Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.

Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.

“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”

Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.

The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.

Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.

In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.

Spring Studio Tour Preview Exhibition 

May 13 – June 4

This exhibition gives visitors an opportunity to have a glimpse into each studio and plan their route. It’s also a great place to begin the tour or take a break from a day of non-stop art and artists.

Kindermusik educator, Yvette Odell, will be presenting Circle ‘Round the Music for Kids, a music and movement tour. “Miss Yvette” — as she is known to many young children in the Asheville area — will introduce a live string quartet at each informal library event, a special opportunity for very young children to get an up-close experience with music-making. Ms. Odell will lead families with babies, toddlers and preschoolers in singing, dancing and conducting along with the string quartet featuring local musicians

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Italian Renaissance Alive at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

Asheville Gallery of Art’s May show, “Flower Power,” introduces three new Gallery members: Nick Colquitt, Jean-Pierre Dubreuil, and Yvonne McCabe. This delightful exhibition takes its audience on a journey through the mountains of North Carolina, showcasing the mysterious beauty they display within their natural terrain. The show runs May 1-31 during Gallery hours, 11am-6pm daily.

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

– ALL AGES (free admission for kids) 
– LIMITED PATIO SEATING IS FIRST COME, FIRST SERVED

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

The Blue Ridge Orchestra’s contribution to the 2023 Asheville Amadeus Festival begins with Mozart’s Sinfonia Concertante in E-Flat for Violin, Viola and Orchestra, some of the last and possibly the best music he wrote before leaving Salzburg for Vienna at age 25. In keeping with the festival’s Americana theme, the second half of the program features the Blue Ridge Orchestra Winds performing classic works by several of the best-known American composers.

Milton Crotts, Conductor
Emily Schaad, Guest Conductor

The BRO plans to wrap up this season with a program paying homage to the ever famous Wolfgang Amadeus Mozart! We will be joining the “Asheville Amadeus”campaign as we highlight one of his works, “Concertante Sinfonia” with Violinist Rachel Handman and Violist, Emily Schaad. Emily will also be doubling as Guest Conductor for this piece! You will not want to miss this incredible talent and unique delivery!

Program:

Mozart – Sinfonia Concertante in E Flat Major

Soloists: Rachel Handman, Violin
Emily Schaad, Viola, Guest Conductor

Copland- The Tender Land Suite

Gould- Symphonette No. 2

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Jazzville has curated a creative cocktail of choruses that are sure to meet your mother’s approval! Join us at the White Horse this Mother’s Day where you will enjoy your favorite standards made famous by the mamas of Jazz such as Ella Fitzgerald,

Billie Holiday, & Sarah Vaughan.

As a third-generation jazz performer, vocalist Bronwyn Cronin carries on her family’s legacy of thoughtful interpretation and untethered expression through the melodies that she swings. With a three-and-a-half octave range, the artist navigates complex harmonic tonalities in a style that is both daring and exquisite.

Pianist, composer, scholar, and educator William Bares received his Ph.D. in ethnomusicology from Harvard University. He taught at Harvard, Brown, Berklee College of Music, and the New England Conservatory before taking a job as Professor of Music and co-director of jazz studies at UNC Asheville.

Versatile, sought-after, and in-demand bassist Zack Page is a fixture in the Asheville Jazz scene. The artist’s powerful presence and effortless technique anchor the band creating room for dialogue. Zack’s work has taken him to all fifty states and around

the globe.

Justin Watt teaches percussion at Asheville Music School, UNC Asheville, and Furman University. After graduate school, Justin spent 2 years touring with the Glenn Miller Orchestra where he toured the U.S., Canada, and Japan

• Visit the JAZZVILLE website

Come join us for a delightful afternoon at Blue Spiral 1. Enjoy a glass (or two) of bubbly while gallery experts guide us through a teapot invitational exhibit that will feature forty functional and sculptural teapots in a variety of mediums. Next, a high tea featuring Asheville’s High Climate Tea Company will be served with a variety of delightful light bites and desserts. 

– ALL AGES
– STANDING ROOM ONLY
– RAIN OR SHINE
– FREE / DONATION-BASED

Phuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.

The Asheville Symphony Chorus is delighted to present a program of music composed by American women, honoring the talent and creativity of female composers in the United States. Featured composers will include Florence Price, Amy Beach, Sarah Quartel, as well as local composer, Jane Roman Pitt. The chorus will be accompanied on organ and piano by Tate Addis. We invite you to join us in celebrating Mother’s Day with the Asheville Symphony Chorus; don’t miss out on this special opportunity to experience the power of choral music and the strength of female creativity!

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

MELISSA CARPER
After the success of her critically-acclaimed 2021 release Daddy’ s Country Gold, Melissa Carper, dubbed “HillBillie Holiday” by friend and collaborator Chris Scruggs, was eager to get back in the studio. With co-producers Andrija Tokic (St. Paul & The Broken Bones, Hurray For The Riff Raff) and Dennis Crouch (The Time Jumpers) behind the boards again at Tokic’s analog paradise The Bomb Shelter in Nashville, Carper assembled that same crew of magical music makers — plus a few more — to embark on her newest effort, Ramblin‘ Soul, set for release November 18th via Thirty Tigers.

Carper’s deep, old-timey music roots were firmly planted as a child, playing upright bass and singing in her family’s traveling country band in rural Nebraska. Her love of country classics was cultivated as she laid beneath the console listening to her parents’ record collection. Hank Williams, Patsy Cline, Loretta Lynn, Ray Charles, Elvis Presley, and more became the soundtrack of her youth. When Carper’s father gifted her a collection of Jimmie Rodgers’ recordings, she began to find her voice and calling as a songwriter.

Carper attended the University of Nebraska-Lincoln on a music scholarship, and spent much of her time in the music library, instinctively drawn to the great jazz classics and jazz vocalists such as Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole. She also discovered Lead Belly, uncovering a deep well within when singing his songs. Carper stands firmly on the shoulders of American ramblers, crooners, and songsters — the building blocks of her musical foundation.

After two years of college, wanderlust set in, and Carper hit the road in the family’s 1980 Dodge Maxi Van, and landed in historic Eureka Springs, Arkansas. There, she was welcomed into the busking community, and found a new home base — a place to write, reflect, and rejuvenate in years to come. As she belted out the lyrics to “Ramblin’ Man” life began to imitate art. Carper put a few hundred thousand miles on her vans and pick-up trucks, playing the streets and clubs of New Orleans, Austin, and even a stint in NYC as a founding member of The Maybelles. Magnetically pulled into the cultural heritage wherever she went, she immersed herself in the music of those who sang on those same street corners, and off the beaten path in times gone by.

CAROLINA STORY
Not long after parting ways with their former label, Ben and Emily Roberts headed into the studio to record a few songs for the sake of sating their creative impulses, then quickly found themselves with an entire album’s worth of material. Rooted in the lush and moody brand of Americana they first honed by traveling across the country on DIY tours in the late 2000s, those songs contained essential truths about transformation, surrender, and the inevitability of impermanence—altogether forming a narrative of transcendence that soon had a life-altering impact on the band itself.