, and make significant contributions to the agricultural community and economy.

This program is designed to give tailored guidance and support for your farm business to answer questions of:

• Scale

• Market access

• Land access

• Risk management

• Understanding cash flow

• Enterprise innovation

Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.

We do not see ourselves as an academic festival, thou

Telling Our Own Story: Cherokee Self-Representation in Contemporary Media

Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.

Annette Saunooke Clapsaddle (Eastern Band Cherokee)

Award-winning Author of Even as We Breathe

Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.

Shana Bushyhead Condill (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Executive Director

Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.

Nola Pina (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Lead Cultural Specialist

Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)

Visual artist

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.

Sheyahshe Littledave (Eastern Band Cherokee)

Writer/podcaster

Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality.  Nor are we a book fair in which the primary objective is to sell books.

One of our goals is to raise awareness of works of literary significance from smaller presses.  We do focus on regional writers, though not exclusively.  But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.

Another goal is to make sure our authors are having good time.  In the best scenario, authors leave the festival feeling renewed and rededicated to their work.  So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society.  But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people.  It’s not just signing a book, it’s making a human connection.

We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.

Our Pecularities

No outside vendors have booths at our festival.  In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas.  Some authors spend a full two days attending others’ readings.  As festival planners, we thoroughly enjoy this contribution.  However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues.  Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously.  As many as five different events may be occurring at any one time.  (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own.  (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group.  No individual authors will have their own signings. Author presentations are limited to two consecutive years.  Exceptions may be made if an author has a new, significant work.  At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.

FOR WORKSHOPS: 2023 Schedule – cmlitfest.org

Farm Beginnings® is training the next generation of farmers in the many skills required to start and expand a successful farm business: passion, clear goals, production experience, financial and marketing know-how, and more.

Farm Beginnings® will help you build these skills through one year of farmer-led training, mentoring, and networking. We support individuals in clarifying their goals and strengths, developing agricultural skills, and growing profitable, equitable, and ecologically sound farm businesses.

Guided by our commitment to social justice, our programming is led by farmers and mentors active in food, farming, or social justice. By empowering people with skills, knowledge, and access to resources, together we can build a more diverse, equitable food system that enriches the environment and creates a thriving food and farming community.

We use a holistic management frame, farmer-led classroom sessions, on-farm tours, mentoring, and an extensive farmer network. The topics of equity and justice in the food systems are woven into the curriculum, including examples of realistic approaches within the scope of your business models.

The 200+ hr, year-long program consists of:

• Training on holistic management, farm business, marketing & financial planning

• Sessions taught by regional, experienced Farmers

• One-year WNC CRAFT Farmer Network Membership

• Completing and presenting an individualized farm plan

• Access to Field Days with regional partners

• Entry to ASAP’s Business of Farming Conference

• Entry to OGS’s Spring Conference

• 15 hr mentorship with an experienced Farmer Mentor

View a sample of the full course schedule here.

Students will receive a solid foundation in beginner Ukulele skills for vocalists. Chords, Rhythm patterns, and basic theory will be introduced through songs with an uplifting message. Students will also learn to play the song that the Songwriting Class will be writing and get to record it in the One Mic Studio.

Queer Music Exploration – Students will explore guitar, bass, drums, singing and piano with a focus on learning music by artists from the LGBTQ+ community. Students will have the chance to interact with their peers and share their experiences through music.

Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.

We do not see ourselves as an academic festival, thou

Telling Our Own Story: Cherokee Self-Representation in Contemporary Media

Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.

Annette Saunooke Clapsaddle (Eastern Band Cherokee)

Award-winning Author of Even as We Breathe

Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.

Shana Bushyhead Condill (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Executive Director

Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.

Nola Pina (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Lead Cultural Specialist

Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)

Visual artist

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.

Sheyahshe Littledave (Eastern Band Cherokee)

Writer/podcaster

Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality.  Nor are we a book fair in which the primary objective is to sell books.

One of our goals is to raise awareness of works of literary significance from smaller presses.  We do focus on regional writers, though not exclusively.  But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.

Another goal is to make sure our authors are having good time.  In the best scenario, authors leave the festival feeling renewed and rededicated to their work.  So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society.  But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people.  It’s not just signing a book, it’s making a human connection.

We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.

Our Pecularities

No outside vendors have booths at our festival.  In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas.  Some authors spend a full two days attending others’ readings.  As festival planners, we thoroughly enjoy this contribution.  However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues.  Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously.  As many as five different events may be occurring at any one time.  (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own.  (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group.  No individual authors will have their own signings. Author presentations are limited to two consecutive years.  Exceptions may be made if an author has a new, significant work.  At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.

FOR WORKSHOPS: 2023 Schedule – cmlitfest.org

Land of Sky Regional Council will offer a tour of each county in our region with a focus on how we can work together to protect the French Broad River while supporting the growth and development of region.

September 15, 2023: Henderson County
9:00 AM – 3:30 PM
LOSRC French Broad River Tour – Henderson County (constantcontact.com)

September 22, 2023: Buncombe County
9:00 AM – 4:00 PM
LOSRC French Broad River Tour – Buncombe County (constantcontact.com)

October 6, 2023: Madison County
9:00 AM – 4:00 PM
LOSRC French Broad River Tour – Madison County (constantcontact.com)

You can sign up for one county tour or all four.
There is no cost to participate. We are grateful
for our sponsors for making this tour possible.
Lunch will be provided along with snacks.

For thousands of years, people have been drawn to explore Grandfather Mountain. The rugged terrain, unique ecosystems, extreme weather, and breathtaking views have enticed countless explorers and recreationalist alike. This Adult Field Course will give participants a chance to experience the wonders of Grandfather Mountain during the day and night by backpack camping overnight at one of the primitive backcountry campsites on the mountain. Participants will gain experience in planning a trip, using backpacking gear, and work on backcountry hard skills, as well as learn about the unique ecosystems that make Grandfather Mountain so special.

Participants will be camping at the Calloway Gap campsite in Grandfather Mountain State Park. No campfires are allowed at this site, so all food preparation will need to via camp stove or through non-fire prep. The Grandfather Trail is considered a very difficult trail and includes many steep climbs at times utilizing ladders and cables to assist hikers through difficult sections. Prior hiking experience is required. Prior backpacking experience is not required, but participants will need to provide all of their own equipment for this field course.

Eric Payne is the Assistant Director of Outdoor Adventure at East Tennessee State University where he manages the Campus Recreation Outdoor Program that includes backpacking and camping trips for students. He also teaches the Fundamentals of Backpacking as an activity course to students of all ages. He has worked in the outdoor industry for over a decade and currently explores Western North Carolina and Eastern Tennessee from his home in Johnson City.

Program Itinerary
Saturday, August 19: 4:00 p.m. – 5:00 p.m. Virtual pre-trip planning meeting (introductions, gear discussion, route plan, etc.)
Friday, September 8, 2023
1:00 p.m.: Participants will meet at Grandfather Mountain for pre-trip discussion and to start the hike
4:30 p.m.: Group will plan to arrive at the destination campsite and prepare camp
Saturday, September 9, 2023
9:00 a.m.: Participants will break down camp and hike back to the Grandfather Mountain trailhead
12:00 p.m.: Participants will do a post-trip debrief and adjourn

Registration
This Adult Field Course costs $100 for general admission and $85 for members of Grandfather Mountain’s Bridge Club, plus tax. Attendance is limited to 10 participants. Registration opens on this page on July 10 at 9 a.m.

Your program cost includes admission into the park, field instruction, and transportation during your program (you may drive your own vehicle to visit sites on the mountain if you would prefer). It does not include meals or lodging. Bringing a bagged lunch is recommended for most field courses, although Mildred’s Grill will be open to attendees. Tips are not accepted for field courses. However, donations to the Grandfather Mountain Stewardship Foundation are accepted if you would like to recognize a program.

General Clothing List
Much of your time will be spent outdoors and all programs are held rain, snow or shine. You should be prepared for a variety of mountain weather conditions and temperatures. Appropriate clothing, equipment, and footwear are very important. A recommended gear/equipment list will be provided.

Refunds/Cancellations
Adult Field Courses generally sell out and have a waiting list associated with the event. If you cannot attend the field course that you are registered for, a full refund will be granted within a 5-day notice of the day of the field course. This allows time for individuals on the waiting list to make accommodations to attend the event. We ask that individuals who are sick with any illness to stay home to ensure the health and safety of other participants, our staff, and the field course instructors – refunds will be granted to these individuals.

More about Field Courses
We at Grandfather Mountain Stewardship Foundation are excited to share the unique wonders of the mountain with you. Since 2008, GMSF has aimed at creating educational programming that deepens understanding through in-depth study and field research. Our goal is to provide you with a rich experience in a particular field of study, and to also provide a safe and memorable trip to Grandfather Mountain. Read more about Field Courses.

Join the Blue Ridge Audubon, a chapter of the National Audubon Society for their monthly bird walk at Jackson Park, a renowned
birding location. On the 2nd Saturday of each month, meet at the Administration Building parking lot, located on Glover Street,
and join the group to see the many wonderful birds found at Jackson Park, Hendersonville’s largest park.8-10:00am.
828-684-0812. Free.

Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.

We do not see ourselves as an academic festival, thou

Telling Our Own Story: Cherokee Self-Representation in Contemporary Media

Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.

Annette Saunooke Clapsaddle (Eastern Band Cherokee)

Award-winning Author of Even as We Breathe

Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.

Shana Bushyhead Condill (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Executive Director

Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.

Nola Pina (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Lead Cultural Specialist

Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)

Visual artist

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.

Sheyahshe Littledave (Eastern Band Cherokee)

Writer/podcaster

Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality.  Nor are we a book fair in which the primary objective is to sell books.

One of our goals is to raise awareness of works of literary significance from smaller presses.  We do focus on regional writers, though not exclusively.  But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.

Another goal is to make sure our authors are having good time.  In the best scenario, authors leave the festival feeling renewed and rededicated to their work.  So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society.  But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people.  It’s not just signing a book, it’s making a human connection.

We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.

Our Pecularities

No outside vendors have booths at our festival.  In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas.  Some authors spend a full two days attending others’ readings.  As festival planners, we thoroughly enjoy this contribution.  However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues.  Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously.  As many as five different events may be occurring at any one time.  (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own.  (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group.  No individual authors will have their own signings. Author presentations are limited to two consecutive years.  Exceptions may be made if an author has a new, significant work.  At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.

FOR WORKSHOPS: 2023 Schedule – cmlitfest.org

In this workshop, Katie Jones teaches the basic skills of designing and building a puppet, using The Magnetic Theatre’s upcoming piece The Splatter Play as inspiration. Each student will leave with a puppet that is ready to manipulate!

About the instructor: Katie has worked at regional theatres in Sarasota, Chicago and Denver. She is a member of Directors Lab, New York and Chicago, as well as Wishbone Theatre Collective. As a puppeteer, Katie worked with Von Orthal Puppets’ with traveling puppet shows for young audiences, and with Theatre Zarko as part of the 2011 Steppenwolf Garage Rep Series. Katie has a BA from Clemson University and an MFA in from Naropa University, where she focused on devised theatre and new play development. Locally, she has worked with Asheville Creative Arts, Immediate Theatre Project and the Asheville Fringe Arts Festival. Katie serves as Co-Artistic Director of The Magnetic Theatre, along with Jessica Johnson.

Class cost: $150

Min students: 6

Max students: 12

Class Dates: Saturdays, July 22 – September 9 (8 weeks)

Time: 1 pm to 2 pm

Must be 18+ to attend

The last day to receive a full refund is June 22, 2023. After June 22, 2023, no refund will be issued.

Class Description:
Does tap dancing seem a little daunting? Is it something you always wanted to try but didn’t have the time to commit to months of classes at a time? Whether you are preparing for a show that has tap involved or you are just interested in a new skill for fun, this class is for you. Allison Starling will break down the basics of tap into easy to catch on to moves that build the foundation of any tap number. This 8 week class is a comprehensive basics course that you don’t want to miss!