11am–6pm. Late-night Thursdays until 9pm; closed Tuesdays.

Public Domain: Photography and the Preservation of Public Lands presents works drawn from the Asheville Art Museum’s Collection by artists looking both regionally and nationally at lands that are either state or federally managed or have become so. This exhibition will be on view in the Asheville Art Museum’s Van Winkle Law Firm Gallery May 19 through August 30, 2021. 

“The Asheville Art Museum’s growing collection of photography features a variety of artworks that consider humankind’s impact on our environment and world,” said Hilary Schroeder, assistant curator. “The imagery featured in Public Domain reminds us of the critical role that artists play in environmental activism and preservation, affecting change at a range of levels”. 

Through images capturing the beauty, changes, and even devastation to the American landscape, photographers have played a vital role in advocating for the preservation of nature via the establishment and maintenance of state parks, national parks and monuments, and other federally protected lands. From George Masa and Timothy McCoy’s photographs of Great Smoky Mountains National Park to a selection of works from Robert Glenn Ketchum’s Overlooked in America: The Success and Failure of Federal Land Management series, these artworks provoke contemplation of both nature’s beauty and a calling to protect it. This year marks the 75th anniversary of the Bureau of Land Management whose mission is to sustain the health, diversity, and productivity of the public lands for the use and enjoyment of present and future generations. 

Photographers include Robert Glenn Ketchum, George Masa, Timothy McCoy, Benjamin Porter, Sally Gall, and more. 

This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator. 

Join us EVERY Wednesday night for Kid’s Night! Children receive a free four-count kid’s meal with the purchase of an adult meal. See you on Wednesdays!

MTN VIBEZ Presents Latin Night-every Wednesday.  Free Dance Lessons 8:30-9PM-All Skill Levels and All Latin Genres-Salsa, Bachata, Merengue, Cumbia, Reggaeton.

DJ Ephcto spins cultural bass music from 6:30pm-9pm and is a perfect time to come for some dinner prior to the start of Latin night.

The North Carolina Arboretum is going wild for art and nature in 2021 with Wild Art! On view April 1 through September 26, this outdoor sculpture exhibition features works by 17 local and national artists drawing inspiration from the natural environment. Situated throughout the Arboretum’s spacious, open-air gardens, the show offers guests a doorway into the wild world from the comfort and safety of cultivated landscapes transformed by art.

The 18 sculptures on display represent a variety of approaches to the theme of “wild art,” from the literal to the abstract, and are crafted from a diverse array of materials that will delight and inspire. Let your imagination take you on a wild journey into the world of plants and animals near and far with Wild Art at The North Carolina Arboretum.

The exhibit is available to all guests during normal Arboretum hours, and there is no admission cost to view the sculptures beyond our usual parking fee of $16 per personal vehicle.

A Life in the Wild  features more than 30 large-format images from award-winning nature photographer Thomas D. Mangelsen, who has devoted decades of his life to documenting wild places across the globe and the remarkable creatures that inhabit them. For this traveling retrospective exhibition of his works, Mangelsen has hand-selected several legacy photographs from his portfolio of more than 40 years, during which time he has captured thousands of breathtaking images of wildlife under natural — and sometimes harsh — conditions. With subjects ranging from black bears in the Great Smoky Mountains to plains zebras in the savannas of East Africa, this collection of photographs serves to remind us all to slow down and take a moment to connect with nature near and far. Named the 2011 Conservation Photographer of the Year by Nature’s Best Photography, among other accolades, Mangelsen has his work featured in the permanent collection at the Smithsonian’s National Museum of Natural History in Washington, D.C..

A Life in the Wild is on display daily, May 15 – September 5, 2021, from 9 a.m. to 5 p.m. inside the Baker Exhibit Center. Face coverings are required for visitors ages 5 years and older.

Exhibit support for A Life in the Wild is provided in part by The North Carolina Arboretum Society, Asheville Citizen-Times, Biltmore Farms Hotels, Gasperson Moving & Storage, RomanticAsheville.com Travel Guide and Smoky Mountain Living Magazine. 

THOMAS D. MANGELSEN – A LIFE IN THE WILD, produced by David J. Wagner, L.L.C., David J. Wagner, Ph.D., Curator/Tour Director.

Included with admission

A unique-to-Biltmore, large-scale outdoor sculpture will be crafted and installed in Antler Hill Village this spring by Patrick Dougherty. Over the last three decades, this internationally-acclaimed artist has combined his carpentry skills and love of nature to build over 300 of these wondrous works, captivating the hearts and imaginations of viewers worldwide.

Image: Close Ties (2006) Scottish Basketmakers Circle, Dingwall, Scotland. Photo: Fin Macrae
NOTE: This is an example of Patrick Dougherty’s work; the artist will create Biltmore’s unique structure in Antler Hill Village this spring.

Bender Gallery is honored to present One Day I Will Disappear, a solo exhibition of current paintings by Czech American artist Tom Pazderka. His captivating work is deeply personal and is an elegant metaphor for life’s darker side: of landscape, of nature, of memory. The exhibition runs from July 3 through August 31 during regular business hours. There will be an opening reception for Pazderka on Saturday July 3, from 6 to 9 PM by RSVP only.

Pazderka is a painter, an installation artist, an intellectual, and a writer who spent his undergraduate years in the Asheville area. He was born near Prague in 1981 during the waning of the Communist era in Czechoslovakia. He lived in a panelák, a Soviet-style concrete apartment block, until emigrating to the US in 1994 at the age of twelve. Contrary to what we may envision in America, Pazderka has fond memories of his time there. Although life was basic and creativity was not encouraged, his family was never in need and they enjoyed regular visits to their family cottage in the country. However, most of Pazderka’s life has been lived in the US and he also considers himself American. His work and life are deeply influenced by what he describes as the “incompleteness of the immigrant experience”. Pazderka explores humanity’s quest for a universal truth. The work reflects his reverence for history and the failed Soviet promise of utopia of his native land. It is thus a balancing act between this history and his assimilation into the capitalist consumer culture of the United States.

The works shown in One Day I Will Disappear consist of oil, ash, and charcoal paintings on burned panel and paper. They feature clouds, mountains, portraits, ephemera, and remnants of nature. They are conceptually dark, yet haunting and beautiful at the same time. Pazderka uses humble materials such as found plywood panels that he burns with a torch before beginning the painting process. He transforms the painting surface with the destructive, yet creative power of fire. He states, “Materials and process are components of the work that are as important as the image and what the work is about”.

Pazderka chooses to work in a colorless palette reminiscent of aged black and white photographs. He explains, “Photographs interest me because it is a tangible memory, but photographs are really residue of the photographic process.”  They are themselves a memory of a memory. Much of Pazderka’s work is based on old family photographs and photos taken from nature and architecture relaying the past, the present, and the hope of a better future. The work appears otherworldly and fleeting, like ghosts of his memories. In Pazderka’s words, “The present is all there is in the end.”

Pazderka holds a BFA from Western Carolina University and an MFA from U.C. Santa Barbara. He has received many awards and fellowships and has held residencies in the US, France, and the Czech Republic. He lives and works in Ojai, CA.

“Shine and Dine” on the railway! We cordially invite you to hop on board The Carolina Shine, GSMR’s All-Adult First Class Moonshine Car! We will be proudly serving hand crafted, triple-distilled, craft moonshine. Some of the smoothest tasting moonshine in the Carolinas!

Offered on the Nantahala Gorge excursion, this shine and dine experience begins in a renovated First Class train fleet car, The Carolina Shine. The interior features copper lined walls filled with the history of moonshining in North Carolina. Learn about the proud tradition that the Appalachians established when bootlegging was an acceptable way of life and local home brews were the best in town. Read about Swain County’s very own Major Redmond, the most famous mountain moonshine outlaw of the 19th century.

The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.

2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.

This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).

“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”

This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.

11am–6pm. Late-night Thursdays until 9pm; closed Tuesdays.

Public Domain: Photography and the Preservation of Public Lands presents works drawn from the Asheville Art Museum’s Collection by artists looking both regionally and nationally at lands that are either state or federally managed or have become so. This exhibition will be on view in the Asheville Art Museum’s Van Winkle Law Firm Gallery May 19 through August 30, 2021. 

“The Asheville Art Museum’s growing collection of photography features a variety of artworks that consider humankind’s impact on our environment and world,” said Hilary Schroeder, assistant curator. “The imagery featured in Public Domain reminds us of the critical role that artists play in environmental activism and preservation, affecting change at a range of levels”. 

Through images capturing the beauty, changes, and even devastation to the American landscape, photographers have played a vital role in advocating for the preservation of nature via the establishment and maintenance of state parks, national parks and monuments, and other federally protected lands. From George Masa and Timothy McCoy’s photographs of Great Smoky Mountains National Park to a selection of works from Robert Glenn Ketchum’s Overlooked in America: The Success and Failure of Federal Land Management series, these artworks provoke contemplation of both nature’s beauty and a calling to protect it. This year marks the 75th anniversary of the Bureau of Land Management whose mission is to sustain the health, diversity, and productivity of the public lands for the use and enjoyment of present and future generations. 

Photographers include Robert Glenn Ketchum, George Masa, Timothy McCoy, Benjamin Porter, Sally Gall, and more. 

This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator. 

We are thrilled to open the following summer shows in our new space located at 52 Broadway Street!

Ivy Jacobsen, Hybrid, No. 6 Red Blooms, Oil, acrylic & collage on canvas, 24 x 48 inches (2021)

• Picture That – original prints by Chakaia Booker, Will Cotton, Sara Sanders, Raymond Pettibon, Chuck Webster, and Joseph Hart.
• Paul Sattler – paintings and drawings
• Jessica Calderwood, Jennifer Halvorson & Casey Roberts – sculpture, glass, and cyanotype paintings
• Brian Sostrom – paintings
• Ivy Jacobsen – paintings
• Samantha Bates – paintings and textiles

Sip and stroll through the Arboretum’s gardens and experience our Wild Art outdoor sculpture showcase in the glow of the golden hour, all while listening to live music from a variety of local and regional artists! ArborEvenings runs Thursdays and most Fridays through October 1, 2021, from 5:30 to 8:00 p.m. ArborEvenings are not scheduled on the following Fridays: July 9, August 6, September 3 and 10.

There is no additional cost to attend ArborEvenings beyond our standard parking fee. As always, Arboretum Society members and their accompanying guests can enter for FREE (guests must be in member vehicles to receive free entry). Proceeds from ArborEvenings help support the The North Carolina Arboretum Society and further advance the Arboretum’s mission.

Please note: ArborEvenings will not be held in the event of rain. Please check the website or Facebook page by 3 p.m. for any cancellation announcements prior to attending. 

Beverage Service

Beer, Wine, and soft drinks will be for sale onsite at the Green Gardener’s Shed from 5:30 to 8:15 p.m. each night of the event. Outside alcohol is strictly prohibited, but guests are welcome to bring in water or a favorite non-alcoholic beverage.

Food Available for Pre-Order, Picnics Welcome

Although the Bent Creek Bistro will not be open during the event, we are pleased to share that they will be offering their delicious dining options at ArborEvenings via pre-order this year! Simply place your online order — including alcoholic beverages — up until 11 a.m. on the date you plan to attend, then pick up your order at the Baker Information Desk between 5:30 and 6:30 p.m. (In the event of rain cancellation, pre-orders will be fully refunded.)

Guests are welcome to bring in outside food and non-alcoholic beverages. However, outside alcohol is strictly prohibited.

ORDER AHEAD

Musician Schedule

Please note, scheduled performances are subject to change.

• Thursday 7/8 – Juan Holiday (R&B/Soul) will play from 5:30 – 6:45 p.m. &  Jackson Grimm (Folk/Bluegrass) will play from 7:15 – 8:30 p.m.
• Friday 7/9 – No Event
• Thursday 7/15 – Liz & Elizabeth (Folk/Americana) will play from 5:30 – 8:30 p.m.
• Friday 7/16 – Kevin Williams (Country/Americana) will play from 5:30 – 6:45 p.m. &  Steve Newbrough (Classical/Fingerstyle Guitar) will play from 7:15 – 8:30 p.m.Click here for the full schedule.

Know Before You Go

• Parking fees will be collected at the gate upon arrival, and members must present valid card for free entry. Pre-registration is not required.
• Restroom access will be available during ArborEvenings inside the Baker Visitor Center.
• Guests are invited to explore A Life in the Wild, a breathtaking exhibition of photographs from Thomas D. Mangelsen; however, food and drink are not permitted inside the Exhibit Hall.
• Leashed dogs are welcome at ArborEvenings, but are not permitted inside of  buildings.
• To protect our lawn, blankets are not permitted at the event; however, guests are welcome to bring lawn chairs to set up in front of the musicians.
• Due to existing event bookings, ArborEvenings will not take place on the following Fridays: July 9, August 6 and September 3 and 10.

The Rhythm & Brews concerts series brings together live music, a variety of food trucks, and locally crafted beer, wine and cider! These free concerts close part of South Main Street to make room for all the fun, as well as a children’s area with games and activities. Tickets and wristbands, for the purchase of beer, wine and hard cider, will be located at the Downtown Hendersonville tent.

The Rhythm & Brews musical line-up includes established acts as well as up-and-coming artists from around the nation playing a wide range of tunes from southern rock, soul to R&B.

The concerts begin with an opener at 5:30 pm followed by the headlining performance at 7:30 pm,on the third Thursday of each month from May – September (2021 the concerts will run July – October) on Main Street between Allen & Caswell Streets.

The Inclement Weather Policy is to delay each act by 30 minutes before moving onto the next act. If headline act is unable to perform by 8:00 pm the show will be canceled.  Follow the weather decisions on Facebook page.

Please leave your pets comfortably at home. A Hendersonville City ordinance allows event organizers to exclude animals from the event space for the health, safety and welfare of the community, dogs, patrons, and vendors and their products.

This is gonna be one big party as Sidecar Honey brings its six-piece lineup to the One World West stage! Grab a brew and put on your dancing shoes!