Calendar of Events

UNC Asheville Department of Music Joint Concert with Reuter Center Singers

The UNC Asheville Department of Music in collaboration with the Reuter Center Singers presents Music Leads The Way, a concert honoring the enduring spirit of those who stood up and demanded the right to vote for women.  Music has always been an integral part of how we communicate with one another.  Whether marching, protesting, gathering in homes or reminiscing, songs like Walk Together Children, How Can I Keep from Singing, and March for the Women have knit the community together around a common cause.  Not only is the cause of Women’s Suffrage highlighted, but the role music plays in shaping our common experience.

The concert features the UNC Asheville Wind Ensemble, University Chorale, and Reuter Center Singers.

Chuck Taft –Director, University Chorale and Reuter Center Singers
Fletcher Peacock – Director, UNCA Wind Ensemble        Accompanist Rob Blackwell

Described as “the closest to ABBA you’ll ever get,” Abba The Concert brings one of the 20^th century’s greatest pop groups back to life with their dazzling performances of all the groundbreaking Swedish act’s greatest hits, including “Mamma Mia,” “S.O.S,” “Waterloo,” “Dancing Queen,” and many more. They’ve sold out venues throughout the U.S. and achieved critical and popular acclaim for their energetic performances.

ABBA The Concert visits Brevard as part of its popular BMC Presents series, which brings a diverse range of non-classical artists to the festival stage. In 2020, the series will also host guitarist Bryan Sutton, folk legend Judy Collins, the bluegrass-inspired sounds of Woody Platt and Shannon Whitworth, and the return of award-winning banjo virtuoso Bela Fleck.

For a complete 2020 summer music festival schedule including dates, times, and locations of all performances and events, please visit brevardmusic.org

Two local favorites – Jackson Grimm & Hannah Kaminer – will both be backed by their bands for this very special co-bill on February 23rd!
– ALL AGES
– 8PM SHOW, 7PM DOORS
– SEATED SHOW

On display daily January 18 – April 19, from 9 a.m. to 5 p.m. in the upstairs gallery of the Education Center, the Asheville Printmakers’ newest exhibit, Natural Impressions, will feature a variety of two- and three-dimensional print pieces utilizing numerous printmaking processes. Works will inspire visitors to think about the beauty and fragility of plants and the natural world through various perspectives and printmaking techniques. All pieces are available for purchase and a portion of the sales will benefit The North Carolina Arboretum Society.

Founded in 2013, the Asheville Printmakers is an energetic group of artists dedicated to expressing ideas and imagery through the medium of print. The group encompasses a wide range of processes and content, including traditional methods, such as lithography, woodcut and screen printing, and contemporary photographic printing processes, such as carbon printing, platinum-palladium and photopolymer etching. 

Parking Fees

• Members: Free
• Personal Vehicles: $14
• Motorhomes / Vehicles (21’ or larger): $50
• Buses: $100

There are no other admission charges required for visitors to access the Arboretum’s grounds and facilities during the day beyond the standard parking fees listed above.

Described as “the pulse of the gods” by Hanover, Germany’s Neue Presse, YAMATO The Drummers of Japan erupt with a thunderous energy in their newest program, Jhonetsu, meaning “passion.” An Asheville fan favorite from seasons past, Yamato’s drummers modernize a centuries-old Taiko tradition to create a thrilling, high-energy ride full of heart-thumping rhythms and explosive beats. Yamato is internationally recognized for its exhilarating performances — described as “pure energy meets spiritual high,” by Edinburgh’s The Scotsman. Strength, spirit and sheer endurance shine through in Yamato’s drummers, whose passion for performance is both joyous and entertaining. This season, the drummers return with dozens of impressive instruments, including a massive, 1,100-pound Odaiko drum.

On display daily January 18 – April 19, from 9 a.m. to 5 p.m. in the upstairs gallery of the Education Center, the Asheville Printmakers’ newest exhibit, Natural Impressions, will feature a variety of two- and three-dimensional print pieces utilizing numerous printmaking processes. Works will inspire visitors to think about the beauty and fragility of plants and the natural world through various perspectives and printmaking techniques. All pieces are available for purchase and a portion of the sales will benefit The North Carolina Arboretum Society.

Founded in 2013, the Asheville Printmakers is an energetic group of artists dedicated to expressing ideas and imagery through the medium of print. The group encompasses a wide range of processes and content, including traditional methods, such as lithography, woodcut and screen printing, and contemporary photographic printing processes, such as carbon printing, platinum-palladium and photopolymer etching. 

Parking Fees

• Members: Free
• Personal Vehicles: $14
• Motorhomes / Vehicles (21’ or larger): $50
• Buses: $100

There are no other admission charges required for visitors to access the Arboretum’s grounds and facilities during the day beyond the standard parking fees listed above.

Described as “the pulse of the gods” by Hanover, Germany’s Neue Presse, YAMATO The Drummers of Japan erupt with a thunderous energy in their newest program, Jhonetsu, meaning “passion.” An Asheville fan favorite from seasons past, Yamato’s drummers modernize a centuries-old Taiko tradition to create a thrilling, high-energy ride full of heart-thumping rhythms and explosive beats. Yamato is internationally recognized for its exhilarating performances — described as “pure energy meets spiritual high,” by Edinburgh’s The Scotsman. Strength, spirit and sheer endurance shine through in Yamato’s drummers, whose passion for performance is both joyous and entertaining. This season, the drummers return with dozens of impressive instruments, including a massive, 1,100-pound Odaiko drum.

Blue Ridge Concert Series

On display daily January 18 – April 19, from 9 a.m. to 5 p.m. in the upstairs gallery of the Education Center, the Asheville Printmakers’ newest exhibit, Natural Impressions, will feature a variety of two- and three-dimensional print pieces utilizing numerous printmaking processes. Works will inspire visitors to think about the beauty and fragility of plants and the natural world through various perspectives and printmaking techniques. All pieces are available for purchase and a portion of the sales will benefit The North Carolina Arboretum Society.

Founded in 2013, the Asheville Printmakers is an energetic group of artists dedicated to expressing ideas and imagery through the medium of print. The group encompasses a wide range of processes and content, including traditional methods, such as lithography, woodcut and screen printing, and contemporary photographic printing processes, such as carbon printing, platinum-palladium and photopolymer etching. 

Parking Fees

• Members: Free
• Personal Vehicles: $14
• Motorhomes / Vehicles (21’ or larger): $50
• Buses: $100

There are no other admission charges required for visitors to access the Arboretum’s grounds and facilities during the day beyond the standard parking fees listed above.

Whistle 100’s Future Stars & Guitars presented by Gilstrap Family Dealerships from Second Stage at SMA

Introducing: Lindsay Ell, Matt Stell, Travis Denning, and Noah Schnacky. A portion of proceeds will benefit St. Jude Research Hospital

$10 in advance / $20 Day-of-show

One morning near the end of August, Todd Snider was relaxing with a visitor on the back porch of his house just outside Nashville, drinking coffee and shooting the breeze while his dog, Cowboy Jim, took a nap nearby. After awhile, Snider said to his guest, “I’ve got an album’s worth of songs, and I think the songs are telling me to make a folk record.”

This was a surprising bit of news considering he had spent the last six years making rock albums of one kind or another. But Snider was feeling as if he had “maybe drifted too far from the shore.” He was feeling the pull to start over, to go back to what he was doing when he first began, to return to his roots as a folksinger.

If Snider needed any further evidence that was the direction he should pursue, he got it a half hour later. Back inside his home office, he checked his email and had one from his manager informing him he had just received an offer to play the 2019 Newport Folk Festival, an event he had never done.

Snider mentioned he had been listening to Woody Guthrie’s Library of Congress Recordings, then crossed the room to the turntable and put the needle down on side one of the record. “Woody Guthrie sometimes gets me reset on why you do a song, instead of how,” Snider explains of the man who has long been a touchstone for him. “When I was young, there was something about him that made me want to do it. So once or twice a year, I’ll go back to him, I’ll go back to the source.”

Guthrie famously had the words “This machine kills fascists” printed on his guitar, and on several of the songs on Snider’s new album, Cash Cabin Sessions, Vol. 3, he squarely aims his guitar at the creeping fascism he sees in America. He had been wanting to make a political record since 2016, and although only half the songs lean in that direction, there is one constant throughout the album: a man, his guitar, and the truth.

On display daily January 18 – April 19, from 9 a.m. to 5 p.m. in the upstairs gallery of the Education Center, the Asheville Printmakers’ newest exhibit, Natural Impressions, will feature a variety of two- and three-dimensional print pieces utilizing numerous printmaking processes. Works will inspire visitors to think about the beauty and fragility of plants and the natural world through various perspectives and printmaking techniques. All pieces are available for purchase and a portion of the sales will benefit The North Carolina Arboretum Society.

Founded in 2013, the Asheville Printmakers is an energetic group of artists dedicated to expressing ideas and imagery through the medium of print. The group encompasses a wide range of processes and content, including traditional methods, such as lithography, woodcut and screen printing, and contemporary photographic printing processes, such as carbon printing, platinum-palladium and photopolymer etching. 

Parking Fees

• Members: Free
• Personal Vehicles: $14
• Motorhomes / Vehicles (21’ or larger): $50
• Buses: $100

There are no other admission charges required for visitors to access the Arboretum’s grounds and facilities during the day beyond the standard parking fees listed above.

On display daily January 18 – April 19, from 9 a.m. to 5 p.m. in the upstairs gallery of the Education Center, the Asheville Printmakers’ newest exhibit, Natural Impressions, will feature a variety of two- and three-dimensional print pieces utilizing numerous printmaking processes. Works will inspire visitors to think about the beauty and fragility of plants and the natural world through various perspectives and printmaking techniques. All pieces are available for purchase and a portion of the sales will benefit The North Carolina Arboretum Society.

Founded in 2013, the Asheville Printmakers is an energetic group of artists dedicated to expressing ideas and imagery through the medium of print. The group encompasses a wide range of processes and content, including traditional methods, such as lithography, woodcut and screen printing, and contemporary photographic printing processes, such as carbon printing, platinum-palladium and photopolymer etching. 

Parking Fees

• Members: Free
• Personal Vehicles: $14
• Motorhomes / Vehicles (21’ or larger): $50
• Buses: $100

There are no other admission charges required for visitors to access the Arboretum’s grounds and facilities during the day beyond the standard parking fees listed above.

Registration is open for UNC Asheville’s 2020 Pi(e) Run, an annual fun run that celebrates all things Pi(e). This year’s event will be held on Pi Day, Saturday, March 14, at Pi time, 3:14 p.m. Runners will run 3.14 miles around UNC Asheville’s campus and celebrate with pie at the finish line. The event is open to the public with an early-bird rate of $15 before Feb. 15. Runners who sign up before March 1 will receive a t-shirt and swag bag, and registration continues through March 14 at a cost of $20, with on-site registration and check-in starting at 2 p.m. the day of the race. Visit unca.edu/pi-run to sign up.

The 2020 Pi Day Run will start from UNC Asheville’s Quad and circle University Heights three times, via campus sidewalks, concluding with pie at the finish line. The fun run includes a pie baking contest, judged by Math Leaders from the Marvelous Math Club, with prizes awarded, and this year will feature a raffle. Registration includes a raffle entry for each runner. Registration also is available for the pie contest, without the run, by filling out the interest form at unca.edu/pi-run.

Proceeds from the annual Pi(e) Run will benefit the Asheville Initiative for Math at UNC Asheville and its Marvelous Math Club at Pisgah View Community Center. Marvelous Math Club is a partnership between UNC Asheville, Asheville Housing Authority, and Asheville City Schools. The Club uses math as a catalyst to build leadership skills, create community and provide a space for individualized academic support and social-emotional growth.

The Carolina Revue at Second Stage @ SMA will showcase talents of two bands from North Carolina, and 2 bands from South Carolina.

One of the funniest musicals ever written. Sondheim’s joyous musical romp through Rome has desperate lovers, scheming neighbors and secrets behind every toga. This unforgettable, hysterical musical allows a terrify ensemble of comedic actors to shine!

Kevin and Christina make out in a car at the airport, flipping off the police officer that tells them to keep moving. Kevin and Christina discuss taking ecstasy as couple’s therapy. Kevin and Christina break down and then reconnect. The new love we heard about on the last of Montreal record, White is Relic/Irrealis Mood, is settling. If that was the falling-in-love record, then this is the staying-in-love record. That was the easy part; this is the interesting part, the challenging part, the next chapter of Kevin Barnes’ autobiographical album streak, UR FUN.

The public diary that started with of Montreal’s classic album Hissing Fauna, Are You The Destroyer? has continued into a growing string of increasingly personal works. On UR FUN, Barnes is more candid than ever, presenting ten concise electro-pop songs that expose the depths of his current life, his private thoughts-both optimistic and brooding-and his passionate relationship with songwriter Christina Schnieder of Locate S,1. This ramped-up vulnerability has inspired Barnes to strip his stage persona of costumes and drag, just appearing as himself on recent tours for the first time in many years.