Calendar of Events

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Heralded by The New Yorker as “thrilling” and “genuinely moving.”

From the producer of The Lion King and Aladdin, Frozen, the Tony^®-nominated Best Musical, is now on tour across North America and the critics rave, “It’s simply magical!” (LA Daily News).

Frozen features the songs you know and love from the original Oscar^®-winning film, plus an expanded score with a dozen new numbers by the film’s songwriters, Oscar winner Kristen Anderson-Lopez and EGOT winner Robert Lopez. Oscar winner Jennifer Lee (book), Tony and Olivier Award winner Michael Grandage (director), and Tony winner Rob Ashford (choreographer) round out the creative team that has won a cumulative 16 Tony Awards.

An unforgettable theatrical experience filled with sensational special effects, stunning sets and costumes, and powerhouse performances, Frozen is everything you want in a musical: It’s moving. It’s spectacular. And above all, it’s pure Broadway joy.

Official Website

Molly Hatchet firmly cemented their place in music history in the late seventies. They stood alongside other iconic Southern rock bands out of Jacksonville, Florida, such as Lynyrd Skynyrd and the Allman Brothers. A perfect mixture of English invasion rock, blues, country, and gospel remains the unique sound of Molly Hatchet.

They were the hardest hitting of the Southern rock bands at the time when, in 1978, Epic Records released Molly Hatchet’s self-titled debut album. It reached multi-platinum status, and the band established their reputation of working hard, playing tough and living fast through intense touring. During this time, they were on the road with Aerosmith, Bob Seger, The Rolling Stones, and many others.

In 1979, Molly Hatchet’s second album Flirtin’ with Disaster was released, and it also quickly achieved multi-platinum status. It skyrocketed the band into the stratosphere and performing an average of two hundred and fifty shows per year kept them busy.

Molly Hatchet next released Beatin’ the Odds (1980), followed by Take No Prisoners (1981), No Guts… No Glory (1983) The Deed Is Done (1984) and Double Trouble Live (1985).

In 1987, Bobby Ingram joined the band as lead guitarist and songwriter. They continued to play over two hundred dates a year. In 1989 they recorded Lightning Strikes Twice on Capitol Records. The Greatest Hits album was released in 1991 and certified gold.

In 1996 Devil’s Canyon (the first studio album in six years) was recorded in Hamburg, Germany on SPV/CBH Records with producers Kalle Trapp and Bobby Ingram. The album was voted the number one rock record in Europe in 1996 with rave reviews.

It was followed by Silent Reign of Heroes (CMC International, 1998), Kingdom of XII (Sanctuary, 2000), 25th Anniversary: Best of Re-Recorded (SPV Records, 2003), Warriors of the Rainbow Bridge (Steamhammer, 2005), Locked and Loaded – Live (Steamhammer, 2006), Justice (Steamhammer, 2010), Greatest Hits II (SPV Records, 2011), and most recently Battleground – Live (Steamhammer, 2019).

Molly Hatchet continues their worldwide tour, performing classic hits such as “Flirtin’ with Disaster,” “Devil’s Canyon,” “Gator Country,” “Whiskey Man,” and “Dreams I’ll Never See.”

The band’s current lineup consists of long-time members Bobby Ingram on lead guitar and John Galvin on keyboards, as well as Tim Lindsey on bass guitar and Shawn Beamer on drums, with Jimmy Elkins on vocals. Molly Hatchet continues to honor the legacies of those members who passed away (including Danny Joe Brown, David Hlubek, and Phil McCormack) by keeping the music alive, performing across the United States, and throughout the world.

Molly Hatchet celebrated their 40th anniversary with a world tour and the release of the double CD and triple vinyl live album titled Battleground. Recorded in both Germany and Switzerland on the SPV/Steamhammer label and featuring cover art by famed artist Paul Raymond Gregory (Dio, Uriah Heep, Saxon), Battleground has garnered rave reviews by their loyal fans, as well as the national and international press.

According to Bobby Ingram, “In recording this album, we compiled a four-decade long catalog of songs that our friends wanted to hear. They would tell us what songs they wanted on the album, and we would record them. Some of these songs have never been recorded on a live stage before, and we were honored and proud to be able to perform them for many generations of past, present, and future Southern rock fans.”

After forty plus years Molly Hatchet is still workin’ hard, playin’ tough, livin’ fast, and Flirtin’ with Disaster!!!

DB BRYANT BAND

DB has opened for: Hank Jr Lynyrd Skynyrd, Kid Rock, Blackberry Smoke, Brantley Gilbert, Big and Rich, 38 Special, Jackyl, Devon Allman, Eddie Money, Blackfoot, Molly Hatchet, Preacher Stone, The Wreckers, Atlanta Rhythm Section, Bad Company, Alice Cooper, Johnny Winter, Blue Oyster Cult, Kansas, REO Speedwagon, Montgomery-Gentry, Mother’s Finest, Los Lonely Boys, Edgar Winter, Pat Travers, Joan Jett, Sugarland, Rick Derringer, BTO, Outlaws, Charlie Daniels …and many more.

The San Francisco trio of Adam Abildgaard, Nick Duffy, and Ted Davis have built a loyal following and constant buzz over the last several years, with the 2019 EP ‘Mood Ring’ standing as their most kaleidoscopic work to date. Merging the quintessential melodies of pop’s past with contemporary touches to forge something truly unique, Hot Flash Heat Wave is just starting to create their own sonic world.

Last year’s EP launched the group into a realm entirely different from their previous catalogue. It is their truest-to-heart release yet, synthesizing a wide range of influences encompassing My Bloody Valentine, Frank Ocean, New Order, and Toro y Moi into something that sounds new and refreshing. Mood Ring’s lead single “Glo Ride” bounces with a slight R&B tilt against a dark, trippy atmosphere, while “Sky So Blue” finds the band spiralling into full-on psychedelia, complete with layers of spell-casting keyboards and a wonderfully zonked-out breakdown.

And the future only seems brighter from here: with September’s single ‘Grudge’ teasing a 2021 LP, Hot Flash Heat Wave is preparing for the next step up the staircase in their colorful sonic journey, with determination to elevate their craft in the process.

Volunteer at TFAC events this spring! Email Sharol at [email protected] or call 828-859-8322 T-F 10AM – 4PM Ushers & Bartenders needed for the following events. EVENTS April 16:      Livingston Taylor concert on main stage April 21-24: Enchanted April community theater on stage April 28:      Amphitheater concert (outdoors) May 8:         Ranky Tanky concert on main stage May 5:         Amphitheater concert (outdoors) May 12:       Amphitheater concert (outdoors) May 19:       Amphitheater concert (outdoors) May 26:       Amphitheater concert (outdoors)

Intro to Guitar with Melissa McKinney – Students will receive a solid foundation in beginner rhythm guitar for vocalists. Chords, Rhythm patterns, and basic theory will be introduced while learning songs with an uplifting message. Students will also learn to play the song that the Songwriting Class will be writing and will record it in the One Mic Studio.

Tuesdays from 4pm-5pm at LEAF Global Experience (19 Eagle St, Asheville, NC, 28801)

*Dates/times subject to change – interested in attending this class but unsure if it works with your schedule, or if it suits your student’s skill level? Reach out to us at [email protected]! We are always looking to adapt and expand our class schedules to accommodate new students!

Intro to Ukulele with Melissa McKinney – Students will receive a solid foundation in beginner Ukulele skills for vocalists. Chords, Rhythm patterns, and basic theory will be introduced through songs with an uplifting message. Students will also learn to play the song that the Songwriting Class will be writing and get to record it in the One Mic Studio.

*Dates/times subject to change – interested in attending this class but unsure if it works with your schedule, or if it suits your student’s skill level? Reach out to us at [email protected]! We are always looking to adapt and expand our class schedules to accommodate new students!

Speaker(s): Aaron Wesley Means

Co-Sponsor(s): Henderson County Chamber of Commerce, Brevard/Transylvania Chamber of Commerce

Webinar info will be emailed after registration

Speaker(s): Aaron Wesley Means

Co-Sponsor(s): Henderson County Chamber of Commerce, Brevard/Transylvania Chamber of Commerce

Webinar info will be emailed after registration

Heralded by The New Yorker as “thrilling” and “genuinely moving.”

From the producer of The Lion King and Aladdin, Frozen, the Tony^®-nominated Best Musical, is now on tour across North America and the critics rave, “It’s simply magical!” (LA Daily News).

Frozen features the songs you know and love from the original Oscar^®-winning film, plus an expanded score with a dozen new numbers by the film’s songwriters, Oscar winner Kristen Anderson-Lopez and EGOT winner Robert Lopez. Oscar winner Jennifer Lee (book), Tony and Olivier Award winner Michael Grandage (director), and Tony winner Rob Ashford (choreographer) round out the creative team that has won a cumulative 16 Tony Awards.

An unforgettable theatrical experience filled with sensational special effects, stunning sets and costumes, and powerhouse performances, Frozen is everything you want in a musical: It’s moving. It’s spectacular. And above all, it’s pure Broadway joy.

Official Website

Founding member, lead singer, and bass player of internationally acclaimed Blues/Rock band Trampled Under Foot, Danielle Nicole Schnebelen stepped out on her own in 2015 with her debut album “Wolf Den.” In 2018, Nicole returned with a follow-up release via Concord Records entitled “Cry No More” garnering a 2019 Grammy Nomination for Contemporary Blues Album and 2 Blues Music Awards for Bassist and Female Contemporary Artist, among a slew of Blues Blast Music Awards and 3 Independent Blues Awards.

Nicole’s “distinctive, inventive bass work”—which resulted in her becoming the first woman to win the Blues Foundation’s 2014 Blues Music Award for Best Instrumentalist – Bass—“is the product of years of intensive roadwork; and although her voice draws comparisons to artists such as Susan Tedeschi, Bonnie Raitt and Etta James, it is only the feeling in which she will invoke those memories. Nicole’s show, style and tone are all her own and can only be experienced.”

By Nicole’s side is her founding guitarist Brandon Miller of Kansas City and drummer Cameron Tyler currently hailing from Las Vegas.

This monthly event, co-sponsored with Blue Ridge Community College’s Small Business Center, the City of Hendersonville Main Street program, and the Hendersonville Merchants & Business Association features several speakers on timely community events and issues affecting our business community.

Volunteer at TFAC events this spring! Email Sharol at [email protected] or call 828-859-8322 T-F 10AM – 4PM Ushers & Bartenders needed for the following events. EVENTS April 16:      Livingston Taylor concert on main stage April 21-24: Enchanted April community theater on stage April 28:      Amphitheater concert (outdoors) May 8:         Ranky Tanky concert on main stage May 5:         Amphitheater concert (outdoors) May 12:       Amphitheater concert (outdoors) May 19:       Amphitheater concert (outdoors) May 26:       Amphitheater concert (outdoors)

Option 1:  Classic Rock for acoustic guitar

Join beloved Polk County musician Woody Cowan and learn YOUR favorite tunes.  In this setting, the students pick the songs, and Woody leads the teaching.  This friendly class is full of peer-to-peer encouragement and collaboration.  Artists covered included Janis Joplin, Neil Young, Old Crow Medicine Show, & Grateful Dead.  Whether you know a lot of chords or just a couple, this class will move you forward musically while taking you back through the best era of radio-played folk music.

Option 2: Beginner/Intermediate Folk Jam

World-class musician Gaye Johnson leads this class, gently raising your comfort level to play freely in a group setting.  Rooted in traditional folk music, aspiring mandolin, and guitar students will join together to gain more comfort and self-assurance in a group setting, while also diving into rhythm techniques and ornamentations.

Option 3: Intermediate/ advanced band

Bob and Amy Buckingham guide adults on all instruments (guitar, clawhammer banjo, fiddle, mandolin, ukulele, & bass).  Several songs are picked by the group at the start of the semester, and over the 10 week semester, the musicality and “setlist” grow exponentially.  Adults love this format for
guided jamming.

Wednesday 

 4:00 pm – 5:30 pm

All beginning students receive 45 minutes of group instruction and 45 minutes of singing/storytelling.

Group song & story:  Gaye Johnson (known for having the sweetest voice in the region) gives students the strong foundation they need for learning an instrument.  To learn music most effectively, students must know the songs before they play them on an instrument – then the learning becomes intuitive.  This fun class equips students with the classic songs and stories of the region and helps launch their musical abilities.

Instrument options:

Age ranges are suggestions.  Please email Julie if your child is outside the age range for the class they wish to take.

Option 1: Beginning ukulele, ages 6-8

Option 2:  Instrument Survey, ages 8-14

Continuing from last semester, this instrument survey class will focus on clawhammer banjo, plus one additional instrument to be chosen by the students.

Option 3:  Beginning guitar, ages 8-14

Option 4: Beginner mandolin ages 8-14

Option 5: Beginner fiddle ages 8-14

*Please be sure to select the student’s 1st and 2nc\d instrument choices when registering.

Wednesdays 

4:30 pm-6:00pm

All students with some experience under their belt will take an intermediate or advanced group instrument class, and a band class.

• 4:30-5:15 

Jam Band: Phil Jenkins & Carson Moore help young musicians find their voice in a band environment.

• 5:15 – 6:00

Option 1: Intermediate Guitar

Option 2: Intermediate Fiddle

Option 3: Intermediate Mandolin

Option 4: Three-finger banjo- all levels

Clover Pickers: 4:00- 6:00

PacJAM’s house band gets rigorous coaching this semester from Emily Wait and special guest coaches.  Clover Pickers will spend 5 weeks of the semester practicing their teaching skills from 4-4:45 weekly, and 5 weeks working on choosing and arranging songs for Clover Picker performance.  Band rehearsal and coaching last from 4:45-6 for all 10 weeks.  Clover Pickers band is by invitation and the commitment requires extra rehearsals as determined by the group.

While participating in the Lights program, students can develop their songwriting, performing, and musicianship skills while exploring music from around the world. They will have extensive performance opportunities with a focus on music that inspires, uplifts, and spreads a music of unity and hope. Students will record their music in the One Mic studio and learn about the music industry and explore topics such as audio engineering, stage presence, graphic design, videography, website development and more while learning to use their music to be a force for change. Advanced students will have the opportunity to work towards touring locally and regionally with the Lights concert tour. They will also have the opportunity to regularly interact with and learn from LEAF resident artists. Students will be exposed to music from a diverse range of genres and cultures. Students will have the opportunity to see how music connects us on a deep level and how it can create joy, bring people together, and instigate change. LEAF lights will lift young leaders and give them a platform to make a difference in the lives of others.

Wednesdays at 5pm (Junior Group) & 6pm (Senior Group) at LEAF Global Experience (19 Eagle St, Asheville, NC, 28801)

Dates/times subject to change – interested in attending this class but unsure if it works with your schedule, or if it suits your student’s skill level? Reach out to us at [email protected]! We are always looking to adapt and expand our class schedules to accommodate new students!

Heralded by The New Yorker as “thrilling” and “genuinely moving.”

From the producer of The Lion King and Aladdin, Frozen, the Tony^®-nominated Best Musical, is now on tour across North America and the critics rave, “It’s simply magical!” (LA Daily News).

Frozen features the songs you know and love from the original Oscar^®-winning film, plus an expanded score with a dozen new numbers by the film’s songwriters, Oscar winner Kristen Anderson-Lopez and EGOT winner Robert Lopez. Oscar winner Jennifer Lee (book), Tony and Olivier Award winner Michael Grandage (director), and Tony winner Rob Ashford (choreographer) round out the creative team that has won a cumulative 16 Tony Awards.

An unforgettable theatrical experience filled with sensational special effects, stunning sets and costumes, and powerhouse performances, Frozen is everything you want in a musical: It’s moving. It’s spectacular. And above all, it’s pure Broadway joy.

Official Website

Benoit is one of the featured musicians in the Sony Picture Classics 2022 movie JazzFest: A New Orleans Story, Frank Marshall & Ryan Suffern’s documentary on the New Orleans Jazz & Heritage Festival.

“With a grin on his face and sparkle in his eye from all the love he was receiving he grabbed his trusty Thinline Telecaster and without a seconds hesitation ripped into an absolutely blistering introduction to “Why Are People Like That”, wrote Splice Magazine in a recent live review of Benoit’s live show. “His band laid out a perfect beat for Tab to weave his six string magic. Tab’s vocal delivery was spot on, but his playing was otherworldly. There was no denying who was the master guitar player on tonight’s bill.”

More About…Tab Benoit

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.